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Dreamin’

Dreamin’ was a song recorded by Johnny Burnette in 1960 on the old Liberty label. This is one of those songs that has stuck in my mind for the last 60 years. I would like to share it with you here today.

Here is the original recording:

The song was written by Barry De Vorzon and Ted Ellis. The players on the original recording included Howard Roberts and Vincent Terri on guitar, and Jerry Allison on drums. The track was produced by Snuff Garrett with whom I worked with during the 1970s. For you who like the Jeopardy style details I tend to provide, the B-side was a cut titled “Cincinnati Fireball.”

Johnny Burnette was born to Willie May and Dorsey Burnett Sr. in Memphis, Tennessee, United States. The “e” at the end of his name was added later. Johnny grew up with his parents and Dorsey Jr. in a public housing project in the Lauderdale Courts area of Memphis, which from 1948 until 1954 was also the home of Gladys and Vernon Presley and their son, Elvis.

On August 14, 1964, Burnette’s unlit fishing boat was struck by a cabin cruiser on Clear Lake, California. The impact threw him off the boat, and he drowned. His brother Dorsey died of a heart attack in 1979. Johnny Burnette is buried at Forest Lawn Memorial Park Cemetery in Glendale, California.

I still love this song after so many years. The beat, the lyrics and the whole package still moves me.

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Tonight by The Velvets

This post takes us back to 1961 when even I was just a teenager. In that year there was a song on the radio that has stuck with me my entire life: Tonight by the Velvets. Although it only placed number 26 on the top 100, the beat, the bass and the lyrics were compelling to a thirteen year old.

The Velvets were an American doo-wop group from Odessa, Texas , United States. They were formed in 1959 by Virgil Johnson, a high school English teacher, with four of his students. The original members of the group were Virgil Johnson, Will Solomon, Mark Prince, Clarence Rigsby and Bon Thursby. Roy Orbison heard the group and signed them to Monument Records in 1960.

Give this old one listen. Does it bring back a few memories?

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Fly Away

A long, long time ago, I wrote a song called Fly Away. It embraced what I felt at the time were determinations that would shape my life, namely to explore life to its fullest and not just simply do what was expected of me. Some 48 plus years later, I still feel the same about those determinations. I have traveled most of the world, shared nearly four decades of exploration with a wonderful woman and learned to find a reason to be happy every day.

Ironic how time often just reinforces our feelings rather than changing them. Indeed, “the moon reached out and bit me on the shoulder, lit a lamp light deep inside.” The song is still one of my favorites.

Here’s the song in its original 1977 pre-production demo form:

For the complete lyrics, read Three A.M. – The Complete 1970s Lyrics. Three A.M. is the definitive lyric anthology for the 1970’s songs of Allen E. Rizzi. This collection contains 81 song lyrics written between 1974 and 1980, including many not previously released to the public. All song lyrics are accompanied with back scenes that comment on the songs’ origins, performance histories and other interesting facts. Forty years on, these lyrics are a blueprint of a 1970’s songwriter craft.

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O Mio Babbino Caro

O Mio Babbino Caro is a delightful aria and possibly the only high point of the opera Gianni Schicchi (1918) by Giacom Puccini. The libretto was written by Giovacchino Forzano. Here is a recording performed by soprano Renée Fleming.

Here are the lyrics:

O mio babbino caro
Mi piace, è bello, bello
Vo’ andare in Porta Rossa
A comperar l’anello!
Sì, sì, ci voglio andare!
E se l’amassi indarno,
Andrei sul Ponte Vecchio,
Ma per buttarmi in Arno!
Mi struggo e mi tormento!
O Dio, vorrei morir!
Babbo, pietà, pietà!
Babbo, pietà, pietà!
English Translatoin
O my dear papa
I like him, he is handsome, handsome
I want to go to Porta Rossa
To buy the ring!
Yes, yes, I want to go there!
And if my love were in vain,
I would go to the Ponte Vecchio
And throw myself in the Arno!
I am aching, I am tortured!
Oh God, I’d like to die!
Father, have pity, have pity!
Father, have pity, have pity!

