Peter Shelton

The Summit Was His Opus: The Bill Healy Story

Posted in Uncategorized by pshelton on July 12, 2025

Skiing resurrected many a western near-ghost town during the middle years of the 20th century. Aspen. Alta. Crested Butte. Park City. Telluride. Beginning in the late 1950s, lift-served skiing on Mt. Bachelor helped transform Bend from a fading, central Oregon timber town into the multi-sport recreational hub it is today. And, although it might be a stretch to call Bill Healy the godfather of modern Bend, he was the irrepressible force behind Mt. Bachelor’s birth as a destination and an engine of the regional economy.

He had help, of course. Scandinavian lumberjacks and mill workers flocked to Bend once the railroad arrived in 1911, to harvest the vast ponderosa pine forests east of the Cascades crest. They brought with them their love of skiing and, in 1927 founded the Skyliners Club, which carved a ski jump, a slalom hill and a log lodge out of the forest up Tumalo Creek west of Bend. (See The Northwest Legacy of the Skjersaa Family, January-February 2025 issue.) The Skyliners hill was limited, though, and no one in town could miss, on clear days, the sight of Bachelor Butte, a 9,000-foot high, dormant stratovolcano on the horizon 22 miles west southwest of downtown. 

The Skyliners saw it, and staged races there, beginning in 1935. Bend native Gene Gillis saw it, and hiked the summit to ski its alpine snowfields many times. Gillis was a local ski hero, a multi-sport letterman in high school, a gymnast, diver, football star at the University of Oregon, and shoe-in for the 1948 U.S. Olympic ski team before he shattered his ankle training downhill right before the Games. In the early 1950s, while coaching ski racers in Sun Valley, Gillis was lured home to Bend to coach the Skyliners, and it was then that he and Bill Healy began their most-fruitful relationship. 

Healy was born in 1924, in Portland, and as a teenager became an avid skier and racer on Mt. Hood, where two of the state’s earliest ski areas, Ski Bowl and Timberline, had opened in the 20s and 30s. Fresh out of high school in 1943, Healy enlisted in the newly forming 10th Mountain Division. According to his son, Cameron Healy, he taught skiing to recruits on Cooper Hill, Camp Hale, Colorado. As a Private First Class radioman with the 86th Infantry Regiment he participated in the storied assault on Riva Ridge and was awarded the Bronze Star at the brutal fighting around Lake Garda in the final days of the war in Italy. Following Germany’s surrender, a group of 10th skiers stationed in the Carnic Alps, defending what would become the Italian/Yugoslav border, reunited for a long-imagined ski race, on Mount Mangart. Using gear appropriated from Axis warehouses they climbed Mangart’s 8,927-foot height and set a course in the vestigial spring snow. The winner, appropriately, was Sgt. Walter Prager, Dartmouth ski team coach and former world downhill champion. Not far down the list of finishers in 10th place was one William Healy. 

Following the war, with his wife Bobbie and the first of their four children, Healy moved to Bend to manage his family’s downtown furniture store. He soon joined the Skyliners Club and by the mid-1950s was elected president. The club vice-president was Don Peters, the U.S. Forest Service recreation officer for the Deschutes National Forest, soon to become one of Healy’s most important allies. At this time Bend’s timber industry was in steep decline. For the first couple of decades after the railroad arrived, Bend’s mills supplied more pine lumber to the nation’s building boom than any other producers – something like 500 million board feet annually. But it didn’t, it couldn’t, last. Over-cutting and declining profits sent Bend’s population plummeting, to below 12,000 people. One of the two giant mills on either side of the Deschutes River had closed, and the other was on its last legs. 

What to do? In 1957 the answer coalesced in the perfect blend of talents: Bill Healy’s irresistible smiling Irish drive, Gene Gillis’s skiing connections, and Don Peters’s pull with the Forest Service. Plus a bit of bad luck turned good. The Skyliners’ Tumalo Creek lodge burned in January of that winter. In February Gillis led a party, including Healy and Peters, on an exploratory ski of what was then called Bachelor Butte. And, in astonishingly short time (“We may have bent a few rules,” Healy said, with a twinkle in his eye, according to biographer Peggy Chessman Lucas), they had formed Mt. Bachelor, Inc., with Healy as president, and by late 1958 opened for lift-skiing business.

