Fallout season 2

I am currently watching Fallout season 2. The series takes place in a retrofuturistic time in the aftermath of a devastating Nuclear conflict where vacuum tubes, atomic physics, advanced robots, nuclear-powered cars, directed-energy weapons, and other futuristic technologies exist alongside 1950s-era computers, televisions and Advances in nuclear technology the Nuclear Conflict was caused in part by an energy crisis and oil depletion, First there was a war between the European Commonwealth and the Middle Eastern states, the disbanding of the United Nations, the U.S. invasion of Mexico and annexation of Canada, and a Chinese invasion and occupation of Alaska coupled with their release of the “New Plague” that devastated the American mainland. Tensions between the United States and China eventually culminated in the “Great War” , a two-hour nuclear exchange on an apocalyptic scale, which subsequently created the post-apocalyptic United States.

Following the Great war the United States divided itself into 13 commonwealths which has devolved into a post-apocalyptic environment commonly dubbed “the Wasteland”. Various factions of humans formed in the Wasteland, with three of the most prominent being the Brutal Militaristic Brotherhood of Steel, The New California Republic (NCR), which was formed by a group of Vault 15 dwellers who would go on to found the town of Shady Sands, and The Enclave, a secret enigmatic cabal of wealthy industrialists, members of the military, and influential politicians who operated in the shadows and held a great degree of control over the United States’ government.

In 2296, Lucy MacLean (Ella Purnell) and Cooper the Ghoul (Walton Goggins) continue to track Lucy’s father, Hank. Along the way they discover the abandoned Vault 24, and learn about a sinister Vault-Tec experiment. Lucy and the Ghoul go to the aid of a wounded woman however Lucy is captured by the Legion.

Meanwhile Lucy’s brother Norm is Trapped in Vault 31,without food or water however Norm and the Vault-Tec executives manages to escape Vault 31 to the surface and reach the ruins of the company’s headquarters, where Norm uncovers disturbing information about the Forced Evolutionary Virus (FEV)

Knight Maximus and his chapter of the Brotherhood of Steel resettle in Area 51 as their new base. Elder Quintus convinces the Elders of other local chapters to stage a civil war against the stronger Commonwealth chapter with the help of the seized cold fusion technology, however an envoy of the Commonwealth chapter, Xander Harkness, arrives unannounced. Lucy is captured and crucified by Caesar’s Legion, which has fractured into two rival factions competing for control after Caesar’s death. the alliance within the Brotherhood, falls apart after the arrival of Harkness. Maximus later kills Harkness alarming Quintus, then returns to Area 51 with Thaddeus disguised as Harkness in power armor hoping To prevent civil war,by killing Quintus too. The Ghoul visits an abandoned New California Republic (NCR) camp reuniting with Victor, a RobCo Securitron, however the NCR refuses aid, so the Ghoul negotiates directly with the Legion. For Lucy’s release and She later joins the Ghoul and enter the deserted New Vegas Strip, however things go from bad to worse when they are confronted by vicious Deathclaws and just when they think they are safe A California snake oil salesman summons the Ghoul, offering the safety of the Ghoul’s family in exchange for Lucy’s return to Vault 33, so the Ghoul betrays Lucy….

Knight of the seven Kingdoms

Having seen Game of thrones and House of the Dragon, I would like to watch the American fantasy drama television series Knight of the Seven Kingdoms which premieres 18 January on HBO/NOW at 10:00PM GMT. It is an adaptation of the Knight of the seven kingdoms Novella by G.R.R.Martin. It stars Peter Claffey as Ser Duncan the Tall (“Dunk”), the titular hedge knight, and Dexter Sol Ansell as his squire Aegon Targaryen (“Egg”). The series, is co-created by Game Of Thrones writer George R. R. Martin and film producer Ira Parker and takes place in 209 AC, some 90 years before the events in A Song of Ice and Fire.

It begins when A hedge knight, Ser Arlan of Pennytree, dies. His squire, a large young man named Dunk, buries him and pays his last respects. Dunk, assums Ser Arlan’s armour, equipment, three horses, and wealth as his own and journeys to Ashford to compete in a jousting tournament as a knight. At an inn on the road, he meets a boy with a shaved head named Egg who secretly follows him to Ashford so Dunk takes him on as his own squire for the upcoming tournament. At Ashford, Dunk assumes the name Duncan the Tall, then attempts to enter the tournament after Prince Baelor Targaryen vouches for him. Dunk and Egg watch the first day of competition, this ends when Prince Aerion Targaryen disgraces himself by killing Ser Humfrey Hardyng’s horse. Dunk is then arrested by the Royal guard after defending a puppeteer girl from being beaten by Prince Aerion and discovers that Egg is actually Aerion’s brother, Prince Aegon Targaryen. To clear his name Dunk chooses to take a trial by combat Prince Aerion demands the combat to be a Trial of Seven, and Dunk must find six champions to fight with him against seven accusing knights, the scene is then set for a thrilling battle…

Ser Duncan the Tall and Aegon then Journey to the Reach, belonging to Ser Eustace Osgrey of Standfast, an old, knight who has lost his family and its ancient honours. Ser Eustace draws Dunk and Egg into a potentially-fatal conflict with his neighbour, Lady Rohanne Webber over a disputed river. Ser Duncan learns that the river had been granted to Ser Eustace of House Webber by King Daeron II Targaryen who took it from House Osgrey after the Blackfyre Rebellion. Dunk and Egg also learn that lady Rohanne Webber could also lose her lands to a cousin. Ser Osgrey, Duncan and Egg confront Rohanne Webber and her army. Duncan proves that Aegon is a Targaryen prince and confronts the crafty Ser Lucas….

Dunk and Egg then journey North from Stoney Sept to join Lord Beron Stark. En route Egg and Dunk encounter Lord Gormon Peake of Starpike, Lord Alyn Cockshaw and a hedge knight named Ser John the Fiddler. Ser John invites Dunk to attend the wedding of Lord Ambrose Butterwell to a Frey of the Crossing, Duncan goes to the wedding at Whitewalls and befriends three fellow hedge knights, Ser Maynard Plumm, Ser Kyle the Cat of Misty Moor and Ser Glendon Ball. Lord Frey arrives at the wedding with his four year old heir (Walder Frey) and his fifteen year old daughter, who weds Lord Butterwell. Ser Duncan enters the Whitewalls tournament as a mystery knight known as the Gallows Knight. Trouble starts when Ser Glendon Ball, is blamed for the theft of a Dragon’s egg then Ser Duncan discovers that John the Fiddler’s is not who he says he is. When Lord Butterwell discovers Egg’s true identity he escapes with Lord Ambrose. Ser Duncan confronts Daemon II Blackfyre and accuses Gormon Peake of framing Ball. Ser Glendon Ball is asked to prove his innocence in trial by combat against Daemon Blackfyre, However they are interrupted when the King’s Hand, Lord Bloodraven, arrives at Whitewalls with a large army…

Four to Doomsday

The first of 4 episodes In the Doctor who story Four to Doomsday aired 18 January 1982. It begins when The TARDIS materialises on board a vast and advanced spacecraft. The TARDIS crew become separated and the Fifth Doctor (Peter Davison) and Tegan (Janet Fielding) reach the bridge where the green-skinned commander introduces himself as Monarch (Stratford Johns), ruler of Urbanka, and his associates and fellow Urbankans are the Ministers of Enlightenment and Persuasion. Monarch reveals their ship is bound for Earth. Shortly afterwards Enlightenment and Persuasion assume human forms, dressed in garments Tegan designed to demonstrate contemporary Earth fashions.

