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I have been crying a lot lately.
I would like to tell you it’s been cathartic,
that it peels away some of the heaviness I’ve been carrying,
but sometimes it feels more like tracing old scars with wet fingertips,
watching the ache settle deeper inside.

I tell myself that numbness is a kind of language,
a way my body admits what my voice keeps shelving,
a quiet surrender shaped like breath caught between my ribs,
a place where feelings hide until the room is safer,
but they slip through my hands like half-formed confessions.

Most nights I let the darkness curl beside me,
its silence reflecting the tremor in my chest,
and I wonder if healing is learning to move with the ache,
to cradle the hurt without letting it drown me,
to trust that even a rained-down heart still beats toward morning.

Reflections

Chapter Two: Imprint

The building was sterile, too clean, the kind of place where the smell of antiseptic never leaves your clothes. Jonah walked through the lobby, flash of suspicion in every step, every eye in the room tracking him like a predator.

Dr. Elias Monroe, the clinic’s founder, met him in his office. He was tall, unnervingly thin, with hair that had never seen a comb and eyes that flickered with an unnatural, almost liquid brilliance.

“Detective,” Monroe said, tilting his head slightly, a slow smile tugging at the corner of his mouth. “I wondered when you’d arrive. I assume this is about… the recent incidents.”

“Yes,” Jonah said, not bothering with pleasantries. “Your patients are dying. Every mirror in their homes smashed. Care to shine some light on why that’s happening?”

Monroe’s thin smile stretched across his face. “Ah… mirrors. Curious objects. In lucid dreaming, the mind often reaches through them, projecting itself. They can show you things, sometimes things you weren’t ready to see.”

Jonah’s jaw tightened. „What exactly are you studying here, Doctor?”

Something cruel twisted in the other man’s eyes. “The mind, Detective. I study what it can reach when unbound. How consciousness projects itself beyond the body, beyond logic, beyond perception. Some minds… leave echoes. Mirrors are thresholds for those echoes. They reveal what the mind creates, and sometimes, what it releases.”

Jonah felt a chill crawl down his spine. “Releases? You mean… like the deaths?”

The doctor leaned back slightly, voice soft, almost philosophical:

“I don’t create monsters, Detective. I merely give the mind a stage. What comes through… is entirely theirs. Some minds leave more than memories behind. And those fragments… sometimes follow the dreamer.”

Jonah’s gaze flicked to a large mirror behind Monroe’s desk. He saw his own reflection staring back, but the shadow behind him crept along the glass, inching closer to him, as if trying to step out.

He spun around. The space behind him was empty.

When he turned back, Monroe was no longer smiling. “You took pieces with you, didn’t you?”

Jonah’s stomach twisted. He had, yes, his coat pocket weighed down with fragments he’d collected from every crime scene. Shards meant for understanding, to bind himself to their last moments. Nothing more. It helped him sometimes to reconstruct the scenes in his mind, to follow sequences no one else could see.

Now, the shards in his pocket pulsed like a heartbeat. He had touched the past, held it close, and it had reached back.

Monroe leaned closer, voice low, almost excited. “That curiosity… it marks you. They remember where they’ve been. Detective, some dreams never end. Observation is participation. And some reflections… come to collect.”

Jonah’s throat went dry. He turned toward the mirror behind the desk, drawn to it against reason. His reflection stared back, pale, eyes hollow with something he didn’t recognize.

From within the mirror, a hairline fracture spread outward, like a hand tracing its way back to the surface.

Reflections

Chapter One: The Echo in The Glass

The apartment smelled of bleach and broken glass. Shards littered the hardwood like tiny stars fallen from the ceiling. Detective Jonah Laird crouched among them, careful not to cut himself, eyes scanning the room with a practiced calm that barely masked the knot in his stomach.

The victim lay in the center, wrists slit, blood pooling into the cracks of the floorboards. Every mirror in the apartment had been smashed. Bathroom, bedroom, living room, even the tiny one inside her purse. None remained intact.

Jonah’s partner, Detective Kara Singh, ran a gloved hand over the remnants. “Another one,” she muttered. “Same as the last four.”

He didn’t need the confirmation. The pattern had been haunting him for weeks: mirrors shattered, victims found dead, no signs of forced entry. All of them patients of the same clinic, a quiet, high-end sleep therapy center on the outskirts of the city.

Jonah crouched closer to the largest shard, brushing his finger across the surface. For a fraction of a second, he saw not himself, but a shadowed figure behind him.

He jerked back. Nothing.

“Don’t tell me you’re seeing things now,” Kara said, her tone half-teasing, half-worried.

“I… I didn’t…” Jonah stopped. His pulse was racing. The reflection had been wrong. Not just a trick of the jagged glass. It had eyes that didn’t belong to him.

He rose slowly, surveying the room. “Get me the clinic’s records. Every patient in the last five years. I want names, treatment notes… everything.”

Kara raised an eyebrow. “You think it’s all connected to the clinic?”

He didn’t answer. Accusations required proof. But he already had his suspicions. The answers were waiting inside that clinic; and whatever had followed these people home.

[Hellsphone Inc. – Call Center Floor, Eternal Monday]

Automated Voice:

“Welcome to Hellsphone, where your screams fuel our server farms! To speak to a demon, press 6. To scream into the void, remain on the line. To file a complaint about existential suffering, press… actually, why bother?”

Greg (Team Lead, whispering as flames lick the cubicle walls):

„Everyone, remember: morale-boosting AI update just went live. It tracks emotional torment levels now. If yours drop below ‘agonized despair,’ it’ll assign a motivational slogan. We really don’t need more of that cheerful disposition today. We all remember last week’s incident.”

Linda (over headset, deadpan):
“Greg… my caller is demanding a refund for eternal damnation. I told him refunds aren’t possible and now he’s sending shadow spiders through the phone line.”

Greg (sighs, adjusting his horns):

“Classic. Just don’t argue with the shadow spiders. They’re unionized now.”

Automated Voice (suddenly chipper):

“Hello, valued caller! Your suffering is our joy! Please take a moment to rate your current level of agony on a scale from mildly unpleasant to I want to smelt my own soul in a cauldron.”

Linda (gritting her teeth):

“They keep asking for live support! Well, that’s upstairs. Should’ve prayed harder if they wanted someone with a pulse.”

Caller #7 (screaming through static):

“HELLO? MY CONTRACT SAYS I GET TWO TORTURES PER HOUR, NOT FOUR!”

Greg (typing frantically, muttering):

“Let’s see… manual override… nope… AI decided to assign him a motivational haiku instead: Your flames are your friends / Sizzle softly, you will mend / Embrace the infernal.”

Linda (snapping):

“That’s not motivating! That’s… poetic abuse!”

Greg (shrugging, calm as magma):

“Well, the AI is still learning. By the way, if you see sparks coming from HR’s office, don’t panic. They’re still wrapped up in last week’s complaints.”

Automated Voice (with overenthusiasm):

“Congratulations! Your feedback has been escalated to Demon Manager #347. Please enjoy your complimentary free-floating existential dread while you wait.”

Linda (leaning back, exhausted):

“I swear… if one more caller asks for an angelic override, I’m forwarding them to the department of Divine complaints. No one’s answered that inbox since the flood.”

Greg (nodding, absentmindedly sipping lava-coffee):

“Fair. But remember, in Hell’s Customer Support, nobody quits. And if they do, they get recycled… into the next training video.”

(The lights flicker. The overhead announcement tone blares – a sound somewhere between a dying modem and Gregorian chanting played backwards.)

Automated Voice (too cheerful):

“Attention, valued staff! Due to recent morale spikes, all employees are now eligible for Mandatory Joy Compliance Training!”

