Five Films for Yuletide 2025

Good grief, is that the time (of year)?

Tradition dictates that I offer a list of five film recommendations for the holiday period.

I prefer my heroes in tweed, my heroines likewise. I choose films that may be old, or odd, or quiet. Films that have neither thrills nor spills – and definitely no comic-book superheroes.

Posts from previous years are listed at the end of this one.

Here we go:

1. The Electrical Life of Louis Wain (2021)

How does the smooth Benedict Cumberbatch manage to transform himself into the quirky and unusual Louis Wain, his pencil always sketching and his brain always on fire? A sort-of-comedy biopic of a late 19th century artist and oddball, this will probably make you laugh, and cry, and sometimes marvel at the skills of actors and film-makers to produce a film quite so eccentric and endearing.

https://kentfilmoffice.co.uk/filmed-in-kent/2021/12/the-electrical-life-of-louis-wain-2022/


2. That They May Face the Rising Sun (2023)

The landscape of Ireland is the carpet on which this film takes flight, in all its green and soggy majesty. A not-quite-young couple settle in a small village in retreat from a busier life, leading us through a semi-rural year with a thread linking back overseas, to other responsibilities, and a choice that’s made – or is it? Set in the 1980s, but not as brightly-lit, the film has all the charm of The Banshees of Inisherin without any of the amputations.

Glencar Lake in County Leitrim - That They May Face the Rising Sun

quietly affecting, funny and filled with a stunningly subtle exploration of life’s hardships… a film for those with the patience to appreciate its slowly unfolding layers as you’re welcomed into this endearing community, filled with delightful characters, who are brought to life by a pitch-perfect cast.

Review on FilmCarnage

(Trailer – https://www.youtube.com/watch?v=sHsLFFHKUr4)


3. The Winter Guest (1997)

Emma Thompson stars alongside her real-life mother, Phyllida Law, bickering wholeheartedly while an unnatural cold spell has frozen the sea and turned every footstep into a risk. Meanwhile, two elderly women attend a stranger’s funeral, mainly for the tea and cake and the ride on a warm bus.

Film4 Production describe this film, directed by famous screen baddie Alan Rickman, thusly:

“Set upon the shores of a picturesque Scottish seaside town, in the icy depths of winter. The Winter Guest is a moving, funny and tender story about life, love and the need to feel wanted.”

For a plot summary, try the late Roger Ebert (https://www.rogerebert.com/reviews/the-winter-guest-1998).

a short-haired white woman focuses her camera upon the viewer, in a landscape of grey rocks dusted with snow

4. Yesterday (2019)

What if nobody had ever heard of The Beatles – except you? Especially if you were a fan, and an aspiring musician, and – ooh – suddenly the entire back catalogue of John/Paul/George/Ringo is yours for the taking. Hmm? Go on, admit it, you would, wouldn’t you?

Well, that’s the exact premise of this film with an endearing cast list that includes a good few cameo appearances and a soundtrack of all-time crackers. I’m not a Beatles fan myself, but I did enjoy this. Nice bit at the end too with Sarah Lancashire.

in a parody of the Beatles' Abbey Road LP cover, star of the film Yesterday (2019) Himesh Patel walks across a (UK) zebra crossing with a guitar slung across his back

“a wide-eyed musical fairy tale”

Variety Magazine review (their reviewer is somewhat nonplussed)

5. Stiff Upper Lips (1997)

A comedy to round off the list! Stiff Upper Lips takes aim at all those Edwardian period dramas made popular by Merchant-Ivory, the private-school boys and corseted girls, their elders in aspic frightfully strict. The cast list is full of actors who may even have made their names playing in the very films this takes aim at – including Peter Ustinov, who is always a delight to watch, the acid Prunella Scales and her real-life son and all-round good egg Samuel West.

Time Out described it as “Spiffing!” (which isn’t as rude as you think it is)


That’s all for this year’s suggestions. Previous years:

Five Films for Yuletide 2024

Five Films for Yuletide 2023

Five Films for Yuletide 2022

Five Quiet Films for Yuletide 2021

Five films for Yuletide 2020

Five Festive Films For Yuletide – Again

Five more unusual films for Yuletide

Five Unusual Films for Yuletide


Hope your festive period is as wild, or as quiet, as you wish.

Solstice 2025 – Is This A Sign?

After months when I deemed it unwise, I trod the woodland path again. Soft underfoot, not yet impassable, the surface of autumn’s leaves studded with hawthorn’s sturdy berries. At dusk I almost have the place to myself. Wild birds call their day’s last message; light fades over the bare trees to the west, high clouds shading to rose, then lavender.

batik art - against a pale background, a golden sun highlights a grey tree, its roots spreading deep and wide across two-thirds of the image (At The End Of The Day 2021 by M J Scandin (https://www.mjscandin.com/))
At The End Of The Day 2021 by M J Scandin (https://www.mjscandin.com/)

All summer I walked the riverside path and watched the water fall away from the banks. Not as dry as previous years, but not replenished. Mud-banks appeared, thronged with waterfowl shaking their feathers at the sky. Once, like a rip in the waterside grasses exposing some interstellar darkness, the sinuous shadow of a mink slid over the lip of the bank and vanished into the ground. The geese saw it too, and made no warning sound.

