Charlie Brice

Posted in Charlie Brice with tags on January 18, 2026 by Scot

 

Coalemus

 

I’m sick and I’m gonna get drunk. Coal,
short for Coalemus, walked into my home
like it was his own—no gratitude for his
and his wife’s invitation for Thanksgiving,

not even a Hi, good to see you—just I’m
sick and I’m gonna get drunk. He sat
in our porch room, holding a bottle of wine
he made sure not to share with anyone.

At dinner, he sat in regal silence, not
deigning to converse while the rest of us,
seven in all, engaged in lively conversation.
He reached in his pocket, pulled out his

cellphone, and began to…what? Check
his email? Thumb through his Facebook
page? I asked him, quietly, if we were
boring him. Yes, he said. After dinner

my wife excused herself because she was
ill. This left me with a massive clean-up.
Coal made no effort to help me clear
the table, scrape the dishes, bag the leftovers.

He rose from the table, went into our
porch room, and fell asleep on our couch.
His wife tried to help, but she had to drive
her drunken husband back home. On his

way out the door, Coal barely glanced
my way. He had always been obnoxious,
something I tolerated over our fifty-year
friendship. He had become, to me, like

a family member you really don’t like,
but feel obligated to invite for holidays,
birthdays, special occasions. I’ve come to
believe that friendships often have

an existential expiration date. The last
Thursday of 2024 was ours.

 

__________

 

Missing Monica

 

Death steals everything except our stories.
–Jim Harrison

I

I’ve been hearing her voice ever
since I found out
she no longer had a voice.

Missing Monica, it turns out,
is a full-time occupation.
Too young, too young, to have

cancer, too young to die of it.

We used to send poems
to each other. She might
question a simplistic simile, erase

a misbegotten metaphor, or praise
a phrase she liked. She
was an astute and generous critic.

She always had time to respond
to me.

Why?

I was just an old guy who attended
a writers’ conference
she worked for. Still, she

sometimes sat next to me
on the porch steps—
asked how my writing was coming.

We had little in common beyond
happy marriages, a love of poetry,
and of anything Jim Harrison wrote.

II

Six weeks ago, Devouring Time,
a biography of Jim Harrison
came out. I thought of Monica.

I wanted to send her the book.

I’d heard she’d been in the hospital,
tortured again by the nasty
crustacean crawling through her blood.

I wrote an email asking how
she was and where
she was. I never got a reply.

Two weeks after my email to her,
a signed copy of Jim’s
biography appeared at my door.

It came from a bookstore in Traverse City—
no card, no information
on who sent it.

I’ve asked everyone I know who could have
sent me that book.

Did we have the same idea
to send that book
to each other?

Could it have come from Monica,
delivered by death’s pinion
poised on the abyss?

Monica, gone to that rough-hewn
realm of silence where
we mourn in a universe gone dark.

Still, we have her stories, stories
that death can never steal.

__________

 

Forever

We walk toward a future that disappears
as soon as we get there. Our fate, it seems,
is to find people we love and then lose
them to inevitable darkness. It’s then that
we learn that forever has always been there.

The day-to-day may begin as a gilded
castle on a hill, but end as an abandoned
building—windows broken, walls crumbled—
a burned-out husk of what it once was.

We are, I suppose, about as significant as
the period at the end of this sentence,
although we are told that the universe
was once that small, as small as a period
at the end of a sentence, so dense that
it just had to explode into life.

 

Brautigan Meets Bukowski Pre-orders

Posted in Uncategorized on December 21, 2025 by Scot

Pre-orders via PayPal in the US $15.00 @[email protected]

Poems by Scot Young. Art by William Taylor Jr., Joycelyne Desforges, FN Wright, Rosanna Young. Printed in color.

Brautigan Meets Bukowski

Posted in Uncategorized with tags on December 18, 2025 by Scot

Brautigan Meets Bukowski captures a legendary friendship (or
was it just imagined?) between two outlandish poets of the
times Richard Brautigan and Charles Bukowski.

Janis Joplin makes a surprise appearance.
Rules the pool table.
Sings the blues.

Young is the biographer fly on the bar. Recording the tectonics
of Brautigan’s kevlar gossamers and Bukowskis’ sartorial
tailoring of poetry’s autograph book as they sit two bar stools
apart in Gino & Carlo’s.
Or, search for dim sum In Chinatown. Or, follow the long runs of
trout streams and sexual dreams downhill from North Beach to
San Francisco’s City Center.

