– 60

Image

We found the dancers in a big, rolling dimple of sand.  They were already in trance; sometimes a dangerous state.  When the Brothers took me by the hand I became a Link: I found it pleasurable enough to indulge myself all night.  Here, no one knew who I was and, very soon, neither did I.

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– 59

However, in both Freud’s formulation and Lacan’s reformulation, photography is a psychosis, a crisis of reality.

Oh.

Did I say photography? I meant paranoia. Sorry. Freudian slip.

Maya…Maya…Illusion…Illusion…

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– 58

Madame devra prendre son tilleul.

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– 57

This then, I thought, as I looked round about me, is the representation of history. It requires a falsification of perspective. We, the survivors, see everything from above, see everything at once, and still we do not know how it was…Are we standing on a mountain of death? Is that our ultimate vantage point?

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– 56

Of a remain(s)?
Of a remain(s) that would no longer be — neither relic nor remainder [reliquat] — of any operation.

Effluvium.
Lait de deuil.

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