Christmas Is For The Innocent

 

Several years ago, I came across this story published in the New York Daily News by Karen Zautyk. She is a former Editorial Board member there who originally wrote this for her father, John. I think it captures the essence of Christmas being most of all…for the innocent.

O, Little Lamb…Who Made Thee?

It was cold in the stable that night and the animals were huddled together for warmth. The cows and the oxen and the donkeys.

And one little lamb.

Sad, scrawny little lamb, born lame and frail. Too frail to be out with the flock in the fields. The shepherds had carried it into the stable where it would be safe from the wind and the wolves, for both the wolves and the wind came down from the hills with fierceness in the wintertime.

The lamb had food and shelter but that was not enough. It was lonely. Separated from its mother, it felt unloved. The other animals tried to be kind but they had no time. During the day they were busy working. The cows had milk to make, the oxen had earth to plow, and the donkeys had carts to pull.

At night they were all very tired. They’d feed upon the fodder and then go right to bed. None would talk, none would play. None would even sing a lullaby to a lamb that needed comfort. Every night the lamb would cry, and be told to hush, for its bleats disturbed their sleep.

Thus, that night, the lamb cried without making a sound as it had learned to do. And it looked at the strangers who were sharing the stable.  At the man, who held the woman’s hand and spoke to her so softly. And especially at the woman, who spoke not at all.

Huddled together, the animals slept, and eventually the lamb slept too.

And the night was silent.

But then, in the darkest hour, there was no more darkness and no more silence. There was the cry of a baby. And the stable shone with the brightest of lights, and there were voices ringing in the air.

The animals, shaken from their dreams, were frightened. They stamped their hooves and tossed their heads and made their frightened-animal noises…but the light was so lovely and the voices so beautiful it wasn’t long before they quieted and began to lose their fear.

And when the light had dimmed to a glow and the voices were only an echo, there in the manger they saw the baby…and their eyes went wide with wonder.

The animals murmured but would not approach until the woman beckoned. Then, one by one, the beasts came forward. All, that is, except the lamb…which was only a baby itself and still terribly afraid. Forgotten by the others, it trembled in a corner and tried to hide beneath the hay.

But. the baby in the manger was trembling too. The cold of the night had returned and the baby had started to shiver. When the animals saw this, they huddled closer about the crib.

The man took off his cloak and made a blanket of it, but the cloak was thin and threadbare and provided little warmth. The woman held the baby to her breast. He shivered still…and she began to weep.

And the lamb, which knew what weeping meant, lifted itself from the hay. Though it was still afraid…it left its hiding place. It made its way among the legs of the bigger beasts until it stood beside the woman…and it laid its head against her knee.

And the softest of hands reached down and stroked its wool.

And the gentlest of hands picked it up and tucked it into the manger straw…and tucked the baby in beside it…and covered them both with the cloak. The baby snuggled near and smiled…and closed his eyes.

And the lamb was very glad it had learned to cry without making a sound. Because it was crying now and didn’t want to wake the child.

But the lamb wasn’t crying because it was sad. It was crying because, at last, it didn’t feel alone. Or afraid. Or unloved.

Then the lamb closed its eyes too.

And the woman sang a lullaby.

 

Picture Courtesy New York Daily News

A Glow In The Darkness Is The Best Gift Of All

In May, 2013 a columnist by the name of Craig Wilson took his final bow after a buyout from his employer, USA Today. He wrote a weekly column for them called “The Final Word” for more than sixteen years. His writing – regardless of the subject matter – provided readers with a unique, thoughtful take on even the most take-for-granted aspects of daily life.

During his long career there, one December he wrote an article which dealt with holiday decorations. Specifically, displays that provide a depth of feeling that make passers-by smile and project the spirit of the holidays upon them.

I present this gentle reminder from Craig (and his father) of just how simple – and magical – this season can be…

A Glow In The Darkness Is The Best Gift Of All

Every December, a neighbor of ours opens his dining room shutters and lets in the world.

A floor-to-ceiling tree, laden with ornaments and white lights, fills the bay window. Underneath it is spread an assortment of antique toys. Original Raggedy Ann books, a model train engine from the Pennsylvania Railroad, a fire truck, and an assortment of old stuffed animals. An elephant. A bear. A well-loved floppy-eared rabbit sporting a winter sweater and seated in a wicker sleigh, ready to glide.

The window, which is right on the sidewalk and perfect for viewing, has become a holiday tradition in the neighborhood. Like many, I make a detour on my nightly dog walk just to pass by.

I know there will come a Christmas when the display won’t be there, but until then, I happily take in the annual offering, just as I used to take in the mesmerizing holiday windows years ago at Sibley’s department store in Rochester, N.Y.

The magic of our neighborhood window, however, is that there’s nothing commercial about it. My neighbor offers up the display every year purely for the joy it might give a passerby, not to make a sale or hype a product.

It’s perhaps the simplest of Christmas gifts, which also makes it the best.

When I was walking Maggie the other night, I watched as a young mother and father pointed out the various toys to their daughter. She was maybe 3 or 4 and in her father’s arms. From the look on her face, you’d have thought she was in another world. Maybe she was.

And then the trio strolled away, happy perhaps in the belief that they’d just had one of the most pleasant and innocent experiences of their hectic holiday. A serendipity of the season.

When I was growing up in the country, Christmas displays like my neighbor’s window were not abundant.

But I remember being impressed that someone would take the time and effort to hang, say, a single strand of multicolored lights around their barn door. Or wrap a lamp pole with lights, aglow at the end of the lane. A lonely beacon in the night.

My dad did the same.

Christmas after Christmas, he would run the world’s longest extension cord across the snow-covered front yard, down to a tiny fir tree that proudly stood sentinel by the side of the road.

He covered the tree with what seemed like thousands of lights, and every night at 5, he turned them on with all the flourish of lighting the tree at Rockefeller Center.

I’ve often wondered what people thought as they drove down this country road, in the middle of nowhere, and came upon a solitary tree glowing in the December darkness.

Maybe they thought it was the prettiest thing they ever saw. Maybe they saw it as a gift.

Maybe they realized someone was just sharing his joy. Nothing to sell. No agenda in mind. Something done just for the joy of it. Like my neighbor’s magical window.

And maybe that’s what it’s all about.

 

Picture Courtesy Keil Tree

 

A Charlie Brown Christmas – The Dancers

Thanksgiving Week is here…when Mrs. B and I acknowledge Christmas is not that far off. I have mentioned previously my dislike of Christmas “moving back” in the calendar. We love Christmas. We just don’t love it being promoted during the summer. I love me some Halloween first…and Pumpkin Spice…and leaves. But I digress…

One of my earliest and most cherished childhood memories was seeing the Charlie Brown Christmas special each year. To this very day, I consider no Holiday season complete unless I watch it again. If you feel the same, you may be interested in hunting down a copy of the most comprehensive book on the show I know of, “A Charlie Brown Christmas – The Making Of A Tradition,” which was first published back in October, 2000. It is a fantastic behind-the-scenes look at the genesis, production, and presentation of this historic piece of television born from the legendary comic strip, “Peanuts.”