Most of us missed the times, the creative lightning, the weaving of poetry from whole cloth that Young affixes to his pages
Interspersed with illustrations by F.N. Wright, Rosanna Young, William Taylor, Jr, Abigail Young, Joycelyne Desforges.

“Brautigan Meets Bukowski” is not an academic book. It’s the real thing brought back through time by Scot Young’s
homemade jewel tumbler. Hold it in your hands. Feel the energy. Yield to the word virus and know that at one time Poetry
was more than enough.

–Dr. John Barber, Brautigan Scholar; Curator, The Brautigan Library; faculty Washington State University, Vancouver

 

 

 

Ryan Quinn Flanagan

Posted in Ryan Quinn Flanagan with tags on December 8, 2025 by Scot

 

 

The Day The Horses Flew

I was six years old,
but we were all small
that day,
as I waited by the window
at the babysitters,
to be picked up by my father after work,
how I knelt and stared out at
that sickly strange pea soup sky,
such a complete stillness brought fear
to the busied mind,
and when my father came,
he told me about what had happened
across town, horses flung onto the highway
from the racetrack across from his work.
slammed down onto cars, large sheets of metal
and the roofs of houses sailing by,
so that they called in the army
to look for bodies and help with the cleanup,
and how all us families drove around
in silence, looking at the piles
even though we knew it in poor taste,
front stoops sitting alone where houses used to be,
huddled hugs of inconsolable grief,
no one would ever forget
the day the horses flew:
how small we were in our silences,
how nothing could be helped.

__________

 

Mules for Jefe

She puts the coffee on
and we wait like leaning sawmill
wood long out of fashion,
like newsprint smudge
for the commuter train,
for the chance to make
each other smile,
to escape that lingering
garbage strike
of last night.

And she turns like mules
for jefe, didn’t I tell you this
would happen?

How scorpions
brand each mesa
with our tenacious kind
of love.

Michael Grover

Posted in Michael Grover with tags on December 8, 2025 by Scot

 

 

The Language Of Love

(Eulogy For Docker Dog)

The Lemurians spoke a language of Love
That’s why we’ll never hear the frequency
My eyes keep on leaking
They’ve seen too many tears
Docker left us this morning
He clung to me as long as he could hold on
His little heart pittering and pattering
His old soul looking out through dark eyes
Docker died in nobility even if he was a poor man’s dog
Docker was a noble dog
Now the World is darker without his great light
I shall shine my light brighter
Docker spoke in a language of Love
He said “Love my enemies.”

__________

 

Shooting The Lights Out

 

I was seventeen visiting my dad for the Summer
He was working in Boston on the Big Dig
He lived in an old house in Cambridge he was caring for
The woman that owned it was out of town
There was a room in the third floor in the attic
You could step out onto the roof through the window
One night we were sitting out on the roof
My father allowed me to drink beer
He was drunk on beer and Jack,
He was high on marijuana, cocaine, and rage
Always such a volatile mixture
You could only see the rage burning in his eyes, always
We were staring into stary Boston
More lights and brighter than the sky above
This must’ve been a normal thing for him
He took out a wrist rocket, and a bunch of BeeBee’s
Started trying to shoot out the biggest and brightest light he could find
I asked him what the fuck he was doing
He said he had to shoot out these lights so we could see the stars
I looked around and told him he’d never shoot all those lights out
He just looked sadly and said “I guess you’re right.”
And put away the wrist rocket for the night
Sometimes I think about him
Still out there shooting the lights out

__________

I Used To Know A Mermaid

Hey Mermaid,
Let’s swim upstream
Away from abusive patterns
That leave us landlocked,
Fish flop dead, just a spinnin’
Far away from that fear
That makes you nervous to be you
Because that’s all I want is you
Natural, authentic, beautiful you
Unafraid, and unapologetic to be you
I want you to be fierce & wild like a Poem
I want you happy and healthy

So hey Mermaid,
Let’s swim upstream
Drift along the peaceful rivers of impermanence
Sit & ignore the storms on the horizon

Hey Mermaid,
I’ll never get my shit together
& execute a plan
So I say we just wing it
See just how far we can take this
We might just make it
Love is a poorly written TV script
& the heels always win in the end

So hey Mermaid,
I’ve been so beat up
I can’t feel anymore
& you’ve got me in the waiting room so long
That I wrote this whole Poem
& it just keeps getting longer
But what is time to a Poem
You may lose time in a Poem
& those are always the best ones
But what is time anyway

Hey Mermaid,
I was thinking about how many revolutions around the sun
Does it take to break repeating cycles
Last week was the Strawberry Moon
I looked up to enjoy it
I looked down and my friend Gary
Was laying on the sidewalk

