History of Cyanotypes


Sir John Herschel, an astronomer, while trying to find a way to copy his notes he invented the cyanotype process. He began by experimenting with sun prints (or photograms. They were one of the earliest forms of photography, involving laying an object on chemically treated paper before exposing it to a light source. Later, in 1842, he used paper coated with a solution of iron salts, exposed it to sunlight, and then washed it with water to create the very first cyanotype – a white image on a deep blue background. This method proved to be easier, cheaper, and more durable than the previous silver-based method. It was initially used for reproducing technical drawings (blueprints) and scientific documentation before becoming an artistic medium

In recent years, cyanotype has experienced a revival as an artistic medium, with contemporary artists exploring its unique aesthetic qualities. There is so much more to explore with the cyanotype medium.

Wet Cyanotype Image, yarrow silhouette on the Prussian blue background

Cyanotype

I have been working on my cyanotypes, this one printed on vintage paper using Antique keys and a lock.. I thought I would tell you about the process.

Cyanotype is a photographic printing process that produces a distinctive Prussian blue and white image. A camera-less technique, meaning it doesn’t use a camera to capture the image. 

Instead, it involves coating a surface with a light-sensitive solution of iron salts, typically ferric ammonium citrate and potassium ferricyanide.  

Placing an object or a negative on the coated paper and exposing it to ultraviolet (UV) light, usually sunlight. The solution undergoes a chemical reaction, the exposed area creates a blue colour, while the covered areas remain white, resulting in a unique, blue-toned print.

Cyanotype is a contact printing method, meaning the object or negative is placed directly onto the coated surface, creating a one-to-one image. 

Each image is unique, even when using coated paper, and the same negative, as each sheet of paper can have inconsistencies

Cyanotype on vintage Postcards

I found a few vintage postcards while visiting NIce France and wanted to try cyanotype printing.

Using daffodils, because they are spring flowers, the texture of the card, and the postage stamps, all add to the final image. I didn’t get a strong flower imprint, it could be the daffodils are very thin and the image is slightly over-exposed.

I still have more work to do.

Since arriving home I have built two new light boxes in preparation for a workshop on May 25th. I will try to keep you posted on the progress.

St. Paul de Vence

we walked around St. Paul de Vence, where many little shops and galleries existed. The highlight of the visit was the White Penitent’s Chapel decorated by Folon.

ICM – In Camera Movement – Waiting for the Storm

I love the harbour at Villefranche-sur-Mer, the few times we have been there it hasn’t been too busy, and the boats that are in the harbour are not all stacked together as they are in the Nice Harbour. ICM photography is processed in Photoshop with a texture layer, giving it that old-world impressionist painting feel. The textured layer adds texture and contrast to the sky. I call this, “Waiting for the Storm”

Nice France

we visited Port Lympia, which is filled with big yachts, but I find the little fishing boats more interesting. We watched the sunset and we wandered the streets. It’s been a pleasant week.

Business Portraits

Yes, I still do portraits and business headshots! Here are a few of the more recent business portraits.

Cyanotype with delicate paper

I have been exploring cyanotype printing with old vintage papers. I found handling the delicate paper while rinsing. These papers are fragile and tear easily.

A little research lead me to the Alternative Photography website the writer, Adam Welsh calls it the Welsh Method. For more details you can check out his article. https://www.alternativephotography.com/washing-cyanotypes-on-japanese-washi-papers/

This technique works wonderfully, I left the print to dry on the screen rather than risking moving it to the plexiglass, it dried as you would expect, the corners lifted, some time underneath a heavy book always solves that problem.

Attached is a short Timelapse video and my final image.

Dried cyanotype, snow on vintage paper
Welsh method, washing/rinsing delicate paper

I hope this is helpful for those who might be working with delicate papers. Let me know if you have tried this, did you have favourable results, what other obstacles are you finding?

Peacock feathers wet cyanotype

Cyanotype Peacock Feathers

I have been working on a 100 day project, this is day 42.

When I decided to do this project I had a list of different subjects, different techniques along with different papers I wanted to try, so many combinations to explore. While it was important to me to try all the different options and combinations I could think of I didn’t want the project to drive my life or make me crazy.

Day 1, on June 5th, 98 days ago. Yesterday I coated some old music sheets, pages from two different books and I can big plans for both botanical prints and digital negatives.

You can check out my progress on my Instagram account