2023

Hey! Hi. I’m alive. I know, crazy, right?

Another year has come and gone, and it’s time once again to reflect on what happened amidst Earth’s latest lap around the sun. Even though I ended up kind of disappearing from this site towards the end of 2023, there is a lot to talk about concerning my absence, what happened when I was here, and what will happen in the future. I just need to remember how to put thoughts into words again. Let’s see how this goes.

When it comes to Facelessbookblog, I remember having plans to try to change things up, and add more types of reviews and content to what I was already doing. I established those new ideas initially with inspiration and excitement, but it quickly became a source of burnout for me more than anything. I’ll admit that I have a habit of announcing things, then silently dropping whatever was announced. It’s because I have this impulse to jump into new projects without properly thinking about whether it’s something I’ll enjoy doing long-term, and whether that enjoyment will outweigh potential stress, and I’m sorry about any projects that have died out or been seemingly cancelled as a result of this.

The biggest thing I think I’ve learned in 2023, at least when it comes to the content I make online, is to stop trying to reinvent the wheel whenever I think I’ve been doing the same thing for too long. It has led to me overworking myself too many times, and it’s part of the reason I’ve begun straying towards mediums other than this website. I learned that if I enjoy doing something, the only changes I ever need to make are the ones that make me better at doing that thing, and the ones that allow me to continue enjoying it.

A prime example of this coming into effect this year was the massive development of my music project, VIRUS. I’ll be completely transparent and say that towards the end of what I call the “origins stage” of VIRUS, the period of time where I was attempting to build out a massive narrative set within a fictional universe, I wasn’t enjoying what I was making as much as I should have. I was trying to make it something more than what it needed to be, and as a result, I felt like my music wasn’t an expression of my own thoughts anymore. It was more a display of the thoughts and actions of characters who had developed in a way that I felt disconnected from them. In a strange way, even though the VIRUS lore was something I created entirely on my own, the content that came out of it didn’t feel like something in character for me to make. This is especially true with the last song in the “origin stage”, Spotlight. I had hopes to do something experimental and lean further into an electronic/hip-hop, while still blending it with hard rock, but the final product was undeniable proof that I was in over my head, trying to do something before I had enough knowledge to execute it properly.

So I decided that things had to change, but instead of giving myself something new to work on, I ended up cutting VIRUS basically in half. I dropped my self-indicted task of adding overcomplicated lore to the story, and focused on what VIRUS was supposed to be- music. After a cycle of spending months on end trying to make song after song that needed to not only be a self-contained expression, but also fit as a piece of a larger puzzle, I took a different approach, and just wrote about myself. After a mere four days of work, out came Barely Functioning, a song that I still hold very close to my heart. Not only was it the beginning of me actually developing my own style, it was when I started being more open about myself through my music. Though Barely Functioning is far from a light-hearted, positive song, it’s one that, to me, partly symbolizes comfort in my life. Comfort to say what I want to say, not what I tell myself to say in hopes that it will be easier for others to digest.

There was no looking back after that. I had big ideas for this new stage of VIRUS, and with that came a little bit of a learning curve. I needed to give VIRUS room to grow, and leave room for new ideas, but there had to be somewhat of a formula so that I didn’t overcomplicate things again. This is something I’m still figuring out, but as of right now, the new approach taken with VIRUS has led to it finally beginning to scratch the surface of the potential I had hoped it would reach for so long.

I feel like a broken record saying this again, but it’s been so nice having VIRUS be something that’s known to people in my life. Making new outlets for it, through Youtube and social media, has done wonders for it, and the traction it has gained, while still quite small, is insane to me. Being more expressive through this music has partly helped me become more connected with, well, everything and everyone around me. In a mere few months, I’ve had songs reach numbers they never would have reached if they had stayed stuck on Soundcloud. I’ve gotten feedback from friends who share the same passion for music on what works, and what can improve. I’ve even had the opportunity to perform with established musicians in the local scene. All because I listened to my heart, and realized that I didn’t want to invest in an extended universe that may or may not pay off years into the future. I wanted to do what I love in the moment. So that’s what I’m going to keep doing.

This approach is something I’d like to see if I can apply to Facelessbook. I want to focus my content here on what I’m fully passionate about, and what can help me and my career. I’ve mentioned before the idea of leaning more heavily into the music review side of things, and it’s something back in heavy consideration. I know that talking about horror games and Marvel movies is what gets the view count up here, but I need to readjust my focus so that I can further anchor myself into the industry I hope to one day make a living in. So don’t be surprised if, when and if my proper return to this site comes any time soon, things start to change drastically. Like I did with VIRUS, this site may end up being simplified, and the content will be much more streamlined, tailored to my biggest interests and passions. I kind of just randomly gave up on the whole “faceless” thing anyway, having shown my face on Instagram a few times, so who knows? Maybe you’ll get to see a little more of the real me here.

