Ina Cariño’s Reverse Requiem (Alice James Books)

I review the superb Ina Cariño’s latest poetic offering ‘Reverse Requiem’ by Alice James Books in the Winter 2026 issue of Life and Legends Magazine.

Originally from Baguio City in the Philippines, Ina Cariño’s work has appeared in the American Poetry Review, Poetry Magazine and the Paris Review Daily. She was the winner of the 2022 Whiting Award, a Kundiman fellow and winner of the 2021 Alice James Award for her debut Feast. Cariño has also founded a poetry reading series called Indigena Collective.
For the full review go to:
http://lifeandlegends.com/reverse-requiem/

Just incase you hadn’t heard …

If you hear that squeaking sound, it is me with my cart, my donkey died. I am hawking my wares (a debut novel) and it’s heavy going uphill as you can imagine, with the Big Five publishers able to place their tenderizing wares in glittering bookstore windows for Xmas, I have only the rag-n-bone cart and my own throat of moths.

This is a good novel. If you know me, you know my saying this is no small thing. I have put a lot of work into it. It is not everyone’s cup of tea, it’s a hard-hitting, unflinching psychological thriller based upon true events. Nevertheless it’s well written, and every single sale, every single review on Amazon or GoodReads goes a LONG way for a small indie author like myself.

I tend to spend most of my time promoting and helping others, with their output, so it is a strange place to be on the other side of the coin. I am selling signed copies and accepting Vemno, Paypal and checks. Otherwise you can purchase The Cruelty through most vendors, including asking for it at your local bookstore. Every single sale helps me enormously and I’m so grateful for the support I’ve received.

The Cruelty is available via all bookstores.
Direct from publishers Flowersong Press:
AMAZON:
BARNES & NOBLE:
BookShop.Org:
WATERSTONES:
FOYLES:
FishPond (NZ/Australia):
& many more. Or DIRECT from me (USA shipping only) [email protected]

Lettres jamais envoyées*

You are dead, this letter is for you.

The kind of paper it’s written on

Chengxintang, or Florentine marble—unknown.

You may delay but time will not;

soot, by-product-of-fire, formation of ink

squid, gold, glass, the pen’s nib, fine, finer

all things that once mattered.

No-one sits on carpets drinking mint-tea anymore

funny how, in just a few hours dreaming

what we knew, what we could rely upon

vaporizes into Samarkand ash.

It’s a living funeral, all kinds of absence

bundled into packages without address

where do we send ourselves? When grief

reveals her ragged heart, where do we go?

When this play has moved on and our letters

go unopened, unsent—dissolving

fig, pulp, tangerine, 4pm sun.

I am the only one who remembers

and I hate that, I really hate that

keeper of naught, keeper of all the things

that matter nothing to anyone else.

Where the little pill box from the roaring twenties

with a Tamara de Lempicka replica is painted

in miniature 30/0 nickel ferrules was

stolen by a friend from a lighthouse, the Île Vierge

that kersantite granite giant, its bright white light

bleaching hours, counting disciples with abacus

who else will cherish those memories, evaporating

in situ, like a watched wound never scabs.

Who cares for the toys with their sorrowful

glass eyes and well stitched sides, who will

make the connections? You’d say about now;

Oh, that reminds me of the quote from Lear.

Are you there? Do you hear? Will you see?

The world stops writing letters, the prices too high—thief

stamps of their lick, everything prefix is an affix

a tumble of errors and delight, beneath thick

cloth, where the world had no assess, we divined

make-believe in costume—masks of feathers

your slow grin, sloe gin, stained teeth

smoking a black cigarette, head tossed back

oh god life was astonishing then, then.

You are dead, this letter is for you.

Unsent, sealed inside me, where I dry,

husk and molt and wilt faire de la confiture

beneath endless gris mote and rote

without you, still, still, gone almost

hanging on for what purposing?

A torment, in fancy-dress, we

clasp leather reins, canter, gallop

smelling of horse and blood-oranges

spilling through heavy doors, here at last! Sorry we’re tardy!