On the morning of Christmas Day 2015, the data-themed website known as FiveThirtyEight posted a feature entitled “The ‘Charlie Brown Christmas Special’ Dancers You Most Want To Party With.” It was co-written by Walt Hickey and Leah Libresco. These two really put a fun spin on this classic episode of television that day, and hopefully you’ll enjoy it being replicated here.

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It’s a debate as old as time — or, at least as old as 1965’s “A Charlie Brown Christmas Special.” Of the many revelers throwing down sick moves to “Linus & Lucy” by The Vince Guaraldi Trio, who would you most like to party with? So as part of our Christmas Special Thunderdome, we set them up in a series of head-to-head battles and asked voters to decide the winner. Here they are, ranked by the percentage of matchups each won:

11. Sally (30 percent)

Walt: Sally is trying.

Leah: She’s kind of in her own space, having a good time but not drawing me in.

Walt: Nice little one-two step, you know? Basic moves, trucking right along. Go Sally. We have all been there.

10. The Girl In Green (30 percent)

Leah: These are pretty hesitant moves, but if she did this with a little more force, she could be rocking a bullfighting/paso doble thing.

Walt: Right, so I have a specific love for the girl in green, mainly because I, like most people, have been to a middle school dance. This is the dance that you do before your friend in the eighth grade tells you to stop using your arms so much.

Leah: My default in those moments was the Twist.

Walt: My default was “I want to punch the air, but the air right above my head, in particular.” I don’t really disagree with this ranking, but I admit I see far too much of my younger self in the girl in green.

Leah: Just so you know, the usual instruction for stage punches is “Punch a parrot on the shoulder of your scene partner.” You’re pretty close.

9. Pig-Pen (33 percent)

Leah: On the one hand, you get joyful abandon (plus he’s a musician). On the other hand, you get a dirt cloud even worse than when I hang around smoker friends.

Walt: I worry Pig-Pen may have been disadvantaged by the question.

Leah: How so?

Walt: We asked, “who would you most like to party with?” And the answer is never the filthy bassist, you know?

8. Schroeder (41 percent)

Leah: I mean, it’s clear Schroeder doesn’t want to party with us, so this 41 percent must be the ones who like ‘em coy.

Walt: “I’d never join any club that would have me as a member” is Schroeder’s motto. As far as he is concerned, he’s just playing a bit of piano, the party just comes to him.

Leah: Personally, I’d leave him to Lucy.

7. Linus (48 percent)

Walt: Now we’re getting somewhere. Linus knows what’s up. This is exactly how I dance to “Get Low.”

Leah: Gotta say, I think there are some good opportunities for partner dance with the blanket. I have some swing moves I could adapt.

Walt: Unpolished, but going for it. I think Linus is underrated.

Leah: I’ll party with him if our readers won’t.

6. The Girl With Red Hair (49 percent)

Leah: I am, of course, in favor of Frieda, because like her I have naturally curly hair. Unlike her, I have (I think) other distinguishing traits.

Walt: She looks like she’s swinging a person around but forgot to get a person. Appropriately rated.

Leah: I am a fan of her exuberance. Minimalism is only for experts.

5. The Dude In Green (54 percent)

Walt: I love this dude.

Leah: Nice moves, but feels more like a soloist than someone I’m going to dance with.

Walt: Right, like when a random circle opens up on the dance floor, you know this guy would think “my moment has arrived,” and just slay it in the center.

Leah: Exactly. But not the guy I want to spend the whole party with.

Walt: No way. Michael Jackson was lost and alone in 1982, waiting for his next big dance, and then on comes “A Charlie Brown Christmas Special” and presumably the rest is Moonwalk history. True story that I just made up.

4. Snoopy (59 percent)

Walt: WAY OVERRATED.

Leah: I mean, not as great here, but he’s got a pair of aviator goggles.

Walt: Leah, listen to the song “Linus and Lucy,” there is not a guitar part.

Leah: He’s in deep cover to catch the Red Baron’s agents?

Walt: There are two strings on his guitar, Leah. This is a dog phoning it in. He shows up to your party and sits in the corner and says “Hey, do y’all know ‘Wonderwall’?” and drinks all your Bud Heavy.

3 and 2. The Girls In Pink (64 percent and 65 percent)

girl_in_pink

girl_in_pink2

Leah: So, twins, I guess.

Walt: I normally hate arbitrarily lumping twins together — they’re two separate people with rich and distinct inner lives! — but this is either some twin coordination or a hungover animator.

Leah: They’ve got my favorite moves on the floor, so if anyone was going to be copy-and-pasted.

Walt: There’s so much nuance in the moves! At first, you just think, “Oh, they’re waving their arms around,” but then you see the footwork.

Leah: The double taps!

Walt: This was “whip my hair back and forth” decades before Willow dropped the track.

1. This Guy In The Orange (75 percent)

Leah: See, this is the kind of dancer who can pull off minimalist moves.

Walt: The only reason I would not want this guy at my party is he would hook up with everyone.

Leah: So, are you against meritocracy, Walt?

Walt: Far from it, just intimidated by greatness. This man is a force of nature. Look at the footwork!

Leah: It’s great top to bottom. But not as aggressively showy as the guy in green. If only we knew the name of this background guy to send him an invite to the office bash.

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After looking over all these entries, I do think two best represent how I worked the floor during my peak dancing years. Early at the club or a party…my moves resembled Linus. By the end of the night…The Dude In Green.

Charles Schulz, the genius behind “Peanuts,” was born in Minneapolis, Minnesota on November 26, 1922. His comic strip has meant so much to so many people of all ages over all these years…including this memorable Christmas classic. Happy Birthday, Charles…and thank you!

Pictures Courtesy Amazon/FiveThirtyEight

At The Movies In 2026

Going to the movies has been something I have been passionate about for a long, long time. It is my recollection the very first movie I ever saw in a theatre was Hey There, It’s Yogi Bear back in 1964. I was six.

Six decades later, I’m still loading up on popcorn and enjoying films in movie theaters. Of course, for the last four decades or so I’ve had to share the popcorn with my wife, who fortunately shares my passion for going out to the movies…unless the movie has sharks in it. No. Sharks.

I am so geeked for the offering Hollywood is planning to unspool on the big screen next year. Of course, movie schedules are very much subject to change, and on occasion films get pushed out due to unexpected production delays or studio strategies designed to maximize profits for their products. I just found another release date change a couple of days ago.

I’ve picked out just a few films to highlight here, in order of their expected arrivals. If you love movies, please let me know which ones you might look forward to…whether a big or small screen aficionado.