To raise the money they needed, Healy set a goal of $100,000 and began pedaling shares – 4,000 of them at $25 each – from the back room of the furniture store. There were four initial “major” investors, in addition to Healy: a prominent local doctor; an insurance salesman; a life-long skier from Minneapolis who had come to Bend on his honeymoon in 1939 and never left; and Oscar Murray, who was not a skier but a friend of Healy’s and the owner of a heavy equipment company who offered to build the mile-long road in to Bachelor’s base, and scrape out a parking lot, for his block of shares.

Gene Gillis asked his friend Christian Pravda to come over and help lay out trails and lift lines. The two had met racing in Europe in the years following the St. Moritz Games, and Pravda, a two-time Olympian for Austria and the 1954 World Downhill Champion, agreed. Gillis also encouraged Healy to invest, not just in the two planned rope tows, but in a Pomalift to whisk skiers higher on the mountain. Jean Pomagalski himself came over from France to supervise the installation. 

The Poma cost $60,000, taking a great chunk out of the company’s $100k budget. But it was ready for opening day, December 19, 1958. The Forest Service issued only a one-year temporary permit. There was a small shed-roofed base lodge. Pit toilets. The water had to be trucked up from Bend. Healy sold the $1.25 daily lift tickets out of his station wagon. And 800 hundred people showed up to ski. Bachelor was a success from day one.

That first season the lifts ran only on weekends and holidays, but enough skiers came for the corporation to show a year-end profit of something north of $5,000. They came mostly from Bend and surrounding central Oregon communities, but also, to the surprise of skeptics in the Forest Service and Bend’s own Chamber of Commerce, from Portland and “the valley” – the Willamette Valley population centers of Eugene and Salem – despite what was, for many of them, a one-way drive of four or more hours. If they stayed overnight they slept in Bend. They ate and drank in Bend. And they skied on the mountain. With the brief exception of a year or two renting overnight rooms in the day lodge (an experiment that Healy admitted was a mistake), Mt. Bachelor has never had or seriously campaigned for on-slope accommodations. (The permit land is 100 percent USFS.) And thus the initial, and ongoing, symbiotic relationship: town and mountain. 

Skeptics, Healy included, had long worried that destination skiers would be hesitant to travel to ski a “butte” – it didn’t sound impressive enough – and so had petitioned to have the name changed from Bachelor Butte to Mt. Bachelor. Traditionalists in the map name-changing world balked, but eventually relented, and in 1983 Mt. Bachelor gained official recognition. 

By then the ski area had two day lodges and half a dozen chairlifts, including the nation’s second (after Breckenridge) Doppelmayr detachable to the volcano’s 9,056-foot summit. Also by then Healy had been diagnosed with an “ALS-like” neuromuscular disease. During the resort’s early decades, he had skied every day, exploring, looking for new runs and lift locations. His son Tom Healy says you could hear him yodeling all over the mountain. But by 1980 his balance and coordination were off, and speaking was becoming more difficult.

He kept working though. “The summit was his opus,” son Tom says. “It kept him alive for another 12 years.”

From the beginning Healy wanted to get a lift to the top, to be able to ski all 360 degrees off the cone. To extend Bachelor’s vertical to a legitimate 3,000 feet. On nice spring days they hauled guests to the summit in an open-air stretch Tucker snowcat he called the The Monster. But that was just a taste; a chairlift was the goal.

It didn’t come without opposition. Environmental groups in Bend argued that a summit lift terminal and a road cut into the treeless alpine terrain would be unacceptable eyesores. But Healy’s enthusiasm prevailed. Friends said he’d kissed the Blarney Stone and was therefore blessed with “the power of sweet, persuasive, wheedling eloquence.” (And, in the end, with much seat-of-the-pants engineering bravado, they were able to build the lift without cutting a road through the lava rock. Today, there is a life-size bronze of Healy in front of the mid-mountain Pine Marten Lodge, pointing east toward the summit lift.)

Even as his disabilities grew, Healy kept charging ahead. Tom recalls lifting his dad from his wheelchair into the driver’s seat of a Tucker cat and then jumping quickly off the treads as Bill gunned the engine and sped off on his daily mountain inspections. One time he drove the cat into a fumarole and had to be rescued. Another time he scraped the bark off two big western hemlocks having misjudged his ability to squeeze the cat between them. He was irrepressible. He soon lost all ability to speak. (He referred to this, in weekly staff meetings, as his “giggle and drool” period.) To communicate, he typed his thoughts on a computer keyboard which then projected them on the office wall. The humor remained through to the end of what he called his “hoof and mouth disease.” He was driven to work every day until his final week, in October 1993. 

