Daughter of The Desert

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It’s been quite some time since I’ve written–three years to be exact. Lots has happened: a pandemic, an insurrection, several deaths of friends and family, chaos and unrest, moral deterioration and unbridled hatred, confusion.

But none of that is what I want to write about today. I have just returned from an amazing three-week tour of Morocco. And the most phenomenal experience–besides the whole trip itself–was celebrating the 100th anniversary of the La Mamounia Hotel with finger sandwiches and macarons in the Salon de The’.

Marrakesh is called the Red City due to the warm, rosy hue of the original buildings manufactured from local mud burnt by the desert sun. It is also referred to as the Daughter of The Desert, somehow considered feminine. The city is timeless and legendary, much like Lady Sylvia Ashley herself.

A mere ninety-nine years have passed since Sylvia Hawkes vacationed in Morocco with her friend and fellow actress, Dorothy Field, as guests of the Duke and Duchess of Sutherland. At twenty years of age, it was her first excursion outside of England. La Mamounia–which means “safe haven” in Arabic–had only been open a year when she was a guest in 1924. How could she have possibly guessed that the new, dazzlingly modern Art Deco-Arabic architecture would survive an entire century in ageless resplendence?

The hotel has entertained many notable figures of the 20th century including the Fairbanks’ close friend, Charlie Chaplin; “Le General”, Charles de Gaulle; and U.S. president, Franklin D. Roosevelt. One of the bars has even been named after frequent guest and British Prime Minister, Winston Churchill.

In the second half of the century, other luminaries such as Kirk Douglas, Omar Sharif, and Nelson Mandela sought solace in its luxurious rooms. Alfred Hitchcock’s The Man Who Knew Too Much was filmed at the hotel in 1956 with James Stewart and Doris Day. It was from this movie that the classic song, Que Sera Sera originated. Ex-Beetle Paul McCartney also wrote a song in his suit in 1973.

And I almost wasn’t allowed in. The hotel’s policy is to welcome outside visitors daily between 11:00 and 4:00. Only guests and those with reservations are able to enjoy the safe haven at any other time. Not knowing this, we had dolled up in our finest frocks after a full day of guided sightseeing–all to places Silky had also visited a century ago–and arrived by dusty cab at 4:30. It was only the quick thinking and fast action of my friend and travel companion that saved the day.

As I stood crestfallen in the heat by the arched and fortified entrance, she called the front desk and made us a reservation at Le Salon de The’. After a few miscommunications and dropped calls, the security guard confirmed our reservation and reluctantly allowed us through. We crossed into another world, a sumptuous tropical paradise like Shangri La. There was no dust, no crowds, traffic or honking horns, no offending odors–just lush green lawns spotted with banana trees and flower laden gardens, birdsong and the rustling of palm fronds in a gentle, fragrant breeze.

It was a palace and just as beautiful as El Bahia. As grand as the Saadian Tombs, as majestic as the Kotoubia minaret. The two-storey-high ceilings were carved and painted, every column was decorated, with slivers of tiles set into intricate mosaics, every lamp garnished with colored glass. The pastry cart looked like a jewelry case out of Cartier’s.

We were seated at a cozy table with plushly upholstered armchairs in the corner of the salon. There was only one other table of patrons across the room. We tucked into our three-tiered tea stand of small crustless sandwiches, pastry confections fit for a queen and garishly colored macarons in pistachio and raspberry-rose flavors. It was heaven. It was my birthday and New Years rolled into one and drizzled with creme fraisch.

Afterwards we strolled all of the public rooms and I tried to spy the more permanent features that might be original, ignoring the draperies and furniture. I found a lovely pastel-toned, stylized mural along one hallway that ended in a very deco-like curve. It was most certainly commissioned at the time of construction or shortly thereafter. Then we headed outside onto the grounds, enjoying towering, white hollyhocks and sunset-colored hibiscus flowers. The evening sun cast the elongated shadows of trees across the lawn in the olive grove. The glorious day was coming to a close.

It gave me that same melancholy feeling I’ve experienced in England, Nassau, and Manhattan. The wistful sense that we’ve almost reached each other–me trailing just behind–only for her to disappear around a corner, just out of my grasp. Like the gossamer threads of a dream upon waking. All these decades since traveling and researching, writing and editing her life story, I am still following in Silky’s footsteps, across time. I guess I always will.