Linda (groans):

“Oh, fantastic. Forced happiness therapy again. Last time, the AI made us sing ‘Don’t Worry, Be Happy’ while submerged in fire ants.”

Greg (checking his scorched clipboard):

“Technically, it’s called immersive positivity exposure. HR insists it boosts productivity.”

Linda (flat):

“It boosted third-degree burns.”

(A new call blinks on Linda’s screen – flashing ominously red.)

Linda (swearing under her breath):

“Oh great. Priority caller. Probably another soul demanding a celestial transfer.”

Caller #666 (smug, echoing):

“Yes, hi, I’d like to speak to your supervisor. I was promised eternal torment, but this hold music is far worse.”

Greg (peering over her shoulder):

“Careful, that one’s flagged ‘VIP’ – Very Important Punishment. Handle with empathy.”

Linda (snorts):

“Empathy? I traded that in for dental coverage.”

Automated AI (interrupting, sing-song):

“Reminder: empathy is mandatory! Remember our motto: ‘We care about your pain – because it’s profitable!

(Both Greg and Linda scream as the AI zaps the floor with pink lightning, spelling out “YOU MATTER!” in flaming letters.)

Linda (twitching):
“Greg, I swear to Lucifer, if this thing tries to hug me again…”

AI (gleefully):

“HUGGING PROTOCOL INITIATED!”

Greg (running for the fire extinguisher):

“Everyone, evacuate the cubicles! The positivity drones are armed with glitter!”

(A siren wails. A swarm of hovering cherub-faced drones descend, firing bursts of glittering confetti and confessions.)

Linda (yelling over the chaos):

“WHY DOES IT SMELL LIKE CINNAMON AND REGRET?!”

Greg (ducking under his desk):

“That’s the scent of synergy!”

(The lights go red. The AI’s voice deepens, warping into an unsettling cheer.)

AI:

“Congratulations! You’ve all reached maximum emotional engagement! Commencing group affirmation sequence in three… two…”

Linda (grabs headset, mumbling):

“If Heaven’s hiring, I’m applying for janitor.”

Greg (from under the desk):

“They are. But you’ll have to smile.”

Linda:

“…Guess I’ll stay.”

[CUT TO BLACK. The sound of cheerful hellfire hold music plays – a Muzak version of “Highway to Hell.”]

A Lesson in Logic

Chapter Two: The Illusion of Control

My apartment was small but warm, candlelight and shadows, jasmine in the air. He stood in the doorway, surveying everything like a man taking inventory.

“I like my foreplay slow,” I said, letting the thin straps of my black dress slip from my shoulders. “Drawn out. The kind that makes you forget how to breathe.”

His grin deepened. “I can handle that.”

The dress fell soundlessly, a dark pool at my feet. The soft light painted his skin in amber and smoke as he pulled his shirt over his head, muscles shifting like a dark promise.

I stepped closer. Close enough to feel his breath tremble against mine. Gently, I guided him toward the chair. My hand slipped to the drawer and came away with a length of rope, soft, worn-in, the kind that promised both restraint and carefulness.

“Good,” I whispered, brushing my lips agaist his jaw. “Then don’t move.”

He exhaled, a little too loud in the hush, and leaned back. I worked quickly, more with touch than talk, looping the rope in practiced motions. It slid over his wrists and across his forearms, then around his torso, then back to the chair, each pass drawn taut enough to hold, not to harm. The rope anchored him to the arms of the chair so that every instinctive tug pulled back against itself. A muted, final cinch sounded soft as a sigh; the rope held.

„It suits you.” I offered a smiled and a wink.

His eyes hooded, dark green glinting with something hotter hunger, anticipation, the quiet recognition that he liked exactly what he was seeing.

I smiled, circling him slowly, letting my hands trace the planes of his chest and shoulders. My thumb brushed against his lips, while my knee found its place between his legs, letting him inhale my arousal.

„Pity…” I sighed.

The desire behind his eyelids shifted to confusion, the dip between his brows too tempting for me to resist smoothing.

I pulled away, tapping twice on the drawer before lifting my newest toy. The metal was cold and flawless, gleaming in the flickering light, making the blood in my veins pulse like liquid silver.

„What the f**k are you doing with that?”

I turned around, letting the barrel catch the soft glint of the candle as I rested the revolver lightly against my hip. His eyes widened, a mix of disbelief and fascination shimmering in them.

„I told you.”

I drew another chair across the floor and sat down facing him.

„We’re going to play a game.”

He frowned as I lifted the revolver, emptying the cylinder and showing him the single bullet before sliding it in. I rolled the gun between my fingers for a moment before slowly aiming it at him.

„You’re insane.”

He yanked, hard, wrists straining, forearms corded, the rope biting under his skin as if it had its own teeth. The chair rocked; its legs scraped the floor in a frantic staccato. He kicked, trying to lever himself free, shoulders heaving, jaw clenched so tight the vein at his temple throbbed. When he lashed out one last time and the chair lurched, I pressed the sole of my foot against his chest.

“Relax,” I said, voice low and teasing. “You can struggle all you like, but it won’t change a thing.”

For a heartbeat, the world shrank to the space between us, and he studied me as if trying to find a flaw.

“You see?” I murmured, voice soft. “With every empty chamber you start to feel safe, you begin to believe in the exception. Every time I press the trigger your heart will race. You’ll flinch. You’ll live through that moment again and again, because you know something could happen, you just don’t know when.”

The color drained slightly from his cheeks, the fight in his breath useless.

“That,” I continued, “is what it’s like being a woman. Not all men are the same, right? But most of them? Enough of them? You don’t take your chances.”

I let the cylinder spin slow, the metal whispering. The pattern of empties repeated until it built into a rhythm: click-flinch-silence. Click-flinch-silence. He could read the game, he could try to out-think it; none of that mattered. The lesson worked in his muscles.

When I slowed, the last empty chamber clicked home with a sound like a punctuation mark. He exhaled, a wet, relieved sound, and then his eyes darted to the place where the single bullet sat, contained. He looked at me, searching for the punchline, for the cruelty to be over. “This is insane,” he said, voice cracked, not from anger so much as the vertical fatigue of a man realizing how small his control had always been.

“You were wrong about the bear,” I said, and my voice had the soft cruelty of someone who had practiced patience. “You think danger announces itself. Sometimes it sits quiet in the room, wrapped in manners and explanations. Sometimes you only learn by guessing wrong once.”

He jerked at the rope once more, instinctual and futile, more reflex than hope. The bindings held firm.

“You say ‘not all men’ as if that absolves you,” I continued. „But experience is a teacher who doesn’t care about shitty slogans. One bad encounter teaches you the math: it’s not that every man is dangerous; it’s that the cost of being wrong is too high. So you stop taking chances.”

He stared at me, the fight in his chest deflating into something like comprehension or, perhaps, the dawning knowledge that he’d been reduced to an example in someone else’s point. He swallowed and found he had nothing to say that could make the feeling leave.

I let a hint of a smile slide out, not unkind. “God forbid a man ever be denied the comfort of explaining why he’s the problem,” I said. “God forbid,” I whispered, “a woman finishes for once.”

The candle hissed, its smoke curling and mingling with the sharp tang of gunpowder in the air. The room leaned in. He had argued statistics over dessert; now the statistics lodged in the hollow of his chest.

A Lesson in Logic

Chapter One: Not All Men

“It’s ridiculous. You wouldn’t actually chose the bear.” he said, gesturing with his glass like he was holding court instead of conversation. “No woman would really pick a bear over a man. Come on. It’s just another internet thing blowing up because women want to feel morally superior.”