The TARDIS crew discover that there are four distinct human cultures aboard, represented on the vessel– Ancient Greeks, the leader of whom is the philosopher Bigon; Chinese Mandarins and their leader Lin Futu; Princess Villagra and representatives of the Maya peoples; and Kurkutji and his tribesmen, of a very ancient Australian Aboriginal culture. The Urbankans have made periodic visits to Earth, each time getting speedier in their journeys. This time they have left their homeworld permanently following erratic solar activity, storing three billion of their species on slides aboard their craft.

The Doctor discovers that Urbankans now wish to settle on Earth, which they are due to reach in four days. However Monarch does not plan on peaceful co-existence and has developed a poison that shrinks people, enabling him to conquer Earth. The Doctor also learns that the humans aboard are not descendants of the original abductees, but are the original people taken from Earth and converted into androids, like the three Urbankans walking around on board. Bigon rebels against Monarch, and explains to the Doctor that Monarch strip-mined and polluted Urbanka in a quest for minerals to improve the ship, and he now plans to do the same to Earth. Monarch believes that if he can move the ship faster than the speed of light, he can pilot it back to the beginning of time and set himself up as God. Adric, (Matthew Waterhouse), sides with Monarch, and tensions between him and the Doctor become very strained. The Doctor then sets about overthrowing Monarch, with the help of the human androids led by a restored Bigon…

A.A.Milne

Best known for Winnie the Pooh, the English Author, poet and playwright Alan Alexander Milne was born 18 January 1882 in Hampstead London. He grew up at Henley House School, 6/7 Mortimer Road (now Crescent), Kilburn, a small public school run by his father. One of his teachers was H. G. Wells, who taught there in 1889–90. Milne attended Westminster School and Trinity College, Cambridge, he studied on a mathematics scholarship. While there, he edited and wrote for Granta, a student magazine.He collaborated with his brother Kenneth and their articles appeared over the initials AKM. Milne’s work came to the attention of the leading British humour magazine Punch, where Milne was to become a contributor and later an assistant editor. After graduating from Cambridge in 1903, A. A. Milne contributed humorous verse and whimsical essays to Punch, the staff in 1906 and becoming an assistant editor.During this period he published 18 plays and 3 novels, including the murder mystery The Red House Mystery (1922). His son was born in August 1920 and in 1924 Milne produced a collection of children’s poems When We Were Very Young, which were illustrated by Punch staff cartoonist E. H. Shepard. A collection of short stories for children Gallery of Children, and other stories that became part of the Winnie-the-Pooh books, were first published in 1925.

Milne joined the British Army in World War I and served as an officer in the Royal Warwickshire Regiment and later, after a debilitating illness, the Royal Corps of Signals. He was recruited into Military Intelligence to write propaganda articles between 1916 and 1918. He was discharged on 14 February 1919, & settled in Mallord Street, Chelsea. After the war, he wrote a denunciation of war titled Peace with Honour (1934), which he retracted somewhat with 1940’s War with Honour. During World War II, Milne was one of the most prominent critics of English writer P. G. Wodehouse, who was captured at his country home in France by the Nazis and imprisoned for a year. Wodehouse made radio broadcasts about his internment, which were broadcast from Berlin. Although the light-hearted broadcasts made fun of the Germans, Milne accused Wodehouse of committing an act of near treason by cooperating with his country’s enemy. Wodehouse got some revenge on his former friend (e.g., in The Mating Season) by creating fatuous parodies of the Christopher Robin poems in some of his later stories, and claiming that Milne “was probably jealous of all other writers…. But I loved his stuff.Milne married Dorothy “Daphne” de Sélincourt in 1913, and their only son, Christopher Robin Milne, was born in 1920. In 1925, A. A. Milne bought a country home, Cotchford Farm, in Hartfield, East Sussex.During World War II, A. A. Milne was Captain of the Home Guard in Hartfield & Forest Row, insisting on being plain “Mr. Milne” to the members of his platoon.

Milne was an early screenwriter for the British film industry, writing four stories filmed in 1920 for the company Minerva Films (founded in 1920 by the actor Leslie Howard and his friend and story editor Adrian Brunel). These were The Bump, starring Aubrey Smith; Twice Two; Five Pound Reward; and Bookworms. Some of these films survive in the archives of the British Film Institute. Milne had met Howard when the actor starred in Milne’s play Mr Pim Passes By in London. Milne is most famous for his two Pooh books about a boy named Christopher Robin after his son, Christopher Robin Milne, and various characters inspired by his son’s stuffed animals, most notably the bear named Winnie-the-Pooh. Christopher Robin Milne’s stuffed bear, originally named “Edward”,was renamed “Winnie-the-Pooh” after a Canadian black bear named Winnie (after Winnipeg), which was used as a military mascot in World War I, and left to London Zoo during the war. “The pooh” comes from a swan called “Pooh”. E. H. Shepard illustrated the original Pooh books, using his own son’s teddy, Growler (“a magnificent bear”), as the model.

The rest of Christopher Robin Milne’s toys, Piglet, Eeyore, Kanga, Roo and Tigger, were incorporated into A. A. Milne’s stories,two more characters – Rabbit and Owl – were created by Milne’s imagination. Christopher Robin Milne’s own toys are now under glass in New York. The fictional Hundred Acre Wood of the Pooh stories derives from Five Hundred Acre Wood in Ashdown Forest in East Sussex, South East England, where the Pooh stories were set. Milne lived on the northern edge of the Forest and took his son walking there. E. H. Shepard drew on the landscapes of Ashdown Forest as inspiration for many of the illustrations he provided for the Pooh books. The adult Christopher Robin commented: “Pooh’s Forest and Ashdown Forest are identical”. wooden Pooh Bridge in Ashdown Forest, where Pooh and Piglet inventedPoohsticks, is a tourist attraction.Not yet known as Pooh, he made his first appearance in a poem, “Teddy Bear”, published in the British magazine Punch in February 1924. Pooh first appeared in the London Evening News on Christmas Eve, 1925, in a story called “The Wrong Sort Of Bees”.Winnie-the-Pooh was published in 1926, followed by The House at Pooh Corner in 1928. A second collection of nursery rhymes, Now We Are Six, was published in 1927. All three books were illustrated by E. H. Shepard. Milne also published four plays in this period. He also “gallantly stepped forward” to contribute a quarter of the costs of dramatising P. G. Wodehouse’s A Damsel in Distress.His book The World of Pooh won the Lewis Carroll Shelf Award in 1958.