The Fly On My Nose

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Sometimes I can be a bit thick. For over a decade now, I’ve had friends, acquaintances, and total strangers ask me why I don’t self-publish Silky. My hairstylist was one such person last night. As chunks of my hair drifted to the floor I gave her my pat response about it not feeling legit to me as a writer, that anyone can do it and it’s not for me.

But for some reason I cannot define, I woke up this morning and thought, “Why don’t I self-publish?” Like I’d heard the concept for the very first time. Was it purely ego preventing me from trying a different avenue? Or was it habit?

Like when you’re driving the same route day after day, week after week and one day you laugh at the graffiti on a billboard you’ve never seen before. Only your friend tells you it’s been there all along. Like a fly on your nose that you just weren’t ready to see. That’s how I feel about Silky.

Once I let myself consider it, I started weighing some of the pros: I wouldn’t have to face the grueling agent submission process again; I’d have complete creative control; I could get it into the hands of my peops who’ve been asking about it for years; and perhaps start a word of mouth movement. Who knows where it might lead? Some authors have self-published then been approached by an agent and ended up with a book deal. Maybe I’m going about it backwards. Maybe an agent needs to find me instead of the more traditional way. I began to feel lighter.

My spiritual teacher always advises to “go where the energy is.” If something energizes you that’s exactly the right path. I have a new excitement this afternoon and even ordered a couple of How To books on the subject. But best of all, I no longer feel stuck.

Getting Back On The Horse

Floating Head_wmThese strange and trying times have brought me back to Silky. Having been laid-off from work in March, I’ve had the time and motivation to reread my novel. And Silky’s life still amazes me! I suppose four years is ample time to gain a new perspective because I’ve finally got it. I’m ready to get back on the horse that threw me and take hold of the literary reins.

Like most folks during this pandemic–or what I like to call the zombie apocalypse–I’ve been tackling projects, joyously ticking off tasks from my To Do list. I’ve gone through closets and drawers culling unwanted clothing and items long forgotten in the depths of household storage. In my excavations I discovered a book-shaped locket I had purchased awhile back. I’d had it engraved SILKY on the front and always intended to have a picture of her made to put inside it.

So this week I found a photography processing shop able to shrink down one of the many portraits in my collection. I chose this shot from the 1920s that is, I believe, attributed to Cecil Beaton. It was taken shortly after her marriage to Lord Ashley-Cooper, securing her position in London society with a title she would use the rest of her glamorous life. The tiny photo will be ready for pick up tomorrow.

And I’m ready to spruce up my cover letter and start the submission process AGAIN. It’s time to find the perfect agent to help me get this fabulous woman’s story out into the world. Hi ho, Sylvia! And away we go!

Life Preserver

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sailboatLady Sylvia Ashley, Italy 1930s

It’s no secret that I’ve been floundering of late. Amid set backs and false starts, I’ve lost enthusiasm for Silky. I simply haven’t been able to muster the drive to carry on. So imagine my surprise at receiving a lifeline out of the blue!

A published writer who specializes in “aristo ladies” sent me the most lovely, encouraging email a couple of weeks ago after reading my blog. She complimented me on my posts and commiserated on the difficulty of getting our kinds of stories into the hands of our readers. She even shared tips and leads on British publishers. Oh the kindness of strangers!

It was exhilarating to find someone familiar with Silky’s fabulous story and also thrilling to learn about one of Silky’s peers, Doris Delevingne, Viscountess of Castlerosse. Lyndsy Spence’s book on the notorious British socialite is coming out next month and she tells me that Doris and Sylvia were friends. After ten years of research, I’d never heard of Doris so it was a pleasure to become acquainted.

And if that isn’t enough, Lyndsy’s part of The Mitford Society! Two of my favorite stories of all time are The Pursuit Of Love & Love In A Cold Climate. Our connection couldn’t be more perfect if Silky introduced us herself. Maybe she did.

Lyndsy’s graciousness and generosity was like a life preserver for this drowning writer. I was just barely treading water and now I feel that perhaps I could reach shore soon. She’s gotten me kicking again and renewed my hope. A very fine gift indeed. And just in the nick of time!