In the past, these end-of-year posts were a lot easier to write, because I could go back and just look at what I had done each month but to be honest, there weren’t too many highlights this year. All of the big stuff I could have covered happened when I was taking time away from Facelessbook. I was busy working on VIRUS, and I guess I should let you know now that it’ll remain that way for a while.

I have some plans for 2024, however, and we can talk about that a little. The biggest thing I have in the works is VIRUS’ first EP. I announced this a few months back on social media, and I’ve been hard at work on it ever since. It was originally going to be called Restless, but I have changed my mind on what I want to title it, and that, the cover art, and other aspects of the EP will be revealed as it gets closer to being completed and I have a better idea of when it’s going to release.

But, to fill you in if you aren’t already aware, I’m hoping to have the EP done and released by the end of May, right around the time when I graduate, and I have my own personal reasons for that. There will be 5 songs, two of which you can hear the demo versions of right now on Youtube, Soundcloud and Bandlab. When the full record drops, everything will be available in the places I just mentioned, but it will also be the release that kicks off VIRUS’ presence on Spotify, as well as other streaming platforms which will, again, be confirmed in time.

I have had so much fun working on this EP, and I’ve been able to learn so much about my craft through the process. It’s also been a bit of an emotional project, one that’s been influenced by a lot of internal reflection and lessons learned in recent years of life. You’ll see when it releases that the EP will be dealing with some heavy themes, ones that have really only ever been vaguely present in past VIRUS music. A lot can be left up to interpretation, as music should be, but if Barely Functioning’s lyrics are anything to go by, expect things to get a little more… let’s say, explicit.

There’s a couple songs on the softer side, but one big goal with this EP was to get as heavy as possible with at least three of the five tracks. I’ve talked on Instagram about how I’m working on some of the darkest music I have ever made, and as I hone my production skills and train and expand my voice, I’ve been able to bring out a new level of aggression with this EP, something I hope will appeal to fans of heavier music.

Overall, these are the kinds of songs I’ve been wanting to write for a long time, and being able to get things off my chest and be a little more real with my music has been very cathartic.

In terms of progress, things are running smoothly, but there’s still a long way to go. There will be a full progress update dropping on Youtube tomorrow, which will go over the current state of things in much more detail, but the TL;DR is that the “demo version” is done. I have the skeletons of each song structured, so now I’ll be going top to bottom through the whole track list, doing whatever editing, re-recording, remixing needs to be done.

I have some other plans that I’ll reveal as the year goes on, but for right now, I want to thank you all again for such a great 2023. This has been a big year for me personally, as I’ve watched my life take a complete 180 into a better direction. So much changed for me, but it was all change for good. I’m going into 2024 the strongest I’ve felt in a long time, physically, mentally, emotionally, whatever other “-ys” you can think of. I went into 2023 dreading the pressure of getting my life together by graduation, and overall thinking it would be a mediocre year for me.

Instead, I ended up making some of my proudest art to date, meeting a lot of great people, getting my first job, and getting cool opportunities to work with and perform with fellow musicians. I joined a new band, I’m in multiple head positions for school programs, I found out the county is going to fund my first two years of college, and I’ve made a lot of great friendships, and strengthened my relationships with the people I’ve already known.

Putting it all together like that, I guess overall, I feel more secure about my place in the world. Looking back on how much opportunity I’ve had to grow as a person, it makes the idea of a New Year’s Resolution feel obsolete. I’m far from perfect, I know I can still change a lot, but I think in 2024, when it comes to self-improvement, I’m going to keep doing what I tried doing this year. I’m taking things one day at a time. I’m trying not to think too much about what I need to do, or who I need to be, and instead I want to live my life, and put in the work to overcome challenges as they come my way. I want to grow and change like a human, not a computer waiting for the next task to complete, or the next forced system update.

I know things have been a little dead here as of recent, and I apologize for that. But there are still big things coming, and I’m excited about the future. That’s a sentence I throw around a lot, but I really feel like I mean it this time around. I hope everyone has a happy New Year, and as always, I’ll see you all soon.

Song Review #22: “Venom” by Jiluka

Apologies for the lack of content recently! Things have gotten pretty busy, but I want to try to get back to a regular schedule here again, maybe starting with weekly posts.

Of course it would be a song like this that would bring me back here. Today, we’re talking about a new single from the Japanese visual kei metal band Jiluka, titled Venom.