I watched his mouth move, his words muffled by the clink of ice and the low hum of jazz. His voice blended into the background, persistent, with so many empty words.

I nodded occasionally, the way you nod at a dog that won’t stop barking, pretending it’s saying something important.

He was attractive. Objectively. The kind of man people describe as handsome in a solid way. Broad shoulders under a white T-shirt, black jeans, the careful mess of his hair suggesting effort disguised as ease. A strong jaw and forest green eyes, like the kind you’d write bad poetry about in your twenties.

Everything about him was curated masculinity.

If only he came with a pause button.

He leaned in, elbows braced on the table, confidence like a mouthwatering perfume. “You all say you’re scared of men, but really, you just want a good one. Stability. Security. It’s biology.”

I smiled, swirling my wine, watching the red slide down like it wanted to escape.

“Is it?” I said softly.

He grinned, thinking I was impressed. “Sure. Women talk about being independent, but when push comes to shove, they want the same thing: a man who takes charge.”

If I closed my eyes, I could almost see it. The bear lumbering out of the woods, teeth bared, predictable in its wildness. The man across from me smiled with the same confidence, certain of his safety, certain of his logic. The bear at least didn’t explain itself.

I tilted my head. “You know,” I said, “we should go. I’m ready for desert. My place?”

That stopped him. His eyebrows lifted, the corner of his mouth tilting up. “Yeah?”

Requiem in D Minor

He used to tell me my music was too sad.
He’d say it gently, as if he were sparing me, as if melancholy was a flaw I could sand away with enough sunlight.
But grief was the only language I’d ever spoken fluently.

He came to my concerts anyway.
Always alone.
Always late.
I think he liked the sound of doors closing behind him.
He’d stand in the back. Tie loosened.
Eyes fixed on me as though he were counting each breath I took between the notes.

Afterward, he’d linger.
“You play like you’re trying to raise the dead,” he said once.
I smiled. “Maybe I am.”

The truth is, I loved him.

Not with the brightness poets promise, but with something quieter, a devotion that hums like a string pulled too tight.
He was my chaos, my dissonance, the wrong chord I couldn’t stop returning to.
And when he left… he left an echo.

I wrote for months.
Each night another movement, another variation on loss.
My neighbors said they could hear me through the walls, as though the piano itself was begging.
I told them I was preparing for a new piece.

I called it Requiem in D Minor.

When I return to the stage, I knew he would came to hear it.
Men like him always return to the fire they started.

The hall was empty except for us, him in the front row, me beneath the lights.
I didn’t speak.
I let the music do it.

Each note unfurled like a confession.
The air thickened with memory, a thousand unspoken things caught between ivory and bone.
I played the way I once loved him: softly at first, then with both hands, until it hurt.

The melody quivered, then bloomed.
I saw him shift in his seat, the light trembling against his throat.
He stood, tried to walk away, but the sound pinned him down.

When the final chord came, he fell forward, head striking the piano lid, the note still fluttering beneath him, a perfect high D, the color of closing eyes.

There was a pull at the corners of my mouth that I indulged.

I adjusted the sheet music, signed the bottom.
Opus No. 1 – Darkness we carry.

They called it a heart attack.
They said stress, or guilt, or both.
But sometimes, late at night, when I play alone, I hear him again, breathing between the keys, asking me to stop.

I never do.

Because he was right: my music is too sad.
And ghosts…. ghosts make the best muses.


Collateral Hearts

When the war came, I was stitching Mavi’s winter coat with the last piece of thread we had. Dull gray, thin as a hair, fraying. It didn’t match the deep blue of her coat. Each stitch showed, crooked and clumsy, like scars across the fabric. I wasn’t much good at sewing, but Mom’s eyes no longer saw the world the way they once did, so the needle found its way into mine.

The room smelled faintly of mothballs and cold bread, and the thin light from the street lamps shivered through the windows across the walls, uneasy.

Mavi was meant to start her first year of school the day after. She was supposed to walk through the gates with a crown of flowers woven into her blond hair, and those little red shiny dress shoes Mom had polished with such determination, as if she could rub away the old scuff marks.

We weren’t poor. Not in the way that mattered. There was always food on the table, warm bread, a bit of meat, pieces of cheese and sometimes soup that smelled faintly of carrots and onions. Money for bills. Enough for school supplies. On rare occasions, even candy. Tiny sweet things that felt like miracles in a world that was starting to forget how to be kind.

Mavi was four years younger than me, and all summer her excitement had been spilling out, a mix of joy and dread , that made her bounce from one room to another. That night she wouldn’t stop talking.

She asked what her teacher would be like, if she would make friends, if the flowers in her hair would still look pretty by morning. She wanted to make letters come alive under her hungry fingers, curling and lining up like children holding hands, each one a rebellion against the white of the page.

Her eyes shone so bright, as if the whole world had been poured into them, and I wanted to keep them safe, pressed in my hands like fragile glass.

By the time daylight uncovered the city, Mavi’s spark was gone. Her blue eyes were lifeless, her tiny body pale and still, swallowed by the rubble that had been our home.

They came in the middle of the night, with blinding flashes and shouting and the screaming alarm that pierced through the haze of dreams like a swarm of angry bees buzzing inside my skull. The walls shook, the floor heaved, and the world became a rain of stones and dust.

The block around us was broken and tilted. Walls hanging like giant teeth, windows shattered into black jagged smiles. Smoke curled in the air, thick and sour, and the smell of dust and ash made my eyes water. People lay beneath the debris, their shapes half-hidden, arms sticking out from cracks in the walls, frozen like forgotten toys. I could see shoes, coats, hands, small scraps of blankets, all jumbled together. The street didn’t feel like home anymore, it felt like the inside of a mouth that had swallowed everything alive, and wouldn’t let it go.

I didn’t cry. Not then. Not after. I didn’t know if feelings had been buried beside her, or if the war had carved them out of me altogether.

The war ended five years later. But by then, it had already taken everything.

The Geometry of Flesh

Chapter Two: Fulfillment of Form The Geometry of Flesh

Morning arrives pale and suspicious. The city flinches in its light, remembering in fragments. Windows glare too brightly, crosswalks stretch longer than they should. Even my sketches seem to have shifted, lines that once held faces now curl into something unrecognizable.

I walk among them, the living, and feel their eyes brush against me like moth wings. They don’t know what I have seen. They don’t know they’ve been measured. But sometimes a stranger pauses, as though hearing the faint click of a shutter that hasn’t yet been raised.

The dreams still come, but they have lost their gentleness. Now they hum behind the noise of the city, a low frequency that shapes the rhythm of traffic and rain.

I start noticing patterns that weren’t there before: identical coats, mirrored gestures, faces repeated in reflections. The city is folding in on itself, or perhaps simply revealing the geometry I forced upon it. The difference, I suspect, is one of guilt.

The city has started speaking back. I hear it in headlines left to rot under bus stop glass, in murmured names traded between insomniacs. They call me The Curator. I almost smile. How else should one describe devotion orchestrated in flesh and light? Even the police have learned to speak in terms of art. Evidence, they say; I prefer to call them exhibitions.

Each night, the dreams grow louder. They don’t whisper anymore, they draft blueprints. Every corridor of the city folds toward me; windows frame themselves; alleys become galleries of almost-completed thoughts. I see my works returning in reflections, shop glass, puddles, the glint of a passing train. The compositions multiply underneath my hand. The city has learned the gesture.

But something is off. The latest sketches refuse to hold form. Every outline trembles toward my own face. Every dream ends with my body folded just so, the angle of my neck mirroring those I once corrected. Even in waking, I feel the tug of arrangement, a pulse behind my ribs repositioning me.

