Review: ‘miniature’ brushes

•September 23, 2025 • Leave a Comment

A while ago I was watching an Angel Giraldez video, and during one of the detail close-up sections, noticed a very unique shape to the bristles on the brush he was using: the bristles were short, and very wedge shaped.

I think my brush control is pretty good, I’ve had some decent results with the usual Pointed Rounds that we all use, like the Winsor & Newton Series 7 – though I always wanted a brush with shorter bristles for more control. At a painting seminar in 2015, Fernando Ruiz introduced me to the Escoda Optimo line, which had shorter bristles, and a very narrow belly, shaped almost like a Rigger, and this had been my go-to brush ever since… but, they are virtually impossible to get locally, and very few shops globally even carry them… I had to import them from a friend of his in Germany that ran a shop. The first batch I ordered were great and changed my painting, the second batch, however… was not so great. :/

Oh well, bad batches happen.

Availability of the Escoda brushes was still an issue, though, so I switched back to the usual Pointed Rounds, but, as I have been focusing on speed and efficiency for the past few years, my heavy-hand became more pronounced: after about 60-90 minutes of painting, the weight of my touch increases substantially, which is only compounded when I am trying to move quickly.

As a result, the tip of the soft Pointed Rounds that I use end up warping, leaving lines that are too thick and marks that are an unintended shape… I knew I had to try the brush with the short bristles that Angel was using, an Artis Opus Series M.

Coincidentally, right around the same time, I found out through the grapevine that Artis Opus brushes are manufactured by Rosemary & Company – the R&Co equivalent to the Series M is the Series 323 Spotter – I had been reading great things about R&Co brushes, and thought ‘Well, if I’m trying out a new brush, why don’t I do a comparison between manufacturers?’

While I was already comparing the Artis Opus and R&Co brushes, I decided it would also be a good idea to try out a Winsor & Newton Series 7 Miniature at the same time… the Gold Standard.

I ordered 2 each of a #1 and #00 from each line – my original plan is that I would use the Artis Opus for one entire project, then switch to the R&Co for the next project, then switch to W&N for the next project, then switch back to the Artis Opus. Each brush could be compared back-to-back with each other brush with that sequence.

I painted the entirety of my extra Hellboy: The Board Game Kickstarter edition with the Artis Opus, then switched to the R&Co for the Thousand Sons models, then switched to the W&N for the batch of D&D models I painted earlier this year.

The Artis Opus and R&Co both performed very well, no real noticeable differences in handling – though, a Spotter is perhaps the wrong type of brush to use for getting *into* tight details.

Switching to the W&N brush was a completely different story: the bristles kept splitting. 😢

Oh well, bad batches happen.

Considering that I’ve had dozens of W&N brushes over the years, and never had any issues before, I’m not going to hold a single bad brush as representative of the entire line, but, I did decide to abort the test: if the other W&N brush I received is also from the same batch, there is a high likelihood that it is also bad… and there was no point wasting the time, especially when I was satisfied with the previous 2 brushes.

Now, onto the comparison!

Bristles

I didnt have any graph paper with squares small enough, so I ended up making a 1mm grid in Illustrator… and printing my own. 🙂

As you can see, they are all very similar in size and shape – and virtually identical in the case of the Artis Opus and Rosemary & Co… for obvious reasons.

Conclusion: both the Artis Opus and R&Co performed well – the short, stiff bristles gave me alot of control and helped me move quickly. I’m going to give W&N the benefit of the doubt and assert that it too would have performed well… had the tip not kept splitting. 🙂

Availability

This is actually directly related to why I went with #1’s instead of the #0’s I usually use: I couldnt find any suppliers with W&N s7 Miniature #0’s in stock!

W&N brushes are very difficult for me to find locally, and even the usual places I order supplies from had very limited stock – it was obvious that these brushes would be the hardest to get, so I should plan my test around the sizes I can find for the W&N, which I ended up ordering from PK Pro.

The Artis Opus brushes had greater availability – my local game store carries them, but didnt have the sizes I needed in stock, so I ended up ordering them directly from Artis Opus.

At the time, Rosemary & Co werent widely available – Fenris Workshop does carry the line, but, dont carry the Series 323, so I ended up ordering directly from Rosemary & Co.

Conclusion: Rosemary and Company have the best availability – while you can order directly from Artis Opus, they dont make their brushes, so do have inventory levels… and nothing beats ordering directly from a manufacturer. W&N has, by far, the worst availability, at least in Canada – it is possible to order directly from them, but, well:

Hurray for Canada… elbows up, amirite?

