Making a photobook of my miniatures

As I get older, the realisation comes that one day my miniatures collection may need to be reduced. Not any time soon I hope, but possibly within the next decade or so, if we were ever to downsize our home and I end up losing the space to display and store my figures.

So I’ve decided to start preserving my favourite miniatures in a more portable way by capturing them in photographic form.

Over the years I’ve taken many photos of my model soldiers. Lots of them are published on this blog.  But I don’t know how permanent a blog is – could it disappear one day in the future with changes in technology? 

And I don’t trust the long-term permanence of ‘in the cloud’ storage either, where your photographic treasures are totally in the hands of some impersonal company.

Therefore I’ve decided the best way to keep my photos in an easily accessible format is to publish them as a hardcopy photobook. I did do one about ten years ago, but it is obviously well out of date now with all the miniatures I’ve painted since.

In the great wargaming rules tradition of ‘second editions’, I decided to update my book. I would keep most of the earlier photos, but add in many more of my favourite pictures from the last decade.

I used a commercial online photobook printing app to compile them into a new hard-cover book. This is an Australian-based company called Snapfish, but there are similar outfits all over the world if you want to do something similar.

With the Snapfish online tool I simply uploaded and arranged my chosen photos. I then submitted my order, and two weeks later I had the book in my hands.

I was very impressed with the results. I had selected a glossy paper option, which made the photos really pop. My figures look even better than real life!

Now, if I ever find my much older self with a sadly diminished collection, and wishing to reminisce about my happy times in this hobby, I’ll always have these wonderful images to hand!

Some tips if you want to do this:

* The book will only be as good as your photos, so pick the best you have.

* Photos taken from the eye-level of the figures, rather than looking down on them, generally look better.

* Don’t jam too many photos on one page – in hindsight, I’d say no more than four (some of my pages with more pictures ended up with them being too small).

* Use the editing tools in the app to crop photos to the main subject – including lots of background just wastes precious space, and reduces the size of your figures on the page.

* Also, use the editing tool to adjust the subject of your image so that it is centred properly within its frame.

* Don’t underestimate the visual impact of the occasional page with a single picture bleeding off the edges.

* Add at least some text boxes with captions – although you know what your figures are, captions will help other viewers.

Below is a selection of some of the pages in my book.

– Landsknechts on the front cover.
– German Landsknechts.
– Eighteenth century ‘Lace Wars’.
– British Napoleonics.
– American Civil War
– Colonial New Zealand Wars, 1840s.
– Interwar & WW2 French
– WW2 Dutch
In case you’re interested, I’ve also just done  similar book of my paintings.

Fun with AI

I just came across NaukNauk, an AI program designed specifically for animating toys. So I had a bit of fun bringing some of my miniatures to life. Enjoy!

The Battle of Fontenoy, 1745. That mounted officer better be careful he doesn’t get caught in the crossfire!
The British Grenadiers. Hints of ‘Barry Lyndon’. Sorry, I forgot to add a music sound-track.
French on the march. Shame the AI can’t figure out wargaming bases!

Vive L’Empereur! French Peninsular Veterans


My latest Napoleonic unit is this disreputable battalion of French scallywags and ne’er-do-wells … which never actually  existed in real life. So why did I paint this fictional unit?

– The 3rd Battalion of Detachments

Well, earlier this year I painted the British 3rd Battalion of Detachments, another mythical set of 28mm wargames figures produced by Warlord Games. This latest made-up French unit is part of the same series of figures.

– The two Warlord Games boxed sets.

Together, the two sets are reminiscent of the type of larger-than-life characters that might be found in Bernard Cornwell’s ‘Sharpe’ novels.

– The grenadier company on the right flank.

These miniatures are cast in resin, and each figure is a masterpiece of character and individuality. Not one man is alike.

– Each figure carries a different load.

I love the range of paraphernalia that these men are carrying on their backs – everything from pots and pans, spoons, firewood, tools, lanterns, breadsticks and even a stolen pig!

– Les Bouchers in line formation …
… and in column.

The flag that came in the boxed set is for the 73e Régiment d’Infanterie de Ligne. But I felt it was a little bit too big compared to the flags of my other French units. I happened to have a spare GMB Designs flag for the 2e Régiment, so gave them that instead.

To be honest, my painting has got lazier over the years. I used to do lots of layers of shading and highlighting, with each figure as perfectly detailed as I could get it. But now I rely on the quick and dirty job done with a single coat of GW Contrast Paints. The results don’t bear close-up scrutiny, but are totally suitable for viewing on a tabletop.