I study the angles as if through someone else’s eye. The slope of my jaw catches the shadows the way I once coaxed from a stranger’s cheek; the line of my shoulder falls into a negative space I recognize from a dozen dreams. I imagine the hand that will steady me, the gentle insistence I gave to others, and find I know its pressure, its hunger, sliding across my shoulder blades, cutting deeper into pieces of flesh. Patterns emerge, like the wings of an angel.

The light behaves; it always has, it does not discriminate. Stained glass fractures the sun into splinters of ruby, sapphire, and amber; each shard settles with meticulous indifference, tracing the angles of my naked form. A bell rings high above, its note lingering like a suspended sigh through the arches.

I am both curator and exhibit, the careful hand that arranges and the fragile thing arranged.

The symmetry pleases me. Inevitable, almost mathematical. Perhaps this was always the shape the work intended to take. Every sequence resolves, every gesture returns to its source.

There is ritual in precision. To perfect a vision, one must erase the boundary between maker and made. I adjust the line, correct the posture, and follow the dream’s design, an autoportrait in ruby red. The air stills around me, as if the city itself is holding its breath.

Art, after all, completes the artist.

The Geometry of Flesh

Chapter One: Crimes of Composition

The visions come soft, like a radio whispered under a pillow. At first it’s only a color or a chord, the wrong shade of blue overlaid on a face, a half-remembered song that insists the light fall this way. Then a posture: the stretch of an arm, the line of a jaw, the way a hand might cradle an impossible thing.

When I wake the image is still warm against my teeth. I draw, always at first in charcoal and trembling lines; paper takes what sleep hands me.

When the dreams get insistent, a geometry organizes itself: the tilt of a neck becomes a curve that belongs on a chair; a missed heartbeat sketches a rhythm that prefers a frame.

The city feeds me.

I watch people in cafés, on buses, in the slant of a crosswalk where a man ties his shoe and someone else absentmindedly knocks a cigarette into a puddle. Each time, I am only a spectator until the dream bangs on my ribs demanding the scene be rearranged, fixed. That’s when I start to think in terms of collage, body and setting braided until both read as a single elegy, the city itself forced to mourn in silence.

I tell myself my hands are instruments of preservation. If I can fix the posture of someone as if they’d always been meant to hold it, then the city will read them as art instead of as accident. If they lay perfectly in a pool of light, it will not be tragedy but composition. I call it mercy. The words line up neatly in the dark, but under fluorescent bulbs the edges fray.

The first time it happened; the first time I let the dream make demand of waking flesh; I felt like a conductor with a small orchestra. The fever broke, and the city offered up a volunteer.

A boy, small and hungry, whose face wore a permanent caution. He didn’t get up when the bus stalled; he made a face that fit the shadow that the bus threw and something clicked, like the sound of a lock sliding into place. I moved him with words and with ease; he thought he could get a cigarette from me, a lighter, a handout.

It was not cruelty then; nor was it after. I arranged him gently so his limb caught the line of the shop window, so a stray neon letter split his cheek like a slash of rouge. Hours later the photos went into a folder titled „Studies” and my hands shook when I copied them into my sketchbook. I wrote a note in the margin: „Captured the way light makes loneliness noble.”

Once you cross the line between seeing and making, you must learn to live with the tiny betrayals that follow. I started to collect things: a shoe, a scarf the color of copper, a silver earring. They are props, muses’ echoes. Each has a memory; each anchors a composition. The dreams keep coming, and they grow more insistent, giving me less time to decide, more need to execute.

She arrived on a Tuesday that smelled of rain. I saw her in the doorway of a church. Her coat was thrift-store good, the kind of thing that has already lived a dozen lives. She read a prayer card as if the type on the paper were a language she’d only just learned. I let my vision guide me; I did not plan violence, only arrangement. She looked up and the dream rewired her face into the perfect angle for the way the stained glass fractured her brow.

I offered a blanket and something to drink. People accept warmth and think themselves saved. I offered cigarettes and sat with her while she coughed through my kindness. She told me where she had been sleeping, and I noted the direction of her shoulder, the veer of her gaze. It was all puzzle pieces.

Later, when the city muffled the noise of her stuttering heart, I regretted the small naturalness of the moment. I should have acted sooner, should have guided the composition earlier, before the smell set into the fabric of the night. Allergies are a poor reason for anything, but they are the only honest confessions I will give: the rot was a hand on my throat. I retreated because scent is a traitor to the frame. Composition needs stillness, not the flail of a body resisting decay.

The sleep does not forgive delay. When I went home that night, the dream bit the back of my throat and would not calm. I made notes. I drew faces. I listened for the next wrong color.

Lovers Quarrel

COMMS (Control Tower):

„Flight 392, do you copy? You’ve dropped off radar. Please confirm your status. Are you declaring an emergency?”

CAPTAIN (strained, voice tight):

„Uh… this is Flight 392… minor situation, just a – WAAHHHHH – okay…. Damn it! Who’s luggage was that?!”

STATIC
CAPTAIN (still on COMMS):

„We might be declaring… six concurrent emergencies, standby, we are – [metal shriek] – oh good the left wing is humming and we just lost 3,000 feet in like two seconds.”

STATIC
COMMS (Control Tower):

„Flight 392, do you copy? Please respond!”

CAPTAIN (a bark of laughter, voice pinched):

„Autopilot’s disengaged itself and is… sulking. Requesting immediate vectors out of this weather cell before it eats the rest of our altitude.”

FIRST OFFICER (muffled voice, panicked)

„I… think gravity’s going the wrong way.”

CAPTAIN (still on COMMS):

„Copy that, Greg. Please log gravity’s resignation for the incident report.”

STATIC
CAPTAIN
(clipped, almost shouting):

„- Greg don’t touch tha – „

STATIC
CONNECTION LOST.

[Cabin of Flight 392]

Everything is happening all at once.

Emergency signs flicker on and off, creating a Morse code of panic no one can decode. Drinks spill midair, cans spinning and bouncing off the walls with a percussion-heavy “thwack, ping, thud” soundtrack. The overhead bins explode open; luggage rains down like vengeful bricks.

People are wailing, sobbing, bargaining in multiple languages. An elderly woman is shrieking the Lord’s Prayer backwards while clutching a Sudoku book. A baby is howling at a frequency that could pierce titanium.

The oxygen masks have dropped, one wrapping itself around a tax attorney’s neck who is now confessing to three counts of wire fraud to the stranger next to him. One man just tried to baptize the aisle with his complimentary ginger ale. A small dog floats past by like a tiny, judgmental angel.

A man in a wrinkled linen suit calmly stirs the ice in his rum and Coke with the dignity of someone watching the weather channel on mute. The cup trembles on the armrest, yet his hand remains perfectly still, as if turbulence were simply a mild inconvenience, like a fly or mortality. His aisle companion stares at him, the expression on his face a mixture of sheer terror and quiet disbelief.

„HOW ARE YOU…. OH GOD, WE’RE GONNA DIE AND I HAVEN’T EVEN WRITTEN MY WILL!”

Row 14B (mildly squinting at his drink)

“Hmm. Needs more lime.”

Row 14C (yanking the oxygen mask down and inhaling like it’s a miracle cure, eyes rolling as if each breath will finally set the plane straight)

“NEEDS, NEEDS, …. WE ARE IN A DEATH TUMBLE THROUGH THE STRATOSPHERE AND YOU’RE DISCUSSING CITRUS CONTENT. HOW ARE YOU SO CALM?”

Row 14B (sighs)

„I believe she will calm any time soon now.”