Bend was booming again. And showed its appreciation for Healy all over town. There is the bronze on the mountain installed in 1997. The newest bridge crossing the Deschutes is the Healy Bridge. 10th veteran Healy was a big supporter of the U.S. Biathlon Team, and so the National Guard Armory in Bend is named for him. The Skyliners Club, where it all began, evolved into the non-profit Mount Bachelor Sports Education Foundation which named its new state-of-the-art facility the Bill Healy Training Center. The Bend Bulletin’s editor said, in a documentary commemorating Healy’s 100th birthday in 2024: “Bill Healy turned snow from a nuisance to a lifeblood.” The documentary is subtitled “A Man Who Loved a Mountain.”

THE SALE THAT WASN’T

Mt. Bachelor, Inc. took pride in its local ownership, its interlocking fortunes with the city of Bend. It has had, until now, just one ownership change, and that one was controversial. 

In 1998, an offer to buy the resort came from Utah-based Powdr Corp. All of the original investors, including Bill Healy, had died or moved on. Many on the board, including Healy’s family, thought it was time to sell. Others bridled at the thought of “outside ownership.” In the end, Powdr’s offer was accepted. 

As one of Powdr’s stable of nine ski areas in the U.S. and Canada, Mt. Bachelor continued to expand and upgrade. But in August 2024, Powdr announced it was putting the mountain up for sale. (It had recently sold Killington Ski Resort, its flagship Vermont property.) Almost immediately, Central Oregon skier/snowboarders Chris Porter and Dan Cochrane announced the formation of Mt. Bachelor Community Inc, and its intention to submit a bid to buy the resort. They made no bones about the fact they wanted to “save not just the resort but their way of life” from what they called “the titans of the industry.” Their grassroots effort garnered the attention of the New York Times, which published a lengthy piece titled, “Revenge of the Ski Bums,” which in turn generated more attention. Now, in April 2025, after nearly eight months of silence from the sellers, came the surprise announcement that Powdr had reversed course: “There are numerous factors in evaluating a sale. After consideration of all facts and circumstances, POWDR has decided to retain ownership of Mt. Bachelor, indefinitely.” 

In response, a representative for Mt. Bachelor Community Inc told local media that his organization felt heard by Powdr Corp, and is hoping to “see if there’s any kind of partnership opportunity that could evolve…down the road.”

Color Therapy

Posted in Personal History, Road Trips West, Weather & Climate by pshelton on October 20, 2024

Our daughter Cecily, a few days shy of her 45th birthday, pulled off the dirt road at about 10,000 feet in Colorado’s San Juan Mountains. She left Roxy in the back of the pickup to whine a bit at not being included, but it felt important to limit doggy distractions. “Color therapy, “ Cecily said, as she started into the woods toward a stand of aspens.

It was a mixed stand of aspen and fir, the aspens mostly huge and old, the firs younger, beginning their incursion, on the way to eventually shading out the sun-loving aspens in the climax act of an ancient cycle.

There was no trail, the footing semi-treacherous over downed branches on the steep traverse, but Cecily was undaunted and forged ahead. When Ellen and I caught up to her she was standing stock still with her face lifted to the tops of the aspens, bark stark white spider-webbed against the blue sky, and raining golden leaves. 

An intermittent breeze, stiff then still then stiff again, sent waves of weightless leaf coins spiraling, blizzards of them, like a rain of golden butterflies down on our heads, our shoulders and onto the little firs, which captured enough fluttering leaves to resemble Christmas trees aglow with yellow lights bright against their dark green. 

The color was amazing, encompassing, but it was the sound that will stay with me the longest, I think, though I struggle to come up with any comparable experience with which to describe it. It was almost loud, somewhere between the expert shuffling of a deck of cards and the clattering of a playing card stuck in the spokes of a long-ago bicycle. Or the rustle of the pages of a book flipped rapidly under a thumb. Thousands of dry leaves brushing against each other as they fall, touching the lower limbs of their mother trees, the billion needles of the firs, nestling finally with their siblings on the forest floor. 

I can’t tell you how long we stood there. A long time. It was perfect timing: the leaves, drained of chlorophyll, their gaudy “real” color on full display, ready just then to let go into winter, the perfect wind carrying them off, and we three, stunned wordless, needing to move on but wishing somehow we could plant our feet right there forever. 

