Gingerbread

They made a cemetery

from your ribcage

& I am a river in Egypt

You can sink your crooked spine into

*

In war, you said the opposing team shot off the top of your skull, and with it went all of your mind. Somewhere, your joy is spinning silver on some old woman’s loom.

*

And we sit cross-legged in front of the yellow house, breaking off pieces, breaking our teeth, pretending the stucco is gingerbread, and the oven is on pre-heat.

*

The politician with the toothbrush mustache was relentless. It wasn’t the witch who pushed you into the fire, was it, Gretel? Bread was too scarce to build trails. Go outside and stare up at the constellations, see if the Devil hung another star. That means they’re coming for you.

*

I told my dog I murdered Hitler

& the beautiful thing was

He believed it

Psychopomp

There is a dullness that exists

in between heartbreaks

Have you howled into the woods

only to hear the echo

of your own loneliness?

We go there to lose ourselves

but its never deep enough

There is a crow that waits for me

shimmering

like an irridescent psychopomp

& when the dust settles

you can brush me off

But perhaps I’ll be the dirt

they bury you in

*

He dips the feather into ink, he says it used to belong to an angel, before they were disgraced. Sometimes God forgives, and sometimes he breaks your neck. Do you love fire more than rain?

*

We were swinging

from an olive branch

& dusted in silver like Judas

licking our wrists where our wounds should be

There is nothing as exhilarating as a good poem

& a holy shit

waiting for the punchline

In my mind, I’ve been kissed before

I’ve been swallowed

I begged you to walk around inside my head

& then afterwards I opened up a window

& jumped

*

I asked you, did you know you are in the cemetery, darling?

& you looked at me, as if waiting for the punchline

behind us, we can hear the willow weep

if Ophelia were real

You wake up

shake chimera from your hair

You scrape the slime off your tongue

You match your mood to your underwear

You paint your lips in desire

& line your eyes in despair

*

But there is no real reason for shaving

or smiling at your reflection

*

You walk the dog

You throw prose into oncoming traffic

everyone veers

*

Except for the one that picks up a wild metaphor, it penetrates the empty space inside his ribcage like a rusty nail. And you whisper into the wind: “Don’t be a stranger anymore.” But not everyone can love the beauty of your ruin.

*

You stop at the neighbor’s house

to eat their daiseys

Don’t let anyone tell you that you are mad

because you have songs to sing

*

Tonight you will go home

Lie down in your polyester silk

cross your arms over your breasts

& pretend you are floating

You are Ophelia, if Ophelia were real

bloated & soiled & reaking

& nibbled down

to the bone

greedy fly

Morning found us wanting

darkness still

Sunset clung to our skin like sweat

& I pretend I am formed from gold & silk

I don’t want to be real

Reality ruins everything

Like your dreamlike murmur

“This isn’t love

but I really like your ass.”

*

I am doomed to choke

on all the dismembered parts of you

You land like a greedy fly

You want to devour all my bullshit

But I don’t think you know what’s coming

*

I would like to walk out of this room

on fire

hanging from the ceiling

with my sticky feet

Neon Halo

We are all starving

for something we know not

The juice from your strange fruit

stained my lips

with loneliness

The thing that can make you as insane as love

& I promise you I’m beautiful on the inside

If you don’t mind a little grime

*

Ruin stood on the street corner in her faux leather, her halo buzzing like a roadside motel’s neon sign. She knew she didn’t have a remarkable face, but she transformed into something exquisite when she danced. Swaying like a seductress, she blew kisses at the passing cars, her tenderness splattering against their windshields like lovesick bugs. For many of those strangers, it was the most affection they had ever received.

*

This is the place where we used to tear out pieces of ourselves

& throw it into oncoming traffic

Don’t weep for me, love

I am dead & will never know

Falling Stars & Stripes

Where are the warhorses?

Didn’t God promise us warhorses?

Where is the dark sun

& the gloom of an unlit moon?

& the heavens that bleed like cocktail cherries?

*

Your lemon-yellow eyes are swallowing

falling stars & stripes

Can you bear the beauty of ruin?

*

Should we just die, love?

Do we choose mercy or revelations?

Should we turn on the TV?

Or look out the window

& watch the apocalypse?

