First Impressions | In the Clear Moonlit Dusk

What’s it about? Yoi has been nicknamed The Prince thanks to her above-average height, lower-pitched voice, and facial features that skew more “handsome” than “pretty.” While she’s uncomfortable with this label and the attention it gets her, she’s too awkward and too kind to speak up for herself. But her school life changes when she runs into Ichimura, a popular and mysterious boy also nicknamed Prince. Though he seems more punk than princely, he’s the first person to see past Yoi’s reputation and express an interest in the beautiful girl beneath the crown.

Folks, I’m of two minds about this one. On the one hand, I think it’s valuable to tell a story about how the rigid expectations of femininity can restrict access to the concept of girlhood itself: Yoi has been un-womaned in the eyes of her peers because she’s failed to meet the ridiculously narrow standards of what a beautiful girl “should” look like. She’s been effectively misgendered her whole life and shoved into a masculine role she doesn’t identify with, due to physical characteristics like her height and voice that she can’t control. The storytelling makes it clear how much this upsets her (getting stabbed in the head with the “male” symbol and making a noise of anguish when Ichimura asks “you’re a dude?” is pretty strong imagery!), but also highlights how difficult it is to push back and get people to see her as she truly is.

Gendered expectations are so unforgiving that we have a cis protagonist with honest to goodness dysphoria. Maybe I’m coming at this from a genderqueer perspective that the work itself wasn’t trying to capture, but it’s a character conflict that I sincerely think is worth exploring. After all the shy sadness this premiere sets up, it would be lovely to see Yoi repair her tattered self-esteem, feel the validation of being recognized as the gender she identifies with, and get to experience the girlhood she’s been locked out of for such arbitrary but socially-ingrained reasons.

On the other hand…

Read the full review here!

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First Impressions | The Invisible Man and His Soon-to-Be Wife

What’s it about? Yako, a visually impaired woman, works as the assistant to Tonome, an invisible man. Their easygoing relationship takes a turn from the professional towards the personal when Tonome asks Yako out on a date and she nervously yet gladly accepts.

A romance between a woman who can’t see and a man who can’t be seen could be a very corny concept, but this first episode is so charming that I’m not that worried about it fumbling. Things could get dicey: the story’s world is full of aliens, monsters, beast people, and at least one invisible guy, and we’ve seen plenty of fantasy series across the years that use supernatural “others” as a stand-in for marginalized groups or a metaphor for marginalization in general. However, having a protagonist who is herself an ordinary human of a marginalized identity changes the dynamic and gives us a more realistic anchor amidst the supernatural shenanigans. I’d refrain from stamping Yako with “good representation” or “bad representation” because, you know, we love nuance; but I’d say The Invisible Man and His Soon-to-Be Wife is off to a decent start with regards to its heroine and the supernatural romance (and marriage!) that the title foreshadows.

Read the full review here!

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First Impressions | The Holy Grail of Eris

What’s it about? Young noblewoman Constance “Connie” Grail has been framed for theft by the scheming Lady Pamela, who is having an affair with Connie’s fiancé. Humiliated in the middle of a ballroom with no allies to turn to, Connie finds help in an unexpected place: the ghost of Scarlet Castiel, a villainous woman who was executed ten years prior, and who is happy to aid Connie if it means a shot at her own revenge.

A glittering ballroom, a betrayal, a broken engagement, a nasty Other Woman—at this point, these villainess and villainess-ish stories are all basically cooking with the same ingredients and referencing the same cluster of stock archetypes (for example, if you feel like you’re having déjà vu, you did just see almost this exact scene in last season’s May I Ask For One Final Thing? except that one ended with the scheming mean girl and unfaithful fiancé getting punched, and this one… well, we’ll get to that in a moment). I find it more useful to talk about what stands out and what might appeal, rather than sighing about repetitions of a strict formula. So, at this point, what stands out about The Holy Grail of Eris is its dark and damn near Gothic tone, with bloody deaths, terrible tortures, and vengeful spirits hiding amidst the usual aesthetic and tropey trappings.