Now the tail of the year approaches and traditionally I’d summarise my progress, or lack of it, on projects writing and otherwise. Not this year.

I asked, “Where might I be in a few years’ time? Ten? Five? What would I like to fill my diminishing time on this planet with?” in homage, in part, to Mary Oliver. I found this snippet in response.

Text: 
Jessica Kantrowitz @jfkantrowitz 
Just a reminder that Mary Oliver's own answer to her question, "What is it you plan to do with your one wild and precious life?" was to stroll idly through the fields noticing things.
The question out of context could appear to be about achieving more -- it's not.

Curled into winter now like a wasp in the woodpile, we wait for season’s prime. Dark mornings foster late rising. Dusk comes before four, earlier if it’s gloomy or wet. The curtains are drawn, the fire is lit, there have been mince pies made and greedily devoured.

The last apples still cling to the tiniest trees. We’ve had a harsh frost, that did for the tomato plants pretending to be hardy in the outdoor beds long after they should have died. A couple of Named Storms have whipped the neighbour’s pampas grass, as usual, the flags of their flower-stalks broken, still defiantly waving.

On my walk I mused on winter weather – especially at Christmas time – and our expectations of the weather. Starry evenings where the breath mists in clouds; thick snow cloaking the landscape, swaddling sheep on the hills and smoothing out the corrugations of ploughed fields.

Unlikely, this century.

Our festive TV adverts seem less snowy than before. I wonder whether that’s a sign. Climate change begins to alter how we view the world around us, our Christmas traditions soaked in Dickens and Victorian values now obsolete. This house was built for colder days; their like we’ll not see, mostly, in the future.

a weather record from Weather Archive Africa on Zooniverse - a sheet of paper with a table of observations
Weather Archive Africa on Zooniverse

I’ve spent some time on Zooniverse where various projects seek to digitise historic climate records.

Old logbooks from ships that plied the Indian Ocean (Monsoon Voyages); the river levels of 19th-century Italy, or the rainfall of famine-time Ireland.

A project to digitise long-lost files of weather data from across Africa, the place-names suffixed by old imperial ownership into countries that no longer exist, the data just as ghostly and more pertinent than ever to the people of those nations now the damage done in our name comes to harry them with havocs wet and dry.

All the previous experience I gained from work come to the fore. A friend describes using her background in paid employment to support the growth of her hobby group, an unseen gift that maybe wasn’t valued by colleagues at the time. Some good may come from all the times we were opposed, undermined, ignored, just trying to do a task the organisation wanted and that no-one else would touch.

Those days are gone now. I’ll not miss them. If ever I return to work, the keenness has gone, the ambition. I’ll think twice about putting my head in the lion’s jaws again. And when the world of work is grim and riven, everything that seems like work gets kicked aside.


While I miss the discipline of a regular posting, and missed catching up on the news of strangers across the miles, I don’t miss the feel of a looming deadline with nothing to say, or the scraping sound on the inside of my skull as my brain tries to glean a post from an everyday conversation or a random internet find.

The online theft that is AI continues elsewhere. According to Charles Stross, few bots or spiders bother to lift content from the internet for free any more – it’s all been taken, thanks so much, no more required to generate our own.

When self-publishing began, a rash of books erupted that were simply articles lifted from Wikipedia to make money from common knowledge, or nonsense books generated at random for money-laundering. Now, it seems the systems write their own, an endless circle of slop out of slop, that keeps money and attention in the loop. The product isn’t the item for sale: it’s the human, searching online for quality and finding only advertising slots.


I’ve simplified my life this summer. Un-subscribed from places where I don’t remember asking. No, I don’t think I’ll buy any more of your stuff. Even less if you keep pestering me with emails stapped full of byte-heavy images. Not all of us care for – or indulge in – limitless sharing.

Taken down my books on Smashwords and Draft2Digital, closed my accounts and also closed my XinXii. I don’t remember making any sales that way. I’ve probably sold more paper books by hand than I have online.

My attention, if not my fiction, deserves better. Soon I’ll remove the books from Amazon – another market filled with random rivals, especially now their algorithm sucks.

And there we have the crux of my deliberate absence. I have no new fiction to share, no customers to entice (or pester). In simplifying my online life I’ve enriched the life offline, although many people might find that difficult to fathom – this household is still shielding, when all other shielding has dropped.

Flu season is upon us. Fingers crossed.

Cholera, from Le Petit Journal

Equinox

Gales tugged at the house for two days in the run-up to the equinox; apples thrashed from the trees. Not long now, I suspect, until the first cold night does for the tomato plants. I’ll lift them now and let them hang in the potting shed, ripening slowly, each one a little sweet remembrance of summer.

Rain, too, hammering on the windows. Not enough to compensate for the year’s paucity; not yet. Some plants have taken on the challenge and produced a late burst of promise – fresh flowers on the strawberries, a flush of brambles in the hedge.

My second-hand copy of The Country Diary Of An Edwardian Lady tells me nothing useful about Septembers past – the writer was holidaying in Scotland, whose climate is much different to where I live now. Only at the last does she return to the Midlands of England to find – as this month –

“some of the beech trees are quite bare, the leaves having shrivelled up and fallen off… due to the long drought.”

