
Between Stations & Other Small Deaths is available to purchase HERE

Between Stations & Other Small Deaths is available to purchase HERE
Tarmac Dreams from the collection Between Stations & Other Small Deaths available HERE.
The first thing I ever fixed that stayed fixed was Sarah’s bicycle chain. It was morning—half-grey, half-warm—and I was down in the garage, knees on yesterday’s newspaper, the newsprint ghosting itself onto my jeans. The chain lay there, a limp centipede in a pool of grit. Grease under my fingernails felt wet though it was dry. My daughter was sitting on an upturned paint bucket, chewing through an apple so slowly I could hear the squelch of each bite.
“You’ll wreck it,” she said.
I’d wrecked other things. The kitchen sink, for instance—still dripping a slow, sullen drip from the elbow joint where I swore I’d tightened the seal. The screen door, too—out of plumb since I “adjusted” it with a hammer and an offhand prayer. And my marriage, I supposed. That vague, chronic breakage that no man intends but ends up presiding over.
But that morning the chain went back on. Not all at once, not heroically. One tooth at a time, with the slow confidence of something learning its purpose. The wheel spun. No crunch, no skip. The gears hummed like they knew what they were doing. Sarah dropped her apple core onto the floor with a casual flick and rode a wide, slow arc down the drive, wobbling slightly, then straighter, freer. I stood with my hands black to the wrist, and watched her loop the cul-de-sac like a ribbon threading air.
At work I started keeping score. Not officially—just little tallies in my head, pencil marks on the wall of my quiet self. Monday: I helped Ettie Garland, who smelled a little of boiled wool and something old, figure out her Tesco points. Tuesday: remembered to water the plant in the break-room before it turned the colour of stained paper. Wednesday: made it through my whole shift without dropping a single parcel.
“You seem different lately,” my supervisor said, tea in one hand, a custard cream in the other. “More focused.”
I shrugged. It was easier than answering. But inside something shifted. It was like finding a door you always thought was a cupboard, and realizing there was a stairwell behind it. The air smelled slightly fresher. You took one step. Then two.
The fifty pounds turned up folded in the breast pocket of a corduroy jacket I hadn’t worn since the spring Sarah cracked her first molar. The pocket felt soft and secret—like a rabbit hole in fabric. I pulled the note free, crisp still, scented gently with whatever soap we used before everything went unscented and mild.
We walked to the bike shop on the High Street, her hand in mine, her trainers slapping the pavement. She picked the streamers herself—purple, with silver tinsel that caught light and flared. I nodded and paid and said nothing as she insisted they made her bike “faster.” There was enough left over for two tickets to the Odeon’s Saturday matinee, where the seats still carried the faint itch of old velour.
We shared a bag of popcorn and Sarah watched the film—something loud and shiny, robots learning how to love—with her knees pulled up to her chest and her head drifting slowly towards my arm. Midway through the second act, her breathing evened. Her fingers, flecked with salt and soft with heat, rested lightly on the crook of my elbow.
Later, under streetlights that buzzed lightly and held halos, she said, “Dad, remember when you used to get cross all the time?”
I waited a moment. “Yeah.”
“You don’t so much anymore.”
I thought of my list—scraps of pride piled like receipts in the quiet corners of the day. Changed a bulb. Paid the council tax before the warning came. Bought milk, full-fat, before the bottle ran dry and we had to scramble eggs with water.
They weren’t accomplishments. But they accreted. Like lichen. Like pennies in a jar that, somehow, tipped the balance.
I began seeing more. The horse chestnut outside our building—how it turned, not in a blaze, but leaf by leaf, the way you might change your mind. The corner shop bloke aligning every bar of chocolate on his shelves with surgeon-like precision. Sarah humming as she drew pictures, a faint tune threading the quiet like a distant radio left on in another room.
One night, I called her mother. Just that. No expectation, no edge in my tone. I told her Sarah got an A on her science project—solar panels made from tinfoil and dreams. She said oh, and that’s good, and I said yeah, and then I hung up. There was something clean in it, like fresh sheets.
A month later, the chain slipped again. She didn’t shout or fuss. Just brought it round, wheeling the bike through the house like it belonged there.
“You can fix it,” she said. Not a question this time.
And I could. My hands remembered. The spanner fit without clumsiness, the chain threaded into place with the snug logic of something doing what it was made to do. When it was done, she hugged me. The side of her shirt smeared black. We both noticed. Neither of us minded.
That night, the dream was different. No dead ends or endless cloverleafs. No backtracking or loops that trapped you like thoughts on repeat. Just long stretches of motorway unfurling beneath me, clean and endless, the sky wide above, full of light that didn’t glare. I didn’t know where it went. It didn’t matter. The going was enough.
