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For nearly fourteen years I was able to keep up this daily blog of books and music.

About a year ago I got a promotion and that changed everything.  I no longer had the time to post everything I wanted to.  Heck, I didn’t even seem to have the time to read all the short stories I wanted to.  Amusingly (or not), just before this new position, I had gotten a print subscription to the New Yorker.  This now means that I (like many others) have a two-foot stack of New Yorker magazines that I haven’t even looked at yet.

For a few weeks I was limiting myself to only the concerts that I went to because that was a little easier to write about.  Although back in the good old days, I used to include photo and links, and I pretty much have neither now. And I’m several shows behind as well.

So I’m still reading books and I think I may try to post some thoughts about them from time to time.  I’d also like to think I have time to write about my concerts, but even those are proving to be challenging.

So let’s consider the blog on hiatus more or less, with occasional posts about things I’ve read or listened to.

The good thing is that I like the new position and wouldn’t change it for the world. I guess I never realized how much down time my old position gave me!

[ATTENDED: January 24, 2026] Nina Ryser

Nina Ryser is a member of Palberta (I love that name) whom I saw live a while back.  I saw Nina solo back in 2022.  She was opening for Tropical Fuck Storm.  And tonight she was opening for Agriculture.  That’s two really heavy bands who chose her to open.  She is something of a Philly DIY institution, but she plays offbeat synth songs that are not at all like the headliners.

Most of the songs were built around a beat and a simple chord pattern.  There was a droney component to it and Nina’s vocals were kind of deadpan.  With her was Luke Knapp, on bass and other synthy sounds.

There were some good bass lines and fun synth sounds.  Nina tends to re-state her lyrics a bunch and the songs quickly become familiar (I’m not even sure if there are verses and choruses). Continue Reading »

[ATTENDED: January 23, 2026] James Acaster

I have made a list of all of the contestants from Taskmaster who I want to see do stand up.  And while I don’t wish to rank them or anything, James Acaster was near the top of my list.

AND YES!  He came to Philadelphia.  We had seen David Cross in this same theater when it was called the Merriam Theatre ten years ago.

This time we were in the balcony and, good lord, those seats have no leg room whatsoever.  I think there’s a reason we don’t get balcony seats.  So I was a little happy that the show was a little over an hour.  Sad, of course, because it was hilarious, but pleased because my knees hurt so much!

So the announcer (James) informed us that tonight’s show would be performed by Craig Simons, the UK’s number one James Acaster tribute act.

And out came Craig Simons, who looks exactly like James and shares the same birthday with him (although Craig is from Pittsburgh and has a wife and five kids). And he says James’ catch phrase (from the Off Menu podcast) “papadams or bread?” (said in a ridiculously exaggerated Acaster accent). Continue Reading »

[ATTENDED: January 20, 2026] Paul Chowdhry

I have made a list of all of comedians from Taskmaster who I would like to see live.  It’s not everyone of course (some of them don’t do stand up and some I don’t think I would enjoy).  I never really imagined that I would see everyone on the list as many British comedians do not tour the U.S.  But imagine my surprise when Paul Chowdhry announced a show in Philly.

Paul was a weird guy on TM and I wasn’t entirely sure I’d like his standup (I wasn’t entirely sure what his standup would be like), but heck, he was coming right here, so why not.

And then they announced that they would be filming an episode of Taskmaster in THE SAME BUILDING on the night before his show.  Well, I needed to go that show, but it sold out in a second.  I was quite bummed.

Then the day of this show, they told everyone that Paul Chowdhry had been a guest on Taskmaster Live.  And, coincidentally so was Chris Gethard who we had just seen last week.

I don’t know if anything will come from the Taskmaster U.S. shows, but I do hope to see one again.  And I also thought that maybe Alex and Greg would stick around Philly and come see Paul’s show.  But they did not.  And it’s all the more shame because the venue (the smallest venue in the Kimmel complex) was half full at best.  They even passed out tickets closer to the stage so they could fill up the front (we refused because we knew Paul was an audience participation kinda guy and we didn’t want any of that.