– Edith Holden, 1906
batik art - against a pale background, a golden sun highlights a grey tree, its roots spreading deep and wide across two-thirds of the image (At The End Of The Day 2021 by M J Scandin (https://www.mjscandin.com/))
At The End Of The Day 2021 by M J Scandin (https://www.mjscandin.com/)

When I lived on the coast, we always saw storms around equinox. Higher seas, colliding with moon phases, soaked the fields and often spread shingle from the beach across the seaside road in town.

Strange debris cast up from the depths, or swept from elsewhere on the coast by odd currents, arrived in the tiny cove I used to visit. Seaglass. Shoes, solitary, with platform soles in gaudy shades of pink and blue. Sometimes a sodden message in a bottle. Here Be Monsters.

Now there are at least Twelve Hours Of The Night. Sleep lasts longer into the morning, birdsong at six instead of four.

Looking at my records I note that sometime in the next week we’ll light a fire, if the nights are cooler, so I’ll make a trip to the logstore and bring in a basket of them. Summer’s heat and drought has dried them too, almost perfectly. The scent of sap slowly caramelising in the sun is delicious.

What writing have I done in this new time of lazy updates? Not much. My days are filled with crafts and gardening and household maintenance, while there’s time. Story ideas come and go but few seem worth pursuing.

Friends visit, showing off new books. I’m happy for them. Perhaps one day I’ll have a book to share with them, a prize worth waiting for.

For now, the workbench beckons. Hands, tools, brain, ideas, creative expression in wood or metal, instead of writing.

Perhaps that’s enough.

sage-green batik art where concentric circles include pale pebbles, trees, leaves and, at the centre, a spreading tree with swirling roots - Circle of Life III 2022 by M J Scandin (https://www.mjscandin.com/)
Circle of Life III 2022 by M J Scandin (https://www.mjscandin.com/)

As it’s a special time of year, here’s a few links:

The batik art in this post is by M J Scandlin, an accomplished mixed-media artist, graphic designer, and illustrator from the USA (https://www.mjscandin.com/).

The Norfolk Wildlife Trust is bringing the past back to life, quite literally, by scraping the infill out of one “ghost” pingo after another, to “…expose the old store of seeds of lost wetlands … and [restore] with the plants the habitat for a vast array of … freshwater wildlife”
The Lost Ponds of Norfolk. (https://www.norfolkwildlifetrust.org.uk/LostPonds)

What is a pingo? (not to be confused with Pingu :-)) More here – https://en.wikipedia.org/wiki/Pingo

And finally, because it’s traditional: Équinoxe by Jean-Michel Jarre. Intricate musical weavings from 1978; best listen on stereo headphones while sound swooshes from one ear to the other.

Moon to Moon

[I miss writing about the weather – typical Briton. I also miss formulating my words into proper posts, with carefully-chosen art, rather than having only a jumble of offline musings to sift through in search of weather records. So here we go again.]


Moon to moon, July delivered more rainfall than the whole of the solstice-to-solstice before. A cooler month, too, than June – a blessing much in keeping with last year*, and not the year before. Now halfway through August, that dry spell has resumed, not as hot.

Suddenly, after waiting worriedly from first blossom, the garden was alive with butterflies and wasps, all feasting on swollen, bird-pecked fruit. Little blighters. Peacock butterflies here for the first time, and Gatekeepers; and I’m not the only Old Lady in the garden any more.

clouds drop darkening rain into which appear the pale silhouettes of ferns and grasses - No rain, No flowers by RetroDreamsBubble on Etsy (https://www.etsy.com/shop/RetroDreamsBubble)
No rain, No flowers by RetroDreamsBubble on Etsy
(https://www.etsy.com/shop/RetroDreamsBubble)

Underfoot the ground is still dry. The topmost layer is damp, sticking to the soles of my boots as I walk the woodland path, but where the badgers dig I see dry soil deep down.

Of course, the soil underfoot still soaks up the sun’s rays, even through clouds and in less-than-summery temperatures. That warmth supports tender plants such as tomatoes and squash, while the dry atmosphere helps reduce mildew. Next door’s jasmine runs rampant over the fence.

Trees hold more resilience against heat and drought in their trunks, solid reservoirs of liquid, and their deep root systems able to reach far below the surface. Part of that magic is the soil structure, the web of interactions between roots and mycorrhizia that help suspend water molecules in microscopic form.

But the trees need to be well-established, the soil undisturbed, the roots deep and fuelled for exploration when the top levels of the soil dry out. I spent the first summer here watering a tiny avenue of apple trees before I went to work, and watering again when I came home, seeing the grass beyond and around them turn the colour of sand.

The little trees survived that first hot summer and keep returning from their winter sleep. It’s hard to kill off an apple tree, it seems.

I often wonder at the ancient apple forests that pockmarked Mongolia, and fed the wild Przewalski’s horses (https://en.wikipedia.org/wiki/Przewalski’s_horse) of the Upper Palaeolithic. Archaeology provides us with the frozen bodies of Scyth maidens, but none of the economy beyond the horse.


