I feel like I’ve not promoted the first Raw Guitar Improv installment enough or not correctly. Most folks have slept on it, so I wanted to mention here that it’s currently a free/pay whatever you want download. I’m almost done recording a group of possible pieces for the second installation, and I am very happy with the sounds, playing and ideas that you’ll hear on these.
So, if you’re interested in hearing me work out new ideas and techniques through a variety of setups, this is where it’s at right now. And there are some great performances here! And it’s free! So why not snag it? The next one is even better and FILLED with discovery.
Autocorrupt, the first Witchchord recording in 5 years, is out today! Our first time as a three-piece. Bass & synthesizer by yours truly. Grinding, clanked-out bass , sneaky sequences, rich analog synths & cinematic darkness! Get your ears around this! Free or pay-what-you-want downloads! Amazing artwork by Shea Goodwin and excellent mastering by Cope Till at Strident Trax.
This Friday will see the release of Autocorrupt, the first Witchchord recording in 5 years! This time around, we are a three-piece with Shane Gillis and I sharing bass and synth duties, and Tracy Harris on drums and sequences. On Autocorrupt, things are raw and stripped down, with focus on sequences and thick, spaced-out analog synth textures. Cope Till at Strident Trax did an excellent mastering job as well! I think it is very strong and very direct instrumental prog, and I can’t wait for you to get your ears around it! More soon! Until then, feel free to snag our three previous recordings for free/pay-what-you-want downloads.
The sun rises on the horizon. I wonder if it is real. Still, it is beautiful. Even if it is only an illusion glaring through my open window. I begin hammering the floor, hoping to disturb the creatures that I heard scuttling about and making racket down below in the cobwebby crawlspaces late last night. As I lie flat and put my ear to the old hardwood floor, I hear them droning their morning music and realize that I am too late. I’ll never wake them now. That constant and strangely lovely sound means they are deep in whatever daylight trance they fall into before the sun rises fully into the sky. If only they would do this at night instead of the agitated evening noise, things would be different around here.
I give up, stand with creaking morning bones and go outside. With great effort, I slide away a concrete lid from the cistern in the back yard to reveal the black liquid within. I hop in, lay back and float, my clothes dissolving with my thoughts and fears and worries. I drift out into vast spaces within my mind, forgetting everything, forgetting who I am, not getting out of the thick liquid until I am sure that the space inside my head is totally clear. They rhythm of my heartbeat in my ears slows and finds its pace. After some hours, I rise naked from the pool and plod towards the old forest, which lies perhaps 100 yards from the cistern in the yard. Even from this distance, I can hear the drums of those that I hope to join today. My mind is clear and my mind is made up. Today will be the day that I find the origin of those drums. And I will become part of that music.
I take a few more steps forward, and the world tilts around me, causing me to stagger and fall. The grass against my body seems to grow impossibly tall around me as I hit the ground with a thud like a sack of dirt. The grass shoots higher and higher into the sky. Eventually, I am left lying in a twilight world, with the tall stalks swaying wildly in a sudden gusts of wind. Small breaks appearing in the vegetation show me a sky darkening with heavy black clouds. I try to stand, but seem to be clasped by the ground. Roots have twined their way through my toes and fingers and around my ankles and wrists, holding my hands and feet firmly to the earth. I am one with the dirt, and feel strangely peaceful. Will they let me go? I long for the forest, for sight of the players of those drums . . . and the cistern lies open still . . . and the creatures drone on still beneath the floors of my house. I lie out back and wait to be released. The rain comes down and I sleep.
A little Raw Guitar Improv freakery for yr ears! Enjoy #1. There’s more to come!
Unmastered, unmixed raw improvisation on the electric guitar. All clicks pops, mistakes and other dubious thingamabobs are included for your sonic enjoyment.
Performed and recorded live by Jeff McLeod at The Subversive Workshop during July of 2025.
G&L Legacy, Morley Lead Wah, Keeley BubbleTron, Wampler Sovereign, Hologram Dream Sequence, Catalinbread Echorec, Studious Otto amp.
“Stranded Islands is intense and disturbing, revealing and haunting, dystopian and dreamy. But in a single word, Stranded Islands also is genius.” Michael Popke, Sea Of Tranquility.
A great review of Stranded Islands just posted at Sea of Tranquility! See the full thing here!