Paul immediately came out and acknowledged the small crowd talking about how he had been on the Miller Stage last night and had played the 02 arena in London and here…he would have had more people if he did standup on the Rocky stairs (true, except it was really cold).

So he did a lot of jokes with the audience–looking for Indian folks and British folks and messing with them.  It’s unclear to me how much actual material he has because most of it was crowd work.

He’s obviously got a bunch of like stock jokes depending on where people are from and regions of the country, but it felt at times like he was just making things up as he went along.

I will say that he relied on his American accent (which was a deep scary “What you mean muthafucka” type thing.  He explained that he learned English from N.W.A. albums.  Someone said he sounded like Samuel L Jackson which he said was the most racist thing anyone had ever said to him (ha).  He then modified his voice and sounded exactly like Sam Jackson in Pulp Fiction.  He ran through a lot of accents throughout the show.

Upon hearing that a person in the crowd’s father had been arrested for selling cocaine (unexpected) and had just gotten out of prison, he did a really impressive Scarface accent.  And of course he has lots of British (there was someone from Birmingham there so he did that accent as well as the London posh and non posh ones, and of course, Indian).

We agreed that our favorite joke was about being on a flight and the attendant asking if he would be dining with them and he asked if he had a choice–could he doordash?  And then he joked that Indian delivery people would totally try to get you on a flight–they’d be pedalling in the sky at 40,000 feet–what’s your number, bruv?

He joked a lot with some married couples up front, he made a lot of fun of a group of young Indian men and women saying that they looked like they were a terrorist organization and hoping ICE wasn’t there.  So yea, there was some political stuff–mostly about how he couldn’t say anything derogatory on stage or he’d lose his visa.

The venue has a couple of balconies so he got to make a Muppet Show joke–one of the people sitting there was wearing a tank top and overalls and Paul called him Luigi.  The other side had some older ladies whom he referred to as the Golden Girls.

He made a joke about Edison NJ being full of Indians (true, but how did he know?  There had been a VIP meet and greet before the show and I’m guessing he scored some local jokes about that).  In fact, when a white audience member said she was from New Jersey, he said something about why would a white person live there.  So, not quite right, but amusing nonetheless.

He had a funny bit about how a British accountant would not let you deduct anything off your taxes but if you get an Indian accountant–look for Patel in Edison–everything is a business writeoff.

He had a few risque jokes (Ghee Diddy) and a whole bit about Bonnie Blue.  So Bonnie Blue is a British women who slept with 1,000 men in a day and she is legendary in England but basically unheard of here.  But she seems to be a major cultural touchstone there.  The bit about the line for the boys to  sleep with Bonnie Blue being as long as the line for the queen’s funeral was pretty funny.

He told two jokes that he says got him banned from Ireland (why would a man confused about his sexuality go to a Catholic priest for help) and some venue in England (a joke about a kidnapped child that has two levels and was really funny–but maybe not si much if the incident was fresh in your mind?).  And then a joke about an Indian woman who was catfished by her niece which made it onto a Netflix special.  All 3 of these were pretty funny and even though he said “now you see how hard it is to write jokes” landed pretty well.

Overall the crowd seemed to really like him. And, if he was being honest (who knows with Paul) he went way over his allotted time because he was enjoying himself.

I wouldn’t see him again, but I know a lot of people would.  I hope he does get to play Madison Square Gardens someday.

 

[ATTENDED: January 20, 2026] Sonia Vai

I have made a list of all of comedians from Taskmaster who I would like to see live.  It’s not everyone of course (some of them don’t do stand up and some I don’t think I would enjoy).  I never really imagined that I would see everyone on the list as many British comedians do not tour the U.S.  But imagine my surprise when Paul Chowdhry announced a show in Philly.

I didn’t know there was going to be a warm up act until the day of.  I hadn’t heard of Sonya Vai, who is a NYC based comedian.  She immediately joked about the empty seats saying it was the traffic or that Indian people are just always late.