Boone Times

Posted in More Sport, Personal History, Ski racing by pshelton on July 25, 2024

Some humans one knows are so extraordinary you just have to pronounce their names backwards.

This was the case with our fellow ski instructor Boone Lennon. Boone was such a sublime skier he became, to us, Enoob Nonnel. As if he was some kind of alien. 

Where other fine skiers – even superb ones at Keystone in the early 1970s – were inevitably bound to gravity, limited by imperfection, Boone somehow was not. Yes, he put his boots on one at a time like the rest of us, but his easy prowess on snow was riveting, otherworldly. Boone toyed with terrain, played with the air. At certification exams we were required to ski a dauntingly steep mogul field, one at a time, before the judges. Most of us just tried to get through in one piece, on our feet. Boone casually popped a 360 off a bump in the middle of his run. He skimmed the snow as lightly, as effortlessly as Fred Astaire. Except that with Astaire you knew how much discipline, how much rehearsal went into the effortless-appearing result. With Boone, it seemed to just flow out of him organically. The natural. The freak. Enoob.

Ellen and I left Keystone together in 1973. We hadn’t seen or heard much about Boone since. Until the other day when NBC’s Tour de France “Inside the Race” storyteller Steve Porino did a piece on the invention of the aerobar, those horizontal extensions on handlebars that let time-trialers get more aerodynamic by practically lying down on the bike. The first-ever iteration of the aerobar, Porino said, came out of his home town, Sun Valley, Idaho, and out of the mind of a U.S. Ski Team coach named Boone Lennon. Enoob! 

Porino, who also does World Cup ski racing commentary, was a U.S. Team downhiller in the mid-1980s, at the same time Boone was head men’s coach. Boone was forever putting his charges in wind tunnels to fine tune their tucks, making tiny adjustments to hands, elbows, shoulders, backs. A one percent improvement in resistance could mean the difference between podium finishes and not making the cut.

Boone was also a masters bike racer, and he had an idea to improve his own aerodynamics on the bike. He cut a wood toilet seat in half and strapped the horseshoe shape to his handlebars. His hands were farther forward, and he could rest his elbows on the pads he added. He was faster, he knew it. He patented the design in 1987 and licensed the manufacturing to Scott Sports, a Sun Valley company that made ski poles. At first, only triathletes would use the new-fangled bars. They loved them. But the road racers resisted. So, in 1989 Boone went on his own to France and convinced American Greg Lemond to try them. “And the rest,” Porino said to the camera, “is history.” Lemond overcame what was thought to be an insurmountable 50-second deficit on the final time trial to win by eight seconds, the closest Tour victory ever. Now every serious road rider in the world leans on aerobars.

Enoob Nonnel! Inventor. Physical genius. I don’t know if Porino has ever used that moniker for our long-ago mutual friend. Maybe he should.

Email to a Friend

Posted in Animal Dreams, Life in Central Oregon, Uncategorized by pshelton on July 13, 2024


Hi. Home now from a nice paddle on Lava Lake. It was glassy, clear, and lightly trafficked. No otters, but I did spy a beaver lodge that appeared to be occupied, and there was a bald eagle, one great blue heron, several kingfishers, an osprey mother and dad, peeping sandpipers, a western tanager, male with bright red head who landed ten feet away and sipped daintily from the lake, mergansers, lots of mergansers, the babies learning to paddle – fast – when strange tall creatures float near, mallards, cormorants, geese, rainbow trout, torpedos in still green water, chub fingerlings, some in the swooping-down beaks and claws of kingfisher and osprey (hunting success!), lava rock shorelines, blocky, cracked, black, stopped in its tracks 15,000 years ago, reeds, sedges, lily pads, lodgepole pines, ponderosa pines missed or kindly left by the loggers, a perfect perch for the baldy in the tallest, most magisterial one, a few sunburned human paddlers, a few frustrated but not unhappy fisher people, kids trying it out for the first time (both fishing and paddling), parents yelling instructions to them from too far away, old people sitting in camp chairs in the shade, younger people baring a lot of skin (more than is seemly? asks an old man – or sun safe?). Yeah, pretty intense sun. Fingers crossed the heat dome dissolves and Donald Trump melts, like the Wicked Witch of the West. -P

Soda Creek

Posted in Life in Central Oregon, More Sport, Personal History by pshelton on June 22, 2024

I hadn’t picked up a hitchhiker in a long time. But this guy looked like he might need a ride.