– Newly painted and based, ready to march onto the tabletop!

Warlord Games also wrote a back-story for this fictional unit. Here it is, slightly  adapted by me to suit the way I’ve painted my battalion:

After General Pierre Dupont’s defeat at Bailén in 1808, large numbers of French troops were captured. Those that survived the subsequent forced march to Cadiz were incarcerated aboard a number of prison hulks – decommissioned warships turned into floating gaols. Conditions aboard were vile, and many prisoners would perish from disease, mistreatment, or malnutrition. Mutinies were not uncommon, although the savage punishments meted out for even the smallest misdemeanours meant that successful escapes were few and far between indeed.

One such attempt was that of Chef de Battalion Francois Léon de Rochebaron and a small band of hardened cutthroats from the prison hulk ‘Vielle Castille’. An old three-decker with an ill-starred history, having served in French and British hands before being recaptured by the Spanish, the ‘Vielle Castille’ was known locally as the ‘Ship of the Dead’ for the squalor and misery endured by its occupants.

It is unknown precisely how de Rochebaron made his escape, but in the ensuing carnage the ‘Vielle Castille’ was burnt down to the waterline with hundreds of casualties. By the time the smoke cleared, de Rochebaron and dozens of French veterans had escaped into the Spanish countryside.

Francois Léon de Rochebaron was a patriotic and loyal man, as well as a charismatic leader. He led his rag-tag band of escapees back to French lines, intending to rejoin the war effort, and collecting other stragglers along the way. A man of breeding who had cast aside the trappings of the Ancién Regime during the Revolution, de Rochebaron had been significantly changed by his time in captivity. Once considered a scrupulously honourable man, he rejoined the French forces as a hardened veteran of partisan warfare, utterly without mercy to his foes.

Considered unsuitable for regular service, de Rochebaron was instead placed in command of an irregular unit of men caught in similar circumstances, which soon earned the moniker of ‘les Bouchers’. These ‘butchers’ certainly lived up to their name, proving devastatingly effective and savagely thorough in action against Spanish partisans and British patrols alike, sowing brutality on the battlefield and leaving bloody carnage in their wake.

– Drummer Louis ‘Fripe-Sauce’ Masson and his vicious poodle Fifi; Chef de Battalion Francois Léon de Rochebaron; eagle-bearer Vincent Glaza; and Sapeur Philippe Berthet (brandishing a purloined chicken!).

Made up of men from across the French army, les Bouchers boasted some truly colourful characters:

Louis ‘Fripe-Sauce’ Masson had escaped a charge of attempting to poison his commanding officer when it was proven that he was simply a truly awful cook, and would go on to serve as the unit’s drummer, beating the pas de charge with his faithful (if somewhat vicious) poodle, Fifi, trailing along beside him.

Vincent Glaza bore an Eagle of uncertain origin and served as the ‘moral’ backbone of the unit. A staunch Revolutionary, he would often be found sermonising to his fellow soldiers – whether they wanted to listen or not!

Mathieu Chamont and Philippe Berthet were inveterate looters, eager to carry off anything not nailed down (and, in fairness, quite a few things that had been nailed down, courtesy of Berthet’s sapper’s axe!).

Victor Gaillard was a sheer brute of a man, a bare-knuckle boxer from the docks of Marseille with a deep-seated loathing for all things Spanish. Villages quailed at the mere mention of his name, and his casual brutality towards those he perceived as weaker than himself made him an unpopular figure of fear amongst even his fellows.

Little ‘Jean-Jean’ Morel had been a career criminal before conscription, and in les Bouchers found a welcome home for his particular talents as a forger. Rations fit for an Emperor and brand-new muskets would, from time to time, find themselves diverted to a remote Spanish village where les Bouchers just so happened to be holed up, with irate and confused drivers discovering that, miraculously, the requisition paperwork was perfect!

At Grijo, les Bouchers, after months of terrorising the local populace and skirmishing with partisans, ran into a force their equal in notoriety, if not quite their savagery – the British 3rd Battalion of Detachments. In the bitterly contested skirmish that followed, de Rochebaron was seen duelling the British Ensign Digby St. Leger, who lost an eye in the combat, while Fifi engaged in a savage dogfight with the Third’s regimental mascot, Duchess. Les Bouchers claimed victory at Grijo, but given that the Third did likewise, this claim must be taken with a significant pinch of salt.

The eventual fate of les Bouchers is unknown – most likely they were either destroyed during the eventual withdrawal to France, or simply folded into another unit as reinforcements after one of the great later battles of the Peninsular Campaign.

