The Kids On The Dock

Gleaming blockades, bankers
parade blistering streets in a daze,
but ahead of the usual
refreshments I crave
a dip in a dirty river.

By some strange turn
this city’s on heat. The
ants in our pants stamp
out a raindance, missing
the ordinary patterns of relief.

The kids on the dock
Drop a wetsuit
in my hand. Go for it,
missus. You can
Dive right in.

Shuck off my heels,
the grey office shift,
encase myself
like a rubber seal. Shuffle
to the drift. Listen.

Glistening ripples
Promise to chill me,
Release me, lap me up.
Kiss me. Mind me stuff.
I’m going in.

One two three,
pinch, hoverfly,
Then in the drink, I plunge
under. Close mouth,
don’t think ‘ratpiss’. Kick.

Gasp, me breathing hard,
I burst the surface, spit.
Bloodrush bubbling
in my ears, silence surrounding…
then whoops & cheers.

PS. Quick poem I wrote on way to work yesterday, thinking about the heatwave, working class urban life meets the docklands monied business zone and, well, my own sweaty underboobs… if anyone wants to help me make a poetry film of it, get in touch.

What are you on, Count Vaseline?

 

“What is your name? /Where are you from? /What are you on? /

And what are you gonna do now?”

We filmed this official music video last year for Count Vaseline’s single What Is Your Name….? on Saustex Records from the album ‘Tales from the Megaplex’ – basically Rob Smith going buckwild on one crazy night in Cork.

Formerly known as The Mighty Stef, late of this parish, now working out of Texas, Count Vaseline is one of a kind and pumping out quality tunes like a man possessed with the true spirit of rock and roll.

If you like what you hear you can order more here http://www.saustex.com/COUNT-VASELINE.html

Forest of Anchors

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Got a poem, Forest of Anchors, in the latest edition of The Blue Nib magazine…

(IMAGE: JASON DECAIRES TAYLOR http://musamexico.org/underwater-sculpture/the-anchors/)

“…a wraith with a camel’s back
tracing homeward to settle in the breaking
slaking the blade with a song…”

http://magazine.thebluenib.com/article/poetry-8-poems/

Flash Icon Results!

THUNKYUHVURYMUCH! My flash fiction story ‘My Own Private Idol’ came top 3 in the Molotov Cocktail’s Flash Icon contest…I am very proud and looking forward to the publication of the weird and wonderful anthology. Congratulations to the winner and all the finalists. Can’t wait to read ’em all!

molotovcocktailpress's avatarThe Molotov Cocktail

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When it comes to dark and offbeat flash fiction, nothing is sacred. We asked you to mess with iconic people, places, or things and you came through with something truly weird creations. This contest was wide open as far as tone is concerned and we were thrilled to see you all take icons to some bizarre and fantastical places.

Stay tuned in the near future for details on our next quarterly flash fiction contest, which will be a horror-themed #FlashFear contest, with our prizes winners mega-issue appearing on Halloween. 

And now to the stuff you really care about…

Some high-quality work this contest, which made it all that much more difficult to judge. Making cuts was no easy task, and many entries made it through the first couple rounds. That means we have a ton of non-cigars to hand out.

Close-but-no-cigar mentions go to the following writers:

Seth Augenstein
Sarah Beaudette…

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Not A Recipe

(Upon the funeral of Orton and Halliwell as told by Dennis Dewsnap)

Scooping and shaking from both lovers’ urns

in turn,

in respect of their mutual life,

beyond the bludgeoning dark that ended it all,

a sister divvies up respective ashes

for a delicate scattering:

“A little bit of Joe,

“A little bit of Kenneth.”

Then dithering

in her distributing:

“P’raps a bit more Joe,

a bit more Kenneth…”

 

And so Joe’s agent Peggy, 

treasure of the theatrical world,

always mindful of getting it done,

skywards sculpted brows,

pearls straining at collar, snaps:

“It’s a gesture, dearie,

not a recipe.”

FI SMITH

Poetry in the wake of violence

 

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My poem Paris 10.15 featured in Incubator Journal earlier this year.

Written in frustration and sadness after the Bataclan siege, it is an inadequate rumination on a city, ideals of liberté, the braver exploits of its denizens, with focus first on the romantic side of Paris, and very oblique nods (some only spotted myself in hindsight) to Truffaut, Situationists, perhaps the ’68 riots and definitely the Resistance, the likes of Violette Szabo, Inayat Khan and the other heroes of the SOE.