He was walking on the edge of the highway, northbound, against the traffic, bent over a bit, with his hiking sticks held crosswise behind his back. 

Was he an old man? I wondered as I drove past, also going north, heading home from a morning paddle on Lava Lake. Was he exhausted? Had he taken a wrong turn on the trail and decided to walk back, on the pavement, to his car at the Mirror Lakes trailhead? Or Quinn Meadow? Both were miles up the road. Where had he come from?

When I could I pulled a U-turn and eventually stopped in front of him, perched as far over the narrow shoulder as I dared. Passenger window down, I asked him if he wanted a ride.

He said something I didn’t catch but pointed questioningly in the direction he was headed. He was Asian, not old, with a broad, open face under a floppy sun hat. “Soda Creek,” he said, although it was only later that I deciphered those words. 

He put his pack and walking sticks in the back and then asked, again with sign language more intelligible than his words, if he should sit up front, in the passenger seat. 

His English was extremely rudimentary but we were able to communicate some basics. “Soda Creek,” he said again as he pulled up the map on his phone. He was hiking the Pacific Crest Trail. There was too much snow up high. “Very dangerous.” He was aiming to hike around the Three Sisters on the east side, via the Soda Creek Trail. That didn’t sound quite right to me – maybe what he really wanted was the Green Lakes Trail; they share a trailhead – but he was fixated on his phone map. “Soda Creek,” he repeated.

His name was Park. “Park,” he pronounced slowly. Oh, are you Korean? I asked. Lots of people in Korea named Park, right?

“Yes,” he laughed, “very popular name in Korea.”

He asked my name and said, “Thank you. Peter.” 

He stared at his phone. South Sister, I pointed as we made the big turn at Devil’s Lake.

“South Sister,” he parroted.  

Mt. Bachelor, I said as we started across the wide meadow at Sparks Lake.

“Mount Bachelor,” Park repeated. 

I pulled in at the turnoff where the Green Lakes and Soda Creek trails begin. “Thank you,” he said, unloading his gear. “Peter.”

I then had to make a three-point turn, and as I did I saw Park, standing at attention next to his pack, bow slowly at the waist. And then a second bow, slowly and deeply to me as I pulled back onto the highway.

Clear Water

Posted in Life in Central Oregon, More Sport by pshelton on June 11, 2024

There was one of those serious-fisherman inflatable float tubes in the spot where I intended to land my paddle board. The floppy-hatted fisher himself stopped fussing in the back of his pickup when he spotted me I drifting closer and semaphored his displeasure, camouflaged arms pointing toward an adjacent bit of shoreline as if guiding me into a parking spot. 

Clearly not confident in my steering skills, he scurried to protect the two long, fragile fly rods affixed to his craft. I landed slowly and safely and extolled the day’s bright beauty, which he was obliged to acknowledge. Still wary, he added that he was glad the algae had broken up. Oh, yes? It was bad last week, he said, but that big wind we had broke it up.

I said I was surprised to hear there had been algae this early in the season. The water sure is clear today, I said. Clear enough I’d seen lots of fish on my paddle. Some really sizable trout cruising the shallows, and bass. 

Yeah, that third cove is really good for bass, he said. Warming further, he described a recent day fishing Hosmer Lake (which has famously clear water), when an otter “circled me with a mean look in her eye. Went around several times. Really angry. I said to her, ‘Look, I’m using barbless hooks. I’m not taking your dinner; I throw them back.’”

I hoisted my board up and wished him good luck. He tugged at his hip waders, sat down in the seat between the pontoons, put a box of flies on his lap, and shoved off backwards into the afternoon.

The Glide

Posted in Personal History, Ski evolution, Ski history, Weather & Climate by pshelton on August 30, 2023

Years ago I thought I was perhaps writing too many stories featuring my friend Jerry Roberts. He was good copy in the years I was trying to establish  my freelance career, a backcountry mentor, extremely quotable. And then there was the avalanche. 

One of the first pieces I did was called “Buddhist Road Patrol.” In which I ride with Mr. Roberts in his orange Colorado Department of Transportation pickup, on Red Mountain Pass, long after midnight, in a blizzard, to check storm boards for new snow amounts, which, if the numbers are high enough, could trigger, at Jerry’s discretion, closing the highway. He is driving by feel, essentially blind, snowflakes like warp-speed stars rushing the headlights. We pass beneath dozens of avalanche paths, some of them having swept cars, and even 20-ton snowplows into the canyon. Six people, three of them snowplow drivers, have died in slides on the pass. Jerry nudges the tension aside with a smile and an impromptu haiku: “Traveling under Brooklyns paths/fear/is my companion.”