Many years ago, I was having an anniversary dinner with my wife in Rome at a restaurant called Quo Vadis. A vocal duet was playing to the tables and they stopped to ask if I had a request. I thought only a second and replied, “O Mio Babbino Caro.” The woman, a soprano, launched into a most beautiful rendition right on the spot. I was thoroughly impressed.

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Whiskey Lullaby

“Whiskey Lullaby” is a song composed by Bill Anderson and Jon Randall. It was recorded by American country music artist Brad Paisley as a duet with Alison Krauss on Paisley’s album Mud on the Tires, and released on March 29, 2003, as that album’s third single, and the eleventh chart single of Paisley’s career. The song reached a peak of number three on the Billboard Hot Country Singles Tracks (now Hot Country Songs) charts, and 41 on the Billboard Hot 100. The song also won the 2005 Country Music Association Song of the Year Award. It is one of Paisley’s four songs certified Double Platinum by the Recording Industry Association of America, the others being “She’s Everything”, “Then”, and “Remind Me”.

“Whiskey Lullaby” is a largely acoustic ballad in the key of B minor, accompanied mostly by acoustic guitar and Dobro. The key sets the mood throughout the song. Its narrative centers on a couple that has an abruptly painful separation leading both to alcoholism and eventually drinking themselves to death: first the man, with a broken heart, and later the woman, feeling guilt for the man’s death.

Paisley sings the first verse and chorus, which focus on the male character, while Krauss sings the second verse and chorus, which focus on the female character.

Here’s one of those “insider” stories you might like. Jon Randall, one of the song’s co-writers, had just divorced from country singer Lorrie Morgan before writing this song. In addition, he had lost a record deal, and had not been able to find a songwriting contract either. He found himself drinking whiskey regularly, and pursuing sexual desires. After seeing the condition that Randall was in at the time, his manager told him, “Hey man, every now and then you’ve got to put a bottle to your head and pull the trigger.” Randall then wrote down that line, and decided to use it in a song. He then met Bill Anderson and began to write the song, which eventually made its way to Paisley. When Paisley originally discovered the song, he had told Anderson that he would like to record it with either Alison Krauss or Dolly Parton; Anderson agreed to either singer and the song would then be recorded by Paisley and Krauss. Randall himself also included a version on his 2005 album Walking Among the Living.

The full-length music video is set in the World War II era. It starts out in a bus full of war vets and the sound of explosions still fresh in their minds. One of the men (played by Rick Schroder, who directed the video) is looking at a picture of him and his wife kissing under a willow tree. He then has a flashback of him swinging her in his arms under the willow tree and him saying ‘I’ll love you forever!’ to which she replies ‘You come home and we’ll start our family’. He’s then woken up and the bus driver tells him it’s his stop, before leaving the bus the driver says ‘You’re home, go start your life son’. As he walks into his house, he looks at the pictures of him and his wife (Marisa Petroro) and hears her voice again saying ‘you come home and we’ll start our family!’. He hears laughter upstairs and walks up expecting to find his wife alone, but instead she is in bed with another man. He then leaves her and the song begins.

The first verse of the song in the video shows the man getting drunk, and not being able to get his wife off his mind. His drinking becomes chronic alcoholism that swiftly kills him due to his consumption, and the first chorus depicts his funeral and his wife crying.

The second verse of the song in the video depicts the wife starting a drinking habit close to that of her late husband. During her drunken state, she dances with several men, but finds herself seeing her dead husband’s face in the other men. There is a scene in which the wife pushes a man (with whom she was going to sleep) out of the room and shuts the door on him. She obviously holds herself at fault for her husband’s death, and can only feel at ease while drinking whiskey from her bottle.

