Making Lemon Poppy Seed Muffins – a bit wide but still volcanic!

Lemon Poppy Seed Muffins

 *Slurp*

I’ve been wanting to try making these for ages now and finally, one day I got round to doing it! I wanted to try to emulate a lemon poppy seed muffin that I got from my favourite coffee shop. I don’t have a picture of it as it’s a chain coffee shop but it’s very ‘grande’ in size and has a sticky, soft top and a sweet lemony curd inside. Mmmmm…

Lemon Poppy Seed Muffins

Mmm, shiney.

The basic recipe that I used can be found at here: Two Peas And Their Pod but I changed some parts, like the lemon glaze top and altered the sugar a little.

This is usually the bit where I put in ‘progress shots’ of what I did, but I found that making these muffins demanded a lot of my attention as there were a lot of steps to making these i.e lots of ingredients which all had to be mixed in a specific way, not to mention I had to convert from cups to grams. I don’t make muffins a lot and it’s different to making a standard cake batter where you cream the butter and sugar etc and you bake in a moderate oven so it rises evenly. With these (and many other) muffin recipes, you combine the wet and dry ingredients separately, then add them together at the end and bake in a hotter oven so it rises quickly first and the hotter oven temperature bakes the outside and holds its shape. The combined mix is pretty thick, which is also unlike some other cake batters I’ve made and it worried me a bit when I saw it but it was meant to be like that I think! To get volcanic muffins, you also have to have the temperature of the oven very hot and pre-heated e.g I used gas mark 6 or 7 (I was using a very temperamental old oven) then turned it down towards the end when they were getting brown, which is what I’m used to doing when I bake big loaves of bread (as opposed to smaller rolls). Mine look a little singed but honestly they didn’t taste dry at all. When filling the cups with the batter (I used fairy cake cases which are really small as that’s all I had) I filled 3/4 full to help it grow into that well-known muffin shape (and put the cakes onto a sheet pan just in case of any spillage). I also didn’t have my muffin pan to hand so I used these really old shallow ones that I found – which is why the muffins are really wide and not tall like a proper muffin!

Lemon Poppy Seed Muffins

Don’t worry, the cracks just hold more syrup..

But they still have a nice ‘dome’ top, that I covered in lemon syrup, which I got from another recipe I made for orange polenta cake, and you poke holes in the top with a cocktail stick and pour the syrup over and it pours down into the sponge and makes it delicious. I tried that but it didn’t really seep down too far into the muffin, so I just kinda painted it on the top and it added that sweet lemony flavour that complimented the muffin part. (I adjusted the sugar down a bit in the muffin batter part to allow for the sweet syrupy top part). It’s made out of sugar lemon juice and zest. Can’t remember the ratios off the top of my head but I can go find it later if you want..

Lemon Poppy Seed Muffins

See, not dry!

The muffins were too small to add the lemon curd bit in the centre (plus I didn’t make any yet). So the next step is to grow my own lemon tree and make some homemade lemon curd to fill a larger version of these beauties.. When I get round to doing it I’m sure I will post as soon as humanly possible. Oh I tried freezing these (already baked) just wrapped in cling film, then foil or put in a plastic container, and when defrosted they taste pretty darn close to what they did when they were fresh! And who knew that lemon and poppy seeds would be just the best marriage in flavour?! Well, they are in my opinion 🙂 Yum. Thank you to Two Peas and Their Pod for their delicious recipe!

Spring-time hand-spun scrap stash-busting!

Handspun owl and easter bunny
Say hello to my little friends.

Soo.. It’s been a while since I posted and to get started again I thought I’d put up some photos of these cute – and kind of practical – itty bitty creatures!

Bunny pattern from The Green Dragonfly on WordPress
Owl pattern from Bunny Mummy on blogspot

I’m always into things that use up ‘the last little bit’ of things. You know, the last drop out of the ketchup bottle, that tiny morsel of jam left in the jar, and those tiny balls of handspun yarn that you get when you sample when spinning.

Handspun scraps for owl and easter bunny
Lots of its bitty handspun balls!

The (crochet) patterns are both well-written with pictures on both websites. My favourite thing about these little guys, aside from the fact they are just the cutest, is you can be as creative as you like with your colours and it only takes up a tiny bit of yarn for each character. I always laugh when I’m putting the features on toys as they really do come to life when you do their face.

The Making of Handspun crochet owl
Assembling all the parts..

The Making of Handspun crochet owl
And then.. boo! Just look at those eyes! Makes me chuckle every time.

And now bunny’s turn..

The Making of handspun easter bunny
Hurry up and give me some eyes!

The Making of handspun easter bunny
Hooray I can see!

I did my bunny and owl with slightly different backs (compared to their fronts). Oh and bunny has a tail worth mentioning. It’s so oversize and fluffy, I love it.

Handspun owl and easter bunny
They look like they could be watching cartoons or something. You know, whatever bunny and owls like to do together.

There are many different fibers that were dyed and spun in the making of these little guys, (most/half of the dyeing by me, all of the spinning by me) including alpaca, merino, shetland, llama, soy silk, milk silk, Wensleydale, Lincoln locks, Leicester Longwool (for that big fluffy bunny tail), sari silk, silk noil, mawata silk, angora, BFL, probably a few others which I forget, like random farm wool. Luxury fibers on a small scrappy scale which also makes them unique, well I think so 🙂

Handspun owl and easter bunny

Cuute

I hope to get back on the blog posting train again. I have to catch up with myself a bit. I’ll be looking for blogs to nominate for the Sunshine Blog Award, as I was very kindly nominated a while back, which I haven’t forgotten about, but more on that later.
For now I will leave you with a springtime treat with a view of much more to come!

Chocolate corn flake cakes
Delicious. Not just for kids.

For more pictures of these little guys and other yarny stuff, visit my flickr
and for more details on these and other stuff I’m making, visit my Ravelry.

Don’t forget to click on the photos for a bigger picture.

Links in the sidebar too.

Tigers in Soup – (or Dutch Crunch Rolls in Vegetable Broth, whichever title you prefer)

Dutch Crunch Rolls
Mmmm crunchy.. Er, just like a tiger?

Brrrr… It’s cold outside so I thought I’d (virtually) share my rolls and soup with you all!

I’ve always wanted to know how they made that bread that looks like a tiger (or a giraffe?!) and so one day I came across the recipe for Dutch Crunch Rolls on this delectable site ‘Confessions Of a Bright Eyed Baker’.