He writes free-verse haikus. One of his favorite formal examples is by the 17th-century Japanese poet Matsuo-Basho: “Come, let’s go/snow-viewing/’til we’re buried.” Jerry’s email handle is “snowviewer.”

Not that he ever wanted, or expected, to be buried. But it did happen some winters later when, after just a couple of turns, the slope he was skiing fractured and he was carried a thousand feet down a slide path on Red Mountain No. 3. I saw it happen. It was awesome, terrifying, surreal. 

Once the snow stopped moving Jerry realized he was completely buried, couldn’t move, not even a finger. The professional avalanche forecaster, the snow guru had fucked up. He was calm. He thought to himself, “I gambled and lost. I had a good life. Filled with good friends.” The weight of the snow meant he couldn’t expand his lungs to take a breath. It didn’t matter if he had an air pocket or not. Less than a minute later he blacked out.

We found him, the four us with him that day, in seven minutes, using our transceivers, and shoveled down to his face. Which was blue. His girlfriend implored the blue face: “Breathe, Jerry! Please. Breathe!” And, after a while, after removing the snow from his mouth and nose and scooping out a cavity beneath his chest, he did. His eyelids fluttered. Pink gradually returned to his cheeks. 

I wrote about it for SKI magazine, for The Avalanche Review, various Colorado newspapers, the L.A. Times. I couldn’t not write about it. 

And now here I am writing about Jerry again. 

He appeared to have vanquished prostate cancer a couple of years ago. But it came back. With a vengeance. He’s known since early summer that he is a “short-timer.” That was the term he used on the phone. He sounded good, laughing, self-deprecating, like his old self. And he continues to sound grounded and amused, on the phone and in emails. Weaker, but his old self.

Jerry has a popular blog, The Robert Report, pronounced Ro’ bear Re’ por, after Stephen Colbert’s old show, with links to his own weather forecasts, to the American Avalanche Association web site, the poetry of Charles Bukowski, R. Crumb’s drawings, the Buddhist magazine Tricycle. Jerry was profiled in Tricycle in 2016, even though he considers himself a “zen heretic.”

In July, The Report blog noted the anniversary of a friend’s death, on the Grand Teton. Jerry thanked our departed friend George for helping him on “the glide.”

Jerry’s on the glide path. The final approach. Friends come by. Lots of friends. I mention a t-shirt he gave me with a black-and-white silk-screened photo on the front. A couple of leather-jacketed bikers ease their Harleys through a freshly bulldozed cut in slide debris on the Red Mountain Pass highway. Might be the Muleshoe slide. The cut is at least 10 feet deep. Below the image is a Jerry haiku: “Newly fallen snow/fresh/signatures.”

Lisa reads to him most evenings from the writings of Buddhist nun Pema Chödrön. He has “the cocktail” in the fridge. (Colorado is one of the states with a sane death-and-dying law.) For now, the pain in his bones is bearable. “I’m still enjoying life,” he tells me. He’ll drink it, he says, when the pain becomes too much, when it’s time, finally, to touch down.

A Powder Apology

Posted in Life in Central Oregon, Personal History, Ski evolution, Weather & Climate by pshelton on March 2, 2023

I should have waited. Given the 14 inches of new snow, and no sign of it letting up, I should have waited a day for the groomers to get out there and pack it down. Instead, for some crazy reason, I decided to brave it and head up the mountain.

The first challenge – and it is a big one – I couldn’t see my skis! How is one supposed to know what the skis are up to if you can’t keep an eye on them? Just the tips showed occasionally, so who knows what was going on down there, really? 

And there were no other skier tracks to tell me where to go! How am I supposed to know where to go – or where I am, even – with no other tracks to indicate the way? Nothing but whipped cream.

I like whipped cream – on my mit schlag certainly – but a foot or more of it? On everything?!! Trees. Trails. Filling the air. Filling my lap on the lift rides. Everything whipped-cream white. I had to agree with Bush One about “the vision thing.” Without the vision thing one is left entirely dependent on other senses. And what other senses could I call on? Couldn’t hear anything: the snow made absolutely no sound beneath my skis. No smell – unless you count the smell of my own labored breath emanating from inside my neck gaiter (which probably needs a wash), but never mind. No taste except for the frozen flakes flying unbidden into my nose and mouth – but more on that later.