First one of the year! Read my full premiere review at AniFem.

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Deliver Me From December: ’25 Roundup

Did December feel like a hazy dream to anyone else, or did my brain just fully liquefy at the end of a long, weird year? I don’t have the spoons to wax poetical about 2025’s various ups and downs—though if we’re making lists of tangible achievements, I do get to show off another published short story, a new reviewing gig, a (reprinted) article in a physical magazine, and an academic paper despite not working in academia full time—so I’ll just stick to a regular monthly roundup. But I’m still here, I’m still writing, and I’m heading into 2026 with a determined optimism in my heart. First, though, what did I sneak out before the fireworks went off?

On the blog

Manga Tasting Platter: Two Very Different Love Triangles – one last set of mini-reviews for the year, chronicling the first volume of speculative gender-mess Just Like Mona Lisa and contemporary unrequited romance I See Your Face, Turned Away.

The Best Books I Read in 2025 – it’s time to wrap up my yearly favourites, from vengeful monsters to trans time loops to camping trips to corporate magic, and everything in between!

The Best Anime I Watched in 2025 – skews much more towards SFF than last year, but there are still some nice little slice-of-life flourishes among the cute robots, anxious witches, and plucky Edwardian orphans.

On AniFem

How Just Like Mona Lisa uses speculative fiction to explore gender norms – my assessment that I would simply have to write a big article about this series was correct!

Other reading

CINEMA! I’ve been trying to watch more movies, and Amanda is basically my go-to film critic. As we head into 2026, check out her roundup of favourites from 2025.

In my household’s quest to watch all the James Bond movies, we’ve discovered Calvin Dyson, a lifelong mega-fan who makes exceptionally pleasant, balanced, and articulate deep dives about all things 007 (well, he does now—he’s been very open about revisiting and critiquing the much shallower and meaner reviews he made as a younger guy, which honestly I find very endearing and respectable. Cynical, unforgiving snark was the fashion in online media crit in days gone by and there are definitely some posts on here that I’d be embarrassed by if I went and found them today…). Anyway, this is a very informative and entertaining one, and I reckon perfectly accessible and funny even if you haven’t seen the movie!

Whether or not you care about the answer to the question ‘how many trees are there in Skyrim?’ this is a fascinating look at game design and a heartwarming charity event (including a surprise appearance from a very busy and elusive video essayist and, no joke, the most substantial official update about the next Elder Scrolls game we’ve gotten in years).

See You Tomorrow at the Food Court Is A Beautifully Low Key Look At Friendship – a celebration of the slice-of-life brilliance of this series and its central relationship.

Bullying Works – the saga of Amazon’s (hopefully brief) foray into AI-generated voice dubbing for the anime on their streaming service. 

A Sign of Affection Creators suu Morishita on Yuki’s Relatability and Surrounding Her With Supportive People – still one of my favourite series from last year.

Reviewers’ Choice: The Best Books of 2025 – I’ve been enjoying the reviews and essays on Reactor all year, so it’s cool to see their critics’ top faves.

Most Anticipated LGBTQ+ Young Adult Fiction: January-June 2026 – it’s time to wrap up the year in media, but also time to look ahead! Dahlia Adler is, as ever, an unstoppable force, and LGBTQ Reads is still going strong as an info source for queer books.

Song of the month

I’m ending 2025 singing along to an Aussie band with a tongue twister name.

And that’s that for now! It’s premiere season, so look forward to some anime impressions soon, and some regular ol’ blogging down the line. Take care of yourselves everyone, and thanks as ever for sticking around.