Sometimes, a steppe is not a steppe, not all there is between the ocean and the sea. Those forests gave us apple trees that contain multitudes, a genetic heritage of such abundance that apple trees from pips are crazy breeds.

I’ve half a dozen shoulder-high, in pots; the offspring of common apples, the pips saved from the cores of discarded corporate lunches. In some ways when I worked beyond the reach of natural light, saving apple pips was one way I could picture a different life.

An apple a day works out at 365 a year. The trees throw more than that at me. I’ve taken the advice of older gardeners – Bob Flowerdew for one – and picked off fruit that’s scabbed, infested, tiny or warped. I’m still left with far too many to eat one a day. They’ll keep.

The pantry fills with jam. I start to run out of jam-jars. I wish I’d kept the odd-shaped ones I put into the recycling over Christmas, the ones that came with preserved figs or clementines in syrup and had lids which wouldn’t fit my normal jars.

As problems go, I’m blessed.


I’m grateful for this abundance.

Grateful to the gardener who planted the trees many years ago, and the owners before us who kept them in place. Grateful for bees and wasps to pollinate the late flowers, thirsty as if waiting took all their patience. Grateful for the small birds flitting between the branches, picking insects off the twigs.

Grateful for the rain, from moon to moon.

in shades of blue and white, a full moon hangs over a lake with marsh grasses in the foreground - Moonwake by Hester Cox, printmaker (https://www.hestercox.com/)
Moonwake by Hester Cox

*Previous summer posts:

July 2024: Sugar (https://leemcaulay.wordpress.com/2024/07/28/sugar/)

August 2023: Fruits (https://leemcaulay.wordpress.com/2023/08/13/fruits/)

July 2022: Awaiting The Heat (https://leemcaulay.wordpress.com/2022/07/17/awaiting-the-heat/)

I Give Up.

Friends and strangers on the internet, I give up. I’ve maintained this streak of posting once a week for more than three years, and I’m bored. You may have noticed.


You may also have noticed a distinct lack of published output written recently. Ten years is a long time to maintain a blog about my writing when I’m not actually writing.

In part, I began posting here as a result of self-publishing, back in 2009. I’d joined ROW80 (https://aroundofwordsin80days.wordpress.com/ A Round of Words in 80 Days: The Writing Challenge That Knows You Have A Life), posting twice-weekly updates on writing projects as part of a group of supportive writers in a similar position.

Well, it isn’t 2010 any more, and I left that community some time in the mid-twenty-teens – the gloss had worn off the whole activity for me. Those who had more success were more pro-active in submitting work to publications, constantly marketing on social media, making more of an effort. I had other priorities (like, sleep).

I haven’t sold many books, didn’t even when I was writing full-speed trying to accelerate away from my Day Job. And maybe it’s time to retire from self-publishing – to remove my books from the marketplace, and reduce by a teeny amount the rate by which data centres are melting the ice caps. It’s been fun, but does it have to be anything more? Hobbies don’t have to be monetised.

a dark pastel landscape of hills and clouds, the sun peeking behind with delicate rays - Mountain Sunset by Jane Crowther (https://bugart.co.uk/)
Mountain Sunset by Jane Crowther (https://bugart.co.uk/)

Is writing – making a living as a novelist – an ambition I’ve outgrown? The younger self looked upon writing as a means of avoiding a Day Job. But professional writers very definitely view writing as a Day Job, often with more involvement than your normal 9-to-5 desk job. Sounds like… work. And I left that behind some time ago. As Ermine says:

“The You that stepped out of work for the last time will not be the retired You [five years later].”
(https://simplelivingsomerset.wordpress.com/2025/06/05/enough-its-a-feeling-not-a-number/)

Indeed.


Why expose my fiction – and other writing – to the scraping that goes on, even ignoring AI/LLMs grabbing everything like some Conquistador bringing gunpowder to a world that knows none?

I’m even considering the drastic action of removing my books from online marketplaces. I wouldn’t be the first writer to do so. It might even simplify my life – no more emails about upcoming seasonal sales (out of which have come no “sales” ever), and I stopped checking my numbers years ago.

This all sounds like I’ve ceased to care, doesn’t it? Hmm. Like the t-shirt says.

RETIRED
don’t ask me to do a damn thing

Perhaps fiction writing was a way to escape the Day Job after all. And now the Day Job’s ended, I no longer need to disappear into a story, like Robert Jackson Bennett in lockdown:

“[writing] was one of the few things I had… throughout the whole of that strange, dreadful period”


If I stop writing, even on here, will that bother me? There’s one way to find out.

I’ll still check in here from time to time, mostly to brush away the spiders. Expect posts at Yule, and Earth Day, but not much else. Life beyond the screen beckons with all the urgency of ripe berries in the summer sun, and I hear the siren call “in the deep heart’s core”. Toodle-pip.

The End - a graphic with a bird's head eating a small lizard

A Non-Specialist Looks At Certain Dinosaurs

First, let me admit that my knowledge of dinosaurs is ancient – limited to the level of pre-1990 primary schoolchildren. Before DNA-based genetics, before machine learning, before all the palaeontology of the last forty years showed us more of how parts of the past might have looked.