Milne, also freed pre-war Punch from its ponderous facetiousness; he had made a considerable reputation as a playwright (like his idol J. M. Barrie) on both sides of the Atlantic; he had produced a witty piece of detective writing in The Red House Mystery (although this was severely criticised byRaymond Chandler for the implausibility of its plot). But once Milne had, in his own words, “said goodbye to all that in 70,000 words” (the approximate length of his four principal children’s books), he had no intention of producing any reworkings lacking in originality, given that one of the sources of inspiration, his son, was growing older.His reception remained warmer in America than Britain, and he continued to publish novels and short stories, but by the late 1930s, the audience for Milne’s grown-up writing had largely vanished: Even his old literary home, Punch, where the When We Were Very Young verses had first appeared, rejected him, as Christopher Milne details in his autobiography The Enchanted Places. Milne also wrote ‘The Norman Church’ and an assembly of articles entitled Year In, Year Out He also adapted Kenneth Grahame’s novel The Wind in the Willows for the stage as Toad of Toad Hall. A special introduction written by Milne is included in some editions of Grahame’s novel.

A. A. Milne sadly passed away in 1956 and The rights to A. A. Milne’s Pooh books were left to four beneficiaries: his family, the Royal Literary Fund, Westminster School and the Garrick Club, his widow sold her rights to the Pooh characters to Stephen Slesinger, whose widow sold the rights after Slesinger’s death to the Walt Disney Company, which has since made many Pooh cartoon movies, a Disney Channel television show, as well as Pooh-related merchandise. In 2001, the other beneficiaries sold their interest in the estate to the Disney Corporation. Forbes magazine ranks Winnie the Pooh the most valuable fictional character; in 2002 Winnie the Pooh merchandising products alone had annual sales of more than $5.9 billion. A memorial plaque in Ashdown Forest, unveiled by Christopher Robin in 1979, commemorates the work of A. A. Milne and Shepard in creating the world of Pooh.Milne once wrote of Ashdown Forest: “In that enchanted place on the top of the forest a little boy and his bear will always be playing”. In 2003, Winnie the Pooh was listed at number 7 on the BBC’s survey The Big Read. Several of Milne’s children’s poems were set to music by the composer Harold Fraser-Simson and his poems have been parodied many times, including with the books When We Were Rather Older and Now We Are Sixty.

Thesaurus day

Thesaurus Day takes place annually on 18 January to commemorate the anniversary of the birth of British lexicographer, physician, and natural theologian Peter Mark Roget LRCP FRS FRCP FGS FRAS who was born 18 January 1779 and became the author of the very first thesaurus, Roget’s Thesaurus.

The word Thesaurus is derived from the Middle English word for “treasurer” and means “collection of words arranged according to sense” hence A thesaurus is a reference work that lists words grouped together according to similarity of meaning (containing synonyms and sometimes antonyms), in contrast to a dictionary, which provides definitions for words, and generally lists them in alphabetical order. The main purpose of a thesaurus is to enable users “to find the word, or words, by which an idea may be best expressed”. Although including synonyms, a thesaurus should not be taken as a complete list of all the synonyms for a particular word. The entries are also designed for drawing distinctions between similar words and assisting in choosing exactly the right word. Unlike a dictionary, a thesaurus entry does not give the definition of words.

In the 4th Century Philo of Byblos authored the first text that could now be called a thesaurus. In Sanskrit, the Amarakosha is a thesaurus in verse form and mentions 18 prior works, but they have all been lost. The word “thesaurus” is derived from 16th-century New Latin, in turn from Latin thēsaurus, which is the Latinisation of the Greek θησαυρός (thēsauros), “treasure, treasury, storehouse”. The word thēsauros is of uncertain etymology. Douglas Harper derives it from the root of the Greek verb τιθέναι tithenai, “to put, to place.” Robert Beekes rejected an Indo-European derivation and suggested a Pre-Greek suffix *-arwo-. From the 16th to the 19th centuries, the term “thesaurus” was applied to any dictionary or encyclopedia, as in the Thesaurus linguae latinae (1532), and the Thesaurus linguae graecae (1572). The first modern thesaurus was Roget’s Thesaurus, first compiled in 1805 by Peter Mark Roget, and published in 1852 containing 15,000 words. Since its publication Roget’s thesaurus has never been out of print and is still a widely used work across the English-speaking world. Entries in Roget’s Thesaurus are listed conceptually rather than alphabetically.

Oliver Hardy

Best known as one half of the comedy duo Laurel and Hardy, the American comedian and actor Oliver Hardy was born 18th January 1892 in Harlem, Georgia. The family moved to Madison, Georgia in 1891, before Norvell’s birth. Emily Hardy owned a house in Harlem. As a child, Hardy was sometimes difficult. He was sent to Georgia Military College in Milledgeville as a youngster and then attended Young Harris College in north Georgia in the 1905-1906 school year fall semester (September–January) when he was 13. He was in the junior high component of that institution of the time (the equivalent of high school today). Hardy had little interest in formal education, although he acquired an early interest in music and theater, His mother recognized his talent for singing and sent him to Atlanta to study music and voice with singing teacher Adolf Dahm-Petersen. Hardy skipped some of his lessons to sing in the Alcazar Theater, a cinema, for US$3.50 a week. He subsequently decided to go back to Milledgeville. Around 1910, Hardy began using the name “Oliver Norvell Hardy”, adding the first name “Oliver” as a tribute to his father. He appeared as “Oliver N. Hardy” in the 1910 U.S. census, and he used “Oliver” as his first name in all subsequent legal records, marriage announcements, etc. Hardy was initiated into Freemasonry at Solomon Lodge No. 20 in Jacksonville, Florida.

In 1910, when a movie theater opened in Hardy’s hometown of Milledgeville, he became the projectionist, ticket taker, janitor, and manager. He soon became obsessed with the new motion picture industry and was convinced that he could do a better job than the actors he saw. In 1913, Hardy moved to Jacksonville, Florida, And began as a cabaret and vaudeville singer at night, and at the Lubin Manufacturing Company during the day. He then met Madelyn Saloshin, a pianist, whom he married on November 17, 1913, in Macon, Georgia. In 1914 he made his first movie, Outwitting Dad (1914), for the Lubin studio. He was billed as O. N. Hardy. In his personal life, he was known as “Babe” Hardy, And in many of his later films at Lubin, he was billed as “Babe Hardy.” Hardy was a big man at 6’1″ tall and weighing up to 300 pounds. His size placed limitations on the roles he could play. He was most often cast as “the heavy” or the villain. He also frequently had roles in comedy shorts, his size complementing the character.

By 1915, Hardy had made 50 short one-reeler films at Lubin. He later moved to New York and made films for the Pathé, Casino and Edison Studios. After returning to Jacksonville, he made films for the Vim Comedy Company. He also worked for the King Bee studio, which bought Vim and worked with Bill Ruge, Billy West (a Charlie Chaplin imitator), and comedic actress Ethel Burton Palmer and continued portraying “heavies” for West, often imitating Eric Campbell to West’s Chaplin.) In 1917 Hardy moved to Los Angeles, working freelance for several Hollywood studios. Hardy made more than 40 films for Vitagraph, mostly playing the “heavy” for Larry Semon. In 1920 he divorced his wife and in 1921, Hardy married again, to actress Myrtle Reeves. In 1921, he appeared in the movie The Lucky Dog, produced by G.M. (“Broncho Billy”) Anderson and starring a young British comedian named Stan Laurel. Oliver Hardy played the part of a robber, trying to stick up Stan’s character.