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How Just Like Mona Lisa uses speculative fiction to explore gender norms

Cropped image from the cover of Just Like Mona Lisa vol 1 showing the protagonist sitting in front of the Mona Lisa painting

Speculative fiction has always been an effective space for messing around with gender, using imaginary worlds, metaphors, and sci-fi or fantasy elements to make statements about the audience’s reality. This genre has a strong history in manga, from classics like Marginal, which explores the reconfiguration of gender roles on a planet with no women, to contemporary works like Land of the Lustrous that pose questions about identity in a post-human future. Yoshimura Tsumuji’s Just Like Mona Lisa is a current work that follows in this tradition, using a fictive “what if?” to ponder very real quandaries about the gender binary and the way it’s normalized and enforced. 

The manga is set in a world recognizable as our own, but for one key difference: humans are born with no sex characteristics and only develop them when they hit puberty and choose to be male or female. The plot revolves around Hinase, an oddity who is still genderless despite being nearly eighteen years old. Caught in an unexpected love triangle between their two best friends, and informed that there is no record of genderless people surviving beyond twenty, Hinase is thrown into a spiral of questions about their identity. Can they make a decision and transform before it’s too late? Bundled in a melodramatic coming-of-age story, the storytelling sometimes falls into fraught tropes about genderqueer people, but it also raises some sincere philosophical questions and pointed commentary on the real world’s many gender paradoxes.

Told you I’d end up writing something about this series. Read the full article on AniFem!

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The Best Anime I Watched in 2025

Let me tell you something, I got dangerously close to Anime Burnout this year—who’d have thought engaging with fiction could be so exhausting and dreadful? Much like how I needed to recalibrate my reading habits post-PhD, and somewhat find my way back to reading for fun, I needed to take a bit of a break when it felt like anime (and, of course, writing about anime) had become A Job rather than a side passion project. But I’ve largely mediated that now, and my love for the medium was waiting for me when I returned; and as I’m sure you’ve noticed if you follow my work, I’ve managed to retain my ability to Not Shut Up about anime series I find interesting over the past months. So, without further ado, here is my list of personal favourites from a weird yet rewarding year of watching cartoons.

While 2024 was a year of rom-coms, 2025’s batch skews much more towards genre fiction, including some wonderfully weird horror, whimsical historical fiction, unexpectedly delightful fantasy, and unexpectedly moving sci-fi. These are just the series I’ve finished this year, and there may be some from the Fall ’25 season that roll over onto next year’s list. And, as always, many of these are adapted from my AniFem reviews or commentary across the year (be sure to check out my work there and the hard work of my team!). Dive on in and enjoy, and let me know if any of these made your best-of lists!

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The Best Books I Read in 2025

Yes, I simply must do the colour-coded cover collage. These recommendation compilations are some of my favourite posts to make and I look forward to them at the end of every year, and the rainbow is an important part of the ritual!

Anyway, that’s another trip around the sun, and another year of reading! My habits shifted across 2025: last year I sang the praises of ebooks for their ability to keep me on my phone but off dreaded social media; while I still find this very useful, I did admittedly swing back the other way to “oh, I love holding a big ol’ paperback in my hands and looking at soft and un-glowing pages and ink” about mid-year. As you possibly noticed from my scattered “tasting platterposts, I’ve been reading a lot of manga, both trying new series and exploring the source material for some of my favourite anime. I’ve also been using the library near my workplace (did you know there’s a place that gives you books for free as long as you ask nicely and bring them back?!) which has also changed my habits somewhat and reinforced the joy of lugging around physical books.

So read on for some recommendations! I have an eclectic mix of genres and demographics as usual, so hopefully there’s something in here to compel every reader, or at least paint a wonderfully confusing picture of my personal taste. Enjoy, and here’s to another year of great reading!

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Manga Tasting Platter: Two Very Different Love Triangles

Cropped image from the cover of Just Like Mona Lisa vol 1 showing the protagonist sitting in front of the Mona Lisa painting

What the heck, let me slide one last one of these in before the year is out.