Not so ancient, however, as the dinosaurs in my family’s copy of The Children’s Encyclopaedia, a pre-WW2 copy that has a strong Presbyterian bias in its writing, and betrays its early-20th-Century restrictions. Their entire history of Earth lasts only 72 million years, and life on the planet only half that, which means their dinosaurs don’t go extinct with the Chixculub asteroid because they didn’t exist until millions of years after.

The world ninety years ago was not just a copy of this with more horses and no television.

In part, my musings on dinosaurs have been piqued by watching the bird-life in my garden. Mostly eating the strawberries, I must admit. There’s a reason William Morris called his most popular pattern “The Strawberry Thief”…

a repeating pattern of birds stealing strawberries from plants, in blues and browns - The Strawberry Thief design by William Morris

I used to think all garden birds were much the same, and likewise waterfowl, all getting along with each other in their element and all scared of the same predators. Now, after actively watching for a few hours, I’m sure they’re not at all similar – in fact, there’s probably a difference between each variety of small garden birds as great as between us and chimpanzees, or humans and meerkats.

Robins and blackbirds and sparrows all fight over the bird-bath; robins and finches and tits all scrabble over the birdfeeder. I’ve seen coots peck at ducklings; geese and swans not so much fighting as edging round each other cautiously. But, ornithologist I amn’t.

Pigeons here seem to wake up about an hour after the other birds, as if they’re slow on the uptake, not morning people at all.

Before the sun’s properly up, light just pale at the eastern horizon, the wee birds start their magical song, warbling across the gardens behind the house. An hour later, asking where all the coffee went and is there any chance of having the newspaper now, the pigeons land on the roof of the shed without their slippers and start the day’s hoo-hoo-hooing.

Even the magpies don’t seem to like it – clattering loudly like pan-lids in a busy kitchen, or mediaeval milkmaids in pattens walking across the cobbled kail-yard to the cowshed.

illustration - a pair of magpies watch us curiously from a pine tree stump - Magpies by Andre Vaillant (https://www.andrevaillant.com/)
“The pigeons are at it again Mavis”
Magpies by Andre Vaillant (https://www.andrevaillant.com/)

Boom-boom, go the pigeons, a throaty signal they’ve spotted the kale. Down they drop into the vegetable patch, plodding around, head bobbing as they toddle back and forth.

Small birds swoop through the gaps to pick at beasties on the ground, or on the underside of leaves. The brassicas are tall enough now that the sparrows can’t shred the lowest leaves, and they’re too frit to hop higher.

I’ve placed wire netting over the brassica bed; the pigeons go hungry.


Another insight into my musings was provided by an image of a giant prehistoric penguin skeleton – “A Map for Our Tour of the Penguin Skeleton” on March of the Fossil Penguins – (https://fossilpenguins.wordpress.com/2011/10/04/a-map-for-our-tour-of-the-penguin-skeleton/).


The birds, and I presume this applies to modern-day penguins too (insert picture of Feathers McGraw here), have long necks that balance on top of a very muscular spine. If it wasn’t for all that blubber under their skin, they’d look more like gannets on their hind legs (yes, I know birds only have two legs, permit me this flight of fancy).

Now, follow me here… Once upon a time there were long-necked land dinosaurs, with feet – and more importantly, pelvises – that suggest they walked on all fours, in the same way as elephants and hippos. Waddled, in fact. With big heavy long tails to keep themselves balanced, so their long necks (the dinosaurs, not the hippos) could reach high into tree canopies for food – like giraffes – or deep underwater.

In the first Jurassic Park film we see how that food has (been imagined to) ended up on the other side of a dinosaur digestive system. (Another aside here – via botanist James Wong – avocados developed to be eaten whole by giant sloths, in handfuls, and the avocado pits/stones deposited in a pile of steaming fertiliser the like of which has not been seen since the giant sloths became extinct, which is why avocado stones often germinate in compost heaps, even in cold climates that an avocado tree can’t possibly survive…)

But we I don’t know how those any dinosaurs communicated with one another.

Popular science programmes like the BBC’s Walking With Dinosaurs – and many dinosaur films – show the meat-eating predator Tyrannosaurus rex roaring with the noise of a ten-ton lion in chain-mail fed through a wood-chipper. But crocodiles and alligators don’t roar like that: the closest description of the noise they make is a chirp. Or a tiny squeaky hinge that needs oiling.

What would herbivore dinosaurs have sounded like? Again, popular entertainment likes to suggest they sung like our more melodious birds, trilling a sweet chorus of many notes and charming butterflies out of the orchids. But only small birds sing like this. Larger birds produce more strident calls – consider the boom of a bittern, or the honking of geese, or the weird miaow of a peacock.

So, of all the possible voices for those big waddling dinosaurs, I suggest they might have sounded like wood pigeons.

Entirely conjecture on my part.

But I see images of Brontosaurus and Diplodocus all fleshed up and compare them to my backyard pigeons, and I see a direct link.

Imagine: pairs of lovesick, hungry Brontosaurus booming that hoo-hoo-hoo call across wide river valleys, waddling through thick tropical forests searching for giant kale, driving all the other dinosaurs bonkers. Especially at odd hours of the day.