January 2026

  • Greenland 2: Migration (Jan 9): In the aftermath of a comet strike that decimated most of the planet, the Garrity family must leave the safety of their Greenland bunker to traverse a shattered world in search of a new home. Gerard Butler and Morena Baccarin will try to stay alive again in this apocalyptic survival sequel to 2020’s Greenland.
  • Soulm8te (Jan 9): A man acquires an artificially intelligent android to cope with the loss of his recently deceased wife. In an attempt to create a partner, he inadvertently turns a harmless love bot into a deadly soulmate. This is a spin-off from the M3GAN universe starring Lily Sullivan and Claudia Doumit. M3GAN was a big hit, M3GAN 2.0 not as much. Unlike the first two, this one is billed as an erotic love bot thriller.
  • Mercy (Jan 23): In the near future, a detective stands on trial accused of murdering his wife. He has all of 90 minutes to prove his innocence to the advanced A.I. judge he once championed before said judge determines his fate. Chris Pratt is the hubby on trial, and Rebecca Ferguson serves as the no-nonsense artificial judge.
  • Shelter (Jan 30): Jason Statham stars as a recluse on a remote Scottish island who rescues a girl from the sea, unleashing a perilous sequence of events that culminate in an attack on his home, compelling him to face his turbulent history. I suspect Jason will prevail.

February 2026

  • GOAT (Feb 13): A small goat with big dreams gets a once-in-a-lifetime shot to join the pros and play Roarball, a co-ed, full-contact sport dominated by the fiercest animals in the world. The NBA’s Stephen Curry is producing an animated movie here which is conveniently timed with the NBA’s All-Star Weekend. Curry is not surprisingly among the voices, which also include Gabrielle Union, Nick Kroll, David Harbour, Jelly Roll, and Patton Oswalt.
  • Crime 101 (Feb 13): An elusive thief eyeing his final score encounters a disillusioned insurance broker at her own crossroads. As their paths intertwine, a relentless detective starts trailing them hoping to thwart the multi-million-dollar heist they are planning together. The cast includes Chris Hemsworth, Mark Ruffalo, Barry Keoghan, Monica Barbaro, and Halle Berry.
  • Wuthering Heights (Feb 13): A passionate, tumultuous erotic story set against the moody backdrop of the Yorkshire moors. This new adaptation of the Emily Bronte classic stars Margot Robbie and Jacob Elordi. Emerald Fennell directed the movie from her own script. No accident at all this will open for Valentine’s Day, and based on the trailers I saw this owns some “heat.” There is also a new song from Charli xcx’s forthcoming album which was specifically created for the movie.
  • Scream 7 (Feb 27): When a new Ghostface killer emerges in the town where O.G. Scream character Sidney Prescott has built a new life, her darkest fears are realized when her daughter becomes a target. Starring Neve Campbell (apparently her money demands were met) and Courtney Cox, and directed by Kevin Williamson, who wrote three prior films in this franchise. That is all encouraging. While several sequels have fallen flat for me, I found the last couple slashingly entertaining.

March 2026

  • Hoppers (Mar 6): A 19-year-old animal lover uses technology that places her consciousness into a robotic beaver to uncover mysteries within the animal world. This latest animated film from Pixar will feature the voices of Jon Hamm, Bobby Moynihan, and Piper Curda.
  • The Bride! (Mar 6): In 1930s Chicago, The Monster asks his creator to create a companion. They give life to a murdered woman as The Bride, sparking romance, police interest, and radical social change. Maggie Gyllenhaal directs Christian Bale, Jessie Buckley, Jake Gyllenhaal, Peter Sarsgaard, Annette Bening, and Penelope Cruz. I saw a trailer and it looks like a wild Bonnie & Clyde film…aside from the fact this duo was created from parts, of course.
  • Project Hail Mary (Mar 20): An astronaut who wakes up alone on a space station with no memory needs to save Earth. Based on the 2021 Andy Weir best-seller, we can classify this as a star vehicle for Ryan Gosling. The writer here is Drew Goddard, who previously adapted Weir’s The Martian for the screen. That alone gives me hope this is going to be a very good one.
  • The Dog Stars (Mar 27): In a post-apocalyptic world, a virus wipes out humanity. Survivors, not having enough to deal with, now face roaming scavengers called Reapers. Directed by the legendary Ridley Scott and based on the 2012 Peter Heller novel. Stars Margaret Qualley, Jacob Elordi, Josh Brolin, Guy Pearce, and Benedict Wong.

April 2026

  • The Super Mario Galaxy Movie (Apr 3): Sequel to The Super Mario Brothers Movie with returning voices including Chris Pratt, Anya Taylor-Joy, Charlie Day, Keegan-Michael Key, and Jack Black. Brie Larson and Benny Safdie join the chat as well for this follow-up.
  • Ready Or Not 2: Here I Come (Apr 10): Sequel to Ready Or Not, with Samara Weaving returning to star. This one also features Kathryn Newton. Ready Or Not was a big cut above in my mind as far as the horror genre is concerned, and I am very much looking forward to what they come up for our brand-new bride this time around. Curious to see where her story goes next.
  • Lee Cronin’s The Mummy (Apr 17): A family encounters an ancient mummy in what is promised as a fresh take on the classic monster. Jack Reynor stars. I’m not sure how fresh any take on The Mummy can be, but producers James Wan and Jason Blum have a track record of success and for now I remain open to this.
  • Michael (Apr 24): The story of the kinda-famous musician Michael Jackson, known simply to many as the King of Pop. Directed by Antoine Fuqua. The son of Jermaine Jackson, Jaafar, will star. This movie was originally cut to be four hours long. More cuts and more photography took place this year, so I don’t know whether to be encouraged…or discouraged.