The pictures looked so pretty I had to give it a try! As usual for me, I had to convert everything from cups to grams, and I had fun with getting the ‘hydration’ right (I think next time I will add a lot less flour than stated in the recipe, due to different humidity in different countries) but all in all I think they came out like they were supposed to, although they weren’t the same ‘Tiger Bread’ that you get round here. This had a real ‘crunch’ to the topping (as the name suggests) and weren’t quite what I was expecting for Tiger Bread, but they were good, crunchy rolls in their own right!

For me, making yeast bread takes ages to rise, it took about 2 and a half hours to rise enough to punch down! (You know it’s ready to punch down when you gently push a thumb into it and it doesn’t bounce back cos it’s nice and aerated).

Dutch Crunch Rolls dough prooved for 2 and a half hours
The rise..

Dutch Crunch Rolls dough punched down and divided
.. and consequent fall of bread dough

That conspicuous pile of white powder on the right is the flour I drag the knife through to stop it from sticking when I cut the dough into pieces, to ensure I get equal sized dough balls! So after shaping into rounds it’s more waiting, till they go from this..

Dutch Crunch Rolls - second rising
Second rising

to this..

Dutch Crunch Rolls risen and ready for topping
Ready for topping!

Whilst they’re on their second rising, which I think took well over an hour, I got on with making the crunch topping which uses rice flour and yeast (and some other stuff). As the recipe suggests, leave it till it goes thick (about 15 mins) and paint on in a thick layer and don’t miss any spots and everything should be ok! (You paint the topping on when the rolls are fully risen and are about 15 mins away from going in the oven).

Dutch Crunch Rolls - topped and ready for the oven
Reminds me a little of my sculpture making days.. Now I think I understand the meaning of ‘plastering it on’!

After baking for 15 mins or so in a hot oven they should be done, I think mine are on the more ‘golden’ side of burnt, what do you think?

Dutch Crunch Rolls
I think I should’ve taken you out a tad earlier..

As I said before, the hydration was a bit off (too much flour for my part of the world!) so they were a bit dryer than I would have liked, so I made a nice brothy vegetable soup to dunk the rolls in!

Homemade soup with Dutch Crunch Rolls
Hot tub for a tiger (roll) to bathe in

My recipe for homemade vegetable soup? Get a big pot, fry an onion (I always do garlic and ginger aswell) and bung in a load of chopped root vegetables – I had on hand; a sweet potato, some carrots, some parsnips. Add some dried herbs – I find thyme works and I usually have that on hand – and salt, pepper and a bit of sugar. Now add some boiled water from the kettle and some stock, enough to cover the vegetables and a bit more so you can comfortably move a wooden spoon around in there. Cover (take the spoon out!!) and gently simmer till done (about 45 mins – an hour, depending on how much stuff you have in there! The longer you simmer it the more the flavour comes out of the vegetable and into the broth but don’t go nuts or they’ll start to fall apart..) and voila! Something to go with the delicious bread you made 🙂 Of course you can do whatever vegetables you choose – this is just what I did cos that’s what I happened to have around 🙂

They said the rolls were a tad on the large side, and they weren’t wrong – I could slice mine like a loaf of bread!

Dutch Crunch Roll - big enough to slice like a loaf of bread!
Mini tiger ‘loaf’

I’ve got some rolls left over in the freezer to whip out on another day. Let’s hope tiger’s can survive the cold (ok I’ll stop it with the tiger puns now).. And hope you’re having a great and maybe snowy day!

Posted by ilikecolours@wordpress.com on 8th Dec 2013 @ 20:06

Handspun stash busting #1 – Humbug mini poufs

Humbug mini poufs
Fancy a humbug?

So I’ve realised that I seem to spin a lot more than I knit these days. I like to experience spinning as many different fibers as I can, and they seem to come in very small amounts e.g 25g – 50g amounts. So I’m looking for projects that will give these mini skeins and odd yarns new life. I must admit, I usually like big projects that develop over time, not just with fiber – with anything, my art stuff (I won’t go into that here!), or even bread making for example. I enjoy the different stages of the processes that go into making something handmade and unique that seems to organically happen over a long period of time. Whatever it may be. So I’m trying to intersperse these things with smaller projects on the fiber front, as these little skeins will just turn into ‘luxury scrap’ if I’m not careful! I say ‘luxury scrap’ because some of the yarns include silk (noil), kid mohair locks, angora bunny fluff, i.e ‘luxury fibers’, but the skeins are so small they might be considered ‘scrap’ to some people [not me though :)]

So the two humbug cushions featured were all made from old spindle spun that I had in a box somewhere, and filled with the washed ‘waste’ fleece that I had – the bits that were too short for spinning.

Mini pouf No.3
No fleece shall go to waste!

Here is the free pattern I used and converted to work on a smaller scale i.e cushion size;  Drops Design Foot Stool. They are knit flat then seamed with Kitchener stitch (in garter stitch), stuffed then closed up at either end (which is technically the ‘sides’ whilst knitting). They’re shaped using short rows so I basically changed colour after each ‘wedge’ to get that humbug effect!

The purple and white mini pouf was made using 3 x 35g (approx.) balls of handspun. Skein 1. 100% white Southdown fiber. Skein 2. 100% Jacob fiber. Skein 3) White Southdown with purple kid mohair.

Mini pouf No. 2
The white Jacob and white Southdown are pretty much indistinguishable from one another, which was what I was hoping for.

The grey and white mini pouf was made using 3 x 35g (approx.) balls of handspun. Skein 1. 100% Grey Massam. Skein 2. Grey Massam, turquoise silk noil, purple kid mohair. Skein 3. White Jacob and turquoise silk noil.

Mini pouf No.3
Little handspuns on their way to fulfilling their yarny destiny.

I find my spindle-spun is spun pretty tight so this ended up working quite well for these cushions as they’ll be pretty hardwearing hopefully!

So upon looking for ways to use up small amounts of handspun and other yarns, I came across these two patterns that seem to fit my needs! BeeKeeper’s Quilt by Tiny Owl Knits and the felted Pebble Rug by RockPool Candy. I’ve not tried felting before so felting lots of small items seems a good way to get started. I’m sure many of you have heard of these patterns or are doing them already as they seem to be quite popular! I like knitting garments but I love to see knitted things in the home – or outside the home – I do love to see a bit of guerilla yarn stuffs 🙂 So from time to time I’ll be posting little projects that use up those little bits of yarn that just wouldn’t go into that jumper/scarf etc! There’s more pictures of the poufs being made on my Flickr and Ravelry pages if you’re interested, and the Ravelry page has the needle sizes used and stitch count I used but please bear in mind, handspun can be tricky with needle sizes so if you want to make one, don’t assume my needles and stitch count will be exactly right for you – do a little experimentation 🙂 Anyway, here’s one more picture of them keeping each other company.