Where it’s never too late, until it is.

Then padlocks become our winter bones

beneath cold water, an odd reflection

Alice stared, until she could neither see

the way out, or the way forward

drink me, they urged, drink me

and she grew so small, so miniature

nothing could hurt her anymore

not even the echo of your laugh

you who did not read any longer

who rested in the sunlight, one ring on your finger

too tight, they said; perhaps soon

they’d have to cut it off.

*Letters never sent.

PINCH

I have had a horrible day

possibly a horrible year

the prompt in the writing retreat is Grief

I feel too much to write anything

the teacher says; be punctual in your writing

don’t tell the reader too much, let them guess

or wonder.

Does anyone feel wonder anymore?

I wonder how I show up when I feel like

tearing down. Folding. Evaporating. Never here.

I wonder how I trust when I feel like

trusting no-one. Goodbye. Closed door. Absent.

I wonder why I try when

it comes out in the same wash.

Whether we try, or lunch-out, we’re all

going to die at a designated time on

this blue-spinning, fickle, lovely planet.

I try not to get devastated by ‘the small stuff’

that doesn’t feel small and hurts like a

series of pinches.

Pinch: Your former boss couldn’t care less about you

despite working closely with them for near a decade

calling each other friends, showing up. Now they

don’t show up. Treat you as after thought

the inequity of your relationship embarrassing

you wish you’d just handled it better by

not caring so much. Fucking fool. Fucking fool

When will you ever learn? To be bullet-proof?

Pinch: Your father is losing his memory

when you didn’t think losing any more

was possible, he strays into a wavey place

where you are not really distinct and he

doesn’t need you as much as you need him

ain’t that the story of your life baby?

Pinch: How many years should you stay

in a place you hate, just because it

‘makes financial sense’ – what if you

are hit by a bus in August, where’s the

sense in having lived unhappily where

neighbors judge you for nothing more than

not attending church and loving the wrong

gender. Where is the sense in being lonely

all the god-damn time? ASK GOD THAT.

A therapist once said: you are only lonely if you choose

to be. Bullshit. I forget to take my pills at

lunch, avoiding how much my bladder

bothers me. I want to push all ailments

to the side, stop being so fucking terrified

of everything: blindness, heart-murmur

bladder problems, death, rejection, indifference

what if it’s cancer? What if it’s not?

From cover-girl to cover-up.

What makes me happy? When

was the last time I cried or laughed?

Really? I had a horrible day and I

can’t drink because I don’t drink but I want

to drink and I don’t drink and I should be

grateful I’m not (dying yet) and I should be

grateful I’m not (dying yet) and I should be

grateful I’m not (dying yet) and I am. I am. I am.

Exhausted. By the is’ms. By myself. By a world

indifferent and cruel, where people who worked

side-by-side for a decade, will look at you with

flat eyes, that glide off you as if you were just

a poster on a wall trying not to scream or a

cat annoyed you didn’t feed them on

time. Hurry up. Chop-Chop.

Please submit to this anthology UnHoused Yearning for Home.

See original post in Carrie Yang’s post Flicker of Thoughts (above)

https://duotrope.com/duosuma/submit/unhoused-yearning-for-home-DgN92

“Unhoused – Yearning for Home” is an anthology, open for submissions, that explores the feeling of being unhoused, both literally and figuratively, through poetry and creative writing. The anthology, published by Prolific Pulse Press LLC, aims to give voice to those who experience displacement, insecurity, and a longing for belonging. It welcomes submissions from a diverse range of perspectives, including those who are unhoused, immigrants, those on insecure visas, and those experiencing other forms of displacement or sense of isolation and not belonging / not safe where they live / insecure housing / temporary accommodation or poverty causing dangerous living conditions. It can also relate to not being at home because of war, famine, poverty, exile, politics or anything similar. Pieces can be written past-tense or fictionally if you feel strongly about the subject and have first-hand exposure to these kinds of experiences.