In 1924, Hardy began working at Hal Roach Studios with the Our Gang films and Charley Chase. In 1925, he starred as the Tin Man in the Wizard of Oz and in the film Yes, Yes, Nanette!, starring Jimmy Finlayson and directed by Stan Laurel. He also appeared in films featuring Clyde Cooke and Bobby Ray. In 1926, Hardy was scheduled to appear in Get ‘Em Young. But was hospitalized after being burned by a hot leg of lamb. So Laurel, who had been working as a gag man and director at Roach Studios, appeared instead. in 1926 Laurel and Hardy both appeared in the film , 45 Minutes from Hollywood,

In 1927, Laurel and Hardy began sharing screen time together in Slipping Wives, Duck Soup (no relation to the 1933 Marx Brothers’ film of the same name) and With Love and Hisses. They began producing a huge body of short movies, including The Battle of the Century (1927) (with one of the largest pie fights ever filmed), Should Married Men Go Home? (1928), Two Tars (1928), Unaccustomed As We Are (1929, marking their transition to talking pictures) Berth Marks (1929), Blotto (1930), Brats (1930), Another Fine Mess (1930), Be Big! (1931), and many others.In 1929, they appeared in their first feature, in one of the revue sequences of Hollywood Revue of 1929, and the following year they appeared as the comic relief in a lavish all-color (in Technicolor) musical feature entitled The Rogue Song. In 1931, they starred in their first full-length movie, “Pardon Us” and the 1932 short film”The Music Box” which won them an Academy Award for best short film. In 1936, Hardy and Myrtle Reeves divorced and in 1939 Hardy made Zenobia with Harry Langdon. Then In 1939 Laurel and Hardy made The Flying Deuces and Hardy met Virginia Lucille Jones, a script girl, whom he married the next year. In 1939, Laurel and Hardy made A Chump at Oxford (1940) (which features a moment of role reversal, with Oliver becoming a subordinate to a temporarily concussed Stan and Saps at Sea. They began performing for the USO, supporting the Allied troops during World War II. They teamed up to make films for 20th Century Fox and later Metro-Goldwyn-Mayer including The Bullfighters in 1945.

In 1947, Laurel and Hardy went on a six-week tour of the United Kingdom Which was lengthened to include engagements in Scandinavia, Belgium, France, as well as a Royal Command Performance for King George VI and Queen Elizabeth. They continued to make live appearances in the United Kingdom and France for the next several years, until 1954, often using new sketches and material that Laurel had written for them. In 1949, John Wayne, asked Hardy to play a supporting role in The Fighting Kentuckian. Hardy had previously worked with Wayne and John Ford in a charity production of the play What Price Glory? and Frank Capra later invited Hardy to play a cameo role in Riding High with Bing Crosby in 1950.

During 1950–51, Laurel and Hardy made their final film. Atoll K (also known as Utopia) in which Laurel inherits an island, and the boys set out to sea, where they encounter a storm and discover a brand new island, rich in uranium, making them powerful and wealthy. Oliver Hardy, along with Stan Laurel, made two live television appearances: In 1953, on a live BBC television broadcast of the popular show “Face the Music” with host Henry Hall and in December 1954, on NBC’s This Is Your Life. They also appeared in a filmed insert for the BBC-TV show This Is Music Hall in 1955, which was their final public appearance together. Following This Is Your Life they were asked to produce a series of TV shows based on the Mother Goose fables with Hal Roach, Jr. However the series was postponed when Laurel suffered a stroke and Hardy suffered a heart attack and stroke from which he never physically recovered and he sadly died August 7, 1957. 

In total they appeared together in 107 films including 40 short sound films, 32 silent films and 23 full-length feature films, and made 12 guest or cameo appearances, including the recently discovered Galaxy of Stars promotional film (1936). Their silent film Big Business (1929) was added to the Library of Congress as a national treasure in 1992. The works of Laurel and Hardy have been re-released in numerous theatrical reissues, television revivals, 16mm and 8mm home movies, feature-film compilations, and home videos since the 1930s. They were voted the seventh greatest comedy act in a 2005 UK poll by fellow comedians. The duo’s signature tune, known variously as “The Cuckoo Song”, “Ku-Ku”, or “The Dance of the Cuckoos”, played on the opening credits of their films. The official Laurel and Hardy appreciation society is known as The Sons of thE Desert after the film of the same name.

Raymond Briggs

English illustrator, cartoonist, graphic novelist and author Raymond Briggs, CBE was born 18 January 1934 in Wimbledon, London, England. He attended Rutlish School, then a grammar school, pursued cartooning from an early age and, despite his father’s attempts to discourage him from this unprofitable pursuit, attended the Wimbledon School of Art from 1949 to 1953 to study painting, and Central School of Art to study typography.

Between 1953 to 1955 he was a conscript in the Royal Corps of Signals at Catterick where he was made a draughtsman. After these two years of National Service, he returned to the study of painting at Slade School of Fine Art at University College, London, graduating in 1957. After briefly pursuing painting, he became a professional illustrator, and soon began working in children’s books. In 1958, he illustrated Peter and the Piskies: Cornish Folk and Fairy Tales, a fairy tale anthology by Ruth Manning-Sanders that was published by Oxford University Press. They would collaborate again for the Hamish Hamilton Book of Magical Beasts (Hamilton, 1966). In 1961, Briggs began teaching illustration part-time at Brighton School of Art, which he continued until 1986. He was a commended runner-up for the 1964 Kate Greenaway Medal (Fee Fi Fo Fum, a collection of nursery rhymes) and won the 1966 Medal for illustrating a Hamilton edition of Mother Goose. According to a retrospective presentation by the librarians, The Mother Goose Treasury “is a collection of 408 traditional and well loved poems and nursery rhymes, illustrated with over 800 colour pictures by a young Raymond Briggs.” Sadly His first wife Jean, who suffered from schizophrenia, tragically died from leukaemia in 1973, only two years after his parents. They did not have any children.

The first three important works that Briggs both wrote and illustrated were in comics format rather than the separate text and illustrations, were Father Christmas (1973) and its sequel Father Christmas Goes on Holiday (1975) featuring a curmudgeonly Father Christmas who complains incessantly about the “blooming snow”. Briggs won his second Greenaway for Father Christmas which was also adapted as a film titled Father Christmas. The third was Fungus the Bogeyman (1977), featuring one day in the life of a working class Bogeyman with the mundane job of scaring human beings.