May 2026

  • Animal Friends (May 1): Two fugitive animals are on the run having a journey across America. This is a live action/animated hybrid. Folks attached to the project include Ryan Reynolds, Aubrey Plaza, Jason Momoa, Vince Vaughn, and Dan Levy.
  • The Devil Wears Prada 2 (May 1): This one follows the iconic character Miranda Priestly’s struggle against Emily Charlton, her former assistant turned rival, as they compete for revenue amidst declining print media…while Miranda also nears retirement. Anne Hathaway and Meryl Streep return in this sequel to the 2006 film. Emily Blunt and Stanley Tucci also return. One newcomer here is none other than Sydney Sweeney.
  • The Sheep Detectives (May 8): Every night a shepherd reads aloud a murder mystery, pretending his sheep can understand. When he is found dead, the sheep realize it was a murder, and think they know how to solve it. Hugh Jackman is our unlucky shepherd. Cast also includes Emma Thompson, Nicholas Galitzine, Nicholas Braun, and Molly Gordon. Based on the 2005 novel Three Bags Full, the original title of this movie. We don’t know yet how the sheep are gonna wind up looking here, but I’m hopeful they are “realistic” enough. The film’s release date was moved up from November 2026 recently, and I am hoping that is a good sign because this sounds like a lot of fun…like Paddington, Wallace & Gromit fun.
  • Mortal Kombat II (May 8): Fan favorite champions – now joined by Johnny Cage himself – are pitted against one another in the ultimate battle to defeat the rule of Shao Kahn that threatens the existence of the Earthrealm and its defenders. Sequel to the 2021 reboot, which I found meh. Most everyone is back for this one, while Karl Urban joins the cast…as surprise…Johnny Cage. I am curious to see what kind of energy Urban can bring.
  • Star Wars: The Mandalorian and Grogu (May 22): Once a lone bounty hunter, Din Djarin and his apprentice Grogu embark on an exciting new Star Wars adventure after streaming their way into hearts and minds all over the globe. First time the Star Wars franchise is back in theatres since The Rise Of Skywalker. Pedro Pascal is always great as Din, Jeremy Allen White will show up here as the son of Jabba the Hutt, and Sigourney Weaver also appears in an unknown capacity. The trailer for this one was very, very encouraging and if you have the access, I highly recommend you take in the entire Mandalorian series.

June 2026

  • Masters of the Universe (Jun 5): A young man on Earth discovers a fabulous secret legacy as the prince of an alien planet, and must recover a magic sword to protect his kingdom…as He-Man. Cast includes Nicholas Galitzine, Alison Brie, Camila Mendes, Idris Elba, and Jared Leto as He-Man’s nemesis Skeletor. I don’t know a thing about this universe, but I’m willing to learn.
  • Toy Story 5 (Jun 19): Buzz, Woody, Jessie, and the rest of the toys are challenged after being introduced to what kids are obsessed with today: electronics. The wonderful voices return, led by Tom Hanks and Tim Allen. I get too emotional about this franchise, but I keep coming back for more.
  • Supergirl: Woman of Tomorrow (Jun 26): This one follows Kara Zor-El’s story  – and her darker origins – before she made her way to Earth. Milly Alcock steps into the lead role, further expanding the James Gunn DC Universe. Krypto the Superdog returns from his role in 2025’s Superman. And, if it is as good as Superman, we are all in for a treat.

July 2026

  • Minions 3 (July 1): The seventh movie overall in the Despicable Me franchise, serving as a sequel to 2022’s Minions: The Rise Of Gru. Steve Carell once again gives his legendary voice to Gru. It doesn’t really need a plot synopsis, it just needs Minions running amok. That’s enough.
  • Shiver (July 3): Amidst a catastrophic hurricane, a coastal town battles nature’s wrath and an onslaught of sharks. (My wife will sit this one out…) Braving torrential rain, debris, and darkness, the townspeople unite to survive all the deadly predators and somehow make it through. Cast includes Phoebe Dynevor and Djimon Hounsou. This sounds like the perfect July movie with many spending their free time in the water.
  • Moana (Jul 10): Live-action adaptation of the 2016 Disney animated film. Dwayne Johnson stars. I’m not a big fan of Disney live-actioning all of their properties, so this one will be a pass for me…even though I rarely pass on a Dwayne Johnson flick.
  • The Odyssey (Jul 17): After the Trojan War, Odysseus faces a dangerous voyage back to Ithaca, meeting various unfriendly creatures along the way. Esteemed director Christopher Nolan takes his turn at adapting Homer here. Matt Damon stars as Odysseus, and the cast includes Zendaya, Tom Holland, Anne Hathaway, Charlize Theron, Robert Pattinson, Mia Goth, and Jon Bernthal. The teaser trailer did little for me but knowing Nolan, this will turn out to be great.
  • Spider-Man: Brand New Day (Jul 31): Iconic character Peter Parker tries to focus on college and leave his Spider-Man identity behind. But, when a new threat endangers his friends, he must suit up again, teaming with an unexpected ally to protect those he loves. Tom Holland dons the suit once more, with Zendaya and Jacob Batalon returning as his pals. Jon Bernthal and Mark Ruffalo appear as Punisher and Hulk respectively. Sadie Sink will also be in this one. I love all the Spider-Man films, but especially the Holland ones.

August 2026

  • Flowervale Street (Aug 14): A family in the 80s starts to notice some pretty bizarre happenings in their neighborhood. This sci-fi mystery stars Anne Hathaway and, Ewan McGregor. Directed by David Robert Mitchell (It Follows). Sounds like A Quiet Place or a Stranger Things…I am all in.
  • Paw Patrol: The Dino Movie (Aug 14): The Paw Patrol lands on a mysterious dinosaur island after a storm where they meet Rex, a stranded pup. When a volcano erupts, the team faces their biggest rescue mission yet. For this third Paw Patrol animation, voices include Mckenna Grace, Jennifer Hudson, Snoop Dogg, Paris Hilton, and Terry Crews.
  • Thread: An Insidious Tale (Aug 21): A couple resorts to a spell to travel back in time, hoping to prevent their daughter’s tragic death. Stars Mandy Moore and Kumail Nanjiani. The sixth installment in the Insidious universe, which I have very limited experience with. That being said, the stars and plot have me a bit intrigued.
  • Coyote vs. Acme (Aug 28): A live action/animated hybrid with John Cena and Will Forte leading the way. This movie has enough backstory as to how it lived to see the light of day that if it is a hit, somebody’s gonna write a book. The studio initially planned to destroy the film for a tax write-off, but backed off and eventually sold the rights to distribute it. Any movie where Wile E. Coyote is suing the Acme Corporation for faulty products…is a movie that can count on me among the audience.

September 2026

  • How To Rob A Bank (Sep 4): Bank robbers are posting their heists on social media, logically causing police to then chase them. Fairly straight-forward plot, I think. Directed by David Leitch, and the cast includes Nicholas Hoult, Anna Sawai, Pete Davidson, Zoe Kravitz, John C. Reilly, and Christian Slater.
  • Clayface (Sep 11): A shape-shifter made of magical clay haunts Gotham City, alternating between villain and ally of Batman. This body horror film sounds like it will very much earn its R-rating, starring Tom Rhys Harries in the lead role. I know little about this character, but I’ll still be looking forward to this.
  • Resident Evil (Sep 18): A hapless courier is tasked with delivering a package to a remote hospital. He soon finds himself caught in the middle of an outbreak, and must fight through hordes of mutated creatures to survive. Directed by Zach Cregger. Reboot of the series (which supposedly died off a couple of times now), and it will now be the eighth overall Resident Evil film. The cast includes Austin Abras, Paul Walter Hauser, and Zach Cherry.
  • Practical Magic 2 (Sep 18): A multi-generational family of witches, cursed to be loveless for centuries, attempts to break the spell by confronting dark secrets and sacrificing for each other. Sequel to the 1988 film, with Sandra Bullock, Nicole Kidman, Stockard Channing, and Dianne Wiest all returning from the original entry. Joey King and Lee Pace are newcomers here.