Humbug mini poufs

Squishy squishy!

Posted at https://ilikecolours.wordpress.com/ on 1 Dec 13 @18.46

In the spirit of Wovember – a woolly post!

Wool, wool and alpaca blend, alpaca lace

Featuring;
Free farm wool fleece- a yarn ‘spun from the lock’ (bottom)
Alpaca fleece – a laceweight yarn spun from a hand carded worsted preparation from alpaca fleece (top)
A combination of both wool and alpaca fleeces to make a hand carded worsted prep to spin a Navajo-plied/3-ply sock yarn (middle)

There’s been so much interesting information on the Wovember blog, I wanted to join in as I just love all things sheepy and woolly! So here are some of my efforts to promote/show off wool – where it comes from, and a bit about how it is ‘worked with’ and prepared, and what it has to go through to become yarn for knitting (I spun and finished these yarns for knitting, not weaving as I haven’t learned any real weaving as of yet! I haven’t knitted with any of these yarns yet either – looking for the ‘right’ patterns!)

After dyeing lots of commercial top, I wanted to work with some natural coloured wool in fleece form, and show off how nice wool can be in its un-dyed state. I’ll talk a little bit about the process from fleece to yarn (the processes that I use anyway – everyone’s different!) that I used to make the above skeins of yarn, and the traditional hand-spinning and plying techniques and preparation and blending on hand carders that were used. Here goes..

Hand-washing/scouring fleece.

(I’ll be doing a whole separate post on just washing the fleece in a future post – stay tuned!)

Photobomb!! Show sheep at Fibre East 2013

This is where sheep’s wool comes from! Haha. Sheep love to photobomb..

I had a bag of raw alpaca fleece I got from Fibre East festival and some raw wool I was kindly given on a camping trip a while ago (so I’m not sure what sheep breed this is, anyone want to guess?), which before I even began to think about spinning yarn(s), I had to skirt it, (preliminary) pick it (pick all the vegetable matter ‘vm‘ out of it), wash and dry it, and pick it again.

Raw random farm wool fleece

Some raw farm wool full of lovely lanolin.

Washing random farm wool fleece

The white farm wool being washed (This is on it’s rinse stage!)

Dry random farm wool fleece

Some dried crimpy locks just before carding the final bits of dirt and vm out.

Alpaca lace chocolate block - drying

Hand-washed 100% natural black alpaca

Alpaca fleece air drying. Lovely natural ‘black’.

Alpaca lace chocolate block - lock drying

A softer-than-soft black alpaca lock, air drying.

Preparing the washed and dried fleece for spinning.

Once the fleeces were dry, I would prepare the fiber for spinning by picking the locks and carding on hand cards. I only have one wheel so I had to spin and ply each skein individually, one after the other. The first skein I made was the 100% natural black alpaca, with which I grabbed a handful of locks and lay them on the carder, and carded til the fibers were aligned and spinnable, then rolled the ‘web’ of fibers from right to left to make a sort of worsted preparation (where all the fibers are facing the same way, as opposed to a woollen preparation where the fibers criss-cross each other in rolag form, which you make by rolling it from bottom to top). The thing that took the most time was getting the little grass seeds out of some of the locks. I had to pick them out manually because my carders are only 72 tpi (teeth per inch) and I need a finer gauge of carding cloth for alpaca I think, but I do with what I’ve got until I can acquire better stuff! For the grey skein I aimed for a 70/30 alpaca/wool blend (which I gauged by eye as opposed to weight) and carded the same way as the 100% black alpaca.

Hand carded 100% natural black alpaca

Carded 100% natural black alpaca locks ready for spinning. Plus a little sample of the finished yarn. I always make a sample!

Alpaca and wool hand blended and spun

Black alpaca and white wool on the carder ready to be blended.

Alpaca and wool hand blended and spun

Alpaca and wool ‘web’ being rolled into a sort of worsted preparation.

Alpaca and wool hand blended and spun

The alpaca and wool blend is now ready for spinning!

For the bouncy white wool skein, I took locks individually from the fleece and flicked both ends with a carder and just made a pile of them and spun them without any hard-core carding.

Spinning from the lock - wool

Left: Flicked lock. Right: Lock before flicking. Any dirty tips are usually clean by the time you’ve finished flicking the ends.

Techniques used for spinning and plying the skeins of yarn from their preparations.

Once all the prep work has been done you can finally spin the fiber! With each of the three skeins I’d spin a semi-worsted single (I used a medium backward draw or a ‘double draw’ and gently smoothed back the fibers before drafting again) then chose to either 2-ply or Navajo ply (which gave me a 3-ply yarn – maybe a post on navajo plying later). For the 100% black alpaca I spun a very fine single (I had to modify my wheel to spin for lace, involving a rubber band and a piece of string..) with a medium/high twist over two bobbins;

Alpaca lace chocolate block singles

Singles on their bobbins waiting to be plied.

Spinning 100% natural black alpaca

Single with a halo.

Alpaca lace chocolate block 2-ply

2-ply laceweight yarn. Plying didn’t really bulk out this yarn and it’s very light and so soft.

Then I plied them together – which actually took me 3 hours. I do not have a very speedy wheel 🙂

Alpaca lace chocolate block

Cascading alpaca softness.

For the bouncy white wool skein I took the longest and crimpiest locks and ‘spun from the lock’ over two bobbins. I aimed to achieve a quite chubby single, purely because after spinning that alpaca so fine, I needed a break, but I think it suited this wool quite nicely. Then I plied them together for a nice squishy 2-ply. It took a bit of time to get the hang of spinning from the lock, it involves quite a lot of stop and start but I found it quite enjoyable working straight from the crimpy locks. To spin from the lock you need them long enough to be able to grip onto it – not tightly but you need enough length of fiber in your hand, and if they’re too short you won’t be able to grip on to anything! With all the shorter bits and waste fluff I carded it all up and used for stuffing for some mini poufs/cushions which I’ll show in another post.

Spinning from the lock - wool

A bouncy bobbin full of 2-ply.

Spinning from the lock - wool

A very energised skein, straight off the bobbin.