The unremarkable souls like me


“On the day it happened, I was drifting through the wrong side of town,” Chucky absently clawed at the frayed bandages encircling his wrists. “I was a little drunk and nursing a wound from a girl who politely gutted me with: ‘let’s just be friends’. I stumbled down some alley, it smelled like piss and rot. A homeless man was passed out on this filthy, stained mattress, a needle sticking out of his arm like a forgotten surrender. He might have even been dead. It was hard to tell.”

I half hoped, something feral would detach from the shadows then and get me. Slit my throat for the crumbled five-dollar bill and half a pack of Marlboros in my pocket. I fantasized about that girl’s reaction over seeing my demise announced on the evening news. The lights from the TV flickering across her face in the dark, lighting up her anguish and regrets in neon. But no matter how deep I dove into my make-believe, I couldn’t conjure a single tear from her. It didn’t matter anyway, for it was only me and the half-dead stranger, and he certainly wasn’t up to the task of executioner.

And then I saw it. The message scrawled above him on the crumbling brick, in defiant spray-painted scrawl. A prophecy meant to slice open my belly and dump my entrails onto the pissed soaked ground: ‘Our salvation lies solely with those brave enough to stay present.’

That was my sign to bow out, Francis. You see, I will not contribute to the world’s unraveling, but nor will I lift a finger to save it. For I am not really here. I am always drifting in the ether, and I can’t get out, nor do I want to get out. But my body is still taking up precious space. Better to let the void reclaim me in exchange for something, anything, with purpose. I’d only get in the hero’s way.

They say that only the good die young, but the villains die too, and the not-quite-villains, and the unremarkable souls like me, drifting in the gray. Death’s the ultimate equalizer, blind to virtue or vice or your mediocracy. I know this intimately, Francis, because I died, and I am nothing. Unfortunately for me, those damn paramedics are about as undiscriminating as death. They clamped those cold paddles to my chest, filled my heart full of electricity until it jolted awake—a ragged, wet thump that howled through my veins like a profane rebirth, screaming: “Fuuuuck.”

And just like that, I had no say in the matter. Dragged back, kicking and cursing, into the world of the living. And then I met you, Francis. But you’re not really here either, are you?”

Maybe the Caterpiller can tell us

Chucky takes his government-issued peanut butter and jelly sandwich and cuts it in half with his plastic knife. A perfect line down the middle. He nudges the plate across the scarred Formica table toward me, points to one half with his plastic knife, “This one will make you big.” He points to the other half, “This one will make you small.” 

I eye the offering warily. “What if I don’t want to be big or small?”

He leans in, his brown eyes swelling to hypnotic orbs. “You want to be medium? Ordinary? Normal?”

“I do not want to be so big that my skull shatters the roof, and I accidentally stomp on you. I do not want to be so small that you accidentally stomp on me.” 

A sly grin cracks his face, mischief flickering like static. “I would risk getting stomped on to see you tear the roof off this cage.” 

“I cannot decide between being invisible and being stared at.”

“It is a conundrum,” he murmurs, gaze drifting to the institutional walls closing in. “It’s so like the government to make all your choices terrible. Maybe we should ask the caterpillar. Perhaps he can tell us who we are.” 

“We ought to hurry then, before he turns into a crysalis,” I say.

Chucky stares at me, and I can’t quite decipher the look in his eyes. I’m quite sure I’m interpreting it all wrong, because it looks like something that resembles love.

Day Glo Paint

The way she wore her lipstick

like a night of bloody fervor

made us all want to start over

& my kooky heart

either stupid

or ice cold

& never anything in between

fluttered on the dashboard like dirty money

I was in the back of your car with Edie Brickell, and you smiled at me with your reflection in a spoon. Your hair was spilling moonlight like day-glo paint. You were a dove cooing over a poem, or philosophy, or an eclipsed heart. Do you see, Francis, how you’re the luckiest girl ever to be longed for?

I am silent like the loneliest grave, but I long to confess to you

How I did not find God in a church

nor love in sex

or satisfaction in violence

The world has no use for us anymore, Francis. We are pieces that don’t fit inside the machine. Drive this car off the cliff, and let us return to myth and stardust. And I can’t remember if this was a memory or a dream.