Value

I originally was going to evaluate them on ‘Cost’, but a cheap cost often equals a cheap quality… not in this case, though. The R&Co perform just as well as the Artis Opus, so, this is instead about value.

W&N: $41 USD (about $60 CAD)
Artis Opus: $33 CAD
Rosemary & Company: $10 CAD

Conclusion: Rosemary & Company, by far – I can get 3 brushes for the cost of a single Artis Opus… or 6 for the cost of a single W&N.

Shipping

Shipping for the W&N brushes was fairly high at about $50 CAD – I had to import them from Germany – but, at least I could actually get them shipped to Canada. :/

Shipping from Artis Opus was $6 (it’s gone up slightly since I ordered) and shipping from Rosemary & Co was $16 (again, it’s gone up since).

Conclusion: Based on shipping, on it’s own, Artis Opus is more reasonable, BUT factoring in the cost of the brush itself, Rosemary and Co is the better deal – ordering a single brush from Artis Opus is $40 total ($33 + $7 shipping) while it’s only $34 for a single brush from Rosemary & Co ($10 + $24).

If you order more than 1 brush from Rosemary & Co, though, the shipping becomes even better: their shipping is based on weight, so you can order several brushes at the same time, making the shipping per brush quite reasonable… I played around with the quantities and was able to put 50 brushes into a single order without changing the shipping cost.

Packaging

All the brushes were packed well, with no chance for the caps to fall off in transit. Winsor & Newton, however, have the best packaging: every single brush comes in a plastic tube.

Overall Conclusion

Rosemary & Company, easily: as good as the other brushes, at a much greater value – but the big decider for me was availability… I can get the brushes that I need, when I need them.

Rosemary & Company are now my brush of choice. ❤


Round Base template

•August 18, 2025 • Leave a Comment

I tend to do most of my model building downstairs in my living room – I have a couple shelves in the corner of the dining room dedicated to model building, so I can easily pull everything I need out, and put it away again – away from the reach of my cats – when I am done. Unfortunately, I dont have unlimited storage space there, so I cant keep all my extra parts, like bases, completely organized… all parts get put in ziplock bags, and put wherever there is room.

Currently, I am building the Chaos models from the 2012 Dark Vengeance set – I bought the set for the Dark Angels model, and never had any interest in Chaos, and with this year being GW’s ‘year of Chaos’ it seems like a perfect opportunity to finally get them built, painted, and listed on ebay – but, I am rebasing them to contemporary standards, instead of the 25mm bases all the infantry were based on back then, which means I had a variety of different base sizes I had to keep track of: 25mm, 32mm, and 40mm.

I dont know about others, but, for me, it’s waaaaay too easy to grab the wrong size base… :/

I had a similar concerns when I built my Cursed City set in 2022 (which is still available for sale, btw!), luckily, GW had the foresight to include little diagrams of all the base sizes on the inside cover of the instructions!

I didnt want to keep an big instruction manual with my building tools, just for a small corner of one page, nor did I want to cut my manual (heresy!) so I decided to make a compact template for myself that I can keep in my model tray.

If you would like one of these for your own toolbox, just print the above hi-res jpeg (it’s 300dpi) so that my logo is 1″ tall, and trim it out. You’re welcome. 🙂

If you have issues getting the scaling correct, you can download a vector PDF of the template here which should print properly without any fussing.

This template is for the common GW bases – because that is what I need right now 🙂 – I just noted all the sizes from their website. Eventually, I will probably make similar templates for square bases, odd sized bases, and different sizes of non-GW bases.

Dystopian Wars – Prussian Empire Sky Fortress

•August 2, 2025 • Leave a Comment

In addition to the Naval Battlegroup boxed set, I also picked up the Prussian Empire Sky Fortress model – which was actually the model that sold me on going with the Prussian Empire. Compared to the models in the Naval Battlegroup, the Sky Fortress is quite elaborate, so I wanted to dedicate a blog post just to it.

As with all my other Dystopian Wars models, this model – along with it’s Fighter Tokens – is currently for sale on my ebay shop.

Dystopian Wars – Prussian Empire Naval Battlegroup

•July 28, 2025 • 1 Comment

Waaaaaay back in 2011, the old games club had the idea to start playing the newly released Dystopian Wars – I was fully on-board with this plan: naval battles look GREAT on the tabletop (with the added bonus of not needing much terrain!) – and chose the Prussian Empire for my force, and started with the Naval Battlegroup boxed set.

Top to bottom: Emperor Class Battleship, 9 Arminius Class Frigates, 3 Reiver Class Cruisers, 10 Fighter Tokens, 2 Geier Class Bombers.