I was forced to rely entirely on my sense of feel. On lower angle pitches there was the constant, disconcerting pressure of the snow against my shins and knees. Would it allow me an instantaneous hockey stop should I require one? It would not. Then on steeper pitches the world fell away entirely. Unbidden, I found myself floating! Falling, untethered, through space. No firm ground on which to stand!

Scary. But that wasn’t all. While thus weightless, more often than not a wave of snow slid up my chest and blotted out what little sight was left me. Snow wanted to get in any crevice, any crack or opening in my kit: neck, mouth, goggle seam. An ice facial! In desperation I conjured photographs by Alta’s Lee Cohen, for one, depicting the near suffocation of other hapless skiers – only a hand showing, perhaps, or a pole and a gloved hand waving for help when clearly there was no help forthcoming. 

A final indignity – after I’d somehow returned whole to the flats – was the inability, among all the other white lumps, of identifying my trusty CRV, Phyrne. Such was the continued storm production. Not the final indignity, I should say. For, after locating Phyrne, I then had to clear her of her whipped cream blanket only to find, once I’d plopped at last into the driver’s seat, that the windshield was again completely, opaquely white.

There’s a story there

Posted in Life in Central Oregon, Personal History by pshelton on October 18, 2022

Unlike most panhandlers in Bend who sit sadly desultory behind their cardboard signs, this woman was walking right out in traffic.

I was stopped at the light, Wilson and 3rd streets, maybe three cars in front of me, as she walked briskly down the double yellow line, a sign in her right hand, a clutch of roses in the left. 

I glanced only at the top line. In neat black printing on white poster board it said something anodyne like PLEASE HELP. There was more, which might have explained more, but I couldn’t focus on her sign, I was transfixed by her strategy, the roses, her dark hair and small, round face. I looked quickly in the ashtray to see if any stray dollars remained there, but it was empty. By this point she was looking in my window. I gave the sorry/guilty/ineffectual hand signal, and she moved down the row behind me. 

Then I saw the kids to my right on the grassy verge between the curb and the sidewalk, a Dutch Brothers coffee takeout on the corner. There were at least three of them amid a clutter of indistinct possessions. One of them, the oldest, was taking care of the youngest, a baby swaddled in some kind of seat or carrier. Nothing appeared tattered or filthy, just out of place and more than a little forlorn. 

I remembered I had an emergency twenty in my wallet, which was buried in a pocket in my backpack on the passenger seat. It was too much to give, and the light was about to turn green, but I impulsively steered into the exit drive of the Dutch Brothers, and dove into my pack. When I looked up she was there at my window, as if she anticipated what I was doing. I handed her the twenty, and she said, “God bless you! God bless you!” in practiced but heavily accented English, while pulling out first a red rose and then a white one and handing them to me. 

They had long stems, no thorns, and looked slightly careworn, though the buds were still mostly compact, not yet open. I asked her where she was from. “Bulgaria,” she said, drawing out the vowels. “How [I started to say How in the world] did you get to Bend?” “No English,” she said. “God bless you. God bless you.”

I wanted to ask Where are you going? How are you traveling? Are you alone with these kids? Where did the roses come from? How did you get them? Is this about refugees? Asylum? Immigration? The American dream? Gypsies? A scam? What? 

Some girls in a Honda needed to get out of Dutch Brothers, and I was blocking the exit. I put it in reverse. Luckily, the guy in the approaching pickup saw what was happening, stopped short and waved me back in the lane. I waved my thanks to him and then waved the Honda girls into line in front of me. The Bulgarian woman – if she was Bulgarian – took my bill over to the ball of children and refreshed her handful of flowers. 

When I got home Ellen clipped the stems way back and placed each bloom in its own little vase. By next morning they were beginning to open, unfurling in that delicate, miraculous way. “Those roses have a story,” she said. A story we will have to fill in ourselves.

Give It Away

Posted in Personal History by pshelton on October 14, 2022

My mother has given away as much sculpture as she has sold in her eighty-plus year career. And she did sell quite a lot: in clay, wood, bronze, and stone, through galleries and commissions.