October 2026

  • Verity (Oct 2): A female writer in need of work gets hired by a husband to ghostwrite novels for his bestselling author wife Verity, who is unable to finish her book series after a mysterious accident. She eventually uncovers the author’s disturbing truths while residing at the couple’s home. The cast includes Anne Hathaway, Dakota Johnson, and Josh Hartnett. Sounds yummy.
  • The Legend of Aang: The Last Airbender (Oct 9): This animated film follows Aang and his friends, now as young adults, several years after the events of Avatar: The Last Airbender. Dave Bautista adds his voice here. The first of three planned Airbender films.
  • The Social Reckoning (Oct 9): Based on the story of Frances Haugen, a young Facebook engineer who enlisted the help of Jeff Horwitz, a Wall Street Journal reporter, to blow the whistle on the network’s secrets. Sequel to 2010’s The Social Network. Directed by Aaron Sorkin, the cast includes Jeremy Strong, Jeremy Allen White, Mikey Madison, and Betty Gilpin.
  • Street Fighter (Oct 16): Street Fighters Ryu and Ken reunite when Chun-Li recruits them for the World Warrior Tournament. As they face a hidden conspiracy they must confront each other – and their past – or face destruction. Based on the iconic video game…which I know nothing of.
  • Whalefall (Oct 16): This one is about a scuba diver who, while looking for his father’s remains, is swallowed by an 80-foot, 60-ton sperm whale and has just one hour to get out before his oxygen runs out. Yes, you read that correctly. The cast includes Josh Brolin, Austin Abrams, Elisabeth Shue, John Ortiz, and Jane Levy.
  • Remain (Oct 23): A grieving New York architect moves to Cape Cod to design a summer home for a friend after leaving a psychiatric facility. While staying at a historic B & B, he meets a mysterious woman who makes him question his rational beliefs about life and loss. Written and directed by M. Night Shyamalan, starring Jake Gyllenhaal and Phoebe Dynevor. Shyamalan movies are always interesting to me, if not always good for me.

November 2026

  • The Cat in the Hat (Nov 6): We’re promised the Cat in the Hat we don’t know in an animated adventure where mischief, magic, and mayhem all reign supreme. Voices include Bill Hader (Cat, of course), Quinta Brunson, Giancarlo Esposito, and Bowen Yang. Based on the 1957 Dr. Seuss classic. .I saw a trailer for this and it is exactly as you might expect. Crazy Cat.
  • Ebenezer: A Christmas Carol (Nov 13): Promised to be a thrilling ghost story set in Charles Dickens’ London, following one man’s supernatural journey to face his past, present, and future as he fights for a second chance at redemption. This admittedly all might sound familiar. Johnny Depp as Scrooge is not. I will look forward to seeing Depp on the big screen again, especially in this role.
  • The Hunger Games: Sunrise on the Reaping (Nov 20): Set 24 years before the original Hunger Games trilogy began, focusing on the 50th Hunger Games. This entry “fits” between The Ballad of Songbirds and Snakes and the first Hunger Games film. The cast includes Mckenna Grace, Jesse Plemmons, and Ralph Fiennes. I admittedly checked out on this franchise after that initial movie – which I thought was just ok – and have only seen bits and pieces of the other films. Maybe I’ll be up for this prequel.
  • Narnia: The Magician’s Nephew (Nov 26): A new adaptation of C.S. Lewis’ series. Written and directed by Barbie’s own Greta Gerwig, based on the 1955 novel The Magician’s Nephew. My understanding is Netflix will be releasing this movie exclusively into IMAX theatres for the first two weeks. Then…set to stream it on Christmas Day. Gerwig is signed to create a follow-up film as well. I don’t know much of Narnia, but I will by the time this shows up.

December 2026

  • Violent Night 2 (Dec 4): Stranded in a crumbling New Jersey mall and cut off from the North Pole, Santa Claus is trapped dishing out justice to a ruthless Crime Lord and his henchmen at the shopping center. David Harbour returns as Mr. Claus for this sequel. Justice will most certainly be served. Ho-ho-whoa. The first film was a nice present for moviegoers who wanted a little counter programming to Hallmark.
  • Jumanji 3 (Dec 11): Dwayne Johnson, Kevin Hart, Jack Black, and Karen Gillan are all back again, as well as director Jake Kasdan. Not much is known about this movie’s plot just yet, but it matters not to me as I have seen the first two entries in this series many, many times. Great cast, great films.
  • Avengers: Doomsday (Dec 18): The plot is being kept under wraps for this one also. Marvel has called back the Russo brothers to direct another one of their multi-hero meet-ups, along with Marvel fan favorite Robert Downey Jr. as Doctor Doom…since (spoiler alert!) Iron Man is dead. The Russos will try to tap into the magic they brought to Infinity War and Endgame. I have been on Team Marvel from the beginning. There are those who look down upon superhero movies these days. Most of that ire is aimed at Marvel because they went off the rails with oversaturation and poor products. But, the genre…and Marvel…deserve a chance to recapture some glory with this spectacle. This film’s sequel, Avengers: Secret Wars is currently scheduled for December, 2027.
  • Dune: Part Three (Dec 18): The third movie in the trilogy follows Paul Atreides as he brings to fruition an ancient scheme to create a superbeing ruler among men, not in the heavens. Director Denis Villeneuve and stars Timothee Chalamet and Zendaya return. Villeneuve and the producers have made the first two films in the series fairly faithful to the 1965 classic Frank Herbert novel, considered one of the best sci-fi books ever written. I tried to get through the entire book, but got stuck in the sand and never finished it.
  • Werwulf (Dec 25): In medieval Britain, a mysterious creature stalks the foggy countryside, transforming local folklore into terrifying reality as villagers face an ancient supernatural threat. Starring Aaron Taylor-Johnson. Directed by Robert Eggers, who also gave us Nosferatu at Christmas in 2024. Eggers certainly has a unique approach towards entertaining for the holidays.

My most anticipated “big four” for 2026 (in anticipated release date order):

Star Wars: The Mandalorian and Grogu

Spider-Man: Brand New Day

Jumanji 3

Avengers: Doomsday

Picture Courtesy Cinemark

Devotion To Devotionals

My blogging process is not complex…write a post…publish a post…think upon what the next post should be. I rarely have anything else in the creative pipeline underway. Sure, I have ideas swirling of what I would like to write about next, but I like to stay in the moment and get inspired about which specific direction to go in.

Inspiration came this past week from bloggers who wrote of their faith, as well as the tools they utilize to fuel it. And since I’ve never posted anything about religious beliefs until now, it could likely be defined as divine inspiration.