Just before the second chorus there is a shot of her at her husband’s grave crying and drinking. When the chorus starts, it cuts to her funeral, which also took place in 1947. When the song finishes, a little girl looks back at the graves and sees their ghosts, hugging and kissing and falling in love again. The little girl in the video is played by Rick Schroder’s daughter. The man’s tombstone indicates that his name was Richard, born 1916, and the woman’s tombstone indicates that her name was Katherine (which is his wife’s real first name), born in 1919. They also indicate that their last name was Bartlett (which is Rick’s real middle name).

Interwoven with the storyline are shots of Brad (wearing a black hat and tux, a rarity for one of his videos) and Alison performing the song on stage at a concert hall among many dancing patrons. Here’s the video.

My favorite line is, “Life is short but this time it was bigger.” That’s great song writing folks! Here are the performers on the track:

Eric Darken – percussion
Jerry Douglas – Dobro
Kevin “Swine” Grantt – upright bass
Alison Krauss – lead vocals, viola
Kenny Lewis – background vocals
Brad Paisley – lead vocals, acoustic guitar, baritone guitar
Ben Sesar – drums
Dan Tyminski – background vocals
Justin Williamson – fiddle

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Read my latest novel – Hey, Mister Publisher Available in paperback or e-book.

Follow songwriter Al Sapetello as he takes you through the back streets of the 1970’s music business on his way to the top. Where will the road lead him?The 1970’s music industry is explored from the inside out, exposing both the beauty and the ugly underbelly of the business. Presented with authority by veteran songwriter Allen E. Rizzi, Hey, Mister Publisher will give you a new understanding of music and the people who make it.

Lunedi Senza Parole #342

Indovina dove! Guess where!
Foto © Allen E. Rizzi

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Poetry Anthology

A while ago I released an anthology of 89 of my poems written between 1965 and present.  Prescriptions from the Rhyme Doctor is  available exclusively through Amazon.com’s Kindle Store at only $4.99 (ebook) and $11.99 (paperback).

This poetry anthology is divided into two sections: The Young Man – Years of Hope and The Old Man – Years of Judgment. There are even a few poems written in Italian in what otherwise is an English language collection. If you like poetry, you may want to give this a read; there is something for everyone! Get your copy today.

A special thank you to my wife and editor for her wonderful cover design!

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So In Love

Cole Porter is one of my favorite composers, both for music his and his clever lyrics that often use internal rhyming. I have written here in the past about In The Still Of The Night which I consider to be one of his finest works: https://rizziallen.wordpress.com/2014/09/12/in-the-still-of-the-night-2/

Throughout his prolific career, Cole Porter wrote many, many great songs, some of which have become the backbone of American composition. I can think of four or five of his songs that are truly great. They served as inspiration for my own song writing for so many years in addition to being just plain enjoyable. One of my favorites is So In Love from his 1948 musical Kiss Me Kate. This show had 1,077 performances before closing on July 28. 1951.

Here are the lyrics:

Strange, dear, but true, dear,
When I’m close to you dear,
The stars fill the sky,
So in love with you am I.

Even without you
My arms fold about you.
You know, darling, why,
So in love with you am I.

In love with the night mysterious
The night when you first were there
In love with my joy delirious
When I knew that you could care.

So taunt me and hurt me,
Deceive me, desert me,
I’m yours ‘til I die,
So in love, So in love
So in love with you, my love, am I.