The asteroid probably couldn’t come soon enough.

two dinosaurs look at an asteroid falling from the sky - "I can't believe I ate all that salad for nothing." by Lila Ash (https://www.cartoonstock.com/cartoonists/lilaash)

(Of course, now I’ve written this, I expect to find it reproduced as gospel by the various A I thieves across the internet… let me know if you spot it, won’t you? Although I’ll be mortified…)

Distant Thunder

At night sometimes, in summer, we wait with windows open, breathless. Distant thunder rumbles through the haze above the river, lit by the high floodlights of the logistics hub to the south, their work unceasing even in this heat.

Too far away to see any arc of lightning or its flash above the clouds, the only news of storms is via sound. We could be miles away.

thick brushstrokes of blues and greens depict heavy storm clouds over a marshland; in the distance, a tall tree or a village tower - Gewitter ueber der marsch, 1917 (Storm over the marsh) by Hans Peter Feddersen
Gewitter ueber der marsch, 1917 (Storm over the marsh) by Hans Peter Feddersen

Sometimes we listen more in hope than expectation. This house lies in a curve of landscape that seems to baffle weather systems, leaving us peculiarly dry when all around is rainfall and floodwaters. The river rises without us seeing why, its catchment many miles distant in hills of clay and limestone.

I’ve lain awake on nights like this in times of trouble and wondered at the people who lived in this house before. It’s an old house; it’s seen two world wars. Imagination paints the residents in 1940 lying here, in this room, with windows open, waiting for rain, watching the bare sky flit with aeroplanes full-bellied and heading with destruction for the larger cities to the West.

Comforting to know this house survived, without knowing in what state the bombers left it, when the time came for this town to be bombarded.

And so on nights like this I lie awake still waiting for the thunder, and count my blessings that the sky brings rain to feed the garden, and not destruction.

bright green swathes of grass in muddy farmland lie under a heavy sky of blues and greys, a thundercloud forming over a tiny hamlet - Gewitterlandschaft (Thunderstorm landscape) by Richard tom Dieck (1900), via wikimedia commons
Gewitterlandschaft (Thunderstorm landscape) by Richard tom Dieck (1900)

Is it proximity, I wonder, that makes us take more notice of a war in eastern Europe or the Middle East? Atrocities committed in Sudan or DRC seem further off, not so prescient, perhaps not quite so airborne that we fear its spread like some unwatched contamination.

A close examination of the globe explains the truth – Isfahan is closer than New York, and Addis Ababa much further than Kyiv, although all these to me are simply names on a map.

Proximity, then, or perhaps the interconnectivity that has always linked the UK with Europe and the east, our shared hemisphere between the oceans that brought us tea and gunpowder.

History tells us of British meddling in many parts of the world which are still on fire. Dividing lands by arbitrary lines on a map, choosing to define a country by our own rules instead of those of the residents. Marking territory by river routes, the way we have for centuries in a tiny country, disrupting claims from indigenous populations with a different view of the world. Even, at times, using what we saw as bare and empty landscapes for our own purposes, our own production of distant thunder, when those who lived there claimed millennia of guardianship and were ignored.

Often I’ll ask myself what limits can be placed on personal responsibility when choices aren’t always mine, invisible, or in bad faith by malevolent forces. Reaping the benefits of work and sacrifice by others, enjoying the richness of a nation built on the toil of slaves and workers. Even such guilt seems indulgent.


However far or near those places feel to me, those names on a map I’ve never visited, and however many years have passed since those who went before have left this world, when all is said and done I’m just a sleepless woman with a thirsty garden waiting in the night for promised rain.

The rumble in the night sky as I wait for rain is more likely a freight aircraft heading to the airport to the north. No breeze stirs the trees at the end of the garden beyond the open windows. No stars dot the sky, no moon shimmering on the roof-tiles, just thick grey air waiting, sticky, for relief.

At four o’clock the small birds start to sing, and there’s more than light enough to say the day’s begun; by five, the pigeons and the traffic have awoken. With gratitude, this morning I can turn a tap and water my potato patch, and watch the bees amongst the oregano.

Throughout the day that distant sound of thunder might creep closer. It might not. I’m grateful that the world still works for me, while wishing that it did so for so many worthy others.

a dark pastel landscape of hills and clouds, the sun peeking behind with delicate rays - Mountain Sunset by Jane Crowther (https://bugart.co.uk/)
Mountain Sunset by Jane Crowther (https://bugart.co.uk/)

Anxiety Culture

Many years ago, when I was a younger version of me crammed into an office, I discovered a magazine called Anxiety Culture. Lampooning the incessant siren calls of advertising, and the insistence that workers not only show up to work but display signs they’re enjoying it, the magazine often came with de-motivational stickers.

An early form of slacker culture, perhaps; a forerunner to David Graeber’s crap jobs, by a decade or so. They even had a Crap Job Watch sticker you could download and print off, maybe to stick on the wall somewhere in your workplace.

There’s a website too (https://www.anxietyculture.com/), its early 00s design not so well-visited now there’s social media providing the same purpose.

Ah, purpose. The incessant search for which drives all of us mad in the end. Motherhood might be viewed as one, fulfilling the egg’s desire to produce more eggs with the female body in the middle of the process.