I am a person who, when finding something I like, tend to stick with it. I get laser-focus devotion to foods that taste great, tools that perform effortlessly…and words that elevate me.

I have not been to church in years, long ago assuming the title of Lapsed Methodist. Still, I pray every day, and for over twenty years two daily devotional books have been a part of those prayers. One arrived a couple of years before the other, but since they have become a pair, they have been both quite inseparable…and a wonderful part of my routine.

My parents made sure I got to church every Sunday, got to vacation bible school every Summer, and helped build a religious foundation for me. When my parents divorced some years later, looking back now I realize I simultaneously separated from my religious beliefs. And of course, when we are young, many of us think we can do it all by ourselves anyway.

When these devotionals came into my life, they pretty much represented the return of religion being important 24/7 in my life. While it may sound unusual to re-read these two books each year instead of seeking out new works, these publications have great meaning because they arrived at a period in my life when I needed to pivot, and get more serious about “walking the walk and talking the talk” with regards to living my faith.

Their continued existence, and their continuing part of my regular routine, remind me of where I was…where I am…and most importantly…where I am going. Each person believes what they choose to believe, and what or whom to believe in. All I know is when I read these short stories and the Biblical references that inspire them, they inspire me.

Hope For Each Day by Billy Graham and God’s Little Daily Devotional from Honor Books both reside in my upper left-hand desk drawer with my Bible. It only seems appropriate they all share the same space, especially since sometimes I want to “dig deeper” and reference the source material of what makes the devotionals special in the first place.

I micro-pray throughout each day, but in dedicated moments with these books I also make my intercessory prayers, praying for anyone whom I know of who is in need. I have found some points and counterpoints regarding also praying for the deceased. I don’t know how you feel about that. For me, while I understand their fates have long been determined, I still like to pray for my departed loved ones as well.

I have always subscribed to the idea of keeping a person’s memory alive in prayer, and if I am the last person here speaking their name, I enjoy that “responsibility.” And, stories and scriptures within these books remind me of the deceased as often as the living.

I have kept being devoted to these two devotionals…and kept the faith.

Pictures Courtesy Christianbook/Amazon

College Hoops – Meet Me In March

I consider myself fortunate to have a spouse who loves watching all types of sports. There is only one sport she does not particularly like. Basketball.

That is unfortunate, because for all my life college basketball has pretty much been my favorite sport. Aside from fantasy football…which is another story…and not a sport.

(There is no truth to the rumor she auditioned for the role that eventually went to Rerun in Peanuts…)

She pretty much takes a pass on college basketball…until March Madness (both the Men’s and Women’s editions) come around. And dear reader, I am more than aware many of you feel the same way…if you care for the sport at all. I am convinced everyone I know finds college hoops starting at the beginning of November a complete non-event. Hell, most people do not even know college basketball has started up again until they see these huge scores roll across their screen during football games and say, “whoa, that’s a lot of points…oh, it was a basketball game.”

I have known for a long time I am an outlier when it comes to attaching any significance to the start of the college hoops season. March Madness is the only “season” of college basketball most people care about.

It is hard to fault our national championship tournaments for that. While I am in the large minority who care about college hoops from November through March, I consider myself in the large majority who feel March Madness is just about the most exciting post-season in all of sports.

Of course, as with most things we like these days, people with lots of money and power are trying to ruin things…in this instance increase the number of teams that qualify for the Madness, hoping to flood the qualifying field further with power conference teams and keep smaller schools from having access to the tournament…as if those wealthy programs do not already own ridiculously significant leverage.

It is not breaking news, but those employed by power conference universities could care less what you and I think about keeping March Madness in its current construction of 68 teams (which of course should still be a perfect bracket of 64 teams, but I digress). Their jobs involve making as much money for their conferences. Period.

The geographical fabric of college sports was shredded from all the money-chasing conference realignment chaos, and these geniuses are now equally willing to ignore any fallout from making March Madness a bloated mess…as long as the next giant check for the media rights to distribute the additional games clears the bank. They didn’t have a problem blowing up rivalries, increasing travel, and putting the screws to fans when it comes to football kickoff dates and times, so they won’t have any issues reworking March Madness to further favor affluent programs. And, the large majority of money these schools have are funneled to their football program…then a little bit gets distributed to basketball…and ALL the rest of their sponsored sports are left to fight over pennies…as well as fight for their very survival, of course.

But I digress again. The college basketball regular season features over 350 schools playing for a chance to be a part of March Madness. Truly, it is madness to try and follow all the teams…all the games. I do think that is a huge reason why people dismiss the sport’s regular season. Aside from following your favorite team, maybe you can also keep tabs on their conference teams. Or, maybe you can just follow games involving the top-ranked teams. But it is not possible to keep up with it all, and so people just let November through February college hoops all sort itself out. Most general sports fans don’t consider college basketball back until the final commercial airs during the Super Bowl post-game show.

And that is ok with me. I am not the least bit offended by people tuning out a sport with that many teams competing in games daily from November through February until it gets whittled down to the chosen ones who compete in March.

Even with the afore-mentioned challenges collegiate athletics faces these days, I have been rolling with the numerous changes and trying to find joy where I can. Am I upset about the end of amateurism? No, because top players were getting compensated under-the-table previously. The pay-for-play system has however created a bidding war the smaller schools will never win. The uneven playing field has never been tipsier. My biggest gripe is not athletes are getting paid over-the-table. It is instead the loss of what I would call the “spirit” of college athletics.

The connection between athletes and schools is fading fast as players transfer yearly chasing more playing time…and more money. While it was inevitable college athletes were finally going to be compensated, those who run college athletics dropped the ball by not maintaining guardrails regarding the number of seasons one can compete in, as well as the number of times one can switch schools without having to hit pause on your eligibility.

It is the non-stop revolving door of player movement from school to school that really impacts college hoops because of the significantly smaller rosters, and what I consider optimal team continuity. Each year now, college basketball squads show up for the start of Fall practice with name tags. When playing basketball, I always valued having a majority of our roster be players who had been together for (at least) a couple of seasons, and considered familiarity a big advantage over teams who were not returning as many players.

I was listening to my go-to college hoops podcast. One of the hosts volunteered he talked to a men’s head coach recently, asking him when does he start thinking about what he would need for next season’s squad. His response…he needed to start planning for next season after the first game of the year…because he knew players who did not start in his team’s opener would start looking for the exits for a place to play next season. Some players leave their teams shortly after the season starts to maintain their eligibility for next year…at yet another school.

(Sidebar – While it is pretty much impossible in the current climate to do so, I did learn the Marquette women’s team is returning every player from last season’s squad…kudos to Big East Coach of the Year Cara Consuegra for that accomplishment)

This is the cold reality of the collegiate sports landscape, not just college basketball. Yet, I will stubbornly be watching college basketball through the cold months ahead while looking forward to March…when fans who only enjoy the “second season” of college hoops come aboard for the rest of the journey.