And finally, for the grey alpaca and wool blend skein, I spun one bobbin full of fine singles with a slightly higher amount of twist, to be able to endure the Navajo plying, to make a yarn for some chain ply socks.

Alpaca and wool hand blended and spun - singles

Spun single on the bobbin waiting to be plied.

Alpaca and wool hand blended and spun - navajo plied

A fuzzy 3-ply yarn. The wool adds strength to the alpaca in the yarn, and so does the Navajo plying.

Alpaca and wool hand blended and spun - navajo plied

Alpaca/wool blend straight off the bobbin.

Finishing techniques.

Before I use hand-spun for knitting, I wash and ‘finish’ the yarn using a technique called ‘fulling’. There is information out there on the different techniques for finishing yarn, but I like this one for wool, especially 100% wool singles yarns as it helps keep the yarn from drifting apart whilst knitting with it, and I have managed to ‘de-energise’ some yarns that otherwise would have been pretty squirly to work with to say the least! It seems to allow the yarn to bloom if it’s going to, and well, I think it makes for a fluffy squishable yarn – which is what I usually go for in a yarn. A very short description of the technique is; you dunk the skeins into cold and hand-hot water a couple of times alternately to ‘full’ or slightly ‘felt’ the yarn (without totally felting it), press out excess water in a towel and ‘thwack’ it against the bath or other sturdy surface, equally around the skein to distribute and set the twist. If you want to use this technique I suggest doing a bit more research than just going off my instructions – I wouldn’t want you to accidentally felt your precious hand-spun beyond repair! If you don’t want your yarn to felt you can just wash in lukewarm water and ‘snap’ or ‘thwack’ the skein to set the twist. Again there is information and videos out there! I haven’t got round to finishing these yarns yet, but this is probably the technique I will use.

So there you have it. A little snippet of some 100% woolly things I’ve been making (I actually made these before Wovember, but I wrote this post just now so I hope that counts!) There’s something really grounding for me working with sheep’s wool. I love the natural colours of fiber as much as the dyed ones. I can’t really explain it but I really like washing fleece and spinning from the lock and making lock-spun and tail-spun yarns are my favourite – probably because it’s the closest form of fiber to the sheep itself. I know I’m not the only one 🙂 Coupled with the right pattern I think wool can be turned into something wonderful!

For more pictures of these yarns and other things, click on one of the photos on the right under the header ‘Flickr photos’. And the link to my Ravelry is on the right where you can see what things I’m doing with handspun.

Posted by ilikecolours at https://ilikecolours.wordpress.com/ on November 19th 2013 @ 22:42

Soy Silk and Milk Silk – a brief look into spinning and dyeing two ‘alternative’ silks

Ah silk. Smooth, drapey, lustrous, and not always from a worm!

Milk silk - finished using fulling method

Milky silky singles yarn

Soy silk skeins and Leicester Longwool sample

Soy silk (Don’t mind the shiney white sample on the end – the Leicester Longwool wanted to get in on the action!)

It was the first time I’d had the joy of dyeing these fibers, and overall I enjoyed working with them – dyeing and spinning them both.

Starting with the soy silk, I’d say that spinning this fiber as 100% soy silk top i.e not blended with any other fibers, had to be one of the hardest for me to get to grips with – literally. It’s slippery and very fly away – I was finding little blue fluffies on my clothes for weeks afterwards! But gosh it’s soo shiny and soft and squishy and nice, I’d spin it again just because I love the finished product more than anything else. Mmmm.. Anyway I digress.. Dyeing it is relatively simple, it did take on colour quite nicely, but you have to be careful not to drag it around when it’s wet as it makes quite a mess! See foam sponge covered in cling film!

Soy Silk - dyeing

In this skein I wanted some of the natural colour of the fiber to come through so I left ‘patches’ of the golden soy silk colour un-dyed and I think it does compliment the shades of blue quite nicely when spun up. When the water is pressed out of it and it’s damp/wet it sort of goes hard, but when it has dried it goes floppy and soft again.

Soy Silk - Wet

Soy silk in it’s hard stage whilst drying out

What a strange fiber it is. It’s made from the soy bean which would make you think it’s a cellulose (plant) fiber, which I suppose yes, it comes from a plant, but it can also take on acid dyes like an animal (protein) fiber – which is what I used to dye this skein (i’ve heard you can use cold water dyes on soy silk too though). The saturation was quite deep on this skein (but the parts that are a bit muddy – that was my fault as I was using some watered-down black dye stock solution by mistake. I need to label things a bit more clearly I reckon..) It feels cool and silky to the touch – hence I guess why they call it soy ‘silk’, and has a lovely drape. It doesn’t have the ‘prickle factor’ like some wools, and it can be used as an alternative to silk from silkworms – i.e for vegetarians (not sure about the dyes though). With regards to spinning it, I found that using a short, forward draw was the only way I could get it to spin evenly. I usually like to spin most things with a medium backward draw, but this fiber just did not want to play my way so I had compromise to work the way it wanted me to. It is not at all like spinning the milk silk. But even though I spun the soy silk with a forward draw and the milk silk with a medium backward draw, I smoothed both of the yarns back with my right hand after every draft, so as to get it lovely and smooth and shiney – to show of it’s silky properties! Saying that though, they both developed a subtle halo after spinning, but that’s probably because of the way I spin!

The milk protein fiber is really kind of ‘poofy’ and wants to be spun a bit more chunky than the soy silk. As the name suggests, it does actually come from processing milk into the silky shiny fibers you see here.

Milk silk and one fresh off the bobbin

Milk protein hand dyed in roving form and ‘energised skein of yarn’ form

I used acid dyes on the milk protein, and like the soy silk, I found it to have a nice deep saturation of colour. The milk protein fiber behaves in a similar way to the soy when being dyed – you have to be careful so as not to drag the fibers around too much, and it feels hard when it’s drying out but when dry, all you have to do is give it a gentle tug and the fibers will return to their magical poofiness once more!

Milk silk

The bottom length of fiber has been given a slight tug and it already looks more fluffy!

It feels squishy like a marshmallow when you’re spinning it, and I don’t know if it’s because of the colours I dyed it but the roving reminded me of a unicorn tail – or what a unicorn tail might look like if you saw one in real life..

Milk silk - unicorn tail

Unicorns do exist!

