Need to update my website

Hi everyone,

I was just looking at my website (https://www.davidlharrison.com/). I don’t go there everyday. Mostly I send my host, KATHY TEMEAN, a note when something needs to be changed. Have you been there lately? I used to have a guest registry, which was great for keeping track of visitors to the site. Like a lot of “improvements” to technology, the registry was removed from the site at some point. This picture has nothing to do with anything. I just like to throw it in now and then. It was taken in Stone Chapel at Drury University when I was Missouri Poet Laureate as well as Drury Poet Laureate (which I still am). Where was I?

Oh yes, the need to update my website. There aren’t many tweaks to be made but I like to be accurate. Few people care in the least how many books I’ve published, how many awards they’ve received, etc. But I do. I’ve always been a counter. (Ask my old friend, SANDY ASHER. She kids me about that.) For one thing, I need to ask Kathy to remove the crawling banner across the top of the page that says I’m Missouri Poet Laureate. That title now belongs to my successor, JUSTIN HAMM.

I think I need to edit my autobio page. It implies that I still visit lots of schools, as I did every year for decades. I’m going on 89 now. Many of the educators who invite authors to speak in their schools are a third of my age. I understand. Their loss though. I’m really very good with kids.

One thing I’ve given up on is keeping track of how many times something of mine has been reprinted in anthologies. I know it’s over 200 and I’m going to let it go at that. I like to count but chasing after titles that I’m in is a lot of work and I’m content with an estimate. I still love those translations though. When Kathy was creating my website, I wish I had known to have a category for online interviews, podcasts, videos, Zoom visits, and such. I’ve done tons of those over the years. Same with education books that I have co-authored. The titles are all there but they are listed according to publisher rather than in a stand-alone category. I’m proud of those collaborations and am coming up on #20. That’s sort of a career within a career and not many have done it. But again, that probably falls into the who-cares folder. I’ll let you know when the tweaks are tweaked.

My talismans

Hi everyone,

My friend MICHAEL FRIZELL sometimes posts pictures that demonstrate the sort of mood he’s in or might be in or could be in or once was in. It’s great fun and I always look forward to his next selection. This morning I’m looking around my office at the much loved objects that have found their way here over the decades, thinking about Michael’s exercise, remembering stories behind each of my treasures, the many moods they evoke when I pause to look at them, and wondering if I’m going too far to think of them as my talismans — my bringers of luck, inspiration, strength (?), and endless stories.

We all have them. You know what yours are and why you feel compelled to keep them near you. I have a dead lizard in a jar, mummified in the desert sun on an Indian reservation near Ajo, Arizona. I was eight years old when I found it and took it home in the jar I was given by my hosts. I have kept it close for eighty years. I have written about it. Gazing at it through its glass tomb takes me back over the years and miles and lifetimes to the moment I looked down and saw it at the bottom of a dry cistern. Never going to let it go.

My grandfather’s pocket watch hangs in a small glass dome. Once years ago I got up the courage to turn its winding stem a few clicks. I was suddenly hearing the tiny tinkling that my dad’s dad, the grandfather I never knew, had held to his ear. I couldn’t hold back the sudden tears. On another shelf, a small framed picture of my other grandfather, the bastard who ran off with another women, leaving his wife and four girls at home without a penny. How many times have I looked at that picture and wondered what sort of man would be capable of inflicting such pain and hardship on his family.

Close by, three skulls. The big one, a replica of a short-face bear, was a gift from my wife and son when my book about Riverbluff Cave was published. A joyful day, an incredible surprise. The smaller skull is actually large in its own right; an extinct variety of black bear that I discovered with BILLY PAULY when we were twelve years old. Shouldn’t have been in that cave. Great adventure.

Pictures on my walls and shelves are gifts from artists with whom I’ve collaborated on a number of books — BETSY LEWIN, ELOISE WILKIN, CHRIS DEMEREST, DAN BARR, GILES LAROCHE, ROB SHEPPERSON… All represent months and years of collaboration with wonderful people, gifted artists. Yet another shelf holds a Steuben crystal brontosaurus. SANDY bought it for me in 1969 when my first book came out. One of the most wondrous gifts and the sweetest memory of all.

As the song goes, these are a few of my favorite things. There are many others. Each represents a poem or book, but their value can’t be measured that simply. They belong here. They are part of me. I have no idea what will become of them when I’m gone, but for now they bring me pleasure every day. That seems enough.