– More baggage and loot! Note the loaf of bread speared onto a bayonet.

In games of ‘Black Powder’, les Bouchers are rated as a French Line Infantry Battalion (using the rules from ‘Albion Triumphant Volume One’), with the additional special rules Bloodthirsty and Brave. In addition, if they are classed as a Victorious Unit after close combat, their only option is to do Nothing – this represents les Bouchers dispatching their wounded foes (and stripping them of all valuables)!

More 3D-printed goodies for my Japanese castle

I thought my lovely Japanese castle that I had 3D-printed recently by Potbelly Miniatures was looking a wee bit lonely without external walls and a gatehouse. So I have now added these, courtesy of Potbelly.

Both the castle and extras were originally designed by the talented Iain Lovecraft. The figures in my photos are a mixture of Perry and Kingsford miniatures.

The complete Japanese castle setup.
Weapon practice in the courtyard.
‘Ho there, where goest, old man?’
‘None shall pass!’
View from the gatehouse gantry.
Busy foot traffic past the castle.
A heron’s eye view!

A 3D-printed Japanese castle

This was a real impulse buy. I came across this wonderful model castle when New Zealand 3D-printing company Potbelly Miniatures advertised it on Facebook. I couldn’t resist!

Designed by Iain Lovecraft for his Nippon Saga 2 Kickstarter, it’s a huge 5-storey building based on the real Matsue Castle in Japan.

The model consists of layers that include the full interior of each floor. The stairwells all meet correctly. One floor even has sliding doors.  The layers on the completed model can come apart so you can access every level.

The finished model stands 32 centimetres tall. The cottage in the background is also from the same range, by the way.

The real Matsue Castle (松江城, Matsuejō) is one of only a dozen original castles in Japan, meaning that its main tower has survived to this day through fires, earthquakes and the anti-feudal demolitions of the Meiji Period. It is sometimes called the “black castle” after its darkly-colored, austere exterior.

Matsue Castle was constructed from 1607 to 1611 by Horio Yoshiharu, the first daimyō of the Matsue Domain, during the early Edo period. Ownership was passed to the Izumo branch of the Kyōgoku in 1633 and then the Matsudaira, a junior branch of the ruling Tokugawa clan, in 1637.

Painting was fun and quite easy. I started with a black spray undercoat over everything, followed by a quick top-down brown spray-paint.

I dry-brushed the wooden walls with light grey. I then painted the white plaster parts and the paper panels on the interior walls and sliding doors.

The floors were dry-brushed white, painted in Contrast Paint yellow, then dry-brushed white again.

The roofs were painted medium blue, then dry-brushed with white, and finally given a coat of black wash to tone down the blue. I picked out the roof ornaments with turquoise.

The stone walls were dry-brushed in grey, then random stones picked out in various light grey and tan colours. I used black wash to darken the walls nearer to the ground. 

The 28mm figurine shows just how tall this model is.
The entrance wing is a two-storey construction in its own right.
The bottom level of the castle itself. Note the well, and also the passage and stairs winding down to the entrance wing.
The next level is quite plain, but includes the pillars and stairwells. Around the sides are holes in the floor for shooting at attackers.
This level has several rooms divided by paper walls and sliding doors. These rooms have mats on the floor.
The top level provides the castle occupants (and nowadays tourists!) with a clear 360-degree view.

All in all, I think you’ll agree this is a pretty impressive model!  

Napoleonic British 3rd Battalion of Detachments

– The 3rd Battalion of Detachments. Note the guy with the smuggled pig, the limping soldier, the dapper officer taking a pinch of snuff, the ragged flags, the bald sergeant and the yellow-coated drummer boy.

OK, anyone who knows their Napoleonic history will immediately be scoffing at me, saying there was never was a British 3rd Battalion of Detachments. And they’d be right – there wasn’t!

– The 3rd Battalion of Detachments emerges from a sunlit forest.

But this is a completely fictional unit, the brainchild of Warlord Games. They’ve produced a set of ragged British veterans, and an accompanying set of just as ragged French. And they’ve written made-up backstories for both units.

– Another close-up of some of these characterful figurines.

As the Warlord Games blurb states: These are battle-hardened, dishevelled men, haggard from their long campaign on the Spanish Peninsular. Such men have long abandoned the practice of maintaining their uniforms, with discipline but a distant memory. Ragged and patchy, some have had to seek alternative clothing, making do with whatever they can borrow, scavenge or even wilfully pilfer – which was technically punishable by death.