I managed to spin this one the way I wanted – with my usual medium backward draw but it was difficult not to drag the roving around, as it became quite fragile after it had been pre-drafted a little. It likes to stick to EVERYTHING. Including my eyeballs. I was spinning it as a gentle thick and thin singles yarn, which was not a problem, it seemed to naturally want to do it, but the thin bits can become almost like a thin wire if it’s too thin with too much twist, so I had to take a little twist out each time as I encountered these really thin parts, but I like the thin parts to be really quite thin, so I kept them in! I tugged on the yarn to make sure it wasn’t going to drift apart and it turned out fine. The milk silk seemed to be quite squirly and energised when it came off the bobbin (as it’s a singles yarn) but after it’s ‘finishing’ (I used the ‘fulling method’, which I will make a post about in the future, even though it’s not wool I thought it might sort out the squirly parts) it went poker straight – which in this case was what I wanted, and it retained it’s lovely silky sheen. In this particular skein I was using quite diluted dye solution, so I’m assuming if I dyed it using full strength you could get brighter or richer colours. The soy silk in this case is a traditional 2-ply, and even straight off the bobbin it was balanced and drapey, and not energised at all. I found the soy silk more difficult to spin than the milk silk but they were both worth the effort! (I might make a future post about ideas for choosing which way to spin and/or whether to ply your hand-painted roving.. we’ll see!)

I liked using turquoise on the soy silk, as usually when I dye any wool with turquoise I have to be really careful not to felt it, but also get the temperature high enough to set the turquoise without half of it bleeding back out again. And with soy silk I didn’t have to worry about it felting it so I just steamed away until all the colour was soaked up and I could rinse away without any worries (of felting) too. So I guess the milk silk would be able to endure the same process (if I were to use turquoise on it) which is good to know for future dyeing escapades. I steamed on low for about 45 minutes and it didn’t seem to affect the lustre of either of the silks, which is good to know, as high temperatures and large amounts of time submersed in water can affect the properties of silk i.e its lustre. (Please note that everyone’s water and altitude etc  is different so what might be ok for me where I do it, might not be ok for you! So please experiment carefully!)

These yarns have little to no memory, so I guess I’ll be using these yarns for something drapey, a little scarflette perhaps? Or maybe some lacy openwork? Whatever it is it’ll have to be a one/two skein wonder! Next time I get my hands on some I’d like to blend it with wool or alpaca, and see how it turns out. Or maybe some camel down? Some natural wool? Delicious!

For more photos of both soy and milk silk visit my flickr firestarcocoon

And to see the soy silk next to some bread, go here A Bread and a Skein

Posted by https://ilikecolours.wordpress.com/ on 6th November 2013 8.15pm

Winging it with bread dough – adventures in converting cups to grams. Check out my buns..

 

Buns!

Hey hey, get your mind out of the gutter, these are the bread-y kind! I’ve made bread before but never with eggs and milk, and I wanted to try and make that fluffy, airy kind of bread that is soft and squooshy and tears real nice and stuff. So I scoured the net and came across this recipe on a site called ‘the kitchn’ (yes, the ‘e’ is omitted purposefully) for soft dinner rolls, by Emma Christensen;

http://www.thekitchn.com/how-to-make-soft-amp-tender-dinner-rolls-cooking-lessons-from-the-kitchn-187478

It gives clear instructions on what you’ll need, how to deal with the dough and shape the rolls. All I did was convert to metric and I was away! I have very minimal kitchen equipment – basically no electric whiskers or mixers or the like. If it’s not possible to do by hand I can’t do it, basically. So this was a recipe I could do quite easily. As with all bread it just needs time, care and attention. So like most things in life, right? If you’re wondering why there are no ‘before’ pictures – only ‘after’ pictures, it’s because I made a mess and I seemed to constantly have flour or really sticky dough on my hands – pretty much at all times so to avoid buggering up the camera I decided it was safer to take snaps when the area was safe and free from gloopy and/or airborne floury type substances.

First off, I used the wrong flour. (And this is also why I haven’t put my conversions on here as they could be wrong. If I make it again I’ll put them up). I used mostly strong bread flour, then topped up the last 100g or so with plain (all-purpose) flour. Strong bread flour must weigh more than plain flour because when I got to the bit where you incorporate the wet and dry ingredients together, I found the mixture was way too sticky and I had to incorporate at least a couple of handfuls more flour (at least) to get it workable. I have worked with high hydration doughs before – I made some focaccia which I made without the use of a dough scraper and it was er, fun to say the least (I’ll post when I get round to it, with mention of the ‘stretch, slap and fold’ technique. Intriguing, yes?) but this was ridiculous. I must have measured something wrong. But I managed to fix it – yay and carried on with the risings and the shapings, and the baking until I got this. How cute is (what I have named) the runt of the litter?

Buns!

When cut open you can see the bit where I have folded it towards the centre when I was shaping it, but it’s fine by me. When I used to make ceramic sculptures I’d purposely leave thumb prints and stuff on the surface so as to remind me that I’d made this huge thing by hand, and that a machine hadn’t taken credit for this thing that had occupied months of my life! I love the little imperfections sometimes, as long as they’re aesthetic and don’t compromise the integrity of the thing if its purpose is to function as something. Then I can’t handle it and I have to fix it haha.

Buns!

So all in all, this recipe was easy to follow, and the bread, was soft, fluffy, with the right amount of sweetness, and even I couldn’t fluff it up. Excuse the ‘fluffy’ pun.

Buns!

For people wondering ‘where are the posts about fiber and yarn and stuff?’ – I’m on it! I’ve been uploading a truck load of photos to my flickr which is taking forever and a day but I’m working on posts about washing fleece, dyeing roving, and one on the properties of milk silk and soy silk. Mmm yummy. But it might take a while so I will intersperse with bread pictures and stuff until these posts are written coherently..

Posted at https://ilikecolours.wordpress.com/ on 24th October 2013

A Bread and a Skein..

After the wordy-ness of my last post I wanted to show you something fun – with pictures! So I present to you – a bread and a skein;

Bread plait and soy silk skein

I’ve been noticing a lot of things recently that look like yarn, or use the same processes as making yarn – that aren’t yarn, e.g I saw a video tutorial on how to do a ‘rope braid’ on long hair (I would link to it but I don’t know if I’m allowed to?! Just do a video search for it and it should come up). They used a similar technique that spinners use when they do a traditional 2-ply – using z-twist and s-twist ‘against’ each other to balance the braid and keep it together nice and neat. I don’t know whether this subconsciously made me want to make a bread braid but a couple days later I had the urge to make one and the resemblance to a skein of yarn was uncanny! Hope this brightens your day (it’s well gloomy here). Have some more pictures;

A Bread and a Skein

Bread plait and soy silk skein

The skein of yarn is a 2-ply fingering weight, which I hand-dyed and hand-spun from a soy silk top, which I’ll include some more information about in another post. And the bread? The bread was delicious 🙂

Posted at https://ilikecolours.wordpress.com/ on 14th October 2013

Choosing a fleece for processing and spinning – things to consider..