This is the first thing I’ve ever heard from this band, so I’m guessing this is just what they like to do, but holy mother of God, is this song just the epitome of madness. So many seemingly random elements are blended together in this song, ranging from the djent guitars that have basically defined modern metal, to sudden orchestral add-ins, to punchy electronics and dubstep sampling. It feels like during production, the challenge was to see how many intrusive thoughts could be executed between choruses. I don’t mean this in a negative way at all; In fact, the frantic, varied sound of this song makes it super refreshing to listen to.

There are a few moments I had listening to this song where I couldn’t resist laughing a little, due not only to some of the incredibly bold compositional decisions that were made, but also to how well they were pulled off. It takes some serious skill to turn your breakdown into a dubstep beat drop, and it goes way harder here than I would have ever imagined possible.

I also love how this song basically has four endings. Everything wraps up, and it seems like it will fade away with some nice ambience, but instead that ambience just cuts, and the song jumpscares you multiple times with blasts of random guitar and orchestra noises. Sophistication has left the building, and now the band’s just doing dumb, funny stuff, and it makes for probably one of my favorite endings to any metal track I’ve heard this year.

So yes, this song is a mind-bending auditory representation of the manic energy of a rat on steroids (I don’t know what I’m saying anymore), but it is also masterfully composed, and a lot of fun. So much happens that it feels like the song should be seven minutes long, but Jiluka somehow managed to do all of this in four. I highly recommend you check this out, because I for sure will be going through the rest of their discography. Hope you enjoy, and I’ll see you all… at some point!

Let’s Talk #26: It’s Been Nine Years…

I had a hard time figuring out how to start writing this, because I honestly can’t wrap my head around the number. This website has been going for nine whole years as of today, and everything has come so far. It’s changed. I’ve changed. It’s so weird to think about how much things have developed and changed, because at the end of the day, this is still a website run by some kid who does it entirely because it is fun. Nine years, and there’s still no monetization. Nine years, and I’m still talking about music and movies. Nine years… and I’m still not funny.

It’s absolutely insane that I’m getting close having done this for a whole decade. I feel like there’s a lot I could say about how this website was something that matured as I grew up, and something sentimental and insightful, but I also think that maybe I should save all of that for when we hit the big 10. 9 years is definitely a big deal, but it’s certainly kind of an awkward number.

Regardless, I want to thank everyone who has stuck around for this long. It’s crazy that we have had people stopping by and reading for as long as they have. Old and new, you’re all welcome and appreciated here, and I know I say this all the time, but it’s true: You all are the reason I’ve been going for this long.

With that, I do want to apologize for the lack of content here recently. It comes down to what I mentioned earlier about maturing. I’m at a point in life where things are changing, and I’m looking into the future. Life is changing, so once again, this site is at a point where it has to change and mature, and the reason why things have been slow here is because I’m trying to find a way for it to do just that. I definitely have a lot of plans, but everything’s very much a work in progress.

Of course, time is also being taken away from working on this site because of how much VIRUS has expanded recently. A massive thank you to everyone who’s been listening recently. I’ve been enjoying writing music more than I ever have, and I’m so happy to finally be at a point were what I make isn’t sitting in the dark on a Soundcloud page. I think stepping into social media was the right call, because not only has VIRUS’s reach gotten bigger, but it’s also reaching people who weren’t all too far away to begin with.

It was nerve-wracking, yet incredibly fulfilling to be able to finally show people in my life what I’ve been working on. I uploaded the remaster of Barely Functioning to Youtube, and the next day, friends were telling me that the enjoyed the song, and because I go to an art school, I was able to receive feedback through the form of not only nice compliments, but also genuine, valid critiques that I am taking into heavy consideration for future projects.

Speaking of the future, there is another song in the works, and my goal with this one is to take those criticisms into account, as well as what people liked about Barely Functioning, and crank the energy way up. The song has basically been fully written, and it’s in the process of being produced and recorded. It’s another very personal track that I get more excited about the more I work on it, and I think people are going to have a lot of fun with it.

VIRUS has become more important to me than I could have possibly realized. It’s becoming a part of my personal life, and with my plans to submit music for scholarship opportunities, it’s finally becoming a part of my academic and professional endeavors as well, just like I had always hoped. I’m genuinely so happy with how far VIRUS has come, and while things are slow over here on Facelessbook, I’m eternally grateful for everyone who supports my other projects like it.

So thank you all for an amazing nine years! All of my online endeavors have grown so much, and I can’t wait for what the future holds. I’ll see you all soon!

Big VIRUS Updates!

Hey all! I got some exciting news pertaining to my solo music project, VIRUS! The project is definitely moving into a new era, and as a result, I want to see exactly how far it can go, and what kind of cool stuff can come of it. Before we get into the meat of it, I want to thank you all for checking out the latest song, Devastate! I’ll be honest, I did not expect it to get the attention it did, let alone surpass Barely Functioning, but I’m glad you all liked it!