In 1978 Briggs published The Snowman, an entirely wordless, story which was illustrated with only pencil crayons. This earned Briggs a Highly Commended runner-up for his third Greenaway Medal. An American edition was produced by Random House in the same year, for which Briggs won the Boston Globe–Horn Book Award, picture book category. In 1982, it was adapted by British TV channel Channel 4 as an animated cartoon, which was nominated for the annual “Oscar” and has since been shown every year on British television. On Christmas Eve 2012 the 30th anniversary of the original was marked by the airing of the sequel The Snowman and the Snowdog.

Briggs continued to work in a similar format, but with more adult content, in his next book Gentleman Jim (1980), a sombre look at the working class trials of Jim and Hilda Bloggs, closely based on his parents. When the Wind Blows (1982) confronted the trusting, optimistic Bloggs couple with the horror of nuclear war, and was praised in the British House of Commons for its timeliness and originality. The topic was inspired after Briggs watched a Panorama documentary on nuclear contingency planning, and the dense format of the page was inspired by a Swiss publisher’s miniature version of Father Christmas. This book was turned into a two-handed radio play with Peter Sallis in the male lead role, and subsequently an animated film, featuring John Mills and Peggy Ashcroft. Briggs next story The Tin-Pot Foreign General and the Old Iron Woman (1984) was a scathing denunciation of the Falklands War. Briggs also continued to produce humour for children, in works such as the Unlucky Wally series and The Bear.

Briggs won the 1966 and 1973 Kate Greenaway Medals from the British Library Association, recognising the year’s best children’s book illustration by a British subject For the 50th anniversary of the Medal (1955–2005), a panel named Father Christmas (1973) one of the top-ten winning works, which composed the ballot for a public election of the nation’s favourites. Briggs won the 1992 Kurt Maschler Award, or the Emil, both for writing and for illustrating The Man, a short graphic novel featuring a boy and a homunculus. The award annually recognised one British children’s book for integration of text and illustration. In 1993, he was named Children’s Author of the Year by the British Book Awards. His graphic novel Ethel & Ernest, which portrayed his parents’ 41-year marriage, won Best Illustrated Book in the 1999 British Book Awards. In 2016, it was turned into a hand-drawn animated film. In 2012, he was the first person to be inducted into the British Comic Awards Hall of Fame.

In 2014, Briggs received the Phoenix Picture Book Award from the Children’s Literature Association for The Bear (1994). The award committee stated: “With surprising page-turns, felicitous pauses, and pitch-perfect dialogue, Briggs renders the drama and humor of child–adult and child–bear relations, while questioning the nature of imagination and reality. As a picture book presented in graphic novel format, Briggs’s work was ground-breaking when first published and remains cutting edge twenty years later in its creative unity of text and picture.” Briggs was also one of two runner up for theThe biennial Hans Christian Andersen illustration award in 1984. This is conferred by the International Board on Books for Young People and is the highest recognition available to a writer or illustrator of children’s books. He is also a patron of the Association of Illustrators. As of 2010, Briggs lives in a small house in Westmeston, Sussex; because of the clutter and lack of light, he kept a separate home from his long-term partner, Liz, her children and grandchildren. Liz sadly died in October 2015 after a long battle with Parkinson’s disease. however Briggs continued to work on writing and illustrating books until his tragic death 9 August 2022, at Royal Sussex County Hospital, Brighton.

Rudyard Kipling

English short story writer, poet and Novellist Joseph Rudyard Kipling sadly passed away on 18 January 1936 at the age of 70 of a perforated duodenal ulcer two days before the death of King George V. He was born 30 December 1865 in the Bombay Presidency of British India, and was taken by his family to England when he was five years old. Kipling is best known for his works of fiction, including The Jungle Book (a collection of stories which includes “Rikki-Tikki-Tavi”), Just So Stories (1902), Kim (1901) (a tale of adventure), many short stories, including “The Man Who Would Be King” (1888); and his poems, including “Mandalay” (1890), “Gunga Din” (1890), “The White Man’s Burden” (1899), and “If—” (1910). In 1891, on the advice of his doctors, Kipling embarked on a sea voyage visiting South Africa, Australia, New Zealand, and India. However, he cut short his plans for spending Christmas with his family in India when he heard of Balestier’s sudden death from typhoid fever, and immediately decided to return to London. Before his return, he had used the telegram to propose to and be accepted by Wolcott’s sister Caroline Starr Balestier (1862–1939), called “Carrie”, whom he had met a year earlier, and with whom he had apparently been having an intermittent romance Meanwhile, late in 1891, his collection of short stories of the British in India, Life’s Handicap, was published in London.

Rudyard Kipling married Carrie Balestier in London, in January 1892 During an influenza epidemic, when the undertakers had run out of black horses and the dead had to be content with brown ones.” The wedding was held at All Souls Church, Langham Place. Henry James gave the bride away. In the short span of four years, he produced, in addition to the Jungle Books, a collection of short stories (The Day’s Work), a novel (Captains Courageous), and a profusion of poetry, including the volume The Seven Seas. The collection of Barrack-Room Ballads was issued in March 1892, first published individually for the most part in 1890, and containing his poems “Mandalay” and “Gunga Din”. He especially enjoyed writing the Jungle Books—both masterpieces of imaginative writing—and enjoyed, too, corresponding with the many children who wrote to him about them.The writing life in naulakha was occasionally interrupted by visitors, including his father, who visited soon after his retirement in 1893 and British writer Arthur Conan Doyle, who brought his golf-clubs, stayed for two days, and gave Kipling an extended golf lesson.

Kipling loved the outdoors especially the turning of the leaves each autumn. He described this moment in a letter: “A littlemaple began it, flaming blood-red of a sudden where he stood against the dark green of a pine-belt. Next morning there was an answering signal from the swamp where thesumacs grow. Three days later, the hill-sides as fast as the eye could range were afire, and the roads paved, with crimson and gold. Then a wet wind blew, and ruined all the uniforms of that gorgeous army; and the oaks, who had held themselves in reserve, buckled on their dull and bronzed cuirasses and stood it out stiffly to the last blown leaf, till nothing remained but pencil-shadings of bare boughs, and one could see into the most private heart of the woods.

He also became involved in the debate over the British response to the rise in German naval power known as the Tirpitz Plan to build a fleet to challenge the Royal Navy. On a visit to the United States in 1899, Kipling and Josephine developed pneumonia, from which she eventually died. Kipling began collecting material for another of his children’s classics, Just So Stories for Little Children. That work was published in 1902, the year after Kim was first issued. The first decade of the 20th century saw Kipling at the height of his popularity. In 1906 he wrote the song ”Land of our Birth, We Pledge to Thee”. Kipling wrote two science fiction short stories, With the Night Mail (1905) and As Easy As A. B. C (1912), both set in the 21st century in Kipling’s Aerial Board of Controluniverse. These read like modern hard science fiction and introduced the literary technique known as indirect exposition, which would later become one of Heinlein’s trademarks. In 1907 he was awarded the Nobel Prize for Literature and Kipling was the first English-language recipient. At the award ceremony in Stockholm on 10 December 1907, the publication of two connected poetry and story collections: Puck of Pook’s Hill (1906), andRewards and Fairies (1910). The latter contained the poem “If Exultation and triumph was what Kipling had in mind as he actively encouraged his young son to go to war.

