New role: Poet in Residence

Sundays are now about Covid testing, and ridding my hands and wrists of the jewellery I almost always wear. This is to ensure that I can spend Mondays in the oncology/haematology day unit at West Middlesex University Hospital, where I have begun a Creative Writing Residency for CW+, the official charity of Chelsea and Westminster Hospital NHS Foundation Trust. This type of residency will not be a pre-planned, neatly structured thing. I have materials. Everything is wipe clean. I have an idea of what I might do. But once there, there is an unpredictability to the day that is proving to be rewarding in unexpected ways. I sit with patients whilst they receive treatment, and my initial intention is to read a poem aloud. Maybe this will lead to patients’ writing poems. Maybe it will lead to them reading poems back to me. Maybe it leads to them reciting a poem pulled from their memory. Maybe they will talk to me of dancing or quinces, and maybe I will read them a poem about dancing or quinces. Maybe we don’t talk about poems at all. Maybe a patient doesn’t want me to sit down. Maybe my stool is in the way. Maybe a patient tells me they are too tired to talk on my first visit but beckons me on my second. Maybe it will lead to conversations none of us expected to have that day. Every hour contains multitudes: touch, sleep, waiting, tea, machines, calm, worry, uneaten sandwiches in brown paper bags, bleeps, stillness, tubes, staff with deftness of touch and vast scope of care, the ringing of the cancer bell. Three weeks, and I have seen all of these things. I divide my time between the day unit, and the waiting room, and spend it with patients, their families, carers, staff and volunteers. Maybe, momentarily, we can transport ourselves far from hospital chairs through the act of sharing words. Certainly, I feel fortunate to be hearing them.

Creative Suffolk Author Award 2025

I’m delighted to be shortlisted for this prize, celebrating East Anglian authors. The award is organised by the University of Suffolk in collaboration with the Ipswich Institute and the Suffolk Book League.

Of Latch, the judges said:

‘We all agreed that the evocative, haunting, images created by the words stayed with us long after we’d closed the cover. The depictions of Suffolk especially resonated, and we noted the power of this slim volume, the power of poetry. Overall, it stands as a compelling contribution to contemporary British poetry, worthy of recognition for its emotional depth and technical finesse.’

The winner will be revealed at a special awards dinner on Thursday 25th September 2025, hosted at Hintlesham Golf Club. Tickets for the event are now available, and members of the public are warmly invited to attend.

More details, including ticket information and the rest of the shortlist, can be found here.

Earth Day 2025

My essay ‘Harvest’ is now available to read in Modron Magazine, as part of their Earth Day 2025 special issue. It’s about step parenthood, travel, climate, Big Tech set against Nature, love, loss and geographical distance. I can’t sum it up concisely. I wrote it for my step kids. (Not kids anymore ♥️) Huge thanks to Zoe Brigley Thompson and Kristian Evans for publishing it.

Wild Reads 2024

Delighted that my collection Latch is part of Wild Reads 2024, a partnership between Suffolk Libraries and Suffolk Wildlife Trust, encouraging readers and wildlife lovers to explore the connection between the natural world and the written word. I’ll be offering poetry workshops and readings throughout October: https://www.suffolklibraries.co.uk/resources/wild-reads-spotlight-rebecca-goss

Latch

My fourth collection, Latch, is published this month. It’s been a long time coming. You can read how the book morphed to its final shape on the Carcanet blog and watch a short video of me taking a stroll in a favourite Suffolk wood to speak more about the collection. I am grateful to John McAuliffe, Andrew Latimer and the Carcanet team for producing such a beautiful looking book, and to my husband, for capturing a part of our home for the cover. That well-thumbed latch is ours.

The book is available to buy here and please join me for the online launch on June 7th, hosted by the brilliant Caroline Bird.

‘Rebecca Goss’ fourth and most ambitious collection, Latch, is a study in the act of returning. It is about reconnecting to a place, Suffolk, and understanding what it once held, and what it now holds for a woman and her family. These poems unearth the deep, lasting attachments people have with the East Anglian countryside, gathering voices of labour, love, and loss with compelling particularity. The book is various, unpredictable: memory and magic interweave, secrets tangle with myth. As in her earlier books, Goss again draws on her distinctive ability to plough difficult, emotional terrain. Here is an anatomy of marriage, her parents’ and her own, while the natural world becomes an arena for the emotional push and pull that exists between mothers and daughters. The return to a childhood home recalls young siblings retreating into nature as they steer the adult lives that disintegrate around them. Readers will find themselves beckoned to barns, fields, weirs, to experience both refuge and disturbance: we are shown a county’s stars, and why a poet needed to return to live under them.’