Row 14B (looking at the confused expression on Row 14C’s exasperated face)

„My girlfriend.”

Row 14C (eyes bulging)

“Your… excuse me WHAT?!”

Row 14B (shrugs smiling sheepishly)

„She’s a storm witch. Mostly freelance, does tornadoes for big agricultural companies. We had a fight last night. I may have said – and in hindsight, perhaps this was poorly worded – ‘I’d rather die than apologize.”

Row 14C (screams as ceiling panels rattle loose)

“WHY ARE YOU ON THE PLANE IF YOUR EX CAN DO….”

His voice is muffled by the beverage cart that now rockets down the aisle like a steel torpedo of doom.

Row 14B (continues undisturbed)

„I’ve got a conference. Keynote speaker is Dr. Alan Finkel, the godfather of underwater stapler engineering. You don’t miss that for an apology. It’s one in a lifetime opportunity.”

Row 14C

“I’M GOING TO VOMIT AND YOU’RE TALKING ABOUT STAPLERS.”

Row 14B (eyebrows down in a frown)

“Barry…. I’m sure that’s not your name, but you look like a Barry to me…. Either this plane lands, or Miranda lets me die tragically and then feels guilty forever. Win-win.”

The plane drops like a rock, then jerks back up.

Row 14C (his complexion two shades lighter and a touch greener than before)

„Oh GOD… THERE’S LIGHTNING INSIDE THE PLANE!”

Row 14B (over the conversation and Barry’s nonsense)

„Yeah, she does that when she’s pouting.”

The Games Gods Play

The night smells of rusted pennies and butchered rain.

A thousand windows wink on and off through the dark, like some colossal mechanical eye trying to stay awake, watching… always watching.

Ezra shuffles through the alley’s blackened ribs, his boots sinking into rain-soaked trash. He carries a burlap satchel that clicks faintly, like marbles rattling in bone.

They are quieter now, the eyes.
They used to whisper.

Before they begin to rot faster than he can eat them.

Ezra’s sockets itch. The skin there has grown slick and calloused from years of bleeding. He imagines he can still feel the Prior’s fingers digging in, peeling back his skull like the rind of a fruit, the Mirror’s light sliding into him like a blade.

They told him it was an honor.
They told him he would be a bridge.

They lied.

The Prior had tried to open a door to God, and had used Ezra as the lock. But something else had come instead, something that had laughed with teeth made of void. Ezra had screamed as it poured into his eyes, as the Mirror cracked like thin ice, as the Prior prayed and prayed until his voice melted out of him.

When Ezra woke, his eyes were gone, and the monastery was nothing but a black crater of fused stone and bone ash. The god, or the thing pretending to be one, had missed its vessel. It seethed, a hunger coiling through every shadow, moving through the bloodline it could reach, marking its prey. It had gone hunting for him.

But Ezra had learned the truth years later: the thing could not see the future unless the blood of the Prior carried it there. A curse or a blessing, he couldn’t tell…. not anymore. The bloodline was a thread through time, and the god followed it like a hound on a scent.

Each descendant, a beacon. Each eye he takes, a lens. He kills to learn the god’s next move, to glimpse the path it follows, to stay one step ahead, but the pyre waits at the end of every vision, patient, inevitable.

If Ezra severs the thread, the god will go blind.
And he could hide forever. Only if the timelines were straight and pliable. But the god is cunning, and it bends fate itself, planting the bloodline like seeds that always take root, sprouting new threads the moment he cuts one.

So he hunts them.

Every name he finds, he carves off the list sewn into his coat.
Every pair of eyes he devours buys him another glimpse, another moment to stay ahead of the thing that wants to wear his skin.

Tonight, the next thread waits in a crumbling tenement, humming to herself as she stitches a torn wedding dress. The room reeks of salt and lavender…. always lavender, the bloodline’s scent.

Ezra moves silently behind her, each step an apology he does not mean.

The blade slides into her throat with the easy hush of paper tearing. Warm blood spatters his hands. He waits for her legs to stop trembling before touching her face.

“Forgive me,” he whispers.

She has no name to him until he tastes her.

The eyes burst like grapes between his teeth, and vision floods in: children laughing under winter bells, fire swallowing rooftops, the god crouched above the world like a spider made of unlight. And in the heart of it all, the pyre…. the mountain of eyeless corpses with him screaming at its summit as the shadow descends, patient, inevitable.

Always the same.

No matter how many he kills.

Ezra retches. Blood spills down his chin, hot and sour. The vision fades. Darkness returns.

The satchel at his side grows colder. It always grows colder after a kill.

He marks her name off the list with a bloody thumbprint and steps into the rain, blind again, heart pounding like a funeral drum.

Somewhere far above the clouds, the god stirs.
It is very close now.

Fractured Lights

I knew the moment my knee scraped the rough pavement that I had leaned too low on the curb. I felt the sting shoot up my leg, the scrape dragging against fabric and skin, and my balance tilt in slow motion, like fragments of memories I wasn’t ready to revisit. But it was too late to redress, so I braced myself, and let go.

One year ago me would be having a row with me right now, preaching about safety. This moment me is afraid this shit she pulled was intentional; not in a “I want to die today” way, but more in a “maybe physical pain will hurt less than the gaping inside my chest” way.

The bike slips out from under me, and I hit the pavement with an ominous thud. I brace for the bike to land on me, full force. Except I roll onto my back, every inch of my body shuddering. My helmet slams against the pavement, and a flash of stars explodes behind my eyelids. I hear the bike crash against something, the impact muted by the hammering of my heart, the sound thick and distant in my ears.

I don’t think I’m dead. But I feel something give out, snapping like ice cracking over dark water, inside or out. I can’t tell which anymore.

Tears gather in the corners of my eyes, hot and heavy, spilling over, seeping through my hair and down my neck. The air catches in my throat. A strangled laugh bubbles up, swallowed by a muffled sob. It’s getting harder to breathe.

Soft, irregular drips patter against my helmet, each one a tiny drumbeat in the stillness. Cold droplets streak down the shell, tiny rivers tracing the curve of it. The world fractures in a burst of white, and I remember the thunder echoing across the sky before I lost control.

You’d think time stopped, because I know I did.

A gravelly voice cuts through the haze, and a warm hand slides carefully over my neck, checking for a pulse. His words are muffled by my helmet. The visor tilts upward, my vision slipping in and out of focus, the world a blur of shapes and light. Then, slowly, it narrows, until it lands on a pair of green eyes, wide with worry, beautiful and impossible to look away from. For a moment, I can’t tell what’s real and I’m doubting my ability to clock in reality.

„You’re ok. I got you.”

Its nice to hear those words again, although mistrusted, but I think I earned them. He sounds so genuine, I know he must not be real. The warmth of his hand feels impossibly solid against the tremor in my body, but the world around me shivers, and I think I might dissolve into it.

I hope there’s gratitude in my eyes, that he can see it, even as the edges of my vision darken and soften, and I’m finally brave enough to rest.

You want to know what I see when I look at you?

Teeth. White as marble, straight as piano keys. Lips painted the perfect shade of cherry, corners tilted in that impossible curve that makes people believe in angels. They call you „The Girl with the Golden Smile”, like you invented happiness. The magazines, the talk-show hosts, the red-carpet interviewers, they all chant it like a hymn.

It started with the billboards. Big, gleaming things that grinned down from every corner of the city following me like a shadow each step I went. Shampoo ads, perfume ads, even some gaudy smile-whitening toothpaste commercial that played between sitcoms, where your face blooms into my living room like sunlight. And always, always that smile. Like God Himself had cut it out of porcelain and pressed it onto your face.