Pictures Courtesy United Feature Syndicate

The Voice Of Halloween

 

This little dude entered our household ten years ago. Five years ago, his life changed a bit as he lost his voice. Now to be honest, he did not produce a bat sound…or a particularly scary sound at that. It was more of a “whirr.” Nonetheless, when we purchased him to add to our internal Halloween decorations, when squeezed he produced a mighty, hearty “whirr.”

We still put him out each Halloween, and when I look at him, I will sometimes find myself mumbling that “whirr” sound to myself. It serves as a reminder even if a part of something (of us!) no longer functions as originally designed, it (we!) still has (have!) great value.

I have recently read a few things online which make me think his voice box could be successfully brought back to life, but he already provides for us just by hanging out and being a bat. I am somewhat hesitant to start busting his seams open and performing open bat surgery just to hear a sound I am already making myself.

I think sometimes in our pursuit of perfectionism we can get too zealous and not leave well enough alone. For example, when you go to trim your eyebrows to perfection and think maybe the right side needs just a little more off…wait, back to the left side to even it up…wait…what the hell did I just do to my eyebrows?

Or, when your wife decides the holly bushes need a trim and she sets out to just take a “little” off. These two look good…let me even them up with those over here…oh, maybe a little less back here now…oops…honey?

(On a side-note, I find it amusing my wife has no issue whatsoever with the high-pitched screaming of the hedge trimmer, or the relentless chugging of the snow blower. She loves using those power tools. Yet, she rails against the relatively low sound the mini-vacuum makes. I have formed an opinion she does not like vacuuming. In any case, her passion for power tools keeps me honest…and volunteering to do the vacuuming myself…)

Bat-dude will continue to take his place each Halloween, having successfully pivoted to a “new” life. And…on Halloween night he will stand in attendance as trick-or-treaters visit our home. We usually get 80-100 kids each year. A lot of them travel with adults, and it is nice to see families still supporting a tradition I have always held dear to my heart. Traditions seem to be so much harder to maintain today. I would like to think opening our door on Halloween gives voice to those who want to see this tradition of the holiday continue, but can no longer participate themselves.

Aside from making it a special evening for the kids, it is a chance for all of us who wave hello at a distance 364 days of the year to interact a bit more closely, if only for a few moments. Most households have their outdoor lights on and doors open, and it is nice people who might disagree on other subjects (especially these days) find common ground in trying to make Halloween special for our youth…and hopefully for ourselves as well.

Whether it be watching a scary movie, noshing on some candy, participating in a costume party, waiting on the Great Pumpkin, or just enjoying the decorations…have a safe and Happy Halloween.

Pictures Courtesy IMDb/Wikipedia

There Is So Much Good In Evil

 

I subscribe to several Entertainment news feeds, which makes perfect sense for someone who is so into shows and movies as myself. This week, I was pleased to see it was reported by multiple sources CBS has given a series order to Robert and Michelle King’s legal drama Cupertino for the 2026-27 season. I now have at least one new show to look forward to on “traditional” television come next season.

If you are not familiar with the Kings, they are responsible for the current CBS hit Elsbeth, as well as other shows such as Happy Face, Evil, Braindead, The Good Fight, and their monster hit The Good Wife. This new project reunites them with Mike Colter, who was one of the stars of Evil, and worked with them on the two “Good” series.

Cupertino is named after the city in California that is home to Apple. The series is billed as a David vs. Goliath legal drama set in the heart of Silicon Valley, following a lawyer (Colter) who is cheated by his former employer, a tech startup. He then teams up with another recently fired attorney to represent those taken advantage of by the tech industry elites.

The Kings have worked with CBS Studios for over fifteen years now, and will executive produce Cupertino, lead its writing room, and serve as co-showrunners. Robert will also direct the series premiere. They always have their hands on most aspects of their projects, and this new show’s back -office structure sounds much the same. They are used to working on more than one show at a time, which will be good news to fans of Elsbeth in terms of maintaining the quality of that series.

Let us discuss Braindead for a moment – a show I recommend you sample if you have access to it, and are looking for something quirky. Braindead was a one-season-and-done series…but to be honest based on its premise I think the Kings constructed it as such. It was extremely “out there” for network television. Still, if you have never seen it, you are in for a treat, especially if you are a fan of shows that parody politics. If that does not draw you in, the show’s premise is a comedy-thriller where alien insects take over the minds of politicians in Washington. Oh, and it also features one of the most intrusive earworms ever unleashed.

The Kings have said the 2013 government shutdown inspired them to create the “Body Snatcher” government scenario. Acting legend Tony Shalhoub plays a Senator who is one of the very first pols infected…and Mary Elizabeth Winstead is just wonderful in the lead role, returning to D.C. to work for her Senator brother…navigating the strangeness and trying to figure out why some staff and Congress members are acting so…weird.

Speaking of weird, it is weird Evil was cancelled last year. In a June 2025 interview with The Hollywood Reporter, Robert King had a stronger feeling:

“I don’t f***ing understand why Evil was canceled, I still can’t. I lay awake at night wondering why it was canceled, and it all seems to come back to the new streaming model which is, “We have enough. We don’t need more. There’s no place for your show. What can you say except that it was stupid. And I think the business is stupid.”

Evil ran for four seasons before its series finale on August 22, 2024.

I happen to listen to a podcast where the host always asks his guest as the last question, ‘What hill are you most willing to die on?” It might be the drink or dish they swear by, their favorite movie or album…you get the idea. Something you will swear to everyone you meet…it is worth the taste, the watch, the listen.

I am willing to die on the hill of the television series Evil. There is so much good…in Evil.

Several of you know how I feel about this series (and are muttering to yourself “Evil…again?”). My wife and I started watching Evil in September 2019, when it debuted on CBS. Thirteen episodes later, Mrs. B was not quite sure how she felt about watching it going forward. I definitely wanted to see what was next, especially when it was announced the show was shifting from CBS over to Paramount+.

The Kings were now being given a much bigger canvas to paint upon. The broadcast censorship reins were completely taken off, and their characters could now live more realistic lives when it came to having no subject being off limits, using foul language, expressions of physical intimacy…as well as depicting more…pure…evil.

The show’s premise is easy to digest. Three diverse personalities come together to form a “dream team” of sorts investigating extraordinary events. The goal – to determine if there is a rational, scientific explanation behind the events…or not. A prospective priest wrestling with his career path, a cynical psychologist juggling work while serving as both parents for her children, and a no-nonsense contractor who offers an “earthly” reason for all he encounters.

That decision to move to a streaming service and engage with the full velocity of the Kings’ creative storytelling skill set paid off handsomely. I am sure you have heard this line from friends and relatives about their favorite TV series… “There is nothing like it.” Well, there is nothing like it.

