Next Up…

Now in the process of upgrading the flashguns, replacing two EX600RT units with the Canon EL-5s. First impressions are wow, weather proofing, something that the old guns never had, and I have had a few failures due to poor weather. Second impressions are oh, no charger for the Li-on battery, admittedly I knew this as I had been informed by a colleague Neil Turner, so I purchased a genuine one Canon on eBay for £14. Have tested it & it works, it took a couple of hours to fully charge the battery. Whilst I haven’t even looked at the manual yet, I have used the flash for a couple of test photos and have to say that I am impressed with the recycle rate, far quicker than my old EX600RTs even with fully charged high capacity Eneloop batteries, which I now have no use for. In fact the only thing that I need AA batteries for is my PocketWizard remotes, so having more than 30 of them seems like overkill.

Second One…

Having taken delivery a few days ago of the RF 24-70mm F2.8L, the second RF lens landed today, the RF 70-200 F 2.8L Z, so just waiting on the third lens of the holy trinity, but I still have to decide which way I am leaning, whether I need the F2.8 or the F4 version of the wide zoom.

In other news the Prograde CF Express card reader arrived yesterday, which is a USB4.0 version rather than the USB3.2 that my Sandisk is, and also comes with a decent USB4/Thunderbolt cable.

Now just waiting for a couple of new flashguns, I couldn’t justify the £1,000 price tag of the EL-1 so opted for the equally powerful EL-5. I have also ordered a couple of Prograde 128GB CF Express Type B cards, to go with the 128GB Sandisk cards that I already have. Not sure why I ordered such large cards, I never-ever fill cards, I swap them regularly so that if a card fails I haven’t lost a whole shoot.

Now the expensive bit…..

Having up dated my cameras from EOS 1Dx mkII bodies to EOS R3 bodies, now comes the expensive part. I was going to hold off buying RF lenses for a while & stick with the EF lenses that I already own, but having purchased the RF24-70 F2.8 L IS USM and really enjoyed using it over the past few days, I have now decided that I should upgrade the rest. I have ordered the RF 70-200mm F2.8 L IS USM Z, which will be here next week & I am thinking about either the RF 14-35mm F4 L or RF 15-35mm F2.8 L, I will need to have a play with them both before I decide.

To fund these purchases (at least in part) I have already placed most of my EF glass & 1Dx bodies on Ebay, along with my Canon EOS 1v HS, no point in keeping it if I have no lenses for it. I will for the time being keep my EF 400mm F2.8 L IS mkII as I really can’t justify £13000 for a lens that I use once or twice a week. I shall also keep my EF 16-35mm F2.8 L mkIII until I have decided on which version lens will replace it.

Interested in some of my old equipment, it is listed here

New Bag Time…

Since changing kit, it seemed to be the right time to upgrade the bag. Having used Think Tank bags for a number of years, I went online to find an upgrade, I have the Airport Accelerator which is getting a little tired after 10 years of daily abuse, an Airport Security v3 which is fine for a lot of kit, but I wanted something just for two EOS R3 bodies, 11-24mm, 16-35mm, 24-70mm, 70-200mm along with a couple of flashes, batteries, and other odds and sods.

Researched a couple and settled on the Think Tank StreetWalker HardDrive V2, however it is no longer made and nothing else seemed to fit the bill. So I turned to Ebay and found one, brand new, with all the bits still in original packaging. It handles everything that I need to carry, it’s a little tight at the moment, but will loosen up a little with use.

Over 20 years old….

Purchased this screen cleaner back in the early 2000s, about the same time as I got my Apple Cinema Display screen, and I am still using it, it was expensive at the time, about double the price of any other screen cleaner, but it is despite its age still brilliant. As it is nearly empty I thought I’d purchase some more, however I couldn’t find any. However a check of the bottle revealed a website. Turns out they’d changed the name of the product.

I haven’t tried the latest version yet, but if it is as good as the original, I am sure that it will out live me.

All Change…

It’s been a while since I have changed camera systems, the last time was from Canon FD kit to Canon EOS kit, that was bad, no compatibility between systems, so everything had to be replaced. The next change was film to digital, which, other than the cost of the cameras was relatively painless. Having purchased a Canon R a short time ago I have decided to replace the Canon 1Dx mkIII cameras with Canon R3 bodies. I shall for now run the old EF lenses with adaptors, as I can’t justify the prices of replacing some of the glass, £12K for a 400mm F2.8 is bloody ridiculous, and the fact that I have some rather nice EF glass that will do for at least a couple of years.