Here’s a more detailed breakdown: 

  • What it is: The anthology, edited by Carrie Yang and Candice Louisa Daquin, focuses on the theme of “yearning for home” in the context of being unhoused. Publishing by the excellent Prolific Pulse Press in early 2026.
  • Who it’s for: It welcomes submissions from a wide range of individuals, including those who are unhoused, immigrants, those on insecure visas, the working poor, and those experiencing other forms of displacement.
  • Content: The anthology will feature poetry and creative writing, including flash fiction, and accompanying artwork.
  • Purpose: The editors aim to create a platform for underrepresented voices and to challenge common perceptions of homelessness, focusing on the human experience and social challenges associated with displacement, not belonging, insecurity, unsafety and houselessness in some form.
  • Submission Details: Submissions are open and can be made through Duotrope. The anthology is non-paying but does not charge for submissions and will donate any money make to homeless charities. Its goal is highlighting how many people experience this in one form or another
  • https://duotrope.com/duosuma/submit/unhoused-yearning-for-home-DgN92

Submit to a free Anthology: ‘Unhoused: Yearning for Home’ – a Prolific Pulse publication

I’m working on this anthology as co-editor and we’d love to see your submissions. The concept of being ‘unhoused’ can include being a Dreamer, on a migrant visa, a refugee, immigrant illegal or legal, living abroad, speaking a different language to the host country, anything that makes you feel you are yearning for home because of your current or past situation, or that you do not feel you are safe in your home or it is fragile and temporary. Please click here to submit: https://duotrope.com/anthology/unhoused-yearning-for-home-39057

Unhoused Yearning for Home

 A project of Prolific Pulse Press

About

Prolific Pulse Press announces an anthology call for submissions: UNHOUSED – Yearning for Home

Prolific Pulse Press’s background in publishing social justice anthologies, continues with Unhoused – Yearning for Home – an anthology of poetry and flash-writing on the current epidemic of unhoused, homeless, stateless, and country-less people and how this lack of safety affects generations. We seek to highlight the writer’s resiliance and determination to survive and thrive whilst sharing their truth and experience(s).

This project shines a light on: Migration, asylum-seeking, illegal-and-legal-immigration, and other factors resulting in being without a home, national-identity, country, or security net. Whether you have immigrated and found yourself isolated and unable to fit into your adopted country’s identity, or lost status in a country you identify with, been out-of-status, living-below-the-radar, a Dreamer or undocumented, or forced to flee your homeland because of discrimination, war or other destabilizing forces, this is your opportunity to share your experiences on the hardships and often invisible struggles so many endure

Country of Publication & Year Established

US flag United States

Established in 2025

Publication Medium & Frequency

Print Publication Print PublicationOne-time publication

Collapse sectionFiction Temp Closed

Audience:

Open to a broad Audience.

Genres:

 General.

Lengths:

 Flash Fiction: Up to 300 words; Up to 3 pieces.

Styles:

Open to all/most Styles, including: Literary.

Topics:

 Open to all/most Topics including…
 Society/Culture: Current events, Ethnicity/Race, Social issues, See guidelines.
 Other: See guidelines.

Payment:

No monetary payment No monetary payment.

Submissions:

Method:
Reprints:  Reprints are NOT allowed.
Simultaneous submissions:  Unknown.
Multiple entries:  Unknown.
Media: Text format submissions Text.

Collapse sectionNonfiction Temp Closed

Audience:

Open to a broad Audience.

Lengths:

 Essay: Up to 300 words; Up to 3 pieces.
 Narrative Nonfiction: Up to 300 words; Up to 3 pieces.

Styles:

Open to all/most Styles, including: Literary, Personal.

Topics:

 Open to all/most Topics including…
 Society/Culture: Current events, Ethnicity/Race, Social issues, See guidelines.
 Other: See guidelines.

Payment:

No monetary payment No monetary payment.

Submissions:

Method:
Reprints:  Reprints are NOT allowed.
Simultaneous submissions:  Unknown.
Multiple entries:  Unknown.
Media: Text format submissions Text.