I began taking new turns on my way to work. Detours, side streets, back routes that smelled of toast and bin lorries. One Wednesday I found a café tucked beside a dry cleaners. It was run by a woman with grey dreadlocks and eyes that had seen things. She took my order once—builder’s tea, no sugar—and the next time I walked in, it was already steeping when I sat. There was something holy in that. Recognition without fuss.
At the office, the plant by the window, the one I nearly let die back in March, sprouted three new leaves in a week. They were glossy and bright, like they’d been waxed. Ettie Garland brought me a tin of biscuits with a gingham ribbon round it. Ginger snaps that tasted slightly of clove. My supervisor, eyes soft from some good news of her own, called me into her cubicle and handed me a slip of paper.
“Small raise,” she said. “You’re reliable. We need reliable.”
Reliable. The word sat strange in my chest, warm and unfamiliar. Like trying on a jumper that wasn’t yours and finding it fit. Me. Reliable. A word I used to dodge. Now it stuck. Like sunrise. Or gravity. Or the way Sarah’s hair smelled like strawberries after a shower.
Saturday, we took our bikes out again. Just the two of us. Her legs were longer now, her movements sure. The streamers hung faded and windless, but she’d kept them on. We rode without agenda, ended up in a park neither of us remembered being there. It was quiet. Ducks left widening trails through the pond’s skin, and a bench offered itself beneath a tilted oak.
We shared a sandwich—egg mayo, too much mustard. Sarah fed crusts to the ducks in methodical flicks.
“Mum says you’re doing better,” she said, gaze on the water.
“Yeah?” I watched the ripples slide across each other like silk. “Guess I am.”
“How come?”
I thought about the list, the invisible ledger I kept. Notebooks in my mind where I wrote down things like paid council tax on time and didn’t snap at the bloke who cut the queue. But that wasn’t what this was. Not entirely.
“I just started noticing things,” I said.
She nodded like she got it. Maybe she did. Maybe she noticed, too.
We walked our bikes back through the lengthening gold of the afternoon. There was a building site on the corner, all scaffolding and shouting, but the path had been freshly laid. Black tarmac, still warm, gleaming in the light. No marks yet. Not one boot print.
Sarah pointed. “Looks like the beginning of something.”
That night I wrote it down: Had a good day with Sarah. No fireworks. Just another small win. One more square on the map I didn’t know I was drawing.
Burgundy from the collection Between Stations & Other Small Deaths available HERE.
I was painting houses that summer, working for a crew that didn’t ask questions about past experience or current sobriety. The foreman, A.R. Fisher, had teeth like scattered fence posts and kept saying we were three days behind schedule, though none of us knew what schedule he meant.
The job was a Victorian in Sussex, mint green with rotting trim. The owner wanted it burgundy. Every morning I’d climb the extension ladder to the highest peak, my shirt already damp by seven AM, and scrape ancient paint while wasps circled my head.
“You’re doing it wrong,” Fisher would shout from below. But he never said how to do it right.
On the fourth morning, I found Miranda sleeping in her car behind the house. She was the owner’s daughter, home from university. Her seat was reclined and an empty vodka bottle rolled against the brake pedal.
I tapped the window. She opened her eyes, then the door, and vomited on my boots.
“Sorry,” she said. “I couldn’t go inside. The key wouldn’t work.”
“The key always works,” I said. “It’s usually the person holding it that doesn’t.”
She wiped her mouth with the back of her hand. “That’s pretty wise for a house painter.”
“I’m not wise. I just know about keys.”
I helped her inside and went back to work. From my perch on the ladder, I watched her through windows, moving room to room like a ghost in her childhood home. By lunch, she was sitting on the back steps with a glass of water and two aspirin.
“My father’s dying,” she said when I came down. “Cancer. That’s why he wanted the house painted. Some kind of legacy thing.”
I nodded, unwrapping my sandwich.
“He keeps saying everything happens for a reason,” she continued. “Like there’s some divine plan where him dying makes sense.”
A wasp landed on my knee. I didn’t move.
“What do you think about that?” she asked.
“I think paint dries however it wants, divine plan or not.”
She laughed, but it wasn’t really a laugh.
That afternoon, Fisher fell off the ladder. Not my ladder, but the one on the west side of the house. He’d been drinking Tango to hide the whisky on his breath. His arm bent wrong when he hit the ground.
Miranda called the ambulance. While we waited, Fisher kept saying, “It wasn’t my fault. The ladder was defective.”