I shall also keep shooting with the Canon 5DS, and the R will be used primarily for shooting with my old Canon FDn glass, but may be promoted to 3rd body for some jobs.

So now have invest in new memory cards, adaptors, card readers and probably dozens of other things. that I haven’t thought of yet. Oh and the laborious process of familiarising myself with the new kit and seeing what impact it has on the workflow that I have used pretty consistently for the last 10 years or so.

Ice, Ice baby

Bloody typical, I purchased a Swedish Ice Scraper back in 2020, not used it for a little while, needed it a couple of days ago, damned if I could find it, check everywhere, eventually gave up, assuming that I had left it in the old car when I part-exchanged it, so I ordered a new one, then wouldn’t you know it almost exactly an hour before the new one arrived, I found the old one.

If you haven’t already got one, I’d definitely recommend one, so much better than anything that Halfrauds sell, and definitely better than damaging a debit/credit card.

A little more work…

Berkey Omega Pro Lab Timer

A little more work is required on the Berkey timer, I have tested all of the electrics which seem to work fine, however there is an issue with the clock motor. So I have opened up the case & had a dig around. After opening the motor for the clock, it is clear that something has gone wrong. The drive for the clock has lost all of its teeth, I have been in touch with a specialist in the US that knows these Intermatic motors & he has never heard of the particular motor that is installed, but confident that he can supply a replacement cog set for it.

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One of the reasons…

One of the reasons for my trip up north, was to pick up some equipment that I had been looking for, for quite a while, first and foremost was a Durst UT-100 film drier. I have seen a few around for silly money, well north of £300, and none of them was complete or without issues. However, in Morpeth I not only found a UT-100 for £120, it also came with a bundle of other stuff.

Durst UT-100 in box, complete.

I gave the UT-100 a safety test, namely I plugged it in and switched it on, then left it running for a short time, other than needing a clean out, (you could smell there was dust on the heater) and removing the remains of the old filter (new replacement material ordered)it was in near mint condition.

Also included in the deal was an RR Beard 20×16 easel, in fantastic condition, a Berkey Omega Lab Timer (which I will strip down & service & replace some none standard power sockets for IEC C13 sockets) and loads of odds & sods, including a Krokus enlarger, which paid a visit to the local SCC tip, and some trays & safe-lights (which when I have rewired will find new homes) 35mm & 6×6 contact printers, as well as print washers etc.

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Whoops, been a while….

Canon R with Urth RF-FD adaptor and Canon FDn 50mm F1.4

Been a little busy in recent months and haven’t added anything to the blog, but that is about to change.

I recently started shooting & processing film (only for private work) which I haven’t done since I went completely digital in the very early 2000s. It has been fun shooting with a pair of Canon F1n bodies & FD glass, some of which i have owned since the early 1980s. I recently decided that I should shoot some digital images with the old glass as well so I bought a little Canon mirrorless camera & an Urth RF to FD adaptor.

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New Monitors

Having upgraded the MacPro to a Mac Studio M2, I decided that it was time to replace the two 30″ Apple Cinema monitors with something a little more modern, but I couldn’t justify spending £3000 on the current Mac Studio monitors, & I don’t really need 5K resolution, so I opted for a couple of Apple 27″ LED Thunderbolt screens. I also picked up a couple of Thunderbolt 3>2 adaptors. Researching showed that the latest Mac Studios wouldn’t allow daisy chaining Thunderbolt monitors and each one would require a Thunderbolt 4/USB-C port to provide video.

Anyway, picked up the second one today and I thought I will try daisy chaining them together. IT WORKED. So I now have two great monitors on a single Thunderbolt port, which frees up some expansion capability, no dreaded Apple Power Blocks that are rare in working order & all for less than £250 (the two thunderbolt 3>2 adaptors were £50).

Loving the new car, but…..

Loving the new car, but…..needed to get the spanners out. VW cut some costs when building the mk8 Golf, most noticeably and annoyingly in replacing the hydraulic struts that hold the bonnet open, which the last 3 generations have had as standard.

Fortunately I am not the only one to notice and there are several companies that make an upgrade kit that solves the issue. It is a really simple job and took me about 20 minutes to do this morning. The Rams are made in China, so will probably need replacing in a few weeks, if that happens I shall look for some quality parts to replace them.

