I “discovered” Billy Joel when “The Stranger” album was released in September of 1977. I was 18 years old. I played it over and over, singing along with the catchy tunes. I brought it to my friend Cindy’s dorm room to share with her, and she liked it too! I suppose I developed a kind of crush or obsession. I then drew a charcoal drawing of a picture from the sleeve of the album for my college art class. And several others after that. I was not shy about my crush.

I then sought out and bought all his older albums, including the flop, “Cold Spring Harbor.” I told everyone who would listen about my favorite.
Later that fall a group of us went to visit a friend who was attending NYU in New York and was feeling a bit homesick. We were riding on the subway during the visit and I noticed a poster with Billy Joel on it; it was an advertisement for a NY radio station. I pointed it out to my friends. As we got to our stop, my NYU friend reached his hand up and ripped it down, then handed it to me with a smile as the train pulled away. I was shocked but thrilled too. Unfortunately, one corner of it ripped when he pulled it down. I didn’t care. I taped it up and pinned it up on my wall when I got home.
Eventually my friend Eric (mentioned in many other blog posts) got me into more obscure alternative bands and I lost touch with my NYU friend, so I took the poster down but I didn’t throw it away. I still secretly loved Billy and bought later albums, but I was not so vocal about it. People who knew me assumed I had moved on to other crushes like Tom Petty, Bob Geldof and Robert Smith.
Over the years I thought of framing the poster but it wasn’t a priority, so it remained tucked away in a trunk. I was married and over teenage crushes and Billy.
But he is, as the man I met at the frame shop Max said, an American Icon. The time had come. I brought the poster in and told him the story. He was pumped! “I want to give this special treatment” he said, “Give me a few minutes.” I wandered off to study the works of local artists featured in the shop until he called me back.

It was special treatment alright. I knew from how many mats and frames were involved that it was going to cost me a lot. I let him explain why he chose what he chose. I understood. But the cost was….SHOCKING. I balked. He was deflated. “Ok,” he said, “just put a plain black frame on it then.” But nothing looked good after he had showed me his vision. What a good salesman. I said, “okay.”
And this is what I got. The picture does not do it justice. It does not show the textures involved: the shiny black outside frame harkening back to vinyl records. The “velveteen” maroon matboard like a rich wine. But despite the pricey treatment the scotch-taped poster tells the story that I tell you now.

And as the man at the frame shop said, “This is priceless. Do you think anyone else has this??!”

