Collapse sectionPoetry Temp Closed

Audience:

Open to a broad Audience.

Genres:

 General.

Lengths:

 Poem: Up to 75 lines; Up to 3 pieces.

Poetry Forms:

Open to all/most Forms.

Styles:

Open to all/most Styles, including: Literary.

Topics:

 Open to all/most Topics including…
 Society/Culture: Current events, Ethnicity/Race, Social issues, See guidelines.
 Other: See guidelines.

Payment:

No monetary payment No monetary payment.

Submissions:

Method:
Reprints:  Reprints are NOT allowed.
Simultaneous submissions:  Unknown.
Multiple entries:  Unknown.
Media: Text format submissions Text.

Collapse sectionVisual Art Temp Closed

Audience:

Open to a broad Audience.

Lengths:

 Artwork: Up to 3 pieces.

Art Media:

 Open to all/most Art Media.

Art Styles:

Open to all/most Art Styles.

Topics:

 Open to all/most Topics including…
 Society/Culture: Current events, Ethnicity/Race, Social issues, See guidelines.
 Other: See guidelines.

Payment:

No monetary payment No monetary payment.

Submissions:

Method:
Reprints:  Reprints are NOT allowed.
Simultaneous submissions:  Unknown.
Multiple entries:  Unknown.
Media: Image format submissions Image.

Always check guidelines for details and restrictions. If you aren’t familiar with these terms, see our  glossary.

No recent cover image available for Unhoused: Yearning for Home

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Social:
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 Link to Duotrope

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 Buy Book(s)

Unhoused Submission Statistics Free Preview!

The statistics in this section are compiled from submission reports sent to us through our submission tracker. They are not provided by the publication’s editors/staff or by Duotrope’s admins. Information in this section is updated a few times per day. Learn more about the statistics.

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We cannot guarantee that the information on this page is correct. It is not unusual for publications to evolve or close without notice. We do our best to keep up, but it isn’t always possible. Duotrope listings do not imply endorsement or recommendation of the project being listed. Before submitting, you should use your own judgment to determine whether the project meets your standards.

  • Always read the full guidelines provided by the publisher.
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untitled

i am not really that person

nor the words in that book

i am not a syntax whore

or your former girl

i eat cashews by lamp light

and when someone tells me

loneliness is easy to vanquish

you just have to keep yourself occupied

with interesting hobbies

i want to bleed violet in time with the

moon’s cycles and summon my blood

again

for it was only when i lay beneath you

seeing nothing but the blink of capture

in a room too hot to touch

that for a second i felt whole

and then it was gone

sealed away again

in wax paper and bandages

where people grow up and put

the depth of their truth.

Rubrique f des cœurs solitaires #1

I do not own a cat anymore. He died and since I couldn’t reincarnate him, there seemed little point. For some of us, there is only one.

I used to possess a fine drawer of expensive underwear I didn’t buy. I was an inverted snob. I could wear jog-pants and a ratty-t but I’d always have La Perla underneath. It gave me a little posh lift.

You should know I delete all correspondence except letters, those I keep. Emails weren’t invented for returning to. Even those professing to be urgent, are in my trash file which I empty weekly. Consequently I appear to have a bad memory, which is inaccurate. I just can’t look things up and prove it when you’re wrong, but I know more than I let on.

I still read too many books, although there’s no such thing as too many books. I put most of them outside in a Little Free Library, which was recently ransacked by vandals, although they must not know, books do not sell for anything anymore. You can earn more collecting cans and that is sad and telling. I think I keep myself light because I’m always preparing to jump ship.

Once I cut myself so badly on purpose that I left a bad scar, I dare you to find it.

You’d think coming to my house, I have green thumbs, but quite the reverse is true. I have no patience for plants or dogs. But give me a glass of Elderflower and I will nurse it for hours.