New Car

23 May 2016. Volkswagen Golf Mark V. Sage Green Metallic 2005 2.0 GT FSI 5 Door.

It finally became time to retire the old girl after 10+ years of service. Originally purchased as a stop-gap to the old Grand Cherokee, after it clocked up some 180k miles. Toyed with going back to a 4×4 but common-sense prevailed and I got another Golf.

15 Feb 2025. Volkswagen Golf Mark VIII. Dark Grey 2020 1.5 TSI 5 Door

Whilst the old Golf was brilliant (I had added handsfree/DAB etc) it also had a five disk CD changer, which was probably the only thing that the new car lacks, I prefer CD quality to the compressed mp3/mp4 that my iPod uses, but the digital cockpit and the high def infotainment system is awesome, but I am not sure that the audio quality is as good as the old mk5.

Canon FT QL

Time for another one of the cameras that I acquired from auction to get the treatment, ready for ebay.

What started off as a quite grubby camera ended up really presentable, I had to retouch the Canon & the FT engraved logos, the shutter dial was really very grim, but cleaned up well. Shutter speeds are within tolerance and the meter works. Cleaned up the mirror & the focus screen. Light seals probably need replacing but I’ll let the new owner take care of that.

Finally…

Finally managed to get a Canonet 17 GIII QL in black. Only problem was that I had to buy several other cameras that were bundled together. One good thing was that between them I now have a nice rangefinder with original strap, case & lens cap as well as a Canon UV filter. It was in really nice condition, just requiring new light seals and a little cosmetic fettling.

More Rangefinders

Picked up a couple of rangefinder cameras at an auction a couple of weeks ago, I was after a Canonet 17QL GIII, there were a couple available, one chrome & one black. The problem is that they were grouped with other cameras. So I bid on the two lots & ended up with 10 cameras & a box of “junk”.

The black one has been checked & had new seals fitted & has a roll of film in it for testing. The chrome one has been cleaned & checked with batteries & everything is fine, however the light seals were in a proper state.

Bloody messy job, but new light seals have been fitted and the camera will be tested with film in due course.

However even the box of junk turned out ok, a Gossen Lunasix, a couple of Canon D-lite flashes, a couple of other meters & flashguns, and as well as a few Takumar lens hoods, a rather special Leitz lenshood, most of which will end up on ebay.

All Sorted

Finished restoring the old GIII QL19 that I bought down on the south coast. The top plate was removed and the rangefinder mirrors & glass was cleaned, the wrecked light seals have been replaced, the camera body & lens have been thoroughly cleaned and a new battery with a voltage converter have been installed. The camera is now loaded with film and some test photos will be taken. I am now on the look out for a Contax G1 or a Canonet GIII QL17.

Little Old P&S

I have wanted a little film rangefinder for a little while, having used the Canon AF35M back in the 1980s as a back up camera for night snatches, I thought about one, but they are totally electronic & most of them are f**ked, so I went for an Old Canonet, I wanted a QL17, but haven’t found one yet. However, I did find a working QL19 for not much money, so headed out for a look. It works, although it has the wrong battery in it (a 1.5v instead of the 1.35v it needs) and the viewfinder was very cloudy, the lens needs a though cleaning & the light seals need replacement.

So first job, off with the top plate & clean out the viewfinder. Next mission is to strip down the lens and clean out, then to replace the light seals which are shot. Anyway it is already looking better.

Crusty

A rather crusty & non-working Junghans arrived a couple of days ago (expecting another in a week or so). It had been badly abused, the stop/start controls had been pulled so hard they had exploded inside the case & two huge scratches on the back plate evidence of subsequent attempts to start the clock. These things only require the lightest of touches, if you have one and feel resistance, stop you’ll only f**k it up even more.

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Yet more restoration work

Over the last few weeks, I have received a few more Smiths Timers, various types, two types of interval timer, several 60 minute timers, and a few German made 60 minute timers. One so bad that it needed a complete rebuild & paint. There were a couple that needed a service & a repaint, so I went with a couple of custom colours. Smiths were never very adventurous with their colour schemes, it was either black, silver or cream, so I have gone for “luminous yellow” “scarlet red” and “glossy white”. The rest will be restored to their original colour schemes.

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Mixed Blessings

Received a couple of Smiths Timers in the post today, one was really, really clean with some battle scars accrued over its 40+ years of service, It cleaned up well & has been given a light re-lubrication, and has been running for 24 hours without issue & has joined its brethren on a shelf ready for ebay.