Sweet Sorrow

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Gam & me, 2011

I recently went up to the central coast to take care of my cousin’s cat while she was on vacation. As I left for home after my visit, I was overwhelmed by sadness.

Now I adore the Cecil cat. He’s extremely affectionate & demonstrative. But there was something else going on. Something I couldn’t name. My sorrow was so deep and huge for simply saying goodbye to a cat I love.

I remembered something the comedian Louis C. K. said about letting oneself feel all feelings. He points out that life is filled with sadness as well as joy—how they both exist—but that we shy away from sorrow. He recommends embracing it instead. He talked about running into sadness frequently while driving. He noticed that his mind was more free to wander in the car and that feelings of profound misery would overtake him. He suggests pulling over to the side of the road and letting the feelings come. So I did.

As the tears flowed, I remembered a conversation with a friend just the day before about emotional discomfort. She was talking about when scary or hard things happen to us, we distract ourselves instead of feeling the fear or worry or sorrow. But if we could just sit with the hard feelings long enough, answers and solutions eventually appear.

I finally understood that my sorrow was place related. When my grandmother was still alive, I used to drive that same route home after visiting her and cry in the car. When the dementia began and Gam was no longer the woman she had been, I missed her before she left her body. I began grieving when she lost her mind. And every time I left her, I wondered how much more time we had together before I lost her completely.

Realizing this on the side of the road somehow gave me comfort. The sadness was there. Then eventually it passed. Just like Louis C. K. said it would. But it had a beginning and I was able to finally trace the source because I didn’t resist the feelings or stuff them down. I just sat with them. It’s not easy, but it’s where the answers are to be found.

The basis of Buddhism is a doctrine known as the Four Noble Truths. The First Truth is that all life is suffering, pain, and misery. I used to view this notion as a downer, but now I get it. If you’re paying attention and living a compassionate, sensitive life, your heart will break a thousand times a day. But that doesn’t mean there isn’t beauty around every corner. There are treasures to be found in the rubble. After all, a diamond started out as a lump of coal.

Anniversary of Loss

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my Gammy, 1940s

A friend recently commented on the anniversary of the loss of her beloved mother by stating that she’d lost her “northern star.” That really hit me. Especially so close to the anniversary of my grandmother’s death. And it’s a perfect comparison. How does one navigate without them?

You think it will get easier. And eventually it does. But not for a very very very long time. And you never really stop missing them, you just miss them a fraction less as life callously marches on.

I’ve saved a recording of Gam on my answering machine. It was back when she wasn’t yet confusing the T.V. remote with the cordless phone (a perfectly understandable mistake for a 95 year old woman who was middle aged when television was invented!). She was waiting for my arrival and growing impatient.

No matter what time I told her I’d get there, she’d start watching for me on the front porch. Sometimes she’d be waiting for hours. In the voice message she sounds forlorn and lonely, disappointed and worried. It’s not the best representation of her voice, but it’s the only one I’ve got. I listen to it about once a week.

I lost her two years ago today, two days after my birthday. Somehow I know she waited to crossover so as not to spoil my special day. But still, my birthday celebrations have a melancholy element to them. And probably always will. My deepest regret is that she’ll never get to see Silky published after how much a part of it she was…and is.

Looking for a photograph of her, I ran onto my post from last year at this time. It sums up exactly how I’m still feeling…

“As it turns out, my Gammy was the love of my life. No one will ever love me as deeply, as constantly and with as much sheer unconditional force as she did. No one will ever think I’m as smart, as charming or as beautiful as she did. No one will light up like a hundred birthday candles when I walk into the room. And that hurts my heart to know. Like realizing you’re no longer the ingénue or the star quarterback or just the apple of someone’s eye. To become irrelevant is untethering.”

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Kathleen Curtis Stratton, 1950s

Elder Flower

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When I was visiting East Sussex last fall, a friend took me to a local pub and turned me on to a lovely sparkling lemonade beverage made with elderflowers & rose. Since then, I have discovered a market that sells it here in California. It’s my new alternative to champagne when I’m not wanting alcohol. Of course when I am imbibing, it goes smashingly with vodka and a little fresh lime juice. I’ve christened my new cocktail the Lady Sylvia.