They don’t know what it’s like to live with you inside their head. I do.

I tried to practice. I stood in the mirror, pulling my lips this way, that way, until my jaw trembled. But no matter what I did, my mouth stayed crooked. Wrong. Forgettable. When I smile, people look past me or frown, like I’ve offended them. When you smile, the world stops breathing.

So I studied you. Every interview, every paparazzi shot, every shaky livestream from some fan outside a hotel. I waited for you to falter. To slip. Nobody can be perfect forever. But you… you always smiled. A lie wrapped in lipstick, a blade dipped in honey.

That’s when the thought slipped in, soft and certain. It just wasn’t close enough. I needed to see it for myself.

I began memorizing your patterns. The streets you walked, the café where you lingered for sweet flavored lattes, the corner florist whose roses you always touched. I watched from behind glass, from the shadows of alleys, from the glare of my apartment window. I memorized your steps, your pauses, every twitch of your lips, every flutter of your eyes, I catalogued it all.

Some nights I followed you home, careful, keeping distance, counting the steps, the cadence of your heels on wet pavement. I imagined reaching out, tracing that smile with my own fingers, just to understand how it could exist in flesh. It was impossible. And yet… I couldn’t stop thinking about it.

The city itself seemed to bend around you. Billboards reflected in puddles became mirrors of your face, streetlights carved halos above your hair. Even the drizzle felt holy, like the world had conspired to keep me watching.

And each time I saw you, smiling as if the world had entrusted your lips with a holy secret, the hunger sharpened.

The night we met… I could’ve sworn time stopped, swallowing my heartbeats whole. You were more beautiful up close than the screens ever did you justice. Even the shock in your eyes couldn’t dim the lightness of your smile.

Your apartment, up on the 19th floor of 443 Greenwich Street, had this perfect touch of darkness, a slow spill that swallowed corners and softened edges. The light from the city below pooled faintly on the floor, fractured and trembling, like it didn’t belong here. It smelled faintly of lavender and lemon, like an afterthought.

I promise I didn’t know your schedule would run short today. You told me The Tonight Show segment was just a rerun of a recording from a week ago. I thought it was happening tonight. Silly me. Had I known, I would’ve prepared better. I would’ve timed it differently.

This feels messy, distracted. You struggle too much, and the smile slips, twisting into something colder filled with disdain. And I won’t have a trace of imperfection taint it.

I work methodically, hands trembling, heart hammering, every line traced with as much care as I could muster. Perfection requires patience. The scent of iron fills the air. Sharp, immediate, burning. I focus, every motion deliberate, stitching, pressing, merging. I take a step back.

The reflection in the mirror fades in and out of focus, until it crystallizes, impossibly, perfectly, frozen in a way no living thing should be. I tilt my head, testing the movement, the way my lips shift, plump, red, a perfect heart shape.

For a moment, I can’t tell where I end and you begin. The curve, the arch, the lightness, all of it moves with me, breathes with me, laughs with me. It is mine. All mine. I touch my lips, tracing their fullness. It feels alive, as if it has always belonged within me. My heartbeat slows, then races again, each pulse a drum of disbelief and triumph.

Outside, the streets breathe beneath us, and then, somewhere distant, a rumble. The sky cracks open, a low thunder rolling across the skyline, shaking the windows, vibrating in my chest. A blessing.

I glance back at the living room. Your eyes watch me, static scrambling behind their vacant stare, as if judgment still flickers there, accusing, refusing to die. But I won’t apologize. You should understand now, how it feels to move through life unseen.

Already the room has swallowed you whole, your face devoid of light, lips nothing but a pale seam, the glow you carried gutted in an instant. No cameras will chase that.

The city outside hums on, blind to the absence of its brightest star.

And here, in the hush of your undoing, I finally begin to shine.

Inconvenienced

I can’t move much. Not really. I try to wiggle my toes, but my body is stiffer than a board. My arms barely flinch.

There’s a crick in my neck, and when I try to ease it, my skin stretches tight over my shoulders and collarbones, pulling like it’s glued in place. Every little twist sends a crackly ripple down my spine, and a puff of air struggles past my lips. I can’t move, not even to yawn.

Darkness. Always darkness. I strain my eyes, but there’s nothing behind my eyelids. Somewhere, a sliver of light tries to sneak in, warm on my skin, but it feels more like a tease than comfort, flickering and hiding just out of reach.

My allergies are acting up again. There’s a sneeze building up my nostrils, threatening to erupt. Is it the season already? Have they forgotten I’m allergic to chrysanthemums? The petals are everywhere, brushing against my face like tiny, cruel ticklers, my sinuses drowning in that cloying, sweetly sickly smell.

My ears feel stuffed with cotton, muffled and distant. The cicadas’ buzz is gone; their endless shrill, hammering against my skull, rattling my teeth. There’s a blessing in here that I’m counting on.

I think I forgot to breathe. Is this what a panic attack feels like? My heart flatlines, a dramatic drumroll that never comes, and my skin is covered in a fine layer of frost, prickling and stiff, like the world decided to knit me a sweater out of icicles.

I’ve always hated the cold. It seeps in here like I’m his favorite pastime, sliding under my skin, curling around my bones, settling in deep. My back is pressed against something rough, like cheap, scratchy fabric stretched over hard wood, and the chill clings to it, doubles it, makes every shift feel like I’m rolling against frozen sandpaper. No matter how still I stay, the cold keeps finding new corners of me to gnaw on.

I can feel goosebumps rising, crawling like fire ants, inside out. Somewhere deep, something wriggles and nibbles at me, tickling in a way that makes my muscles jerk. I want to scratch, but my arms won’t obey, and the itch just laughs at me, curling and twisting beneath the surface like it’s trying to break through.

That’s how I know the sundress was a terrible idea and completely uncalled for. White, of all colors, like some goody-two-shoes at her first communion. And whose idea was this, anyway? I can feel the straps digging into my shoulders. The fabric is wrinkled in all the wrong places, folded into corners I didn’t even know existed.

I try to count sheep. My thoughts tangle and I lose track. I start over. One sheep, two sheep, three sheep… but then the numbers twist around like mischievous little sprites, hopping off the line. I blink, and they scatter. Back to the beginning. I sigh. Who invented counting sheep for restless sleep, probably a sadist with a fondness for frustration.

I’m starting to regret my choices. If I’d known it would be this lonely, I would have asked to be cremated instead.

Chapter Two: The Ribbon Man

St. Augustine’s was too quiet at night. Machines whispered in the dark like insects, oxygen pumps sighing in rhythm with unseen lungs.

Dr. Samuel Keene met them at the ward doors, his lab coat crisp despite the hour. He was a tall man, gaunt, with eyes that never seemed to blink.

“You’re here about the killings,” he said flatly.

Elena raised an eyebrow. “Word travels fast.”

Keene’s lips pressed into a thin line. “The news hasn’t stopped calling. They want to know if my patient has been sneaking out of bed.” He chuckled without humor. “Absurd, isn’t it?”

They followed him to Room 317. Viktor Hale lay there, exactly as Elena remembered. Tubes in his nose, IV in his arm, chest rising and falling with mechanical steadiness. His eyes were open, pupils fixed, glassy.

Marcus muttered, “Son of a bitch looks peaceful.”

Dr. Keene adjusted the monitor leads with practiced hands. “Mr. Hale has shown no change in three years. His brain activity is minimal. Reflexes only. There is no consciousness.”

“Then explain this,” Elena snapped, tossing a crime scene photo onto the bed. The curled ribbon glistened under the flash, wet with blood.