The other one is however a different story, whilst there was some evidence of staining on the clock face, the inner horrors were not revealed until the case was opened and the mech removed, therein lay the first issue, the screws were rusted solid, not a good start. Drilled out the screws to remove the mech, which I have subsequently replaced with Metric Stainless Steel, then into the mechanism itself. Firstly a bath in IPA and then blown dry with canned air. The crud that came out was unreal, re-lubricated with #40 clock oil and set running.

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Seeing as I was going there….

Seeing as I was going to the firm that I use for powder coating my RRB masking frames, I thought I might rejuvenate one of my Smiths timers as well. After a brief conversation about what colour I should go for, they suggested a colour called “Luminous Yellow” which although isn’t actually luminous, really is very yellow. So I went for it, I also ordered some luminous paint for the hands, and today i picked up the case for the timer.

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Another one….

Picked up some equipment today.. included amongst it was an RR Beard 20×16 easel and an Ilford SL1. The RRB needs some TLC, the arms are bent & flaking paint, with a little corrosion. I have straightened the arms and will have them acid dipped & powder coated, the chrome & rusted steel screws have been replaced with Stainless Steel. The Ilford safelight will join the other one in my darkroom.

Another Good Weekend

Managed to get some film shot during the weekend, only the one roll, but also got into the darkroom on Sunday afternoon and processed and printed a number of frames. Mainly shooting some test photos with the Canon New-F1 and FDn 15mm F2.8, FDn 20-35mm F3.5, I still need to do some tests with a recently acquired FDn 35-70mm F2.8/3.5.

The photos were shot in Burton-on-Sea, Bognor Regis and Guildford. Ilford FP4 Plus, dev’d in Ilfosol3. The images below were scanned with a Canon EOS 5DS on an Bowens Illumitran. (I did also some 9½x12 Multigrade prints on some paper that I was given a couple of months ago, which is currently my favourite print size.)

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New Old Bag

I had a Billingham bag back in the 1980s, along with a Tenba P211 as a walk around bag. Having used Domke & Think-Tank bags since the late 1990s and early 2000s, I thought I’d take a look at the new Billingham bags, however before I pulled the trigger on a new 455 mkII I found a new/old stock 455 . I had forgotten just how spacious & well made these bags are. Anyhooo within minutes of the postman arriving the bag is loaded with my 35mm Film kit. Currently it is filled with two F1 bodies with Drive FNs, FDn 15mm F2.8, FDn 20-35mm F3.5L, FDn 35-70mm F2.8/3.5, FDn 80-200mm F4, FDn 24mm F2.0, FDn 50mm F1.4, FDn 100mm F2.8, Canon Speed-lite 199a, 10 rolls of film and a Sekonic meter.

More old skool..

Having not been used for years, probably sometime back in the 1980s, I decided that I would get my old Lunasix light meter working again, I was slightly surprised to find a pair of PX625 batteries in the thing & even more surprised that a) it worked & b) the batteries hadn’t leaked. I threw them out anyway & ordered a battery replacement, only you can’t order the old PX625 batteries anymore as they contained Mercury & were banned back in 2000ish. Some quick research revealed that Gossen had produced an adaptor to use modern 1.5v batteries, with a voltage regulator diode to bring the voltage down to the required 2.7v.

The only time I generally use a meter is in the studio, however shooting with some old 35mm film cameras I may sling it in the Domke and use it.

Love these old clocks

I have acquired a number of these old Smiths darkroom timers over the past year or so, mostly for free & the most expensive one was £12 plus postage. All of them worked, to varying degrees, all needed deep cleaning & some required the plastic clock front machine polished to remove scratches and chemical stains.

Some required a chemical dip to remove years of grime, and all of them required a re-lubrication of the mechanicals to get them to run for more than a few seconds. Fortunately these clocks are quite simple and dismantling cleaning and lubrication only takes half an hour, the cleaning of the cases usually takes considerably longer. Some have even required the application of wet & dry. My aim is not to make these like new, I prefer them to wear their battle scars earned through years of use. Even the newest ones of these are over 40 years old.

It may be Spring….

It may be Spring….but fook it was miserable yesterday, anyways a regular client wanted photographs and was prepared to pay so who am I to argue? Day started promisingly enough, but by 0900hrs it was raining, by 1100hrs it was blowing a gale, pretty miserable in the middle of an airfield with zero shelter. To fill in some time during a lull in the action, I got some film cameras out & did some old school processing & printing today.

I have to say that I am really loving the new Ilfolab 1250RC, absolutely glossy dry prints in seconds.