You might be able to tell I was never a fan.

In fact, this post is a confession that I never really enjoyed work anyway, and I’d have been much happier doing something else. Most people would, I think, which is why people pack in their corporate jobs and set up in business for themselves, or retire early, or slack off during working hours. Difficult if you’re producing something tangible, less difficult if nobody checks on your output.

It’s the need for money to live a comfortable life within modern society that drives most employees into horrible jobs. One of the attractions of making a living as a writer was the need to never have a real job, but that isn’t the way the world works, and it isn’t the way you become a commercially-successful writer either.

Anxiety seems to be all the rage these days, although it never went away.

Climate disruption, foreign wars and famine, an incurable plague that nobody wants to talk about – it’s like my teenage years come back to haunt me and the many others who notice.

World politics seemingly run by muppets who have no idea how to run a bath.

And still the notion that all this isn’t worth being anxious about.

Snowflakes, the lot of ‘em.

Really, I’m not surprised there’s a lot of anxiety around.

If you’ve been infected with COVID a number of times, and you read about what it does to the body, and your family members have been damaged or killed by one of the variant waves… yep, I’d be anxious too.

If your country’s security services are snatching people off the streets to deport them without warning or legal process or leaving any trace of where you’ve gone… yep, I’d be anxious too.

If you live in a place vulnerable to wildfires, or floods, or starvation, or drought… yep, I’d be anxious too.

I wonder how many snowflakes it takes to make an avalanche?

Tune Out, Turn Off and Drop Away

Today’s post was spurred by an article on The Guardian titled “Why am I filled with nostalgia for a pre-internet age I never knew?”. (see footnotes for link)

I’ve written before about the siren lure of nostalgia (The Good Old Days Are A Trap), yearning for a time you never knew but imagine to be everything you’re missing about the days in which you live.

We know that isn’t true.

white on dark blue, a dandelion seedhead stands out against the night sky - Time & Space by Hester Cox, printmaker (https://www.hestercox.com/)
Time & Space by Hester Cox, printmaker (https://www.hestercox.com/)

The writer was born in 1999, and starts the piece with talk of a video taken at a gig in 2003… “before the internet”.

Many, many comments follow on the original article, pointing out that 2003 is not, in fact, “before the internet”, just a time before smartphones and social media – before blogging shifted into a high gear with people taking pictures of their lunch on their new shiny smartphones and uploading these to Blogger (remember that?).

Back to the article, still writing about that mystical gig. “Beyond the footage we’re watching, no one seems to be filming.” Correct – why film something when you could enjoy it, there and then?

“…spending time with friends is material to be documented and then demonstrated to a faceless audience” – you know, you can stop this; it’s only learned behaviour.

“…watching it make me feel as if I’ve lost a whole world” – yes: your own.

in shades of blue and white, a full moon hangs over a lake with marsh grasses in the foreground - Moonwake by Hester Cox, printmaker (https://www.hestercox.com/)
Moonwake by Hester Cox, printmaker (https://www.hestercox.com/

If the internet these days wasn’t so toxic, everything scraped and analysed to sell advertising, maybe it would be less absorbing? More of a tool to share information than an all-encompassing monster?

There are links – I have just skimmed one so you don’t have to – that describes software which warps photographs online, of people, even famous people with perfect features, into a sanitised version, using the same parameters to align all faces with the same “look”.

None of this needs to happen. But people are doing this to themselves, to make their social media posts look more attractive, more mainstream, more generic to other users who have been similarly configured to expect this homogeneity. A huge amount of personal time seems to be spent on this, and even more time spent worrying about the reaction. Sounds… toxic.

We have all succumbed to marketing, even in our personal lives. People are not only not being paid, but are paying for the wherewithal (I won’t call it a privilege when it’s nothing of the sort) – the clothes, makeup, software and smartphone – to produce what is in effect marketing for those products, without the manufacturer having to do much at all.

Putting a human face on capitalism seems to be quite the hobby these days.

And of course, monetising your hobbies – Etsy for starters, but also the rise in ebook publishing, which means those of us who are hobby writers can feed our work into a content mill run by Amazon (which works the system will then scrape and absorb and now use for its own purposes) with little to no hope of achieving much in the way of what writers consider success.

Some creatives are choosing to remove their work from sale in electronic form online. Bird Spirit Land is one, although they continue to sell physical books and zines via Etsy (https://www.etsy.com/shop/goblinesquerie).[I came upon Bird Spirit Land via Sister Patience (https://sisterpatience.com/). The magic of the internet.]

I am drawn to this approach. There’s something about the physical artefact of a book that seems more concrete than an ebook, even though both items contain the same story. Even the most pulpy of paperbacks have a feel that’s good in the hands – almost as if there was some sort of purpose to the design, wink-wink, some forethought into how this artefact might feel when you pick it up.

If you aren’t expecting massive sales, you can find printers willing to produce sumptuous print editions of your books. A friend did this recently ahead of a major SF convention with a book that had already sold well in ordinary format and, while the process wasn’t without its headaches, the result was a resounding success in both product and ensuing sales (so I’m told). A short run of lavish products: a keepsake.