Learning from the pros

Hi everyone,

This morning I am remembering a summer long ago, when I was sixteen and hired to work at Glenstone Block Company, a concrete block manufacturing company owned by my dad and his partner, GUY HALL. I was assigned to the warehouse. VERNON MOORE, the man who ran it, was known to be hard to please. If a new hire didn’t work to suit him, he was known to head down to the front office and request a replacement. I wasn’t afraid of him, exactly, but I didn’t want to cross him either. I’d met him a summer before when I worked with CLIFFORD HALE, making things with concrete — tables, benches, bird baths, flower planters, etc.. We worked in the sun, mixing the mud, pouring it into molds, and stripping the finished products the next day. Clifford had a 3rd grade education but he knew all sorts of things I didn’t know. I learned from him during those long hot hours. Some of the things we made still exist here and there.

Vern put me to work cleaning in the warehouse, scooping and sweeping up cement that had spilled out of torn bags, stacking empty pallets, counting inventory, learning to identify the dozens of kinds of blocks manufactured by the company. Harder jobs involved unloading boxcars loaded with bricks that came in every few days. Pallets of them could be unloaded by forklift but loose ones on the floor had to be picked up by hand, several at a time pressed between your hands, and walked off the car to stack on pallets and hauled off to the warehouse. It was hard work. So was unloading cars of cement. A bag of masonry weighed about 70 pounds. A bag of Portland weighed 94. Every man I worked with could pick up two at a time of either kind. RONNIE TRACY, who was shorter than I and slender, could hoist a bag of masonry over his head with one hand. I couldn’t though I tried all summer and put up with a lot of Ronnie’s good-natured teasing.

In those days, each morning JOHN HERN would carry by forklift the racks of blocks made the previous day from the kilns out onto the yard. There they were taken off by hand and stacked onto pallets. Full pallets were then moved to one of the storage yards for further curing. The most common block — 8 inches x 8 inches x 16 inches — weighed 36 pounds when made with concrete, 28 pounds if made with a lighter aggregate called haydite. There were three such blocks on a steel pallet and each rack held 36 pallets. Working outdoors, one man on each side of a rack would strip off half of the blocks (52) and stack them onto the wooden pallets. Very often my working partner on the other side of a rack was a slender man who always wore a long-sleeved shirt no matter how hot the summer day. He seldom looked up or stopped to rest so I did likewise. He just kept working, quietly and efficiently, until the racks were empty. Down in the office, my dad wouldn’t have known how steadily we unloaded those blocks. My partner on the opposite of the rack never knew that he was a mentor whom I would never forget. Only on our rare breaks did we visit much and that’s when I discovered that he not only had a strong work ethic but also an inquisitive mind. Our conversations often roamed to topics that I was studying in school. We became friends. For many years after that summer, he called me now and then to discuss one thing or another that was puzzling him. The last time was when he was old and in failing health and his son arranged the call. It had been more than forty years since we had met on opposite sides of those racks.

Twenty years after that summer I became the owner of Glenstone Block Company and managed it as president for the following thirty-five years. I learned a lot during those thirty-five years. But my real apprenticeship came from working with the men whose pride and hard work made it all happen, the summer I was sixteen.

My Poem of the Month for January

Hi everyone,

Our word for January is crowned (or crowned one) and I could think of no better way to put it to use than to remember Cory Corrado, whose full name was the inspiration for my choice. The picture was taken in 2011 in the farmhouse where the founders of Highlights for Children once lived, a few miles from Honesdale, Pennsylvania at Boyds Mills.

Crowned One

We didn’t know that Cory stood for crowned.
Technically it didn’t, but Incoronata did,
the name she brought from Italy,
the land of her birth,
which we didn’t know either,
until she left us and we read about her
and learned she was Italian not Canadian,
and had a long name with special meaning.

What we did know was, with Cory
we could count on kindness,
a helping hand, a picture to consider,

a friendship for life.

Incoronata (Cory) Corrado – our poetic,
wide-eyed friend crowned with black-maned
beauty –
we who knew you will remember.

(c) 2026 David L. Harrison

New book now has pub date

Hi everyone,

MARY JO FRESCH discovered that our book — The Phonics Handbook Poetry Collection: 101 Decodable Poems for Reinforcing Sound Letter Patterns — is now set for release on August 12. It doesn’t have a cover yet but we’ll see one soon and I’ll gladly post it. You can preorder it from Amazon or Barnes & Noble now for $34.99. Some of my 101 poems in this collection have appeared in other books and others are new for this title. Either way it’s a lot of poems and I’m delighted to be in another book with Mary Jo, a major name in this field and always an absolute delight to work with.

Sorry for the size of these pictures. My WordPress controls have gone wonky and I’m trying to fix them.