Wet outside…..becoming warm & dry later

Awful 400 mile round trip to Derbyshire yesterday, but the end result was worth it. I have wanted an Ilford print dryer for years, I originally had a Polysales RC print dryer back in the day, which was adequate, from memory it could dry 6 12″x16″ prints at a time. But I always hankered for a proper print dryer.

Anyway, this one had been advertised on Facebook market place for quite a few weeks, so I made a low ball offer & went to see it. For the price I’d offered it was always going to be coming with me. Now installed in the darkroom & it has been tested & found to be working perfectly. Happy days.

It was supplied complete with the original Ilford Wet Tray, Print Receive Tray & instructions.

Continuing my Film Journey

Having started shooting film again, after many years being digital (circa 1996 with the DCS3) I have recently gone back to my roots, not just shooting film, but B&W only, and processing and printing ‘old school’, I have added a couple of bits of glass recently that were really quite exceptional in their day (and indeed I owned the EOS versions of both). The latest acquisitions include a 20-35mm F3.5L and the newest one is the 15mm F2.8.

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New Addition

Picked up a new enlarger a couple of days ago, it was last seen at the Leica Camera Head Office in Milton Keynes, was sold and not been used, but had been transported through a couple of house moves & ended up in Poole. In really nice condition, it also came with a brand new RR Beard 12×16 masking frame, loads of dev kit, a lot of paper and other darkroom gear. This one and the RRB will be kept, meaning that I have another Leitz V-35 to sell, which is in nice condition as well as a newer RRB 12×16 Masking Frame. Some of the timers etc will also be sold. Have a look here.

Light Seals….

Since being digital, I have not had to worry about light seals, which means that a Canon F1 that hasn’t been used for over 30 years was in dire need of some TLC, not only a service to remove some seriously dried out lubricant, but also some rotting light seals. Upon inspection it seems as if half of the light seal material was actually stuck to the film door, which was great, it meant less material to remove from the channels.

Anyway, ordered some light seal foam, and set about the dirty job of cleaning the rest of the crud from the channels and installing fresh foam and mirror box foam as well.

All done, that was definitely a three beer job, now I just need to do the New F-1, which fortunately is in much better condition, the trouble is there is a film in it at the moment.

Chasing Dust Bunnies Part III

Negative scanned with a Canon D5S, looks clean enough. Went to wet print it, there were issues, the spots on the lightbox/condenser had returned. A quick clean with lighter petrol and good to go. It seems that the contamination reappears, so will have to investigate where it is coming from, seems strange that it is on a downwards facing part, that is nowhere near anything that is lubricated.

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Chasing Dust Bunnies part 2

Having solved the issue with dust bunnies and fibres, now to tackle these spots that keep turning up, I thought that they may have been caused by cross contamination, but fresh dev & fix didn’t cure it. Looking on the negative in the neg carrier with a loupe showed nothing. Where the hell were they coming from? So out with the lightbox, nothing visible even with the loupe…. cleaned it anyway, and the spots had moved. Swapped lightboxes with another Leitz v35 that I have, same issue, different places.

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Chasing Dust Bunnies

Having spent the afternoon in the darkroom, I have some real issue with dust & fibres on the negative carriers for the Leitz V-35 enlarger that I have, no matter what I have tried all I have managed to do is move the dust & fibres from one part of the image to another. Bloody annoying! So I packed it in for the day & sat down to give the negative carriers a thorough cleaning. Back in the day I used glassless negative carriers, which meant I only needed to worry about cleaning the negs. However, the V-35 Negative carriers have an anti-newton glass on the top part of the carrier. I tried cleaning with compressed air, Isopropyl Alcohol a microfibre cloth, without any noticeable improvement.

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Lightbox

Found a rather tired Hancocks A3 lightbox on Facebook market, bargain at only a tenner, had a couple of heavy scratches (seems like someone used a really sharp knife on it) in the perspex, however a polish with a heavy cutting polish and flip the perspex and a deep clean of the case & it looks like new. Will investigate replacing the fluorescent tubes with LED lamps in due course.

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Getting there….

Picked up the panels from the workshop (https://www.aurorapowdercoating.co.uk) who have done a brilliant job, (they also do my RR Beard easels/Masking Frames) now just need to clean & assemble with the new stainless screws & cup washers. It certainly looks a bit better than it did, also free from corrosion. So I reckon I have dragged it from the 1970s into what? Maybe the 1980s or 1990s?

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