Kipling’s son John tragically died in the First World War, at the Battle of Loos in September 1915, at age 18. John had initially wanted to join the Royal Navy, but having had his application turned down after a failed medical examination due to poor eyesight, he opted to apply for military service as an officer. But again, his eyesight was an issue during the medical examination. In fact, he tried twice to enlist, but was rejected. His father had been lifelong friends with Lord Roberts, commander-in-chief of the British Army, and colonel of the Irish Guards, and at Rudyard’s request, John was accepted into the Irish Guards. He was sent to Loos two days into the battle in a reinforcement contingent. He was last seen stumbling through the mud blindly, screaming in agony after an exploding shell ripped his face apart. A body identified as his was not found until 1992, although that identification has been challenged.At the beginning of World War I, like many other writers, Kipling wrote pamphlets and poems which enthusiastically supported the UK’s war aims of restoring Belgium after that kingdom had been occupied by Germany together with more generalised statements that Britain was standing up for the cause of good.

n September 1914, Kipling was asked by the British government to write propaganda, an offer that he immediately accepted. Kipling’s pamphlets and stories were very popular with the British people during the war with his major themes being glorifying the British military as the place for heroic men to be, German atrocities against Belgian civilians and the stories of women being brutalized by a horrific war unleashed by Germany, yet surviving and triumphing in spite of their suffering. Kipling was enraged by reports of the Rape of Belgium together with the sinking of the RMS Lusitania in 1915, which he saw as a deeply inhumane act, which led him to see the war as a crusade for civilization against barbarism. Kipling was privately deeply critical of how the war was fought by the British Army as opposed to the war itself, which he ardently supported, complaining as early as October 1914 that Germany should have been defeated by now, and something must be wrong with the British Army. Kipling, who was shocked by the heavy losses that the BEF had taken by the autumn of 1914 blamed the entire pre-war generation of British politicians, who he argued had failed to learn the lessons of the Boer War and as a result, thousands of British soldiers were now paying with their lives for their failure in the fields of France and Belgium.

After the first world war, Kipling remained sceptical about the Fourteen Points and the League of Nations, but he had great hopes that the United States would abandon isolationism and that the post-war world would be dominated by an Anglo-French-American alliance. Kipling hoped that the United States would take on a League of Nations mandate for Armenia as the best way of preventing isolationism, and hoped that Theodore Roosevelt, whom Kipling admired, would once again become President Kipling was saddened by Roosevelt’s death in 1919, believing that his friend was the only American politician capable of keeping the United States in the “game” of world politics. Kipling joined Sir Fabian Ware’s Imperial War Graves Commission (now the Commonwealth War Graves Commission), the group responsible for the garden-like British war graves that can be found to this day dotted along the former Western Front and all the other locations around the world where troops of the British Empire lie buried. His most significant contribution to the project was his selection of the biblical phrase “Their Name Liveth For Evermore” (Ecclesiasticus 44.14, KJV) found on the Stones of Remembrance in larger war graves and his suggestion of the phrase “Known unto God” for the gravestones of unidentified servicemen. He chose the inscription “The Glorious Dead” on the Cenotaph, Whitehall, London. He also wrote a two-volume history of the Irish Guards, his son’s regiment, that was published in 1923 and is considered to be one of the finest examples of regimental history. Kipling’s moving short story, “The Gardener”, depicts visits to the war cemeteries, and the poem “The King’s Pilgrimage” (1922) depicts a journey which King George V made, touring the cemeteries and memorials under construction by the Imperial War Graves Commission. With the increasing popularity of the automobile, Kipling became a motoring correspondent for the British press, and wrote enthusiastically of his trips around England and abroad, even though he was usually driven by a chauffeur.

ln 1920 Kipling co-founded the Liberty League with Haggard and Lord Sydenham. This short-lived enterprise focused on promoting classic liberal ideals as a response to the rising power of Communist tendencies within Great Britain, or has Kipling put it “to combat the advance of Bolshevism”. In 1922 Kipling, who had made reference to the work of engineers in some of his poems, such as The sons of Martha, Sappers, andMcAndrew’s hymn and in other writings such as short story anthologies, for instance The Day’s Work. He Was asked by University of Toronto civil engineering professorHerbert E. T. Haultain for his assistance in developing a dignified obligation and ceremony for graduating engineering students. Kipling was enthusiastic in his response and shortly produced both, formally entitled “The Ritual of the Calling of an Engineer”. Today, engineering graduates all across Canada are presented with an iron ring at the ceremony as a reminder of their obligation to society.

In 1922 Kipling also became Lord Rector of St Andrews University in Scotland, a three-year position. Kipling argued very strongly for an Anglo-French alliance to uphold the peace, calling Britain and France in 1920 the “twin fortresses of European civilization”. Along the same lines, Kipling repeatedly warned against revising the Treaty of Versailles in Germany’s favor, which he predicated would lead to a new world war An admirer of Raymond Poincaré, Kipling was one of the few British intellectuals who supported the French Occupation of the Ruhr in 1923 at a time when the British government and most public opinion was against the French position. In contrast to the popular British view of Poincaré as a cruel bully intent on impoverishing Germany by seeking unreasonable reparations, Kipling argued that Poincare was only rightfully trying to preserve France as a great power in the face of an unfavorable situation.

Kipling argued that even before 1914 Germany’s larger economy and birthrate had made that country stronger than France, that with much of France was devastated by the war and the French suffering heavy losses that the low French birthrate would have trouble replacing while Germany was mostly undamaged and with a higher birth rate, that it was madness for Britain to seek to pressure France to revise Versailles in Germany’s favor. In 1924, Kipling was opposed to the Labour government of Ramsay MacDonald as “Bolshevism without bullets”, but believing that Labour was a Communist front organisation took the view that “it executed orders and instructions from Moscow” and would expose Labour as Communist front organisation to the British people.

Kipling’s views were on the right and through he admired Benito Mussolini to a certain extent for a time in the 1920s, Kipling was against fascism, writing that Sir Oswald Mosley was “a bounder and anarriviste”, by 1935 called Mussolini a deranged and dangerous egomaniac and in 1933 wrote “The Hitlerites are out for blood”.Once the Nazis came to power and usurped the swastika, Kipling ordered that it should no longer adorn his books. In 1934 he published a short story in Strand Magazine, “Proofs of Holy Writ”, which postulated that William Shakespeare had helped to polish the prose of the King James Bible. Less than one year before his death Kipling gave a speech (titled “An Undefended Island”) to the Royal Society of St George on 6 May 1935 warning of the danger which Nazi Germany posed to Britain.