I’ve been processing quite a bit of fleece recently of different kinds so I thought I’d share the things I’ve learned along with some thoughts on selecting a fleece, maybe if it’s your first time or if you just fancy a read.

It can seem daunting for a first time fleece processor but no fear! There are things out there to help you e.g books, fiber farm owners, the internet – blogs etc. Don’t take everything I say here as gospel, and use the information here at your own risk (however ‘risky’ fleece can be?!) Like I said before, I’m just sharing what I’ve learned and I don’t pretend to be an expert! If you have any knowledge that you might want to share with us, please feel free to comment.

So anyway, here are the main things that I ask myself when I’m looking at fleeces for spinning;

Space and time – and experience:
Can you physically process the amount of fleece you’re considering buying? e.g do you have the time and space to process it? Could you possibly buy half to start with? Choose a fleece to suit what kind of space and time you have available to you! For example, if time is in short supply you might want a relatively easy to process fleece i.e maybe don’t go for a longwool fleece with lots of lanolin as sometimes they can be very tangly and they need more washes to get all the lanolin out. So if you want to keep the lock structure in tact, you’ll need to separate all the locks individually and be more vigilant when you wash them to preserve the lock structure – which all takes time! If time is of no consequence then you have more options, as long as you have the patience! Also if this is the first time you’ve washed a fleece, you might want to avoid the really fine wools as they are easier to felt and you want to allow for messing up at least a little bit! I’d suggest to wash in small batches to build confidence and if you ruin a bit of it, you still have some more to be getting along with. Also don’t forget you need a flat surface to dry all this washed fleece on (away from radiators preferably), so make sure you have the space to store the raw fleece and space to dry and store the washed fleece (also space to wash it!).

Is the fiber ‘structurally sound’?
By this I mean, is the fiber brittle? Such things as weather, diet and health of the animal can affect the strength and hand of the fiber. When you go ‘fleece shopping’ you can ask if it’s ok to feel the fiber and they might let you tease a lock from the fleece to do your quality control tests on it! So to check for brittleness, hold the lock or a partial lock between the thumb and forefingers of both hands and do a short sharp-ish tug (don’t do it so hard your arms fly everywhere!) just sharp enough so that if you hold it up to your ear you can hear whether it makes a snapping noise or not. If you hear lots of little snaps, that’ s the fiber breaking and it probably won’t hold up to spinning or making a nice strong yarn. It might be able to be used for something else but let’s just concentrate on fleeces for spinning. Some fleeces can be described as ‘tippy’ – where it’s just the tips of the locks that are weak. You can test the tips by trying to pull off the tip of a lock with thumb and forefinger (this is done before carding or combing etc). If the tip is brittle, it should come off quite easily – but only the tip – the rest of the lock should be ok. If it’s just the tips that are weak, you should still be able to spin it to make yarn. Bear in mind you will have to do this with each lock before carding of combing etc or else you’ll have weak spots in your yarn! If the whole lock is brittle, you might want move on and look for another fleece that is of better quality for spinning. On a side note, if you are looking at long curly locks and they happen to have weak tips you can probably still use them for tailspinning them into your yarns or use for doll’s hair etc, regardless of the weak tips and without breaking them off, as the tips won’t be spun into the yarn – the locks will just be dangling for show and no stress will be put on the weak parts, if that makes sense. Just make a sample and see if it holds up to what you want it to do. If in doubt, make a sample!

Staple length and fineness of fiber.
This can depend on your personal ability i.e if you’re a beginner you might find a longer staple easier to eventually spin (once you’ve done all the washing!) I’d say no shorter than the length of your middle finger (obviously depending on how long your fingers are!) I’d say this is a good rule of thumb (haha) for someone a little less experienced with spinning but naturally it will vary with each individual and what you’re comfortable with. Also if you’re a beginner you might want to start with a ‘medium’ of fine-ness in fiber – but if you’re adventurous then good for you! Just bear in mind you have to spin it and wash it aswell! And finer fibers can be more difficult to get accustomed to spinning, and are more likely to felt (when washed and handled a lot) than fibers of a medium fine-ness or course-ness. Ask the seller what this type of fiber is like to work with. They’ll probably know if it’s from their own flock/herd and they will have most likely processed dozens of them! Don’t be afraid to ask questions as most people are generally helpful and like to talk about their products and their animals. Feel the fleece to feel it’s texture – just remember to wash your hands after. I have found that washing fleece doesn’t necessarily make the fiber softer – just cleaner (and sometimes the hand of the fiber can change e.g if it’s over-scoured or what-have-you it can feel rougher and drier than it did before), and fiber from the same breed of animal can vary in softness from fleece to fleece (i.e one animal might produce a nicer fleece than another animal of the same breed). And staple length and quality of fiber will vary if you sample locks from different sections of the (same) fleece. You can plan to use different sections of the fleece for different purposes if necessary once it has all been washed, dried and sorted and you can see what you’ve got to work with.

Has it been skirted and how much waste will there be e.g second cuts?
Skirting gets rid of the really dirty pooey bits – pull these bits off as they can ‘contaminate’ the rest of the fleece – and the bigger bits of vegetable matter i.e sticks and pokey brambles. It may have already been done for you. Shake the fleece to get the second cuts out – these shorter bits are not usually what spinners are looking for as they’re too short for spinning a nice even yarn with good integrity. You can usually buy bags of second cuts for felting and other uses if you need them or you can separate them from your fleece (if there are any) and keep them to one side.

Price:
Figure out your budget and try and stick to it! Things like the quality of fleece and how long it has been off the animal should reflect in the price being asked for it, and if it has been skirted or not etc. Better quality fleeces will command higher prices. Quality of fiber can range from show animal’s fleeces to fiber from animals which have not been raised with hand spinners in mind – therefore they will require much more work – sometimes quite a lot more. If you’re new to processing fleeces, maybe don’t go for a really expensive fleece as you want to allow room for mistakes and confidence building! Don’t forget you can always wash in small batches if this is your first time. Some people who process dozens of fleeces every year still wash their fleeces in small batches sometimes, so don’t think you have to wash the whole thing at once if you don’t want to. Don’t forget that the cleaning products e.g soap/detergents, vinegar and other sundries e.g bucket/s, laundry bags, towels etc you may or may not have to buy will add on top of the price you pay for the actual fleece. Some lucky people have friends that may give them a fleece for free – if that’s the case maybe experiment on that one first to see if fleece processing is your thing!