I haven’t yet researched how the elder flower was named, but it brings Silky to my mind. When I knew her as a child, she was a grand dame in her seventies, but she hadn’t lost her impeccable sense of style and was still a great beauty. A perfect English rose, as the saying goes.

Silky captured the attention and heart of a Georgian prince in her fifties. Their gala wedding was the talk of midcentury Manhattan.

I wonder where this idea came from of women no longer being considered attractive simply because they’re no longer young? Like that’s a natural progression. It’s outdated and just not true. I believe our wisdom alone makes us rather lethally gorgeous.

I like to think of the term “elderflower” to describe a lovely woman of a certain age. It sure beats the hell out of Old Lady, Old Maid, Elderly or Senior.

Cheers to the elderflowers!

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London’s Calling

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Lord Anthony Ashley-Cooper weds Sylvia Hawkes, London 1927

Imagine my surprise leafing through this month’s issue of Vanity Fair magazine & discovering an article on the current Earl of Shaftsbury and the Ashley-Cooper estate, St. Giles in Dorset, with a mention of Silky!

“In 1927, Lord Ashley shocked London society by marrying the chorus girl Sylvia Hawkes. He died of a heart attack in 1947 at the age of 46. Sylvia, from whom he was divorced in 1935, went on to wed Douglas Fairbanks Sr. and Clark Gable as well as the sixth Baron Sheffield and Prince Djordjadze, a Georgian nobleman.”

And just that simply, there she is again refusing to let me quit.

Recently, I’ve been feeling aimless. Things seem flat and mundane and I realized just today that it’s not only because I’m missing Silky’s fabulous influence from my life, but also because I’ve halted my creative flow. I haven’t been writing and a kind of flatline has set in. At the very least, I ought to be querying agents again.

It’s high time to soldier on and get back to what makes my heart sing. Apparently, London’s calling and it’s time to answer.

Wake Up Call

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Can it really have been four months since my last post? How time flies when you’re not having fun. This year of the monkey hasn’t started out well for me. Without going into the dull details, let it suffice to say that I’ve been having a crisis of faith.

I’ve expereinced a lot of loss in the last few months–grief, disappointment, illness–and I’ve been hunkered down, trying to wade through it. Part of my sadness has been the lack of progress I’ve made with Silky. It’s challenging to keep pursuing your dream in the face of rejection (and trying to make a living). And the thing about taking a break is that the next thing you know, months have passed.

Cleaning up my desk today, I found this poem I wrote about ten years ago, when I first started Silky. I’m considering it a gentle prod from the great beyond…

 

Hats & gloves, cigarette cases & steamer trunks, opera capes with fur trim–

The end of an era.

I follow you to a place I miss

though it was never mine.

I tread your path, not in high heels

but with an outmoded sense of style.

Your gift to me: time travel.

My promise: strangers will speak your name.

 

Heros

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“Find the good. It’s all around you. Find it, showcase it and you’ll start believing in it.”

– Jesse Owens

I’ve been in a mad frenzy to catch up on all the Oscar nominations before the 88th Academy Awards show on February 28th. One of my guilty pleasures are the previews of upcoming films.

I’m happy to report that it’s finally happening! There is a biopic on the Olympian track star, Jesse Owens, aptly titled Race opening next month and I couldn’t be more thrilled. I fell in love with the lovely–inside and out–athlete when I was researching Silky. Fifteen years ago it amazed me that a film on this American legend and hero had not yet been made. And it’s baffled me ever since.

In 1936 Lady Sylvia Ashley attended the Berlin Olympics–hosted by Adolf Hitler–with Douglas Fairbanks Sr., a Jew. An avid lover of beauty, she was captivated by Jesse Owens’ grace and agility, his talent and his bravery. He won four gold medals and basically made a mockery of Hitler’s notion of Aryan supremacy. And to think of the racism he endured his whole life–in his own country–to do it!

There are some enlightened souls put on this earth to speed up the spiritual evolution of humanity. Jesse Owens was one such soul. You’ll find me weeping into my popcorn with joy and sorrow on February 19th. Come join me!

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