‘This collection collapses the boundaries between land and lineage, is filled with portent, vestige, longing. I don’t know how it’s possible for these poems to be so intimate, yet vast. They beat fiercely with bird-animal-human hearts.’
Tishani Doshi

Latch brings us an evocation of the past which avoids the pitfalls of sentimentality or nostalgia. Instead here is something sharp, joyful and interrogating: a bright, taut view of a rural English childhood. Her astute eye lets nothing through as the latch of memory and the blacksmith’s making become a vehicle for a poised engagement with the shifting roles of motherhood across time.’
Deryn Rees-Jones

Available: https://www.carcanet.co.uk/cgi-bin/indexer?product=2466

Her Birth at the British Library

2022 began with an invitation from the British Library for drafts from Her Birth. They will feature in Poems in Progress, an anthology of poets’ drafts, which will be published in September this year. I have been sent an advance copy and it is beautiful. Each poet’s work presented in fascinating, forensic detail.

I did not find it easy revisiting poems written at a difficult time. I dug out the drafts, stacked them on my study floor, then walked around them for weeks. I was asked to provide a commentary to sit alongside the drafts and in the end my delayed start made for (I hope) a more interesting reflection.

The book contains very raw versions of my poem ‘Room in a Hospital’ and it does feel a little exposing to share work at such an early, private stage. But this book is the most amazing thing I’ve ever been included in, and I must confess, I had a little cry when I opened its pages.

Visit the British Library shop for an exclusive 10% discount on all preorders using the code BLPIP10 https://shop.bl.uk/products/poems-in-progress-drafts-from-master-poets

And here’s the final published version, found in Her Birth

The Sylvia Plath Prize

My thanks to Sarah Corbett and Ian Humphreys, competition judges and poets I admire who selected my poem ‘When It Feels Hot, That Rage Against Me’ for First Prize in the 2022 Sylvia Plath Prize. The winning poem will be published by Nine Arches Press this autumn in After Sylvia, a publication to celebrate the 90th anniversary of Sylvia Plath’s birth. Live events are planned to coincide with publication. Watch this space.

You can read my winning poem and find out more about the prize on the Sylvia Plath Prize website. The poem is taken from my next collection, Latch. The poems, set in Suffolk, explore the county’s landscape and specifically my connection to it. They have been a long time in the making. It feels good to have a poem from the manuscript acknowledged in this way. Further new poems from the book are coming soon in London Magazine, Magma, Poetry Birmingham Literary Journal and Poetry London. Three can also be read at Bad Lilies.

(Author photo by Natalie J Watts)

Nomenclature

‘The scientist and the artist were once one -/how else could you record/what you saw? How else, find a way of seeing?’ – Rebecca Morgan Frank

It started with a Google search. The shameless kind. When you’re curious about your online existence, and there she was. Rebecca Goss. Scientist. By all accounts brilliant, and successful and quite rightly beating me to the top of any Goss listing.

An email arrived, a few years later. It’s an odd thing to see an email in your inbox, sent from yourself. Dr Rebecca Goss (scientist), Professor in Organic/Biomolecular Chemistry at the University of St Andrews, was getting in touch to say she too knew of our shared Google search and wondered if I would consider a collaboration of some sort. We arranged to meet online and quickly discovered we are of similar age, both mothers of daughters, both of us with connections to East Anglia. From that conversation we knew we would like to do ‘something’ combining science and poetry. 

Today, on International Day of Women and Girls in Science 2022, I can share that Rebecca and I are now embarking on our project ‘NoMenClature’ – a collaborative project between poet and scientist resulting in the exploration of the culture of women in science. The aim is to highlight and celebrate chemists who are also mothers and to use poetry to disarm and address pervasive misperceptions about women in chemistry. Longer term, we hope to expand the project to include women working in other STEM disciplines. We are thrilled to have been awarded seed funding from the Wellcome Trust (Institutional Strategic Support Fund) and the Royal Society of Chemistry Inclusion and Diversity Fund. My poems will be profiling the lives of important women from the UK and abroad, exploring the paths their lives have taken and what it means to be a scientist, and to be a mother.

Dr Rebecca Goss’s research has been recognised through a series of national and international awards, and she has given over 120 invited research lectures globally. Discover more about all that she has achieved, and is achieving, here: https://risweb.st-andrews.ac.uk/portal/en/persons/rebecca-goss(67793718-7888-4ff5-9d92-5e4f0b6d3d41).html

After first speaking with Rebecca, I wrote ‘Nomenclature’, a poem that can be found in my most recent Carcanet collection Girl, first published in The White Review. It’s about the sharing of our name, a fact I mention casually these days, but I do think it brings something unique to what Rebecca and I do together now and in the future. Here’s the poem, and here’s to more…