The wind was not unexpected, but it surprised me with its suddenness and force. The steel awning over the front door bucked and tried to fly away in response–the clunk of its recoil startled me. I opened the Venetian blind to check the weather. Thousands upon thousands of tiny flakes streamed nearly horizontally to batter the house like flak during an air raid. The sounds and sights heralded the start of a beautiful, terrifying change in the town.
In the comfort and relative safety of my home, the blizzard mesmerized me into a state of nostalgia. It has been more than a decade since I last walked home from work during a fierce, winter storm. Thankfully, the journey from downtown towards home was from northwest towards southeast. That meant I enjoyed the benefits of a tailwind. There was no worry about exposure and caked-over eyeglasses. To my delight, the gusty wind pushed me home. The mile-long commute was finished before I wanted. Thankfully, I would be home for an extended weekend because I had been granted earned time off from the studios due to working too many overtime hours the prior week.
Before bed, I opened the window blinds in the den, so I would be greeted by frosty beauty upon awakening in the afternoon. That is how it was as an overnight employee whose routine was temporarily interrupted. I slept soundly, knowing I’d need extra strength to shovel through the drifts that normally form on the north side of the house and garage. They appear as the result of wind being forced backwards from the outer walls of the buildings. In this instance, the height of the drifts would be formidable.
I have a love-hate relationship with blizzards. I love the majesty of the storms. They sculpt snow into sturdy, minimalistic waves around trees and other obstacles. The drifts in front of the garage are especially beautiful to behold. Yet, the snowpack means the snow is a heavy mass that is easy to underestimate. One must be careful to strategize how to shovel through it so as to avoid harming oneself through overexposure or overexertion. These days, I attack drifts from the north towards the south and am careful to take frequent rest breaks.
Whenever I finish the tasks, I usually stand in the middle of the driveway like a conqueror who has won countless battles. I’m happy to see cleared concrete bounded on the east by the shovelled snow cubes I cut to enable more efficient lifting.
The joy is short-lived when the scraping sounds of the city snowplow truck manifest down the street. The powerful machine’s blade will throw a ridge of snowpack in front of the freshly cleared driveway. It will be twice as hard as the natural drift I had just carved through. The last time this happened, I surrendered to technology and steered my electric snowthrower to chew through the snowplow ridge. I’m older now and must be more careful about how to ration my workload.
After the setback has been cleared, I feel even happier than before. With the chore completed, I am free to love the crisp, sunny day with its snowy contrasts and brilliance. I feel gratitude for the magnificent grandeur of winter’s dominion. I decide to reward myself with a drive through the rural area of the county to admire the raw aftermath of the storm. Somehow, I feel more aligned with the planet.
Ciao
The Blue Jay of Happiness quotes British actor, comedian, and writer, David Mitchell. “How vulgar, this hankering after immortality, how vain, how false. Composers are merely scribblers of cave paintings. One writes music because winter is eternal and because, if one didn’t, the wolves and blizzards would be at one’s throat all the sooner.”