As was the typical magpie behaviour of the games club, we had one (1) group game… and then the club quickly forgot it even existed.

These were all painted long before I started tracking my time – almost 15 years ago at the time of this post – but I know I spent a considerable amount of time on them. I tried to match the box art as closely as possible, but couldnt quite figure out how they did the gradient fades on the deck, then I had a surprisingly good idea: I used double sided tape to attach all the models to small pieces of cardboard, coated the decks with a wash, then set them at a 20° or so angle to dry. I repeated this 2 or 3 times to get the effect.

Continuing with Project: Make Room in Cabinets, these models are all for sale on ebay – I broke the models down into respective blisters (the Frigates were sold originally in blisters of 6, so instead of having 1 auction of 1½ blisters, I opted instead to do 3 auctions of ½ blister each)

Daemonifuge

•July 20, 2025 • Leave a Comment

Returning back to gaming stuff today, I have a pair of Daemonifuge sets to show.

‘But Cbag – a PAIR of Daemonifuge sets you say?!? Why?!’ 😕

That’s a very interesting question, and I am glad you asked!

I am on a (seemingly) life-long sidequest of being more efficient with my painting – even though I LOVE to paint, and really enjoy taking my time on details, project fatigue sets in after a while and I want to move onto the next piece… there seems to be a wall I hit after spending about 2 weeks on any given project – and now that I am painting for resale, efficiency has doubled in importance.

Everyone has a hard life – every day we’re beaten down by a system taking more from us, but giving less in return. For many people, their weekend game of Warhammer or D&D is the few hours they get to escape from their daily toils – they can laugh with their friends, push around some plastic toys, and end their session looking forward to next week. And having nicely painted models adds substantial value to thier experience… but, unfortunately, painting well is an extremely difficult skill to learn let alone master – not many people have the time to spend painting models at even a basic level, and especially not the time to climb the steep learning curve to do it well. Which is where I come in: I view it as my duty to deliver the highest quality paint jobs possible, at the fairest price possible.

In pursuit of that sidequest, I recently watched some tutorials on a high quality tabletop process, and wanted to explore it – but instead of just doing it without a point of reference – ‘I *think* it was faster, but I’m not so sure…’ – I wanted to do a proper test, and paint one set of models in my own process, then immediately follow it up with a set of models in the new process, and compare the results in both speed and quality.

Up first, the Daemonifuge set in my process:

I tried to match the colours as closely as possible to the boxart in my process, not really worrying about time.

And now the Daemonifuge set in the High Quality Tabletop process:

I didnt worry as much about colour-matching for this set, but tried to stick close to the process, which used mostly AK Interactive paints – different paints have different properties, and I wanted to eliminate as many variables as I could between my painting and the tutorial – I do happen to LOVE AK Interactive paints, and am in the process of switching over to them, but I dont have a wide range of colours yet, so I used what I had on hand.

Now, side-by-side comparisons:

My Ephrael is on the left, and took just under 6 hours – basically right on the edge between what I consider High Quality Tabletop painting and Display painting – the new process is on the right and took 4.5 hours.

My Kyganil is on the left and also took just under 6 hours, the new process is on the right and took just over 4 hours.

My colours are brighter, but I think that is largely due to not having a wide range of AK colours available, and I think my faces look better – but the tonal range on the new process is very dramatic… and being around 30% faster is a huge saving in time.

It’s worth noting that I continued with the principles of the new process on my recent batch of D&D models, and they all came out really nice – the Bones USA Lysette especially – and didnt take a ton of time to paint.

Both Daemonifuge sets are currently for sale on my ebay shop. 🙂

Display models – Orc mini-bust, and 54mm historical figure

•July 18, 2025 • 1 Comment

Following hot on the heels of yesterdays non-gaming model post, I have not one, but TWO more non-gaming figures to show!

Ogrul Doomfang, Orc Warrior, mini bust from Mollie’s Miniatures, sculpted by Sam Rats.

Walkin’ Boss 54mm figure, from Bent Bristle Miniatures, sculpted by Benoit Cauchies.

Both of these pieces were painted as personal work, but, sadly, both have been accepted into ‘Project: Make Room in the Cabinets’ and are currently for sale on my ebay shop.

Teutonic Knight, 75mm display figure

•July 17, 2025 • Leave a Comment

Switching back to personal work again today, I have the Teutonic Knight, Prussia, 1256, 75mm figure sculpted by Mike Blank.