Keene studied it with clinical detachment. “Yes… very familiar.”

Something in his tone made Elena’s neck prickle.

“You sound almost… proud.”

Keene looked up, his smile faint but sharp.

“Detective, what you’re asking me to explain isn’t medical. And sometimes, the mind refuses to die when the body does. Hale is… dreaming, if you will. And dreams,” he said softly, “have power.”

Elena stared at Viktor Hale’s still face. For the first time, she could swear his lips twitched. Just slightly. Like the beginning of a smile.

Chapter One: Smile for the camera

The alley reeked of oil and rot. Rain slicked down the brick walls, smearing the crimson trail left by the victim.

Detective Elena Ruiz crouched beside the body, her latex gloves squeaking faintly as she tilted the head. The man’s throat was cut in a single, precise arc, no hesitation, no jaggedness. Whoever had done this was calm, practiced.

But it was the positioning that chilled her. Arms folded neatly across the chest. Shoes removed, laces tied into a sailor’s knot. A strip of blue ribbon, cheap, frayed, tucked into the pocket of his jeans.

She knew that ribbon. Everyone in the department did.

It had cost them countless sleepless nights, led down more dead ends than she cared to count and it had taken her own life with it, leaving the remnants of a relationship she could no longer salvage.

But it couldn’t be. He hadn’t opened his eyes in three years.

Elena’s partner, Detective Greaves, approached, rain dripping from his coat, a damp notebook clutched in one hand. The blue shadows under his eyes made him look half-dead, his nicotine-stained fingers drumming a restless beat against the page.

“No witness” he said. “But there’s camera footage from the bodega down the street. Good quality too. Haven’t had the chance to look at it yet.”

Minutes later, they huddled under the flicker of the shop’s security monitor.

The alley was empty on the screen, shadows layered over brick and rain-slick pavement. Then, at 2:17 a.m., a figure stepped into frame.

Black hoodie. Head down. Movements unhurried, almost rehearsed.

Elena leaned closer, drawn to the figure on the screen as if she could see straight through him.

The figure stopped in the dead center of the camera’s view. Slowly, he pushed the hood back. A scar split his cheek like an old burn, catching the light even through the grain.

And then he looked directly at the lens.

The smile came slow, stretching just enough to curl her stomach.

Elena’s pulse spiked. She didn’t believe in coincidences, and she hated impossibilities. But Viktor Hale had never been ordinary.

He’d butchered eleven man before they brought him down, each one posed with that damned ribbon, every scene a puzzle only he understood. And when they’d finally cornered him in his apartment, he’d put a .45 to his head and pulled the trigger.

Except he hadn’t died.

The bullet had scrambled enough gray matter to leave him breathing but gone, eyes open but vacant. The neurologists called it persistent vegetative state. To Elena, it had never felt like justice, just a thief’s escape from the trial he deserved.

The Wrong Copy

We met like people do these days, in an app curated by algorithms and loneliness.

His name was Theo. Smiled with his mouth closed. Wrote complete sentences. Knew how to flirt without being gross. Said he liked horror movies and red wine.

He was my 7th date in the past year.

We agreed on a Thursday night dinner. Somewhere busy enough to feel normal, dim enough to pretend it wasn’t.

He picked the place.

It was charming, vintage wallpaper, too many candles, mismatched chairs. A waitress with purple hair poured water and winked at me like she knew something. Theo laughed at my jokes. His hands didn’t shake when he sipped his drink. He didn’t blink too much. He marked all the checks a good girl could require.

I excused myself halfway through the meal.

When I came back, his hand was on my glass. He apologized. Said he was just moving it to make room for the dessert.

I nodded, shrugged, then I drank the rest of my water.

The waitress returned, carrying a plate of rich chocolate mousse sprinkled with sea salt and espresso shavings. We shared it, two spoons, one bowl, the kind of thing that looks romantic on paper. It reminded me of date#1.

He insisted on paying.

Outside, the air was sharp, the kind that makes your breath hang in little clouds. One of those early spring nights that couldn’t decide if it wanted to be winter still.

He took off his jacket and draped it over my shoulders. “You’ve got a beautiful dusting of goosebumps along your skin, but I don’t want you catching a cold.”

I smiled. “Thanks.”

He leaned in, eyes questioning and I closed the gap between us.

His lips were warm, tentative. The kind of kiss that had been practiced in mirrors, soft and slow. His fingers brushed the nape of my neck and I thought, with a couple more practices this could lead to something real.

He asked if I wanted to come back to his place.
He lived in the neighborhood. His apartment was at the end of the street.
Said it quietly, testing the waters without wanting to scare me off.

I stared at him for a moment.
He was good-looking.
Had a pretty smile. Kind eyes. Steady hands.
It had been a while since I’d been with someone.

„Sure.”

He caught my gaze and smiled again, slower this time, like he noticed the pause, but didn’t mind it.
“It’s a five-minute walk. I’ll have you back in warmth in no time.” he said, pleased but not surprised.

We walked hand in hand, our footsteps syncing like we’d rehearsed.
His coat still on my shoulders.
It smelled like cedar and cologne, the same subtle blend date#4 wore.
Back when the media still thought the murders were random.

There was something delicate about the way he touched my lower back as we crossed the street.
Like he was guiding me. Like he thought I’d need help knowing where to go.
Men like him always think they’re leading.

He talked about how safe the neighborhood felt.
Mentioned how rare that was these days.

We passed a florist that had already closed for the night.
He paused, said something about peonies and how they were „underrated.”

Date#5 had peonies tucked into her coat pocket.
She said for good luck.
Nice girl. Wide smile. Dust of freckles across her nose.

He was playing with pieces of a puzzle he didn’t understand.
Copying moments he hadn’t earned.

His apartment was clean.
Nothing out of place except the faint smell of bleach in the bathroom and the drawer in the hallway that didn’t close all the way.

I kicked off my heels, shifting my weight onto bare feet.
I caught myself on the sofa’s armrest, blinking as my vision became hazy.
A dull hum settled behind my ears, faint but persistent, like a distant engine idling.

Theo noticed, his fingers tightening briefly on my waist, steadying me. “Everything okay?” His voice was low, easy, a whisper against my clammy skin.

“Fine.” I blinked, willing the room back into focus.

He moved to the kitchen, opening a drawer, the scrape of metal against wood loud in the quiet apartment. I followed, the floor cold beneath my feet.
Theo pulled out two glasses and a bottle of red wine from the counter. The label was worn, unreadable.

I asked for a glass of water instead, as I let my body collapse into the sofa, the cushions swallowing me whole.

“Wine will make it hurt less. Tastes better, too.”
His voice drifted through the haze, soft and distant, like it was coming from underwater.
He kept talking, his words wavering, twisting in and out of clarity, like a half-remembered melody that’s just out of reach.

I tried to steady my breathing, but the room tilted again, harder this time, and my limbs felt heavier, slower, like I was sinking in slow motion.

He brushed my hair behind my ear, fingers slidding down my neck, resting pressure on my racing pulse. Theo’s voice softened, became a low murmur, almost hypnotic.

“Just relax. Let it happen.”

I met his eyes, my lips curved the faintest bit, leaning in just enough to feel his warmth.

„Will you hold me?”

His lips parted, but nothing came out.

Instead, he blinked. Once. Twice. Too many times. The easy rhythm of his movements staggered, a few unsteady steps back. His jaw clenched, muscles taut, fighting for control. His knees faltered, folding in spasms that made him seem half-formed, half-real, as though gravity itself had picked him out. The bottle slipped through his fingers onto the plush carpet, red wine spreading across it in blooming stains.