I checked the ladder later. Nothing wrong with it. Just gravity and bad choices having a conversation.
Miranda’s father came home from chemo the next day. I could see him through the windows too, skeletal in his armchair, watching game shows with the volume too high. Miranda brought him tea he didn’t drink.
“You missed a spot,” he called out to me once through an open window. I was on my ladder, painting under the eaves. “Up there, by the corner.”
I looked where he pointed. The spot was perfect, fresh burgundy paint gleaming in the sun.
“No sir,” I said. “That’s done right.”
He squinted at me. “Everything looks different from where you’re standing, doesn’t it?”
I thought about that while I painted. How Fisher blamed the ladder, how Miranda’s father blamed some cosmic plan, how Miranda blamed the key that worked just fine.
The job took two more weeks. Fisher never came back, and nobody replaced him. I finished the highest parts alone while the other guys did the ground floor. Miranda watched me from below sometimes, shielding her eyes from the sun.
“Aren’t you scared up there?” she asked once.
“Terrified,” I said. “But that’s not the ladder’s fault.”
The day we finished, Miranda’s father died. Not dramatically, just stopped breathing during Deal Or No Deal. Miranda found me packing up my brushes.
“He never got to see it completed,” she said.
“He saw it,” I told her. “He watched every day. He knew how it would look.”
She nodded, then handed me an envelope. Inside was a cheque and a note that said “The corner by the eaves still needs work.”
I gave the cheque back. “It’s finished,” I said. “Sometimes things are finished even if we don’t want them to be.”
Miranda stood there, holding the cheque, looking up at the house her father would never see again. The burgundy paint was darker than blood, darker than wine, darker than anything you could drink to forget your choices.
“I keep thinking,” she said, “if I’d been here instead of at uni, if I’d noticed the symptoms sooner…”
“The cancer happened because cells did what cells sometimes do,” I said. “Not because you weren’t watching them.”
She cried then, not like in movies, but how people really cry, with snot and hiccups and mascara making train tracks down her cheeks. I didn’t hold her. Some things you have to do alone.
A month later, I drove past the house. The burgundy paint looked almost black in the twilight, but I knew its true colour. Miranda’s car wasn’t there. The windows were dark. A FOR SALE sign stood out front, bright white and blameless.
I thought about stopping, about checking that spot by the eaves one last time. But I kept driving. Some things are finished, even if we’re not ready for them to be. Some ladders fall, some keys work fine, some paint dries exactly how it’s supposed to.
I enjoyed riding the S-Bahn as it chained its way across the city. I liked it when the trains ran parallel with the traffic on the road and you felt, momentarily, at one with the drivers behind the wheel – it felt like equality – and then when everything dropped away, thwump, into darkness as you entered a tunnel, and then again when you emerged looking for the sky. I liked this. The feeling of movement, of going somewhere.
I was 30 years old, turning 31 in less than 14 days. I was emotionally sick and wasn’t doing well physically. I smoked too much and my lungs burned if I exerted myself. I hadn’t eaten properly for months and the weight had dropped from me until what was left was a gaunt, bone of a man.
I was crashing at Liana’s place in Neukölln, two minutes walk from both the S and U-Bahn. She lived with five others in a flat like a commune I once saw in New Zealand, where the residents shared everything from sex to drugs. The rooms were large and bright, quite wonderful, and the corridor that linked them seemed to bend around like a two-headed snake. The doorbell didn’t have a button. It was two open wires you had to put together to make a sound. Although not entirely clean, the apartment was well organised, reflecting Liana’s presence. I felt, somehow, this flat was the hub for all the creative spinning of Berlin.
But I would discover more than this.
Many years ago I was heading out of Las Vegas in a white camper van. The fluorescent lights of Vegas were fading behind me and the beat of that sinful town was making way for calm desert and cacti. By the road, covered in dust, was a tramp with a dirty beard and a satchel slung over his shoulder. He had his thumb stuck out into the road. I remember thinking this man had probably arrived a millionaire. Cities can do that to a person.
Berlin is a regular city. It has its casinos, bars, nightclubs, strip-joints, brothels, but it’s also pregnant with the unknown, something that impels a person to search for adventure. Every possible thing opens into everything else. There are no boundaries. You can do what you like. A foreigner living in Berlin needs something of a safety word to keep them self grounded. It’s dangerous otherwise. You can lose yourself. Get arrested. Catch an STD. Overdose.
We all have our safety words, I expect, and I don’t mean an actual word. It could be a thing, a teddy bear, a coin, a book, even a friend, although friends are not always reliable structures. We’re fallible. That’s why neediness is such a red blooded killer.