So In Love employs an unusual musical score and great lyrics that simply make most normal people feel the joy of love with a tear in their eye. It is such a popular song that many people have recorded it throughout the years including:

Julie Andrews, Josephine Barstow & Thomas Hampson, Shirley Bassey, Mimi Benzell, Vikki Carr, Rondi Charleston, Andy Cole, Chick Corea, Bing Crosby, Deborah DeDe Wedekind, Plácido Domingo, Tommy Dorsey, Alfred Drake, Lara Fabian & Mario Frangoulis, Eddie Fisher, Ella Fitzgerald, Renée Fleming & Bryn Terfel, The Four Lads, Sergio Franchi, Lily Frost, Roberta Gambarini, Lesley Garrett, Robert Goulet & Carol Lawrence, Kathryn Grayson & Howard Keel, Jane Harvey, Dick Haymes, Edmund Hockridge & Janine Roebuck, Mark Jacoby, Betty Johnson, Allan Jones, Stan Kenton, Dave King, Lisa Kirk, k.d. lang, Mario Lanza, Steve Lawrence, Peggy Lee, Liane & The Boheme Bar Trio, Guy Lombardo’s Orchestra, Julie London, Joe Loss and His Orchestra, Lulu, Patti LuPone, Gordon MacRae, Sue Matthews, Marin Mazzie & Brian Stokes Mitchell, Nichola McAuliffe & Paul Jones, Robert Merrill & Roberta Peters, Vaughn Monroe, Diana Montague & Thomas Allen, Patricia Morison & Alfred Drake, Patricia Morison & Bill Johnson, Joan Morris, Georg Ots, Patti Page, Johnny Prophet, John Raitt, Patricia Routledge & David Holliday, Diane Schuur, Dinah Shore, Cesare Siepi, Frank Sinatra & Keely Smith, Dakota Staton, Enzo Stuarti, Kiri Te Kanawa, Trio Désolé, The Tymes, Jerry Vale, Marlene VerPlanck, Dinah Washington, Julie Wilson, Will Wright, Earl Wrightson, Rachel York & Brent Barrett, Caetano Veloso, and Bob Dylan.

That’s a monster list and I’ve included it here to show just how popular this song was and still is. If you have never heard this song, please give it a listen and let me know what you think. You can leave a comment here on this blog.

Here the clip from the 2004 movie De-Lovely https://www.youtube.com/watch?v=-buP_U0cEos

Here is another recording by Mario Frangoulis and Lara Fabian: https://www.youtube.com/watch?v=tKZtnURkNOk

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Baby Blue

“Baby Blue” is a song released in 1961 by The Echoes. It was written by an unlikely pair; Long Island assistant high school principal Sam Guilino and music teacher Val Lagueux. The song spent 12 weeks on the Billboard Hot 100 chart peaking at No. 12. It did slightly better in Canada. The song is noted for the Echoes spelling out the name of “Baby Blue” as “B B A B Y, B B L U E”. Obviously, there are not two Bs at the beginning of each word but it does fit the rhythm and rhyme scheme that way. It does bot, as some have suggested, make fun of people who stutter.

The Echoes were a “one hit wonder” group from Brooklyn, composed of Tommy Duffy, Harry Boyle and Tom Morrissey. Although they recorded into 1965, none of their songs had much popularity. However “Baby Blue” is fondly remembered by old timers like me for its smooth harmony and lovely portrayal of teenage angst.

Here’s a video of the song:

Here are the lyrics (Note the “Double B:”

Be -be -A-be -why, be -be -L-you-E
Be -be -A-be -why, be -be -L-you-E

You’re my Baby Blue (baby blue)
That’s what I call you
You know what to do (what to do)
With those eyes of blue
Ba-a-a-a-by blu-you-ue
I-I-I love yo-ou-ou, I do
(B-be -A-be -why, be -be -L-you-E)

Are you really wise? (really wise)
Do you realize
That those devil eyes (devil eyes)
Are bluer than the skies?
Ba-a-a-a-by blu-you-ue
I-I-I love yo-ou-ou, I do
(B-be -A-be -why, Baby Blue, ooh, ohh)

I don’t call you “Honey” even though you’re sweet
It’s really not the name for you-ou-ou
Sweetheart, angel, lover, all are incomplete
Only one name will do-ooh-ooh-ooh

So I’m tellin’ you (tellin’ you)
Though you’re seventeen
You will always be (always be)
Baby Blue to me
Ba-a-a-a-by blu-you-ue
I-I-I love yo-ou-ou, I do
(B-be -A-be -why, be -be -L-you-E)

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For more on music and lyrics, be sure to read my book: Three A.M. – The Complete 1970s Song Lyrics.