Hey Mermaid,
I can feel us crashing
Quicker than the fallout from this mess we’ve made
Trust me, I can’t be around when it comes knocking
& I hope you’ve thought this out
Because the outcome looks really dark to me
Like that picture you took two days ago
Blank black screen staring back
You showed it to me
Said it was odd
I recognized it, got the message
You said you didn’t understand
I said you would
Then I looked up in the sky
I saw a distortion,
Like something was following us
But it wasn’t following me

So this is goodbye Mermaid
You told me as you stood in the doorway
That this wasn’t over
& you know I don’t do what I’m told
Besides I just can’t live with the carnage anymore
For a moment I thought I saw
A peace in that chaos
Like the eye inside a hurricane
& I can’t even protect you from what’s coming
So pat yourself on the back, you’ve earned it
So brace for impact
I’ll just keep my distance

 

Sometimes the Monsters Turn Into Sunflowers at the Machine

Posted in Scot Young with tags on November 22, 2025 by Scot

Thank the heavens and earth that we have Rusty Truck Press, a gutsy poetry operation that rejects the dictates handed down by the MFA mafia and publishes verse that is urgent and compelling from truly original voices. I love the Rusty Truck anthology Sometimes the Monsters Turn into Sunflowers at the Machine. It proves that true poetry is alive and well outside the mainstream. These poems will be read for years to come.

W.K. (Kip) Stratton, author of The Dreaming Sam Peckinpah Quintet.

This anthology contains works by the following authors:

William Taylor Jr., Todd Moore, MK Chavez, Hosho McCreesh, Rob Plath, Rebecca Schumedja, A.D. Winans, Misti, Rainwater-Lites, Bradley Hamlin, F.N. Wright, R.D. Armstrong, Charles Plymell, Lucy Hell, Karl Koweski, Doug Draime, Alan Catlin, Paul Corman Roberts, David S. Pointer, Scot Young, Father Luke, Scott Wannberg, DB Cox, Jennifer Blowdryer, S.A. Griffin, Jack Henry

 

 

 

 

 

 

https://a.co/d/5Azp2k3

 

“Sometimes the Monsters Turn into Sunflowers at
the Machine offers up the passenger seat of the
Rusty Truck. Hop in and drive down the road with
some of the small press’s biggest names. Take in
all the sights these poets offer and then, as A.D.
Winans states, you’ll have something to talk
about.”
Jake St. John, author of The 13th Round.

 

What you will find in this anthology are poems that
embody that period of rebellion, collectively. These
poets questioned norms and authority, rules and
formality, expectations and trajectories, gender and the
confessions behind those constructs, and what it
means to be an artist at a time when the new
opportunities to connect online were rapidly becoming
tools of profit and commodity, poetry part of the new
swirl of “content”. 
   Some of the poets in this anthology are no longer
with us, and I think that it is important to honor that era
and talk about their contributions to what has come
since and what remains possible when each
generation cares for the next, and holds the door
open. 
    I am sure that I join the poets on these pages in
expressing appreciation to the Truck, and to Scot
Young who respects both the past and the future and
will preserve them through these archives. 

E. Lynn Alexander

 

This collection of the early chapbooks of Rusty
Truck from 2008 through 2010 is a who’s who of
small press poets, some still writing and some now
gone. Some like Rob Plath, William Taylor Jr and
Scot Young are some of our most prolific and
powerful writers still working. While some like
Todd Moore are gone but will never be forgotten.
These poems will never be forgotten either, they
are timeless and offer a roadmap to all of us who
come after them. Poems about love and poems
about war and poems about life! They simmer like
unexploded bombs waiting for us to trip over them.
There is life death, magic and loss in these pages.
Every poet included has a story to tell and unique
talent for making you feel their poems like
something on your skin, or something in your
heart. This is a book you will read over and over.
Each time your favorite poet will be different, and
you will be right every time.
Matt Borczon Poet and author of A Clock made of
human bones, and All the Ghosts in my Hometown

 

This Rusty Truck Anthology is a golden poetry
collection of small press giants. The poets within
are the beats, the beatniks, the hippies, the poets,
the writer outlaws from our generation and the one
that came before it. These are poems about “The
Ghosts of Dead Poets,” and the spirits of the living
ones. Poems dragged through and dredged from
“…These Terrible Midnights.” Poems and writers
that I grew up emulating and learning from. Poems
and writers now rightfully granted immortality
through this book.
The best new collection of poetry since the Outlaw
Bible. 

