The Magic Intensive: Teaching Kids to Perform Magic

A couple of times a year, I run a Magic Intensive Class at the school where I teach. It’s for kids aged 7 to 10, and it’s one of my favourite things to teach. We’re not drilling vocabulary or grammar here—we’re building confidence, character, and mystery. It’s great that my workplace allows me and encourages me to do this – students not only learn magic but they’re also practicing their English and building confidence in front of others.

The Structure

The course runs over six lessons, each one about two hours long. Across that time, students learn 11 tricks, explore the different types of magic, create their own magician persona, magic poster and then perform a three-trick set in a real show on the final day.

By the end of it, every student has:

  • How to make a coin or any other small object vanish
  • Knows the basics of handling cards
  • Learns which tricks go well with eachother
  • Designed their own poster with their stage name

The Tricks

I chose the tricks to be mostly self working, simple but also strong and also ones which allow them freedom to find their own presentations.

  • The Piano Card Trick – the classic self working wonder.
  • Poker Player’s Picnic – Jean Hugard’s incredible self worker
  • The Royal Family – A cyclical setup where Jacks, Queens, Kings, and Aces reunite after a party.
  • The Rising Cards Trick – A simple duplicate trick where two cards “rise” to the top using pseudo duplicates.
  • The Three Robbers – A coin and card story trick with a detective twist. I used a Karl Fulves handling using a coin which is a winner.
  • Magician’s Choice – A mentalism-style prediction using psychological forcing and equivoque.
  • The Vanishing Coin – A classic french drop vanish
  • The Vanishing Coin (with wand) – A wand-assisted vanish using misdirection.
  • The Coin Fold – A vanish where the coin disappears from folded paper.
  • The Suspended Rope – A comedy rope that stiffens and collapses on command.
  • The Upside-Down Card Trick – A card reversal trick using a simple setup.

Every trick is paired with performance tips and a structured explanation. I first perform the trick then we break down the actions. I will also perform it again badly and ask them what I was doing wrong to help them realize the important of presentation, We talk about how to speak, where to look, and why keeping secrets matters.

What Works (and What Doesn’t)

Through trial and error, I’ve learned a few important things:

  • Choose simple tricks – you soon realize how teaching something as simple to us as an overhand shuffle can take a LOT of time to breakdown and explain to kids.
  • Keep the card tricks self working – in the timescale I had I couldn’t spend time trying to teach them sleights.
  • Give them freedom – encourage them to create their own stories and ideas and they often come up with interesting presentations of their own.
  • Make a book – the first time I did the class I had no book to give them with the explanations in which meant they had to remember the tricks each week. This time I had a spiralbound book they can take home.

The Final Show

In the last lesson, each child performs three tricks which they have been practicing for their show and which we then film and send to their parents. I’m always amazed how well they do and it’s a joy to watch them go from knowing nothing about magic to performing three tricks in front of an audience in 3 weeks. Some things go really well, sometimes there’s a slip up but it doesn’t matter. Magic is fun.

The Magic Detective Podcast

Recently I stumbled onto something that’s genuinely worth your time: The Magic Detective Podcast, hosted by Dean Carnegie.

It’s excellent.

The format is simple: each episode explores a specific magician or moment in magic history. I started with the episode on Slydini, and really enjoyed it. There’s one on Annemann and a fascinating episode about Nate Leipzig, which really inspired me to go digging for more and I ended up re-reading the Vernon Leipzig book after about 20 years. There’s also Leipzig’s biography, originally published in M-U-M which I’m now very keen to track down.

Dean does a great job. You can tell he loves magic, and he’s put in the time to get the details right. The tone is warm, the storytelling is clear, and the research is solid.

If you want to give it a try: The Magic Detective Podcast

Hide Yamamoto – A Magical Experience

So I was super lucky recently to see Hide perform here in Korea. It was arranged by Korean magician Kali (who incidentally is an incredible performer and person). It took place on Sunday 17th of August at what would best be described as a one day convention.

I had heard about Hide over the years and time and time again people said how incredible his magic was and how a visit to his magic bar in Toyko was a must. Many great magicians have taken the time to go there and all report being blown away by the man and his magic. So you can imagine how excited I was!

I’d heard that he would be at the magic shop the day before the event so I made sure to be there as it would be a chance to see him in a smaller setting, with fewer people and get to see his magic up close. I was totally blown away – his magic is strong, direct, has great presentations performed to music and he gives off a kind and friendly energy which is captivating. It was so refreshing to see really good magic, not finger flinging self indulgent card twirling; mind blowing, spectator oriented magic that has clearly been honed over decades of performance.

The next day at the event it was incredible – even with a crowd of around 100 people he still managed to present his routines under what, for a bar magician, isn’t the ideal performing environment. Strong direct card trick, rope magic that looked like I was tripping and even some mentalism that I have zero clue as to what was going on. It was all very inspiring – especially to hear him tell the crowd of mainly youngsters how technique isn’t the main thing they should focus on – use magic to communicate with people and have fun.

I was called up to help at one point in the show –

You can read more about Hide, his bar and his magic in the July 2024 issue of Genii magazine.

Oh and I was asked to perform something for him at the magic shop and I showed him my version of Del Ray’s “Computer Deck” – details of which ca be found in issue 7 of The Journeyman.

His Half Moon bar is currently closed and I understand will be reopening in January next year – needless to say I will be visiting!