This landed hard until she told us that she herself was Indian, even though she doesn’t look it. Continue Reading »

[ATTENDED: January 16, 2026] Chris Gethard

When I first saw a poster for a Chris Gethard show (I’m guessing at House of Independents), I thought his name was a joke–Get Hard, ha ha.  I’m sure he took a lot of abuse for that in school.

But I looked him up and discovered that he was part of an amazing podcast called New Jersey is the World (it ended about a year ago).  Gethard (pronounced Getherd) grew up in New Jersey and spent many years writing for Weird NJ.  And he knows this state better than just about anyone.

He does comedy nationally, but he seems to really relish doing shows in NJ.  Last year he did a show in every county (in pizza places, in basements, in a used furniture store (!) and now for the second time in Flounder Brewing.  (I’m bummed I missed the last one).

He has regular routines, but he also loves to tell stories about New Jersey, especially weird New Jersey. Continue Reading »

[ATTENDED: January 16, 2026] David Dondero

It’s interesting to me that my last show of 2025 was at the same venue as the first show of 2026–a venue I hadn’t been to before that previous show.  It helps that it’s 15 minutes from my house.

I have known about Chris Gethard for a little while.  I missed him the last time he came around here, but I soon as this show was announced I grabbed a ticket.  I saw that David Dondero was going to open for him.  I thought I didn’t know who he was, but it turns out I had seen a Tiny Desk of his back in 2014.  The folks at NPR Music love(d) him, but I was okay on him

his music is good but not especially memorable, but it’s his lyrics that Dondero is known for.  His songs are thoughtful and interesting and look at a variety of subjects.

Chris Gethard introduced him and said that he had known about David for decades and was a huge fan.  He was in Florida and David was playing a show and said he was moving back to New Jersey.  He and Chris connected and this tour was born.  Continue Reading »

[ATTENDED: December 17, 2025] Kevin Devine

I’ve been a fan of Kevin Devine and the Goddamn Band for several years now.  I first saw him opening a show and I really enjoyed his brief set.  I’ve since seen him solo and with the Goddamn band.  So when they announced that he would be playing a show at a Brewery fifteen minutes from my house, I grabbed tickets immediately.

And then my scheduled surgery was moved up from January to December 10.  I assumed there was no way I could go.  And yet, a week later I felt great and figured I could surely sit for 90 minutes.  I reached out to Flounder and secured two seats and by midday I felt well enough to go.

Sadly, I am an idiot and never confirmed the start time.   I thought it started at 8, but it actually started at 7:30 and it sounds like Kevin mingled and chatted with everyone.  So we arrived around 7:45, embarrassingly after he had started.  And we clearly missed ten or fifteen minutes.  However, Kevin played 20 songs while we were there and finished a little after nine, so even if we missed a few songs, we still had a great night of music.  [Turns out we only missed one full song, some of the second song and a 5 minute intro, phew]. Continue Reading »

[ATTENDED: December 9, 2025] Chokecherry

I was scheduled to have total hip replacement surgery on the day after this show.  I didn’t think I’d be able to go and then two things changed my mind.  The first is that I saw that the show was fairly short–Chokecherry was playing for about an hour.  The second was that my surgery wasn’t scheduled until the afternoon.  I had assumed it would be early in the morning, but a later appointment meant I could sleep in.  As it turned out my wife had a minor emergency after I got home that kept us up until 3AM, so it was all moot, but whatever, I’m thrilled that I got to go to this show.

I had seen Chokecherry open for Destroy Boys about a year ago and I loved them.  The band seems to consist of guitarist Izzie A. Clark and bassist E. Scarlett Levinson.  Their second guitarist and drummer were different from last time.

Warehouse on Watts is really small, so while Scarlett was setting up her gear (in a long faux fur coat), I chatted with her for a moment.  I told her how much I liked them when they opened.  And she told me that she had food poisoning that night.  I never would have guessed, although in retrospect, when she said she talked a lot less than usual, it was true given how much she talked tonight.

They opened with a favorite song from their previous EP, Afterglow–slow and moody opening with crashing choruses.  Scarlett commented that the new album is pretty sad, although the first song they played from it Major Threat is a blistering rocker with a catchy chorus.