Ellen and I have 16 of her sculptures in our house and one 100-pound marble outside based on an observed moment when our daughter Cloe was about four years old sitting, knees up, in a wicker chair with a huge towel wrapped around her head. My siblings and numerous cousins and friends – not to mention a few collectors and public spaces – have original Miriam Sheltons. 

By most measures, it has been a successful career. She sold one piece for $10,000, back when a dollar was a dollar. And she carved a 10-foot-tall redwood Christ, on commission, that got a lot of press, for a church in Southern California. But my mother has never been comfortable with the commercial side of her art. She’s always said that she wasn’t good at selling herself, which seemed to her a requirement for success in the art world, a requirement she resented. Shouldn’t the art, if it was good, sell itself?

She carved her first extremely lifelike wooden figures when she was a teenager in Berkeley. When we kids were growing up she would sometimes race into the kitchen at supper time, having completely lost track of time in her little backyard studio. We were a traditional 1950s family; Dad worked, Mom did not. Sculpture was her work, her escape, her affirmation. 

She is 97 now, sitting across from me at one of the relatives’ tables at her granddaughter Eliza’s wedding celebration. She is wizened compared to the May Queen beauty my father married in 1947, but still handsome with her thinning gray hair pinned back, her skinny frame inside a flowing kaftan dress. She lives alone, guarding her independence with a ferocity belying her years. But she doesn’t sculpt any more. We kids think it probably has to do with her failing eyesight, the macular degeneration which she has called, in confusion, her “macro dementia.” (It’s funny in the retelling in large part because she remains, much of the time, astonishingly sharp.) 

In fact, the sculptural output declined over years. The large marble and granite pieces were no longer possible after the studio space she rented burned in a Laguna Canyon wildfire. She might have continued at home, but residential codes prohibited using the air compressor she needed to drive her stone chisels. So she went back to wood and worked for years roughing out pieces with a small chainsaw. Then that became too dangerous and she returned to chisel and mallet. During this final phase, she created a series, upwards of 70 wooden figures, each about two feet tall: men, women, old, young, sailors, acrobats – each one frozen in a moment but standing, as all her people do, in balance, in anatomical truth with gravity. She called them her “Community.” 

But then even the Community stopped coming. Was it her eyes? Waning strength in her remarkably strong hands? No, she said. You’ll see, when you get old.

The buffet dinner has just been announced, and here come a line of Eliza’s millennial friends. Only they’re not lining up to eat, they are coming unbidden to pay their respects to Miriam Shelton. They’ve seen my mother’s sculptures in Eliza’s various abodes and they want to tell her how blown away they have been by them, how they’ve wanted to tell her so, and feel honored to meet her at last. 

These are genuine, not just polite, statements. The young people, like Eliza, in their thirties, are artists themselves: one is a filmmaker, others are designers and visual artists. They’ve studied, they know what they’re talking about.

As the praise rains down, in an effusive concentration I doubt my mother has ever experienced before, I wonder how much of it she is hearing. She earlier took out her “ear plugs” (another malapropism) because of the music and the general roar of the revelers. Cacophony drives her physically, painfully batty, so she took them out and handed them to me for safe keeping. Without them, she hears only a little in a quiet room, let alone in this fantastic buzz. 

The young artists lean in to voice their appreciation. My mother looks up and smiles and clasps their hands when offered, nods and says thank you, thank you. She is touched, perhaps overwhelmed, but I also see a hint of disbelief on her face. She has spent so many years, decades, armoring herself against perceived slights, and her own doubts. She knew she was good – she lights up to this day when anyone asks to have a tour of her studio – but I believe she felt underrecognized because of her commitment to representational art. In contrast to much modern sculpture, hers are recognizable, if stylized, human forms: mothers and children, ballet dancers, circus performers, outsized stone flowers and seed pods (I have a foot-and-a-half high single iris bloom, in olive wood, on my dresser), many of them finished to a Michelangelo sheen after days, sometimes weeks, of sanding with ever finer wet/dry sandpaper.

These young people could see the work involved, the skill and the vision, and they say so. They say she is an inspiration. Then they are gone to the food line, and I say (I think she hears me): “Wow. That was really wonderful of them to say all that.” Her cheeks are slightly flushed. She is discombobulated by the hubbub, by the cocoon of not seeing or hearing well, by being far from home, where she knows where everything is, and she can touch the walls and the furniture as she shuffles by, and the Community – most of them, the ones she hasn’t given away – stand on work benches she no longer uses, each piece draped in a white plastic bag.

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