Yield:
If you’re buying a raw sheep’s fleece, bear in mind that lanolin and vm (vegetable matter) makes up for some of the raw weight when purchased, and when picked, washed, dried and carded the finished weight will be less than it was before processing. Different breeds of sheep e.g Merino sheep can be known to hold more lanolin than some other breeds so the yield may not be as high as a different breed of sheep. Alpaca fleeces have no lanolin but they can be dusty and have some vm so the processed fleece may weigh a bit less than the raw fleece (but I’ve never actually weighed it to find out!) Angora goats have ‘their version of lanolin’ which is called ‘yolk’ and this may affect the weight of fiber when washed and dried (but again I didn’t weigh mine before and after to find out so I’m not really sure on this one).

Chert and canary stain.
Chert, I believe, is kind of like animal dandruff. I’ve had it in a small section of Hebridean sheep’s fleece that I was working with – the fiber was a dark brown so it really showed up – and it was not so easy to pick it out of the fleece. Apparently it is quite common in angora goats (which is where mohair comes from). The dandruff stuff can be difficult to get all of it out so if you want a smooth lace weight yarn, maybe look for a different fleece. You can flick the ends or lash them on the teeth of a carder to get most of the dandruff out but bear in mind this means more work. I couldn’t get it to wash out. The only way I found to tackle it was to try and comb or brush it out when washed and dried, which got a lot of it out but even then there was still some remaining that actually went into the yarn (which is what I didn’t want). I’ve had other fleeces which have had a small amount of it in and I’ve managed to get it all out with pre-carding and the yarn came out fine – with no dandruff! So I guess make a judgement on how much, if any, is in your particular fleece before you buy it. Canary stain is like a wide yellow band that I’ve found on some of the crimpier (white) fleeces I’ve worked with. The yellow colour does not wash out but I haven’t found it to alter the strength of the fiber as I’ve spun it and it didn’t snap but if your fleece has it, check it and make sure it is up to your standard before purchasing, as I myself am not an expert – I learn by experimenting and things can vary from fleece to fleece! Apparently you can dye over it but I haven’t got round to that yet.  It might come out a slightly different shade than the whiter bits of fleece. You could try blending the yellower locks in with some of the whiter locks when it’s washed and dried to get a more even colour to your yarn and to avoid yellow striping. I spun a skein of yarn from the lock from some fleece that had canary stain and it turned out a creamy colour which I quite liked, but then again there wasn’t too much yellow in there to start with.

These are some other factors you may want to consider when choosing a fleece;

End product – is this important?
Or are you buying for the pure pleasure of spinning e.g trying out a new fiber? If you’re buying with view to spin for a project make sure you get enough fiber, factoring in a bit for waste and mistakes! Also find out if the type of fiber you’re purchasing will be a good ‘fit’ for your end product i.e some fibers are known to possess certain qualities that can be used to your advantage in particular situations. E.g A popular fiber at the moment is Blue Faced Leicester wool. It is known to have a lovely drape (i.e drapey rather than springy) so is used, among other things, in lacy openwork shawls and delicate items. Because of it’s softness it is often used in next to skin items like cowls and scarves. It dyes and blends well with other fibers e.g nylon (to add strength) quite well so you often find them in hand-painted tops or roving for people to spin to make their own socks (If you have the tools you can make a roving or batt from the fleece yourself). I’ve seen some beautiful art yarns made with this fiber. BFL seems to work well in a lot of projects doesn’t it? So yeah, if you have a particular project in mind, then have a look around as there is probably a specific fiber/blend of fibers that could work especially well for you! Also don’t be afraid to ask the seller questions about the particular fiber you’re interested in. You can also do a bit of research online if you’ve seen a fleece you really want to try. If you’re buying online you could ask them to send you a small section or buy a small section of the fleece to try out and you can of course try to email them with any questions you may have. And feel the fleece for it’s properties – just don’t forget to wash your hands afterwards!

Blending?
You may want to consider buying fleece with a similar staple length to that of your other fiber that you’re going to be blending it with. E.g I got some superfine alpaca fleece that was a similar staple length to the coarser farm wool i wanted to blend it with to make some chain ply (navajo ply) socks which I’m working on at the moment. I’ll post when I have something to show. Also if you get a fleece which has noticeably lighter and darker sections, you may have to wash the whole fleece (or at least quite a large section of it) before you can start spinning it to blend sections of it to make a more uniform colour (if that’s what you want), and if you want to just wash a bit and spin a bit at a time then maybe choose a more uniform coloured fleece. If you’re not sure, experiment with small samples before using a whole chunk of that fleece! Will you get bored of spinning a whole fleece? Can you use the fiber in different ways e.g can you dye some of it if you get bored of spinning plain white fiber in the same way? Can you try spinning by practicing different techniques e.g worsted and longdraw? Can you combine with other fibers? Make some art batts? Etc.

