Introduction
Jean Baudrillard (1929-2007) was a French poststructuralist/postmodernist known for his critical analyses of contemporary society and culture, particularly regarding consumerism and technology. Like other philosophers associated with the postmodern movement (Deleuze, Derrida, Foucault, Lyotard, Lacan, etc.), Baudrillard’s thought begins with semiotics and argues that meaning and significance are derived from the way signs, or images, interrelate. He also argued that the attempt to formulate a systematic and comprehensive knowledge of the world ends in illusion, an idea which, while certainly not foreign to other postmodernists, he emphasised and carried to its logical conclusion in a way they perhaps didn’t. Fully articulated in the essay “The Precession of Simulacra”, this idea was that the real no longer has any relevance in the modern world, having been replaced by simulacra: representations that don’t represent anything real. In this article, I want to explore Baudrillard’s notion of simulation and simulacra in more depth, then look at a couple of examples that illustrate the progressive deterioration of the image, before briefly discussing a key consequence that follows. I will then submit Baudrillard’s account of the image and simulation to a critical analysis (which, be warned, is going to get a little critical), before concluding with a brief look at how the image has been understood in the aesthetic domain by four other (non-postmodern) philosophers.
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