Kipling is regarded as a major “innovator in the art of the short story”; his children’s books are enduring classics of children’s literature; and his best works are said to exhibit “a versatile and luminous narrative gift”.Kipling was one of the most popular writers in England, in both prose and verse, in the late 19th and early 20th centuries. Henry James said: “Kipling strikes me personally as the most complete man of genius (as distinct from fine intelligence) that I have ever known.” In 1907, he was awarded the Nobel Prize in Literature, making him the first English-language writer to receive the prize, and to date he remains its youngest recipient. Among other honours, he was sounded out for the British Poet Laureateship and on several occasions for a knighthood, all of which he declined. Kipling’s subsequent reputation has changed according to the political and social climate of the age and the resulting contrasting views about him continued for much of the 20th century. George Orwell called him a “prophet of British imperialism”. Literary critic Douglas Kerr wrote: Kipling is still an author who can inspire passionate disagreement and his place in literary and cultural history is far from settled. But as the age of the European empires recedes, he is recognised as an incomparable, if controversial, interpreter of how empire was experienced. That, and an increasing recognition of his extraordinary narrative gifts, make him a force to be reckoned with.

Kipling was cremated at Golders Green Crematorium, London, and his ashes were buried in Poets’ Corner, part of the South Transept of Westminster Abbey, next to the graves of Charles Dickens and Thomas Hardy. In 2010 the International Astronomical Union approved that a crater on the planet Mercury would be named after Kipling—one of ten newly discovered impact craters observed by the MESSENGER spacecraft in 2008–9. In 2012, an extinct species of crocodile, Goniopholis kiplingi, was named in his honour, “in recognition for his enthusiasm for natural sciences”. More than 50 unpublished poems by Kipling were released for the first time in March 2013 and his novels remain popular to this day and have all been adapted for stage and screen numerous times including animated Disney versions and a live action versions.

Richard Archer (Hard Fi)

Richard Archer, British singer and guitarist with English indie rock band (Hard-Fi was Born 18th January 1977. Archer’s first band Contempo were formed in Staines-upon-Thames during the summer of 1997, originally going by the name “Parachute”. Mick Jones produced demos that were intended to be released as an album in 2000 but whose release was delayed and eventually cancelled. Some of these tracks have been reworked as Hard-Fi songs. Contempo’s first release was a limited 7″ vinyl on the Blue Dog label with the tracks “On The Floor” and “Stronger” (the latter also released as a b-side for the Hard-Fi single Hard to Beat). In November 2000 Contempo announced they had left London Records. Contempo thenreleased a six track EP called “This Is Contempo”, which featured the ska song “Ain’t Going Out Tonight” on their own label “Nu-Suburban Sounds”. Another album, “Contempo – The Demos”, was a bootleg CD featuring demos of what would become Hard-Fi tracks: “Better Do Better”, “Can’t Get Along (Without You)”, “Living for the Weekend”, “Move On Now” and “Unnecessary Trouble”.

Hard Fi were Formed in Staines, Surrey in 2003. The band’s members are Richard Archer (lead vocals and guitar), Ross Phillips (guitar and backing vocals), Kai Stephens (bass guitar and backing vocals) and Steve Kemp (drums and backing vocals). Hard Fi achieved chart success with their third single, “Hard to Beat” and then followed by other successful singles such as “Cash Machine” and “Living for the Weekend”, which all reached top 15 in the UK Singles Chart. Their debut album STARS OF CCTV was released on 4 July 2005, and although receiving critical acclaim (NME called it the Album of the Year and it was nominated for the Mercury Prize and two Brit Awards; Best British Group and Best British Rock Act), it didn’t reach No. 1 in the UK albums chart until six months later on 22 January 2006. It originally entered the charts at number 6.

The band’s second album Once Upon a Time in the West was released on 3 September 2007 and reached number 1 in its first week. Their third album Killer Sounds, which features the singles “Good for Nothing”, “Fire in the House” and “Bring It On”, was released on 19 August 2011 and debuted at number 9 on the UK Album Chart. Although Hard-Fi are generally considered part of the indie rock scene, they have stated that they are also heavily influenced by soul and dance music.

David Crosby

American musician David Van Cortland Crosby tragically died 18 January 2023. He was born 14 August1941 in Los Angeles, California. His parents were Aliph Van Cortlandt Whitehead (a descendent of the prominent Van Cortlandt family) and Floyd Crosby, an Academy Award–winning cinematographer and descendant of the Van Rensselaer family. He is also the younger brother of musician Ethan Crosby. Growing up in California, he attended several schools, including the University Elementary School in Los Angeles, the Crane Country Day School in Montecito, and Laguna Blanca School in Santa Barbara for the rest of his elementary school and junior high. At Crane, he starred in HMS Pinafore and other musicals but was asked not to return because of his lack of academic progress. He graduated from the Cate School in Carpinteria, completing his secondary studies by correspondence. In 1960, his parents divorced, and his father remarried Betty Andrews Crosby. Crosby briefly studied drama at Santa Barbara City College before dropping out to pursue a career in music and moved toward the Greenwich Village scene (as a member of the Les Baxter’s Balladeers). With the help of producer Jim Dickson, Crosby recorded his first solo session in 1963.

In 1964 Crosby joined Jim McGuinn (who later changed his name to Roger). To form the Byrds who were then named the Jet Set. They were augmented by drummer Michael Clarke, at which point Crosby attempted, unsuccessfully, to play bass. Late in 1964, Chris Hillman joined as bassist, and Crosby relieved Gene Clark of rhythm guitar duties. Through connections that Jim Dickson (the Byrds’ manager) had with Bob Dylan’s publisher, the band obtained a demo acetate disc of Dylan’s “Mr. Tambourine Man” and recorded a version of the song, featuring McGuinn’s 12-string guitar as well as McGuinn, Crosby, and Clark’s vocal harmonizing. The song turned into a massive hit, reaching number one in the charts in the United States and the United Kingdom. While McGuinn originated the Byrds’ trademark 12-string guitar sound, Crosby was responsible for the soaring harmonies and often unusual phrasing of their songs, but whilst he didn’t sing lead vocals on either of the first two albums, he sang lead on the bridge in their second single “All I Really Want to Do”.

In 1966, Gene Clark, left the group because of stress and this placed all the group’s songwriting responsibilities in the hands of McGuinn, Crosby, and Hillman. Crosby soon became a prolific songwriter. His early Byrds efforts included the 1966 hit “Eight Miles High” and its flip side “Why”, co-written with McGuinn. Crosby popularized the song ” hey joe”.

Sadly Friction between Crosby and the other Byrds came to a head in mid-1967. Tensions were high after the Monterey Pop Festival in June, when Crosby’s onstage political diatribes between songs elicited rancor from McGuinn and Hillman. The next night he further annoyed his bandmates when, at the invitation of Stephen Stills, he substituted for an absent Neil Young during Buffalo Springfield’s set. The internal conflict boiled over during recording of The Notorious Byrd Brothers album in August and September, where differences over song selections led to arguments, with Crosby being particularly adamant that the band should record only original material. McGuinn and Hillman dismissed Crosby in October after he refused to participate in the recording session of the Goffin and King song “Goin’ Back”. Crosby’s controversial menage-a-trois ode “Triad”, recorded by the band before his dismissal, was left off the album. Jefferson Airplane recorded the song and released it on their album Crown of Creation in 1968. Crosby sang a solo acoustic version on Crosby, Stills, Nash and Young’s 1971 double live album Four Way Street. The Byrds’ version appeared decades later on the 1988 Never Before release and is now available on the CD re-release of The Notorious Byrd Brothers. In 1973, Crosby reunited with the original Byrds for the album Byrds, with Crosby acting as the album’s producer.