So what am I going on about? Well, I recognized the importance of expanding my outreach, especially when it comes to the VIRUS project. However long it lasts, wherever it goes, it’s an important project to me because music production is where I want to go with my professional career. And being that the music industry is very competitive and (let’s face it) not easy to find a job in, making yourself known is just as critical as a good resume. I decided it’s time to finally stop avoiding the inevitable… so I set up some social media accounts.

I’m not a big fan of social media, mostly because I hardly have a personal need for it. I don’t take a lot of pictures, so Instagram was kind of pointless, and whenever I have an opinion on something, I’m so used to expressing it here that it never really crossed my mind to start a riot on Twitter, or X, or 3.141592653589793 or whatever it’s called now.

Yet here we are today, and I have accounts on both platforms now. I’ll be using these platforms to promote music and give updates on the VIRUS project from here on out. Hopefully, that will kind of draw a better line between my endeavors, because I do want to keep this website and VIRUS separate. This won’t be a place for you to get some kind of look into my personal life, because quite honestly, the color of my cat or what I ate for breakfast isn’t any of your concern. I also don’t have a cat, and I don’t even remember what I ate for breakfast.

I did also make a Tiktok account, but I’ll refrain from linking that for now, because I’m debating whether it’s of any use to me. I might be wrong about this, but it does look like the government’s trying to ban it in America, so I might use that account solely for my own meme consumption until it’s no longer allowed. One thing’s for sure, there will be no VIRUS-branded challenges involving sitting on railroad tracks or stealing cars, or whatever people do on that platform for views.

I do have one more platform that I’m trying to sort out, and it’s one I’ve been considering for a while, so I’m really excited that it’s finally happening. Ladies and gentlemen, we finally have an official VIRUS Youtube channel, the new home for music content. I’ll still post to Bandlab and Soundcloud, but with Soundcloud having a limit on how much you can post without a premium account (which I refuse to pay for), and Bandlab honestly being better for production than presence, this seemed like the right way to go. I am thinking about Spotify next, but there’s a bit of financial stuff I’d have to work out, as well as finding a distributor.

The content on the Instagram and Musktopia pages will, again, pretty much be limited to just promotion and links to music, but I have a lot of ideas for the Youtube channel. I’m in the process of remastering a song to kick things off over there, and with the element of video, the door is open for something like a music video. The visuals have always been a big part of VIRUS, and I think the Youtube channel will really help embellish that.

It might be cool to do music reviews on that channel too, or maybe vlog-style content where I document going to concerts. There’s a lot of possibilities now, and that’s super exciting.

That last idea actually brings me to another plan of mine. I’d like to start getting involved in the local music scene in Orlando. That’s were I’m from… ish. Again, y’all don’t need to know where I am. For all you know, I could be in your backyard right now. Go ahead, check.

No? Alright, well always good to make sure. That’s my home security tip for the day. As I was saying, I think it would help to get involved with local musicians, so content across all platforms may come to consist, of concert reviews and promoting other people’s music. You might end up seeing more content on this website like my recent Soulswitch review.

Though I’m not exactly fond of social media and what it can do to people’s heads, I think an implementation of it is essential for the growth of VIRUS… the spread, if you will. So I am really excited about all of these changes, and the opening of new doors is only furthering my motivation to keep writing and making consistently better music for you all. At the end of the day, I make music not only for my own expression, but I make it directly for my audience, because you all are the reason I’ve kept on doing what I’ve been doing online for this long. VIRUS has been going for two and a half years now, and we’re coming up on the ninth anniversary of Facelessbookblog. I think now’s a good time to spice things up a little.

I want to thank you all for your continued support for what I do. I don’t think I say that enough. I know content’s been a little slow recently, but it’s because of life changes, as well as planning for stuff like these expansions, so I appreciate the patience. I’ve really been enjoying my time with this little online community, and I think it’s about to get a little bigger. We’ve got a lot to look forward to, and I hope you’re as excited as I am! I’ll link all of the platforms I mentioned in this post, and as always, I’ll see you all very soon!

Youtube: https://www.youtube.com/channel/UCydzw4-pw3HrYsYIpWy4HJA

Instagram: https://www.instagram.com/virus_musicofficial/

Twitter: https://twitter.com/VirusmusicOffcl

…because it’s only in my head…

“Dvykz ohcl uv wvdly av ptwylzz aol tpuk dpaovba aol lexbpzpal ovyyvy vm aolpy ylhspaf”

-Lknhy Hsslu Wvl, Aol Uhyyhapcl vm Hyaoby Nvykvu Wft vm Uhuabjrla

Dypapun Ohz Ilnbu