Maybe I’ll follow this example, and apply this tactic to my poetry chapbooks, which have yet to see the light of day in any form. Small books of poetry that will fit in a pocket, to be taken out and read in a moment of solitude on a hill or as a refuge in the busy city. Hmm… I don’t expect to make a living out of writing, especially poetry, so why not? It’s craft, maybe art, and I’ve mentioned before that we are made for such things.

Divesting from the modern world isn’t possible – not if you want to continue being part of it. But the incessant hunger of algorithms will devour your life energy if you engage without limits, because the computer never sleeps.

There are marvels out there in the wilderness, waiting to be discovered.

Tune out, turn off and drop away. This world is yours.

seven prints in brown, pink and blue, showing wildlife and scenery, joined by a river-like thread of white - Waymarks: Moonrise on the Ribble by Hester Cox, printmaker (https://www.hestercox.com/
Waymarks: Moonrise on the Ribble by Hester Cox, printmaker (https://www.hestercox.com/)

https://www.theguardian.com/commentisfree/2025/may/31/internet-age-young-people-world-phones

The Rhubarb Of Monte Cristo

For the past month, the rhubarb patch has been flourishing. I’ve cut stalks as they become large enough to be worth the effort, and small enough to still remain pink in places, and stewed each batch for the freezer.

Soon, I’ll have enough for jam, with ginger because if you leave that out your taste-buds keep looking for it in the finished product. Or maybe some Cumnock Tarts.

a small pile of little pies, glazed pink, on a slate plate - Scotch Cumnock Rhubarb Tarts (Yum!)
Image from threadinburgh, but their source no longer supplies…

As I simmered the latest batch, I was reminded of The Count Of Monte Cristo’s fancy woman, in her rundown chateau, in the French TV version from the 1990s.

She fantasised a feast of luxurious proportions – capons, fruit, bread – she couldn’t afford, instead making do with “du cresson et du rhubarbe”.

Poor lass. The story tells how her husband died when they were both very young, leaving her a widow with no money to repair the leaky roof over her head, or to pay for a gardener to grow delicacies, or a cook to prepare them. She and her maid made do with foods that grew wild in her untended garden.

Du cresson et du rhubarbe. Watercress, and rhubarb.

Neither of these provide much in the way of calories or protein. Before modern times, they were poverty food, not the specialities we consider them today.

I have both plants in my garden. They’re not very sophisticated.


While rhubarb first arrived in Europe as an exotic vegetable, the Chinese had been using the root for medicine for thousands of years. There’s still a few herbalists in the West who prescribe rhubarb for ailments such as constipation, but most of our harvest goes into desserts.

Rhubarb tart. Rhubarb fool. Rhubarb crumble.

Yorkshire forced rhubarb is grown in long dark sheds to encourage delicacy, and harvested by candlelight. You can read more about it on the Slow Food website (https://www.slowfood.org.uk/ark-product/yorkshire-forced-rhubarb/). Mine just grows at the bottom of the garden, and sometimes it erupts into a spectacular two-metre flower spike.

The ever-present ginger arrived from the Orient as a medicine too, and it’s still used for colds and sniffles in both traditional Chinese and Indian Ayurvedic medicine. It’s not impossible to grow in Britain – I’ve tried, and had small success, nowhere near as much as Bob Flowerdew – but the main regions that produce ginger are still warmer and more humid than the UK (I suppose I should say at present).

Ginger seems to be most common as a spice to pair with rhubarb, but others supposedly work. Without any spice at all, the flavour of neat rhubarb is as distinct as a Rhubarb & Custard boiled sweet.

pink stalks of rhubarb tipped with pale green leaves stretch towards a single candle in darkness - Yorkshire Forced Rhubarb (https://www.slowfood.org.uk/ark-product/yorkshire-forced-rhubarb/)
Oddly martial rhubarb spears protect their candle overlord

Watercress today is grown, in the UK, in water-farms not far from Stonehenge.

In the wild, the plant has a bad reputation as a harbour for liver fluke, especially downstream from sheep. Washing the leaves won’t help – the fluke forms a cyst within the plant as protection until digested by a new host (yuk!).

(My information came from here: https://wildfood.torrens.org/Fluke.html, one of those old-fashioned hand-crafted websites common before Web 2.0 swamped everything with FB and its ilk. And, I suppose, writing platforms.)

Watercress has been supplanted in most diets by mustard-and-cress, a combination of sprouted seeds which grow rapidly and can be harvested in a few days. Supermarkets have been selling these in little plastic punnets for decades, a throwaway item that includes the roots of the plant and the growing medium.

Some like the peppery taste. Some don’t. That goes for mustard-and-cress as well as plain old-fashioned watercress.

But you won’t find watercress in bog-standard egg-and-cress sandwiches, because it’s too expensive and people aren’t used to it.

Anyway, my freezer is now filled with rhubarb, waiting for me to bake it into Cumnock Tarts or – more likely – cook up some jam. And I’ll let the plant recover for the rest of the year. Maybe over winter I’ll feed the rhizome with manure, in the hope of boosting next year’s yield.

But I’m sure there was nothing about that in The Count Of Monte Cristo, book or film or TV adaptation.