God vs. Satan battle on cerebral and hand-to-hand levels alike. The show questions and challenges beliefs in religion, relationships…and reality. Twists and turns exist along the way. Sudden shocks and jump scares, but other frights proceed at a slow burn. Yet, there are guardrails built into the scripts which also ensure a balance between at least two…but often three…viewpoints on whether events, possessions, demons, miracles, etc. have explanations that are faith-based, science-based, or somewhere “in between.”

Several critics have compared it to The X-Files. I think that is fine if you are trying to give people familiar with that show a general idea of what the structure is, but there are more layers to the characters in Evil…as well as more protagonists.

Season 1 does start very slowly, and there is some real weirdness which will absolutely have you questioning your decision to even give it a go. If you do start watching Evil, give it time to produce a return on your investment. Get to Season 2.

The writing, editing, score, and direction are all top-shelf. The cast is stellar. In addition to the afore-mentioned Colter, there is Katja Herbers (The Leftovers, Westworld), Aasif Mandvi (The Proposal, Million Dollar Arm), Michael Emerson (Lost, Person Of Interest), Christine Lahti (Chicago Hope), Kurt Fuller (Psych), and Andrea Martin (My Big Fat Greek Wedding).

Colter, Herbers, and Mandvi come together to investigate, debate, and navigate all kinds of crazy. Consider one episode where the primary mystery revolves around answering an eternal question…”How much does a soul weigh?”

Emerson’s portrayal of forensic psychologist Leland Townsend remains a candidate for the most vile, evil television villain ever. Yet, this show also provides its fair share of laughs…especially with a family whose well-meaning kids have a habit of all talking at the same time. They are hilarious.

I encourage everyone to check out Evil if they have access to it. And, keep an eye out for Cupertino on CBS/Paramount+ in 2026. It won’t be insanely off-the-wall, outside-the-box gonzo as Evil, but based on the consistent viewing quality the Kings have produced for television recently it will likely be another wonderful watch.

Picture Courtesy Paramount+

 

Cereal Minus Milk

Soooo…I am eating my bowl of cereal this morning (not an actual picture above, today’s cereal was minus milk…I do that on occasion) when I get a reply from a WordPress user my comment was just found in their spam folder. While not quite done my bowl of cereal minus milk, a second WP user commented my comment was just found in their spam folder.

One incident is one incident. Two incidents might be a pattern.

I then went back to some WordPress sites I left comments on the day before, and they have yet to appear. Perhaps they need to be moderated…or perhaps those comments might be found in their spam folders.

I have had no issues like this on WP previously, but certainly have heard quite a few stories like this over the years from other users.

If you see anything unusual coming from my corner of WordPress, I would appreciate hearing from you. Regularly scheduled programming will resume here once/if my IT Department (me) determines the site’s status. Thanks.

Picture Courtesy Wikimedia Commons

Stranger Things – Finishing Up The Upside Down

(This comes with Upside Down Marshmallows, so did you really expect me to pass it up?)

Stranger Things Season 5 – its final season – is a triple-date release. Four episodes will be released on November 26, three more on December 25, and the series finale on December 31st. I am more than frustrated the Netflix brass and those Duffer Brothers apparently have collective egos so massive they decided to not only stretch out the final season in this three-way manner, but they took direct aim at America’s beloved holidays. The resulting Stranger Things Fear Of Missing Out will disrupt seasonal plans, sending family members dashing to their screens, all as spoilers race across social media. It’s downright sacrilegious if you ask me…as if the Upside Down infected Netflix.

Runtimes for the first four episodes of Season 5 were announced recently:

Episode 1 – One hour, eight minutes.

Episode 2 – Fifty-four minutes.

Episode 3 – One hour, six minutes.

Episode 4 – One hour, twenty-three minutes. (Mid-season “break”)

These are thankfully more in line with the first three seasons. Runtimes are of interest to me. Do they influence you when making a decision on whether to see a new film you might be unsure of, or do you ponder episode lengths… or even the number of episodes when you are considering giving a new show a chance? I know when I am proposing to go see a film she hasn’t heard of before, the first thing Mrs. B asks after who is in it…how long is it? I sometimes will look up how many episodes a show has or will have, as well as how long its episodes are or expected to be. Sometimes, I weigh that potential investment of time if I’m on the fence about viewing.

The Season 4 finale of Stranger Things was two hours, nineteen minutes long. That’s a movie to me, folks. And to be sure, Season 5 is having money lavished on it like its eight episodes will all resemble movies if only in their appearance. The reported budget those Duffer twins have been working with since production on Season 5 began back in January is $50-60 million per EPISODE.

Executive Producer and frequent ST Director Shawn Levy was quoted by Time Magazine recently on the scope of this final season:

“The sets were no less ambitious than the ones I used with Marvel.”

“It happens to be a television series, but it’s epic storytelling by any metric.”

It is.

(They have red filling in them…!)

The first season of Season 1 was released in its entirety back on July 15, 2016, but Mrs. B and I came to visit Hawkins, Indiana much later.  It was the summer of 2020 when we decided to start watching it…after the first three seasons of the show had already been released. I can’t really explain why we ignored it until that time…but I recall having discussions it just didn’t sound like we’d be a good match for it. We were wrong…and I respectfully submit if you have never watched Stranger Things because it just didn’t sound like your kind of show, you’re probably wrong as well.

Interestingly enough, each night that summer we alternated watching Stranger Things from its beginning with another series that had just completed its third season…Chilling Adventures Of Sabrina. Sabrina was a show we had a better heads-up on in terms of style and storytelling as it was from the same creator who was responsible for The CW’s Riverdale, a show we were already watching.

(If you want some more things stranger, we recommend Sabrina. It is funny, edgy, sexy, and dark. It ain’t always easy being a teenage witch, and trying to juggle being on the good side of darkness with staying on the good side of your friends does not always end in your favor. Kiernan Shipka – Sally Draper on Mad Men – portrays the transition of Sabrina Spellman to young adult perfectly)

We love Stranger Things pretty much for the same reasons others do…the 80’s culture and nostalgia, the different genres it touches upon, fully-developed characters, and a deeply-talented cast. It looks good, it sounds good, and it tells epic good stories. I think for the most part the series moved along at a decent clip, but more lengthy run times in Season 4 had me noticing moments and scenes alike that should have been more tightly edited in my opinion. Bigger is not always better.

Time also mentioned the process the Duffer Brothers use to write the show…seated across from each other with headphones on…working and editing the same Google document. It is referred to as their “hive mind.” Fans of Stranger Things can certainly identify with that description of their creative mentality.

Here’s hoping that process leads to Season 5 being tightly-edited, fast-paced, and loaded with more meaningful, memorable moments as the kids and adults of Hawkins try to shut down the Upside Down…once and for all.