The K38 1/2 Story

When I surfed decades ago, we often would head for the beaches in Mexico to escape the crowds of Southern California.

One such trip was made in 1966 for a surf contest. Our surfing club, The Rising Sons, was to match off against a rival at a favorite point break called K38 ½. The name was garnered because of its distance from the U.S. border. I remember that it was an important contest and that my teammates were counting on me to do well.

The contest was set for Saturday morning so we all went down the night before. In our little group, I was the only one who was fluent in Spanish, so I was sort of the guide. I did know the territory pretty well as I’d been going there since a kid with my parents. I could also bullshit my way through most situations in Mexico including purchasing beer as a minor.

As the night started to get late, we reached the town of Rosarito. Of course, everyone in our merry band wanted some beer. I was elected to do the purchasing and I entered a small store that was just closing and asked the owner for a case of Corona beer. He stated that he was out of stock but suggested Tecate instead. I agreed as beer was beer back then and I returned to our car with a case of Tecate and a couple of bags of stale potato chips. We immediately began to guzzle down our new stock as we headed south. When we finally reached K38 ½ to sleep for the night, everyone in the car was sick. There’s this thing called “green beer” and I’d purchased a case of it. Green beer is a beer that has not been properly fermented; it tastes earthy and like the raw ingredients.  Only two bottles remained of this vile brew and we all started to throw up. I had the worst of it as I’d drunken the most. After vomiting into the early hours of the morning, finally we all went off to sleep surrounded by the stench of beer and puke.

Morning came very quickly and we needed to get into the water for competition. My friends had recovered well but I was still feeling really oozy. Thankfully I was in the last heat and I tried desperately to heal my stomach with potato chips to no avail. When my heat was called, I paddled out and my head was spinning. The waves had picked up to 5 or 6 feet but every time a swell passed underneath me outside the break I vomited just a bit. I caught a few good waves and tried to make the best out of it. That damned green Tecate just kept coming back up to haunt me. In the end I came in a very distant second. I forget who won the contest but at the time it made no difference. I finally drank some sea water and that seemed to do the trick. My stomach finally settled down, avoiding a costly trip into town for medicine.

We decided to spend the night there at K38 ½ after the contest, in no small part to settle my stomach. By nightfall I was in excellent shape so we roasted some large muscles over and open fire and went to bed, sans the remaining two beers. I remember being so thankful that my stomach had finally settled down that even the rocky ground felt good to sleep on.

When morning came, we caught a few waves for about two hours and decided to head back up the coast to have a late breakfast at Rosarito Beach. In Rosarito, after a long dirt entry road, we entered a little eatery that had arched Mexican doors. It wasn’t touristy as it was well of the beaten path. What do you suppose surfers would order for breakfast? Tacos and beer of course! As I piled through my second taco, I pulled something out of my mouth. WTF? It wasn’t a hair; it was a mouthful of fur! We immediately started joking about eating dog meat tacos. As we polished off a few beers (the good stuff this time), we continued eating the tacos and joking all the while.

When we were finally done, we paid and exited the long dirt road that lead to the place we had just eaten. About twenty yards on one of my friends called out, “Stop!” We pulled the car over and all stared at a dog carcass that had definitely been recently butchered to remove most of the meat. We all immediately agreed, albeit reluctantly, that we had indeed eaten dog tacos. The fresh carcass was proof enough!

I tell this story whenever I or someone I know is heading to Mexico for vacation. It’s not fantasy but rather the cruel reality of what it was like in Mexico back then. It’s the K 38 ½ story that I cannot ever forget and that I love to share. This and several other stories can be found in my book: Fifty Years Ago – A Surfing Trilogy: And Other Surfinf Stories from the 1960’s.

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