Metaphysical Photography

METAPHYSICAL ITALY

Beautiful photographs by George Tatge.

George Tatge

b.1951

Italian-American photographer George Tatge studied English Literature at Beloit College, Wisconsin. Tatge moved to Italy in 1973 and began working as a freelance photographer and writer. He served as Director of Photography at the Alinari Archives between 1986 and 2003. Tatge was awarded the Premio Friuli Venezia Giulia Photography Prize in 2010. His work is represented in major public collections, including the Metropolitan Museum of Art, New York, and the Centre Canadien d’Architecture, Montreal.

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Snap

I was a war widow’s only child.

Her mother was a frightful tease.

She would say anything to get a rise

Out of my mother or me.

A war widow herself,

She lived with her house-keeper

As my mother did with hers.

Bickering was common enough.

The rule was, we quarrelled and forgot.

Sometimes I forget that others

May not forget the hurt

As easily as we forgot our spats.

So if I have hurt any one of you in the past,

Please do not nurture it.

I’ve forgotten who I snapped at last.

Forgive me. I have always been a bitch.

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Dinghy

Dinghy
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Clemency at White Lodge

THE SUMMER-HOUSE BURIED BY SNOW

There were girls asleep on the beds, upstairs and down.

I was living in the dreams of Paul Delvaux.

When they woke up, it was slowly, slowly, and then

One hit another on the head for wanting to throw

A party.  “I’m the one who does that,” she said.

When I went to Chinatown with Clemency

It was like going down the escalator next to a Botticelli.

That pallor – the girl was a manner of being,

Didn’t eat meat though, suffered from migraine,

Unlike the one like the wild honey on Capri

Who drove a Cortina and took me to dinner.

Later she lay on her stomach, a pillow beneath her,

While out on the court, a girl with the loveliest legs

(Clad in my turquoise running shorts)

Tossed up the ball to serve an ace.

Girls wrapped in towels, glimpsed on stairs,

Humming beneath their thick white turbans,

Girls in gym-slips, wedded to trapezes,

And tall African girls loping down corridors,

The flashing of their soles persisting

After their bodies have merged with the shadows.

Crinolines rustle and skirts with many sashes

Bob together in private like whispering bells,

Fans with ivory spines bicker in parlours,

But still the one in the boots tramps on down freezing streets.

She needs no applause.  It doesn’t matter to her

What people think, and she is quite indifferent to the fact

That she smells of gardens, nuts in May, the creaminess of spring.

LOSSES

That crystal goblet – it had stood on my mother’s bedroom

Chest-of-drawers for ever, as Brigid had, her wooden cow

Kept since she was a child, head chewed by a dog though,

Body daubed with big red spots; gone, as have the Arnesby Browns:

The small one of the windmill, last seen in a storm across a field

Of corn, the larger one of cows in a sun-fumed pasture.

Gone, gone, as have the zoological volumes, ages old,

Illustrated with wood-cuts, the Senna kilim taken from my

Flat in Islington, the cricket bat with autographs of Hobbs and

The rest of the team, given me by Uncle Paul, who must

Have gone up and asked for them at the end of some long

Afternoon at Lords. Gone, along with his father’s Sandhurst

Sword of honour. Stolen, lost, or simply forgotten.

Absences that lose me sleep, as does that magnificent oak

Felled by some farmer who begrudged the shade it cast on his crop.

Not the death of my father, since that is simply an idea:

He had been killed before I was born, so never someone

Missed the way I missed my intellectual cousin Jean,

Found collapsed on the floor of her flat, and Clemency

Who stole my heart without intending it. She phoned me up

Years later, after I was married, then committed suicide,

As Nick did, as did Graham; and my tiny daughter Storm

Who crawled away delighted by my chasing her and then was gone,

Gone like the ball I watched at four float away down the Hudson.

To the memory of Clemency Clift, a wonderful dancer with the Royal Ballet back in the sixties. I was very much in love with her.

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World War 1 – Charles Fouqueray – artist

I just acquired 9 wonderful prints by Charles Fouqueray – a war artist I had never heard of.