-Dan Denton, former UAW chief steward and
author of The Dead and the Desperate.

Richard LeDue

Posted in Richard LeDue with tags on October 18, 2025 by Scot

A Note on Dry January

When I drank,
sadness would blare like a radio
alarm clock trying to wake up
an empty bed,
but it would also be turned off
sometimes.

However, in sobriety,
sadness is background noise,
constant and low,
yet easy enough to dismiss
as a dying fridge
or a leaky faucet
sometimes.
______

Say ‘Cheese

Life can be flat as photos,
trapped in frames
and hung on walls,
where an off-colour legacy
waits underneath
for the day when a yard sale
of precious belongings
tells the world you’re dead.

_______

Richard LeDue (he/him) lives in Norway House, Manitoba, Canada. He writes poems. His last collection, “Another Another,” was released fro Alien Buddha Press in May 2025.

Patrick Connors

Posted in Patrick Connors on October 18, 2025 by Scot

 

Broken

Kinstugi is a pottery technique
using lacquer from an urushi tree
mixed with gold powder to fix ceramic
cups and bowls. With patient mastery,
beloved objects are restored.

We have all been broken. Chipped,
cracked, smashed and shattered by the cruelty
of this world. The ideal has been fractured–
damaged dreams fragment like loose pieces
spinning in a kaleidoscope.

The potter takes the shards and cleans them.
Urushi lacquer is applied, left to dry, then
sanded. The process is repeated several times,
until gold powder completes the filled-in scars.
What once was ruined is now an artefact.

When disillusion has been overcome,
and all the pieces put back into place,
we will share our scars with one another,
and rejoice at becoming more precious
than we could ever have imagined.
______

Bio: Patrick Connors first chapbook, Scarborough Songs, was released by
Lyricalmyrical Press in 2013, and charted on the Toronto Poetry Map.
Recent publications include Spadina Literary Review, Asemana Magazine,
Spirit Fire Review, and Dissident Voice.
The Other Life, was released in 2021 by Mosaic Press.
Worth the Wait, was released in 2023 by Cactus Press.
The Long Defeat, was released in 2024 by Mosaic Press.
Facebook: https://www.facebook.com/patrick.j.connors.3

Alexis Rotella

Posted in Alexis Rotella with tags on October 18, 2025 by Scot

 

Classic Cars  (A Poem of Memory and Motion)

My high school beau came from a house with no bathroom— just a dirt
path to the crescent moon door, newspapers and Sears pages folded into
dignity.

Later, established in law, he bought a white Cadillac, red leather seats
that breathed Sinatra Sundays. Top down, oldies on the dial, we rode
into the country, past where dreams slept on the other side
of high school.

He moved an entire Victorian house into a city block of plain frames—
fashioned her into a painted lady, installed a TV above the bathtub
and fine wood under his feet.

Two sharpeis curled at his side, until the bride left for a trucker with seven kids.

But the cars— they never left him. Ragtops and Lincolns, white with red
like peppermint candy each one buffed like sacred armor. Weekends spent
polishing memory itself.

Memorial Day, how those chariots gleamed, like gods returning, chrome
and history sleeked into motion.

We see it now— how age, numbered or not, can shine with each
summer–dark eggplant, chartreuse, the whole spectrum oo la la
to oo la la, each curve a reverie of what once was.

Low riders. Fins that almost flew. Boys on corners inventing harmony,
their voices echoing through candy store glass

and into our shopping carts— as the oldies play, we smile as we drop
bread and milk into the basket of now.

______

Bio:  Alexis Rotella is author of 43 books, her latest Milkweed (Brooks Books, 2024) was the recipient of the Touchstone Distinguished Book Award. Alexis lives in Greensboro, NC with her ginger cat Colby.

LYNNE SAVITT

Posted in LYNNE SAVITT with tags on October 17, 2025 by Scot

 

That Fucking Blood Red Cardinal

brighter red than heart emojis
has gone from the partially bare
tree outside the balcony where
he came every morning since
you died made me believe it was
you comforting my shredded heart

he hasn’t been here for two
months seventeen since you
passed no bird song no feathery
greeting me before the sun rises
painting the deer & foliage pure gold

yr birthday is this month but i
count the days since you died
not the years you’d be if you
hadn’t gone it’s yom kippur today
atonement the red scarf i wear

where have you gone?
i cannot feel you even with
yr ashes three feet from my
pillow feels like cement
bed turns to deep cold pool

of longing & grief i want
day without tears & terror
i want the fucking blood
red cardinal back