Long ago I was a dry alcoholic. That means I knew if I drank I wouldn’t want to stop so I didn’t. To me that meant I had difficulty with addiction, even as I wasn’t addicted. A girl I spoke to on a bus once, is the only other person who got that, so I bequeathed her the 6 poems I’ve written about it and let her know if I made it into the DSM VI (which is taking its sweet time) I’d name it after her: “Branwen: Dry Drunk. A compulsion to drink to excess, a feeling of addiction to drinking and alcohol whilst able to abstain.”

Now I am less a dry alcoholic since finding gummies, which I read in the translated Berlingske newspaper, is also responsible for heart-disease, despite not being smoked. This was a study of 200 million users, and I think the study has holes, because statistics can be as malleable as hosiery and we all know how tights can hide a multitude of sins. I’m living proof that you can be functional and work 10 hour days even as you go to bed stoned and singing The Electric Prunes.

Speaking of hose, quite frankly I miss it more than sex. I was once the proud owner of almost every hue imaginable. My legs have always been atrocious, or simply put, ‘piernas blancas’ as they say in Tex-Mex. But it’s far too hot to wear hose here, so consequently my outrageous collection languished until it caught moths, and with them, the girl that once dashed through rain in glaucous, indigo, coquelicot, heliotrope and zaffre. Mary Quant, watch out.

A man once wrote on a ‘I’ve seen you’ column in Time Out magazine Amsterdam, about a stranger he wanted to talk to: “Saw you dashing through puddles in red tights, was thunderstruck. You: beret, glasses, long black hair. Me: smitten. “ That post is the only reason I’ve ever considered saying yes when a man asked me out. Would any woman notice those things? And they say women are the more observant, but I have my doubts about motivation.

Simply put; lonely heart, looking to stop aching. Cliched, I know. Perhaps I should write the recipe to my grandmother’s raspberry Bavarois, that would hook you, it did me.

The truth is I’m crap at this. I only did it because it was free this month for LGBTQi+ (and I”m sure I left some of us off). It’d be pretty fantastic if you read minds and liked maudlin, people who hate themselves but are still capable of loving, I’ll leave it at that.

If I find my place, I may own a cat again, or they may own me. The cat would be male and have longish fur. I might cycle in Amsterdam in tyrian purple hose, a collection of Cécile Sauvage’s poetry under my right arm, a black cat in the basket, checking for suitors or Sheba. The seafood one of course, cats never ate cows and neither do I. But I’ll share a vegetarian Thali with you (I get the Palakchi Bhaji, no argument there) under some wisteria if you find me…

The wound is where wholeness is born

I am so distant from the hope of myself—Mary Oliver.

The broken house of your childhood

didn’t ask you to be braver and more honest about your life

and still you did. Speaking for others, unable to admit to things

disputed, turned around like warts, or badges of stars; this one

can get through with a chance, this one must inhale gas and be churned

into meat for the toil.

Poetry can mire you in place—strip you of the means

to shrug off taint and realize yourself. It can also be the medicine. Not

mirroring back destruction but evidencing survival. Once hostage—

turned traveler. In nothing, comes a sound, at first distant, gradually

the leaves of searching break open. The iris has a color impossible to

replicate and so do you. Your existence might have begun in neglect

the wide yawn of mistakes and ill-timed apathy. But from that

place of scouring and shadows—you became. Just as the unwanted

feral in us, is found by a lover. Not sharing the same blood—almost

strangers, discovering a language, bound on the bread of longing

to matter. And if we are loved sufficiently, we find that love turns

its mistrustful head in our direction and espying our need—smiles

a beautiful smile. One that is filled with familiar and good things.

Because in that moment we learn to love ourselves. So, it is not true

we must begin by loving ourselves, in order to love another—No—

It is only true we must try and open ourselves up, to every discovery

even the burnishing land will weep in beholding us, where gratitude

sleeps, settled by the smooth rise and fall of your peace. In knowing you

are worthy of all of it, of the shining world around us, as pink moon

turns night into a living dream state and back again—

we softly inherit ourselves