This particular model is from the Mike Blank Signature Series, by FeR Miniatures –  this was the kit for a Fernando Ruiz painting workshop that I attended back in June, 2015 – but in 2017, FeR Miniatures stopped carrying the Mike Blank line. The whole range, including this kit, is now sold by SK Miniatures.

I started this model during the aforementioned painting seminar – so, 2015 – but didnt actually finish it until 2019, as an entry for that year’s Sword and Brush model expo… where it earned me a gold in the Historical category. 🙂

It occurred to me that this is one of the first non-gaming pieces I’ve ever posted – granted, I dont have that many non-gaming pieces painted up (though I do have an embarrassing number of unpainted kits sitting in boxes…), but other than my Italeri 54mm Gladiators (which were, ironically, painted up specifically as practice on larger scale pieces for the Fernando Ruiz painting workshop) this is the only non-gaming piece I’ve shared (even my Cthulhu Wars HP Lovecraft bust is a gaming model).

That’s it for today – I have HEMORRHAGED time today tracking down all the links and info to make this post factually correct… normally I like to do my social media posts first thing in the morning, but, today, that timeslot was consumed by research… :/ – so, Cbag out!

Reaper Miniatures – Ailene, Borin, Hyborian Wizard, Lysette, and Nienna

•July 10, 2025 • 2 Comments

A few weeks ago I finished up another group of Reaper miniatures – Ailene, Female Cleric from the Bones Black line; Borin Ironbrow, Dwarf from the Dungeon Dwellers line; the Hyborian Wizard, also from the Dungeon Dwellers line; Lysette, Elven mage from the Warlord metal line; Lysette, Female Elf from the Bones Plastic line; Lysette, Elven Mage from the Reaper Legends plastic line; and Nienna, Elf Ranger from the Dark Heaven Legends line.

Observant readers might notice that there happens to be 3 versions of Lysette, that are all painted identically… this wasnt by accident: as I mentioned in a post a couple months ago, Reaper makes several models that appear in multiple ranges – Lysette being one of them – and I wanted to do a proper apples-to-apples (or elf-to-elf in this case) comparison of the different materials… ease of preparation, detail, how well they paint up, etc. I ordered a second model in the 3 different materials as well – Elquin – which will be getting painted in a few weeks; I will make a post reviewing/comparing the different models of each character once he is finished.

Also, this is the second Nienna I have painted up: I enjoyed painting the last one so much – honestly, one of the best ranger sculpts I’ve ever seen – that I wanted to paint her again, this time in a material that does the model justice.

All of these models were listed on ebay on Jun 28, 2025 – Nienna, Ailene, as well as both plastic Lysettes sold later that day, and the Hyborian Wizard (with his crazy wizard eyes!) sold a week later on Jul 5, 2025.

At the time of this post, both Borin and the metal Lysette are still available on my ebay shop.

Zombicide Comparison – 2012 to 2019

•July 7, 2025 • Leave a Comment

After I made my last post, it occurred to me that I neglected to do a comparison image of my painting evolution over the years.

Zombicide: Black Plague – Monty Python and the Holy Grail homage

•July 3, 2025 • Leave a Comment

I havent posted any personal work in a while – even though I havent painted anything for myself for a couple years now, I do have lots of pieces that have been painted but I never shared.

Today, I am returning to Zombicide, with the Monty Python and the Holy Grail homage Kickstarter exclusives from Zombicide: Black Plague.

Left to Right: John Cleese, Sir Lancelot the Brave, Chauncey, Terry Jones, Sir Bedevere the Wise, Gilbert, Graham ChapmanKing Arthur, King of the Britons, Mortimer, Micheal Palin, Sir Galahad the Pure, Beauregard, Eric Idle, Sir Robin the-not-quite-so-brave-as-Sir-Lancelot, Montalban, and John Cleese, Tim the Enchanter, Bob

This project is rather bittersweet, though…

Long-time followers might recall, we always ended off every year at the old games club with a Zombicide game and dinner before Xmas.

I painted these models in fall 2019, as a surprise for the group for that year’s end-of-year game – and it was just dumb luck (or fate?) that we only had 6 people available that night, including 2 friends I have known for over 30 years, who rarely made it out for games (and happened to both be HUGE Monty Python fans).

Xmas 2019, as I’m sure most readers know, was the last Xmas before the world changed irrevocably. 

That was also the last time the 6 of us would get together: the relationship with my oldest friends was strained during the 2020-2024 apocalypse – completely severed with one of them – and, as I mentioned previously, my friend Ernie lost his battle with cancer in 2023… so it was fitting that we would be playing with the Monty Python models.

 
Design a site like this with WordPress.com
Get started