Charles Dominique Fouqueray (Le Mans, 23 April 1869 – 28 March 1956) was a French painter. He studied at the École des Beaux Arts in Paris under Alexandre Cabanel and Fernand Cormon. From 1908 he was Peintre de la Marine, following the career of his father, a naval officer. He was recipient of the 1909 Prix Rosa Bonheur, then in 1914 the first Prix de l’Indochine.

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Autumn

AUTUMN, a fragment of a diary in verse, has just been re-issued as a Grey Suit Heyzine edition

See also this list of all books presented in this format

CHAINLINK gave Autumn an excellent review, and did an interview with me – which has inspired me to present this work here, so that it can be read.

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THEOSIS

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My Father and his Motorbike with its Side-car

WILDERNESS ROAD

x

While seagulls fight for lamp‑posts near the timber stores,

Inside the drawer, his folded airmail fades.

Behind those bricked-up windows, boarded doors,

His motor-bike once led your small parades.

x

You lost its little rider where the viaduct

Is just a name before some heavy plant.

What relics of his life comprise his dialect

Who wore his khaki envelope aslant?

x

That ancient biscuit tin was once a zoetrope

Which held the eyes of children to its whirl.

Its cogging wheel is rusted now, and cannot hope

To crank again the motions of his girl,

x

And in that jungle cutting by the railway tracks

A picture postcard curls among protectives.

There, behind the hoardings, where they drop their slacks,

The Bay of Naples tenders its perspectives.

x

His profile is the King’s, who never comes

To your place, though you know him by the coin

You find beneath the boards, among the crumbs,

And then you wonder will he come again?

x

There was a time you lived in rented rooms

And trundled caged-in balls across the floor.

When boys get sent to bed the lids of tombs

May open and their fathers re-appear.

x

He gave his epaulets to you in sleep,

And left the horse that gallops on the shelf.

Of rented rooms, there’s little but a heap

Of rubble, weed and cinder ‑ and yourself.

x

They flatten homes in order to provide

Sufficient job stability for marriage.

Her wartime hooves went flashing down the road.

She hoped that it would cause her a miscarriage.

x

Round the shed where one can hire a helicoil,

Some engineers have cleared another site.

The twanging of a line against a metal pole

Continues madly, far into the night.

x

Against an intercity‑shaken fence,

Forsaken ghosts may rip themselves to tatters.

His army knife will not be carried hence

While Morning Glory steals across these matters.

x

From Shorter Poems 1969-2022

My father returned from internment in Australia and immediately trained as an engineering officer and joined REME – the Royal Electrical and Mechanical Engineers. He married my mother, and was sent out to Naples towards the end of 1944, leaving her pregnant with me. To learn more about their story, read The Best Deborah Stories

He was very proud of his bike with its side-car and travelled on it into Naples from the camp where he was stationed to go to the Teatro di San Carlo, having fallen in love with Italian Opera. Bikes with sidecars were notoriously dangerous. In Naples, most officers issued them died on them. My father was no exception. Bear in mind one was riding through traffic in a country one was occupying, so most truck drivers had been enemy combatants until a few months before. My father was squashed between two lorries. I was born a few weeks later. I used to love watching the zoetrope he had made out of a biscuit-tin, especially one animation of a naked girl walking towards one.

More about my father here.

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A Post for New Year’s day 2026! Plus a Review and an Interview…

Great to find this post today in THE HIGH WINDOW.

These are taken from what is now titled my Shorter Poems – which can be read on this Heyzine link.

Other works I have published on Heyzine can be read here

My COLLECTED LONGER POEMS are published by Grey Suit Editions UK

My thanks to David Cooke!

And wow! I can’t complain! Another review out today! This one for AUTUMN, a novel-length poem I published as a Manubook back in 2017. It’s here in CHAINLINK JOURNAL

PLUS, also in this issue, an interview I did with its editor, Neil Fulwood. My thanks to him. What a nice New Year’s day!

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Perfidious Albion

Terrific interview of Harley Schlanger by Garland Nixon.

See also The Geographical Pivot of History

Harley Schlanger is a prominent figure associated with the Schiller Institute, a political and economic think tank founded in 1984. He is known for his updates and newsletters related to the institute’s activities and its connection to the LaRouche movement.

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