Do you have the correct tools to wash and prepare the fiber for spinning?
E.g will you need combs for the longer stapled fleeces? Carding equipment for blending etc? Do you have at least a pair of hand carders (if needed)? Some fleeces need more carding than others and the finer wools might need finer toothed carders. I’d like to say – don’t go nuts and buy loads of stuff that you might not even need when you’re first starting out! I’ve found I can prepare a lot of things on 72 tpi carders e.g I even card (and blend) superfine alpaca and angora fleece (sometimes together with medium wools) on my 72 tpi carders – but alpaca and bunny fluff is kind of silky and doesn’t tend to need as much carding as superfine wool as it doesn’t get as tangled and doesn’t have as much vm in it – well, in the fleeces I’ve tried anyway! Try it and see, if possible. (Note: angora and alpaca does not seem to like being blended with anything that still has lanolin in it. It seems to be ok with wool that is washed, dried and lanolin free though. I sometimes spin angora and alpaca without carding). You might have to invest in different tools if your tools aren’t working for you though. Also how are you going to wash your fleece? In the bath tub? in a barrel outside? If you want to wash in laundry bags you can get some after you get the fleece home of course. You may wish to get some solely for washing fleece though. How are you going to dry your fleece? Do you have some old absorbent towels for fleece drying? Again you might want to think about dedicating some towels for your fleece. Also, I found that some fleeces come in ‘one piece’ and are very kind of ‘stuck together’ whereas some fleeces are more easily separated. If you get one of those ‘stuck together’ fleeces, i.e a longwool fleece like the Leicester Longwool I got recently, it may be easier to separate the locks before washing as it seems to be harder (for me) to separate the locks after it’s been washed, and carding can only do so much e.g if it’s felted at the butt ends. And some fleeces need minimal processing – you might just be able to get by with a flick carder if spinning from the lock, or just teasing apart with your fingers. It depends on the fiber and what kind of yarn you’re spinning e.g if you want texture in your yarn, if you want the locks in tact etc. I have found that I could card some long wools (not the ridiculously long ones though!) with hand carders in small amounts i.e as opposed to using combs. I haven’t tried them on a drum carder but apparently the long wools get tangled up on the drum so therefore they say you need combs to process. But I like to just flick the ends of the longer curlier wool locks to make lock-spun/tailspun yarns anyway – I can’t bear to brush the curls out but that’s just me. I find if you have the time and patience, that hand carding (on medium grade hand cards) and hand picking can sometimes be all you need to start with, and anything else can come later when/if you get really into it! You can spin some really nice stuff on a spindle that can cost only a few quid too!

So there you have it. That’s what I’ve learned so far. This post kind of turned out longer than expected – I just kept on finding new stuff to put in! There’s nothing stopping you from seeing a fleece you want to try and just going for it! It will be a learning experience in itself and sometimes that’s the most beneficial and fun way to experience things. I’d say use your own best judgement and don’t spend a fortune as this will be a learning curve and you want to know that fleece processing is for you first before you go and buy a load of stuff. I’d like to say that even though I’ve babbled on for ages that this is not an exhaustive list, and again as I said before, use my information at your own risk – this post is about things I personally consider before choosing fleeces and it’s stuff I’ve come across and learned from personal experience. Everyone’s fiber journey will be different and I don’t pretend to be an expert – just someone who get’s interested in things and wants to share their knowledge to help others! Thanks. Feel free to ask questions in the comments and I’ll try to answer as best I can. Oh, and have fun with your bundle of fleece!

Posted by ilikecolours at http://www.ilikecolours.wordpress.com
on 11th October 2013

Fibre East 2013 – Angora and fleece – lots of wooly fleece!

It was the first time I’d been to Fibre East and as soon as we got there we were greeted with a sheep shearing show. How awesome. My favourite sheep was the mutant one that looked like a cross between a sheep and a kangaroo. And round the back they had some curly black sheep (which looked like Wensleydales but not sure) and I wanted to take them home! The things I personally liked about this festival were the ‘car boot fleece selling’, the sheep shearing show as I’ve already mentioned, the rare (and some of the not-so-rare) breed fleece stalls, and the National Angora Club stall which had its very own mascot/lump of fluff – Smokey, the blue (or was it charcoal?) English Angora. I want I want! (but which bit is his head?)

Image

I shall start with The National Angora Club http://nationalangoraclub.webs.com/ stall (even though it was the last one I got to) as one of my favourite fibers is angora. The ladies there were very helpful and knowledgeable about their bunnies – on how to take care of them and how to get in touch with breeders, on how to prepare angora fiber, and on how to spin it and what items can be made from them and what to ply it with. I particularly liked the sample of lacy opera gloves that were made from a spindle spun 2 ply, of which 1 ply was an angora single and the 2nd ply was a mulberry silk single. Both singles spun on a drop spindle and plied on a slightly heavier one. I was told that by plying with silk it would give a crisper look to the finished garment, and on comparing these gloves with some other sample garments i.e a wheel spun beret, I could see the difference in finish. I have spun angora before, on its own and blended with other fibers i.e wool, but I was in awe of how thin and lovely the thread this lady was spinning, so, after her giving me some tips on how to spin it ‘fine with a very high twist’ she said, I decided to get one of the tiny spindles from her and a small bag of blue angora fluff. The staple length was pretty short for spinning but I was not to be deterred as I’d fallen in love with the colour! I’ll post again with pics of the spindle and the yarn i’ve spun.

What else did I get? Oh some alpaca fleece from Katchoo Alpacas stall https://sites.google.com/site/katchooalpacasltd/ from a black Huacaya called Wonderwoman! The locks look like they’re pretty much in tact so I should be able to spin from the lock with this one. Haven’t decided whether to wash it or not (you don’t have to but some people like to). I’ll do a post as and when I do something with it.

I got half a Leicester Longwool fleece from one of the ‘car boot’ fleece sales people. it’s about 2.5kg of lustrous (although raw) fleece. The guy I bought it from did warn me that this fleece was a lot of hard work and to possibly think about purchasing one of his Portland fleeces, but I’d already seen the potential in the locks, and for £7 for half a fleece I was sold. I’ve been washing this fleece using various methods in small amounts so I’ll probably do a post on how I wash fleece and/or locks. It’s one of those fleeces that are all in one piece – very sort of ‘stuck together’ at the shorn ends and full of lanolin. I’ll also be posting some dyed locks and some lockspun yarn that I’ve made with it in the near future, but for now here’s a picture of the curls in all their (raw and pre-washed) glory;

Image

Whilst we’re talking curls, I got 200g of Wensleydale fleece from http://www.wheeldalewoolcrafts.co.uk/ from which I’ve been separating the locks and they are gorgeous. More pics to come! Also I bought a small packet of raw mohair locks so I get to wash and dye and spin these. The lady from New Forest Mohair was very helpful!

I’m looking forward to spinning some samples I got from another lady, who is part of the Manx Loaghtan Rare Breed Society and she told me she is setting up a rare breed fleece directory for buyers and sellers to connect with each other. Her actual website is http://www.parvabrook.com/ and she also has little Soay sheep which I am looking into getting some fleece from her later on. If I remember correctly she said these sheep can be roo’ed (where you pluck the fleece off by hand – it doesn’t hurt them, you just kind of collect the bits by hand that have already come away from the skin, like when a dog moults) as they are a primitive breed. I would like to try spinning a fleece that has been collected this way. I want to have a go at rooing the sheep myself!

Ok so I think that’s enough for now. I’ll post soon with more pictures when I’m making some stuff out of all this fluff! So what did everyone else get?

Posted by ilikecolours 12 Aug 2013 at https://ilikecolours.wordpress.com/