After leaving the Byrds Crosby met a recently unemployed Stephen Stills at a party at the home of Cass Elliot (of the Mamas and the Papas) in California in March 1968, and the two started meeting to play music. They were soon joined by Graham Nash,from the Hollies. They appeared at the Woodstock Music and Art Fair in August 1969 which constituted their second live performance ever. Their first album, Crosby, Stills & Nash was released in 1969, with two Top 40 hit singles. The songs Crosby wrote while with CSN include “Guinnevere”, “Almost Cut My Hair”, “Long Time Gone”, and “Delta”. He also co-wrote “Wooden Ships” with Paul Kantner of Jefferson Airplane and Stephen Stills. In 1969, Neil Young joined the group, and with him they recorded the album Déjà Vu, which went to number 1 on the charts.

Sadly Crosby’s longtime girlfriend Christine Hinton was tragically killed in a car accident only days after Hinton, Crosby, and Debbie Donovan moved from Los Angeles to the Bay Area. Crosby was devastated, and he began abusing drugs much more severely than he had before. Nevertheless, he still managed to contribute “Almost Cut My Hair” and the title track “Déjà Vu”. After the release of the double live album Four Way Street, the group went on a temporary hiatus to focus on their respective solo careers. In December 1969, Crosby appeared with CSNY at the Altamont Free Concert, increasing his visibility after also having performed at Monterey Pop and Woodstock. In 1970 he briefly joined with Jerry Garcia, Phil Lesh and Mickey Hart from Grateful Dead, billed as “David and the Dorks”, and making a live recording at the Matrix on December 15, 1970. In 1971, Crosby released his first solo album, If I Could Only Remember My Name, featuring contributions by Nash, Young, Joni Mitchell, and members of Jefferson Airplane, the Grateful Dead, and Santana. As a duo, Crosby & Nash (C&N) released four studio albums and two live albums, including Another Stoney Evening, which features the duo in a 1971 acoustic performance with no supporting band. Some Crosby songs recorded by C&N in the 1970s include “Where Will I Be?”, “Carry Me”, “Bittersweet”, “Low Down Payment”, “Homeward Through the Haze”, “Time After Time”, “Dancer” and “Foolish Man”. Crosby and Nash also had a lucrative careers as session musicians, with both performers (as a duo and individually) contributing harmonies and background vocals to albums by Joni Mitchell, Jackson Browne (whom Crosby had initially championed as an emerging performer), Dave Mason, Rick Roberts, James Taylor (most notably “Lighthouse” and “Mexico”), Art Garfunkel, J.D. Souther, Carole King, Elton John, and Gary Wright. Crosby sang backup vocals on several Paul Kantner and Grace Slick albums from 1971 through 1974 and the Hot Tuna album Burgers in 1972. He also participated in composer Ned Lagin’s proto-ambient project Seastones along with members of the Grateful Dead and Jefferson Starship.

CSNY reunited in 1973 at the Winterland in San Francisco. This served as a prelude to their highly successful stadium tour in the summer of 1974. Before the tour, the foursome attempted to record a new album entitled Human Highway. However The recording session, which took place at Neil Young’s ranch, was very unpleasant, and the album was canceled. During rehearsals for the 1974 tour, CSNY recorded a then-unreleased Crosby song, “Little Blind Fish”. A different version of the song would appear on the second CPR album more than two decades later. The 1974 tour was also full of constant bickering, though they managed to finish it without interruption. A greatest hits compilation entitled So Far was released during 1974 to capitalize on the foursome’s reunion tour.

In 1976, as separate duos, Crosby & Nash and Stills & Young were both working on respective albums and contemplated retooling their work to produce a CSNY album. This attempt ended bitterly as Stills and Young deleted Crosby and Nash’s vocals from their album Long May You Run. CSNY did not perform together again as a foursome until Live Aid in Philadelphia in 1985, and then performed only sporadically in the 1980s and 1990s (mainly at the annual Bridge School Benefit organized by Young’s wife Pegi). Without Young, however, Crosby, Stills & Nash has performed much more consistently since its reformation in 1977. The trio toured in support of their 1977 and 1982 albums CSN and Daylight Again and then, starting in the late 1980s, has toured regularly year after year. While the group has continued to perform live to the present day, since 1982 it has released only four albums of new material: American Dream (1988, with Young), Live It Up (1990), After The Storm (1994), and Looking Forward (1999, with Young). In addition, Crosby & Nash released the self-titled album Crosby & Nash in 2004. Crosby, Stills, and Nash appeared together on a 2008 episode of The Colbert Report, and “Neil Young” joined them during the musical performance at the end of the episode. However, eventually, it became clear that it was only Stephen Colbert impersonating Young as the group sang “Teach Your Children”.

Between the late 1980s to the early 1990s. Crosby worked with Phil Collins occasionally He sang backup to Collins in “That’s Just the Way It Is” and “Another Day in Paradise”, and, on his own 1993 song, “Hero”, from his album Thousand Roads, Collins sang backup. In 1992, Crosby sang backup on the album Rites of Passage with the Indigo Girls on tracks 2 and 12. In 1999, he appeared on Return of the Grievous Angel: A Tribute to Gram Parsons, singing a duet of the title track with Lucinda Williams. In 2006, Crosby worked with David Gilmour on the latter’s third solo album On an Island along with Nash. Both Crosby and Nash also performed live with Gilmour in his concert at the Royal Albert Hall in London in May 2006 and toured together in the United States. 

In 1996, Crosby formed CPR or Crosby, Pevar & Raymond with session guitarist Jeff Pevar, and pianist James Raymond, Crosby’s son.. The first song that Crosby and Raymond co-wrote, “Morrison”, was performed live for the first time in January 1997. The success of the 1997 tour spawned thealbum Live at Cuesta College this was the second CPR studio record, Just Like Gravity, and another live recording, Live at the Wiltern, with Phil Collins and Graham Nash. The group released two studio albums and two live albums before disbanding in 2004. 

After the CPR split, Raymond continued to perform with Crosby as part of the touring bands for C&N and CSN, as well as on solo Crosby projects, including the 2014 album Croz, Crosby’s first solo album in 20 years and the subsequent tour, for which he served as musical director. Jeff Pevar also toured with many artists over his productive career, including CSN, Ray Charles, Joe Cocker, Marc Cohn, Phil Lesh & Friends, Jazz Is Dead, Rickie Lee Jones, Jefferson Starship and Bette Midler. Pevar has a solo record, From the Core, which was improvised and recorded in the Oregon Caves and features Jon Anderson, the vocalist from Yes. David Crosby’s next solo album Lighthouse was released 2016 containing the song entitled “Things We Do For Love”. He also embarked on a 18-date North American Tour from Atlanta, Georgia to Ithaca, New York..