I love that Izzie and Scarlett switch off on lead vocals for nearly every song.

Things quieted down a bit for Secrets, but this allowed them to really feature their harmonies.  I was more or less in front of Scarlett, so I could really hear her delicate higher voice.  I was a little bummed that I couldn’t see Izzie that well because I remembered that she shredded impressively.  She still sounded great even if on the other side of the stage.  Particularly on the delicate guitar intro of Goldmine.

I loved how much the crowd new the songs by name when they were introduced and Scarlett’s super high vocals on Pretty Things (which the crowd knew) were stellar.  Second guitarists was excellent, either making the sound fuller while Izzie soloed or adding some extra flourishes. Continue Reading »

[ATTENDED: December 9, 2025] The Sewing Club

The Sewing Club is from Nashville.  I hadn’t heard of them before this show.  When I walked in, their guitarist was at a merch table selling cute little hand sewed monsters.  He later told me he had been sewing since he was little and thought it would be fun merch given their band name. And it was!  I bought one.

The Sewing Club are a four piece of two guitars (Stephen Meaux and Justin McKinney), drummer Zach McCoy (who added great backing vocals) and singer/bassist/keyboardist Hannah McElroy.  I was in front of  McCoy and very close to their merch guitarist (I’m not sure who was who).  I could clearly see McElroy, but the other guitarist was on the far side of the stage and I never really saw him.

They opened up quietly with Sport Mode.  I enjoyed the shoegaze vibe of the song and the intensity of the guitars, but was blown away when the song started rocking out.  The loud part was simple but really catchy with the two guitars playing different parts (one lead).  Up next was Wyatt, a song that mixed the tempo up right from the start (and which had some soaring guitar lines).

I enjoyed watching the crowd around me get more and more into the set especially when Wait kicked in and ramped up the intensity.

For Bite, Hannah switched to keys.  This was a much slower and more mellow song, although the rest of the band joined in before the end.  After an unknown song (the most rocking of the set with lines something like I wish you’d die), they played a newer song that they were sure they’d screw up (they didn’t) with some fun headbanging from Hannah.

They ended their 30 minute set with Strange, a slower song that filled the room and had a killer guitar riff.  I really liked their set a lot and look forward to more music from them.

Sport Mode
Wyatt¢
Pocket
Wait
Bite $
(Unknown)
Alright Ok %
Strange ¢


% single (2026)
∼The Sewing Club EP (2025)
¢ Care EP (2024)
$ single (2024)

[ATTENDED: December 6, 2025] The Beths

This is my third time seeing The Beths, a New Zealand band that’s taking the U.S. by storm.  Las time they played here they sold out Union Transfer.  This time, they sold out TWO NIGHTS at Union Transfer.

We immediately got tickets to night one and for the first time, saw them from a chair off to the side (thanks ADA seating).  Although they interact so nicely with the front, that it’s kind of a bummer to not be in on the action.

But the sound was great (I know it always sounds better further back, but I like being close).

So The Beths are a four piece: Elizabeth Stokes, singer and guitarist.  Jonathan Pearce who plays lead guitar. Benjamin Sinclair on bass and Tristan Deck on drums.  They are delightful and funny and play fantastic songs.  Liz is a great songwriter and the boys make divine harmonies.

Last time they played nearly all of their then new album.   This time they played nine out of ten songs from their newest album.  And they opened with the title track a bouncy song that had everyone delightedly singing along.

After the even punchier No Joy they played two older songs one from Expert and one from Future Me Hates Me.

Then they moved back to the new album with the super fun first single Metal.

At one point during these songs, Benjamin did something that made a tin whistle fly into the air which he caught and started playing.  Later both Benjamin and Jonathan activated the tin whistle cannon and we were delighted to see them snatch the instruments out of the air and start playing.  The also have some shakers in their songs.  Liz uses a banana shaped one.  If you go to Benjamin’s review of the following night, you can read about the amusing trick they played on Liz and her banana. Continue Reading »