You can read the poem in The Incubator journal below.

 

Shelved – Pear Drop Journal Poetry

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My short poem Shelved was published in a recent edition of Pear Drop online literary journal on the theme of Libraries. It details three of my memories of libraries at three different life stages, as a small child, as a precocious prepubescent and as an emotionally drifting student:

“Take a bus to the hexagonal
modern, clutch a school slip
granting ransacking of adult archives
with a nod to the ever-present
Santa Claus of no fixed abode.”

Read here and submit work to the latest issue –

SHELVED by Fi Smith

http://www.peardrop.net/shelved.html

Oh the humanities…

I’VE been conducting/editing a series of interviews for the First Fortnight blog, aimed at breaking the stigma surrounding mental health issues through the arts) #FiveOnFriday – five quick questions about a person’s creativity and art, their views on relevant topics and examples of works and music that help them through hard times. Recent interviewees include songwriter Grainne Hunt, band Saint Sister, poet Lewis Kenny, comic Alison Spittle, rising hip hop star Damola and Humans of Dublin photographer Peter Varga

Continue reading Oh the humanities…

ATP Festival, Keflavik, Iceland – All Tomorrow’s Parties – Review

PIC: Markus Moises (All rights reserved ATP)

All Tomorrow’s Parties are the quintessential artist-curated festivals – the British version is literally a jolly hipster theme park, originally based in an old Pontins holiday camp, complete with chalets and a quaint retro spirit.

It has since been staged in various corners of the world – the setting for the Icelandic version is a disused aircraft hangar in a former NATO base surrounded by lava fields. The vibe of the event is similarly minimal – aside from a few food stalls in the courtyard, there’s a distinctly no-frills feel around the main venue as well as being exceedingly non-corporate, the bars flogging barely chilled cans from slabs.

A short trot across the base, there’s a second smaller stage and a cinema/spoken word room curated by previous ATP headliners Mogwai, a few resident DJs playing into the small hours rather than a massive dance tent. However the lack of amenities can be forgiven if you also get to spend time exploring the phenomenal beauty of the surrounding countryside – and with the advent of cheaper, direct flights from Dublin, the Irish are flocking. With glaciers and geothermal springs (the famous Blue Lagoon is nearby) the environment is magical, and as it never gets truly dark in summer, the perpetual daylight brings an otherworldly feeling.

This year’s festival bill was curated by Scottish outfit Belle and Sebastian and was a real mixed bag, strong on hip hop heavyweights (Public Enemy and Run The Jewels), 90s noiseniks (Mudhoney, Drive Like Jehu, Bardo Pond) and epic instrumental acts like Godspeed You Black Emperor.

The opening night’s line-up was undoubtedly the strongest, Public Enemy, Iggy Pop and curators B&S themselves. Chuck D and Co are a seasoned festival act, and they absolutely Bring The Noise, with military men back-up dancers, scratch wizardry from DJ Lord and, of course, Flava Flav leaping about the place like a hyperactive toddler. On-point classics such as Don’t Believe the Hype and Fight the Power were a real rush but new single Man Plans God Laughs sounded just as intense.

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PIC: Alvpeerz

Iggy Pop doesn’t change. Fast approaching 70, he’s still a bare-chested explosion of raw energy as he sinews across the stage, sucker punching us with a quick succession of killer hits: No Fun, I Wanna Be Your Dog, The Passenger, Lust For Life. At a risk of peaking too soon, he still had a few treats up his (non-existent) sleeve – the Stooges number 1969, the Bowie-and-Berlin era Nightclubbing and pop hit Real Wild Child. A living legend who doesn’t disappoint.

Headlining Belle and Sebastian were a change of pace but did their utmost to keep the crowd hopping with their gentle upbeat numbers, dancefloor-storming single The Party Line momentarily turned the murky black hangar into a charming indie disco. Other highlights were eminent experimental rockers Swans and the Faith No More-meets-Alice Cooper headbangers White Hills…. so for three days this summer, ATP was the epicentre of cool in the coolest place on earth.

The next ATP is in Wales in April as curated by comedian Stewart Lee.

www.atpfestival.com

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