– Lots of variation in the kit they’re carrying on their backs, and the range of headgear.

I enjoyed painting these chaps. Every one is an individual character, with different kit, clothing and demeanour. They certainly exemplify Wellington’s famous description of ‘scum of the Earth’.

– The battalion’s portly colonel shelters from the sun as he sits astride his weary steed, accompanied by his exuberant pet dog.

I’ve also got the French set – they’re next in my painting queue.

Napoleonic camp followers

This is a group of 3D-printed Napoleonic camp followers I have just finished painting and basing.

They depict some of the often forgotten wives and other women who followed the armies on campaign, working as cooks, laundresses, sutlers etc, not to mention other occupations.

The figures and cart are all Wargames Atlantic 28mm 3D-prints. I painted them entirely with GW Contrast paints.

Watering the horses – a vignette

I have just finished painting and basing this delightful little vignette by Eureka Miniatures.

The scene is a French Chasseur a Cheval fraternising with a local peasant girl as he waters three of his troops horses at the village pump.

The Eureka set includes the chasseur tapping his pipe on the bottom of his boot, three fully saddled horses, the water pump, a laundress washing clothes in a tub, her elderly chaperone.

Even the chickens and a couple of miniscule chicks came with the Eureka set!

I had intended to paint my chasseur as a much earlier hussar to accompany my 18th century Lynden Hussar regiment. However, I accidentally ordered the chap with a tarleton helmet, instead of the option with a mirliton hat.

The helmet was worn by the Chasseurs a Cheval during the French Revolutionary period. So this makes my guy too late for my 18th century army, but too early for my Napoleonics. Ah well, c’est la vie!

I used a 90mm wooden base, with terrain made out of a mixture of different types of sand and some patches of flock.

This little scene will look great on my Napoleonic tabletop, even though our chasseur’s hat is more than a few years out of date!

New blog for my art

Now that I have prints for sale from some of my paintings, I thought it was high time I split my blog into two. This one will remain my wargaming blog, but I have now set up a new separate “Roly’s Art” blog for my artwork.

So for those wargamers who were getting annoyed that my latest postings here had nothing to do with the hobby, you can now rest assured there won’t be so many art postings!

So, to summarise my two blogs:

Of course, the more clever type of visitors will bookmark both blogs!

Fine art prints of my paintings now available

I was chuffed recently when Art Collective chose to reproduce four of my paintings as fine art prints for sale from their site. As regular visitors here will know, since retiring a year or so ago, I have taken up painting in addition to my existing hobby of wargaming.

These prints are available in New Zealand (with free shipping!) from $39 to $230, depending on size and whether or not you want them framed.

In case anyone is interested, you can check out these prints here: https://www.artcollective.co.nz/vendor/roly-hermans/

Art Collective’s site includes a bio of each of their artists, of whom I am now honoured to be amongst the august company!

In my bio photo I am holding my original painting for the print shown at the top of this posting. It depicts His Majesty’s Bark ‘Endeavour’, Captain James Cook’s ship on his first circumnavigation of the world from 1768 to 1771.

You can read more about my painting of this famous ship here: https://arteis.wordpress.com/2022/12/10/endeavouring-to-paint-the-good-ship-endeavour/

This is a print of my painting of the hustle and bustle on Queens Wharf in Wellington, some time during the 1890s.

You can read more about my process of painting this busy scene here: https://arteis.wordpress.com/2023/02/14/ive-been-painting-pictures-again/

This print shows a restored Class Ka steam locomotive climbing the grade from Paekākāriki to Pukerua Bay, hauling an excursion train of restored carriages in their former New Zealand Railways brick-red livery.

I described how I went about this painting here: https://arteis.wordpress.com/2023/01/05/a-train-to-go-with-my-boats-and-planes/

Finally, this is the tugboat ‘Natone’ moored at the Wellington docks in the very early 1900s. She was actually skippered by my wife’s great-grandfather, Captain Joseph Corich.

I did a lot of research to find photos of ‘Natone’, and then spoke to several steam-tug enthusiasts to get the colours right. The buildings in the background are still there today, though of course ‘Natone’ has long since gone to that great shipyard in the sky.

Anyway, I am delighted to have some of my paintings now available as prints. If you are interested, you can see (or buy!) them here: https://www.artcollective.co.nz/vendor/roly-hermans/

At this stage I think they are only sold within New Zealand (which is where I would expect the main demand to come from anyway). But if there is sufficient interest, I may look into if there is a suitable international drop-seller as well.