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The Witching Hour: November ’25 Roundup

I don’t write about movies very often on here (anime, manga, and novels are my bread and butter) but this month was bookended by two very good films: Frankenstein at the beginning and Wake Up Dead Man at the end, both great cinema experiences that my squad and I snuck in before they vanished into Netflix. While existing in two different genres, they both deal in elements of the Gothic and have things to say about forgiveness, family, ambition, greed, faith, coming back from the dead, and many other deeply human themes. Stellar performances in both, too! No matter the size of the screen, I definitely recommend you check out both—just be prepared for the body horror (yes, even in Wake Up Dead Man; that thing gets spooky just as much as it gets funny).

Now, it was another magical month here on the blog…

On the blog

The Chosen and the Beautiful: A Haunting and Magical Gatsby Remix – among all this anime work I do write about books from time to time, and Nghi Vo’s queer, fantastical Gatsby retelling was so wonderful and haunting that I had to make a big post about it.

Secrets of the Silent Witch: An “Overpowered” Fantasy Protagonist Done Right – this show is an exercise is familiar tropes executed well, and its heroine Monica is a prime example.

Webbed sites

INTERVIEW: Anime Herald Magazine’s Samantha Ferreira – Printing Anime Media’s Past, Present, and Future – Anime Herald’s physical magazine release is just around the corner, so editor in chief Sam sat down to talk through the process and the motivation behind the project.

How Fanfiction Can Help Us Reimagine Scholarly Publishing – imagine an AO3-style open-access, metadata driven archive for academic publications, blasting through paywalls and increasingly esoteric search engines to make research easier to find and share!

This Week in Anime – The Long, Dark Night of Long-Running Series – anime release schedules have been trending towards shorter seasons and split cours for a while now, but One Piece ceasing its perpetual run has really signalled the end of the era of long-running shows.

Tender Is the Flesh-Eating: The Literary Cannibal as Exploitation and Desire – Wen-Yi Lee takes a big bite into the trope of people-eating (whether that’s souls, flesh, or a combo meal of the two) in SFF and the many complex, interacting things it can represent.

Housing the Heroine in “Cinder House” – Freya Marske reflects on the personal history and metaphor behind her most recent fantasy novella, a gothic Cinderella retelling where heroine and house are one and the same.

Good tunes

There are many to choose from when it comes to Florence’s new album, but this is one I keep coming back to, broken heart in my hands.

My fiancée and I also watched Deliver Me From Nowhere a bunch this month (also a very nice movie), so “Nebraska” is on repeat in the house.

…it all sounds a bit melancholy in here, doesn’t it? I promise I’m doing my best to be doing fine.

On that note, it’s nearly the end of the year! Let’s all keep it together for one more month of 2025, and I’ll see you soon for the great December blogging celebration.

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Secrets of the Silent Witch: An “Overpowered” Fantasy Protagonist Done Right

In my years of reviewing anime, I find I come back to a few recurring trends: I often catch myself critiquing shows where “everything is easy for the protagonist”, whether that means they’re already better than all their peers at their own special skills, or they’re beloved by everyone despite putting in no visible effort to be good or even nice (examples from my most recent batch included). The reason this bugs me is because these wish-fulfilment stories might be fun on a very shallow level, but they just don’t make for actual engaging storytelling. There’s nowhere for a character arc to arc if the hero is already good at everything and already (allegedly) a great, rounded person; and there’s no stakes nor tension if the plot arranges things so that they’re never challenged. Maybe this suits a chill-out slice-of-life series, but it makes a very weak and flavourless story for any other genre—especially fantasy!

I say “them” for inclusivity, but let’s be real—these characters are usually young men, and usually helming the kind of boilerplate power fantasy, reincarnation isekai or otherwise, that has glutted the seasonal anime schedule for years. Overpowered female protagonists are fewer and further between, which made this year’s Secrets of the Silent Witch stand out. Its main character, Monica Everett, is a teen prodigy who’s revolutionised the world’s magic system and is slaying un-slayable dragons before the prologue’s even begun. But don’t be fooled: I was pleasantly surprised to see how well Silent Witch constructed its so-called OP protagonist and crafted a story with genuine stakes, conflict, and character growth. It can be done!! And I think Silent Witch is, as well as being a fun show overall, a neat case study in how.

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