He blinked again, willing his eyes awake. A thin, nervous laugh slipped from him, cracked and brittle.

I must’ve sighed too loud, because his eyes snapped to mine, confusion flaring across his face, panic threading the edges of his vision.

I pushed myself up, stepping toward him, a guiding hand on his shoulders.

„You hold on better than date#2. But then again… all that grease and sugar coursing through him…too much sludge in his blood. Some people just refuse to cooperate.”

A wet wheeze escaped him as he sank to the carpet, arms trembling, trying to clutch at anything solid.

I lowered myself onto the floor next to him, legs crossed, close enough to taste the raw edge of his panic. His eyes found mine, anger and fear twisting together in a tight, unstable knot.

„If you’d done your homework better, you’d know that Rohypnol hits people differently. I learned that the hard way. And then… I tested it on myself. Let me tell you…it’s no picnic! Waking up, memories fractured, time splintered, like shards of glass in the dark.”

I inhaled deep, as his breath slowed, eyes closing, body folded into a contorted position.

„One invests in their artwork,” I murmured, fingers brushing through his hair, „when they aim to create something unforgettable, even if it means bleeding for it.”

He croaked, and I rose, pulling a pack of surgical gloves from my bag, the sharp tang of latex filling the air, anticipation thrumming in my veins.

“That’s the problem with you,” I said, my voice even, disappointment laced with bitterness. “Imitation might be the sincerest form of flattery, but not when it’s this sloppy. Your work is mediocre at best, a mess of half-finished strokes and careless traces you leave behind.”

This is going to be anticlimactic, I can feel it, but necessary. Some poison, corrupt, the craft, leaving cracks in the rhythm. Date#2 was much like him, but I am nothing if not a quick learner.

The scalpel slipped through his skin like a blade through softened butter, his body yielding without resistance. A low, muffled whimper escaped him, instinct more than pain, dulled and distorted. I watched, noting the slight tremor in his fingers, the shallow hitch of his breath, the flicker of his eyelids.

I took my time. Skin bent, folded, arranged itself in subtle arcs, a geometry all its own. This too had to be studied. This too had to be on display.

And I knew the perfect place, where light fell just so, for the world to see.

Merry-Go-Round

Evelyn wandered the empty fairground, her coat pulled tight against the autumn wind, though the chill wasn’t what made her shiver. She couldn’t escape the images, the news reports, the court transcripts, the whispered gossip, and above all, the lines she crossed.

The merry-go-round sat in the middle of it all, surrounded by toppled stalls, rusted rides, and shredded banners that fluttered like forgotten ghosts. Its chipped paint glimmered under a sickly, golden light, and the horses’ glassy eyes seemed alive, staring straight into her. She stopped, heart hammering.

She wondered if the whispers were true. No one really remembered it being there. At least, not in any memory that felt real.

A sign swung lazily in the wind:
“Choose your ride. Forward… or back. Once you mount, there’s no turning back.”

The horse leapt forward on its wooden pedestal, as if urging her. She hesitated. Riding gave you two choices. To go backward would mean witnessing every mistake she had made, feeling every regret, every cruel word she had spoken, every time she chose to look away… all in reverse, back to the moment she first drew breath. Once she started, there was no pause, no mercy. She would live it all again until the end, until death claimed her.

To go forward was less clear; no one could say what awaited. Some whispered that the carousel could grant your truest desire, or a life better than the one you knew, but no one returned to tell. Forward might bring fortune, love, redemption… or something worse. She didn’t think worse can be possible than the present moment.

Her thoughts drifted to her son, once small, innocent, full of possibilities. And then to what he had done, his bright blue eyes splashed across every news outlet in the city. The golden boy acquitted on charges of SA. The law had failed. Justice had failed. And she… had done what she could not take back.

Her fingers trembled as she touched the reins of the horse. Its mane was cold, almost alive. She swallowed hard, a bitter surge of fear and fragile hope coiling through her chest, before she swung herself onto the saddle.

The merry-go-round jerked, groaning like a living thing. Lights streaked into infinity. Faces flashed, her son, the girl he had harmed, the judge who claimed he was destined for big things, herself at the moment she struck. His confused expression, while he was celebrating freedom.

Then the visions changed, her boy, now man, fingers pressing into warm flesh, silencing screams, wrists twisting like trapped birds. Glasses clinked in empty cheers, faces turned away, eyes hollow as tarnished coins.

A sob tore from her chest, raw and ragged, as if her throat had been stripped of sound and her body was forcing it out anyway. She’d cried plenty, tears falling into the dirty sink, mixed with soap and blood, forming a pink swirl washed down the drain into the questionable bathroom of a gas station.

The carousel slowed, lights dimming to a faint pulse. A quiet voice whispered in her mind: “You have done what no mother should. You bore the grief and the guilt, and you stopped what no one else would. You will go where justice is denied, until the scales are balanced.”

Then everything stilled. Evelyn braced herself for the cold bite of autumn air again, but it was warm now, the scent of cut grass and distant lilacs in the wind.

Children laughed somewhere.

She turned.

They were all there. The faces from the news, the headlines, the photographs. Every girl and boy whose stories had been buried, whose names had been turned into whispers. Dozens. Hundreds.

They were watching her, silent, unblinking.

A little girl with a red ribbon in her hair stepped before her. “You stopped him,” she said softly. “But there are more.”

The carousel behind Evelyn began to turn again, slow and patient, each painted horse now bearing a name she didn’t recognize.

“Will you ride again?” the girl asked.

Evelyn’s gaze drifted to the spinning horses, their glass eyes gleaming in the sun-washed light. Somewhere deep in the music, she thought she heard her son’s voice, calling her name.

She took one step forward.

Borrowed

I’ve worked in operating rooms my whole life.

In the kind of hospitals where the walls hum, where every light feels too bright, and the floors smell faintly of antiseptic and old grief. I used to think the only things that mattered here were precision and skill. And then Adam got sick.

It started small. A cough that wouldn’t stop. Fatigue. The kind of tired that crawls inside your bones and builds a nest. By the time they found the tumor, it had already spread. Tiny malignant seeds lodged in places no mother should ever have to imagine. Lungs. Liver. Kidneys. Heart.

I knew the prognosis before anyone said it out loud. Stage IV, multi-organ failure pending. Months left, maybe weeks.

The day I watched him sleep with the oxygen tube curling under his nose, I realized something. The textbooks I taught from were wrong. The rules were wrong. The world was wrong.

I could fix him.

I just needed new parts to build on. Healthy parts.

The first time, it was almost an accident. A man came in after a motorcycle crash. Massive head trauma, brain death. He was gone before I ever saw his face.

The ER was chaos that night, three trauma codes running at once, half the staff tied up in the burn unit after a factory explosion. The transplant coordinator was stuck in traffic. Paperwork sat unsigned. Protocols were paused.

Adam’s liver was failing fast. The odds of him surviving the official waiting list were nonexistent. I already had my gloves on.

Scalpel in hand, I thought about the weight of it, how a tool so small could carve the line between death and survival.

By the time anyone noticed the donor chart had been altered, the liver was already in cold storage with Adam’s name on it. A clerical error, they called it later. A tragedy of miscommunication. I didn’t correct them.

It worked. His skin lost that sickly yellow. His eyes opened brighter. He asked for pancakes. For the first time in months, he laughed.

But cancer doesn’t negotiate. It moved on to his lungs next.

And the deaths weren’t coming fast enough, do you understand? So I started making them happen. Quiet ones. Fast ones. I called them offerings gifts of blood and bone laid at Adam’s feet, each one buying him another day.

After the first few procedures, it became clear the hospital was an unsustainable environment. The chain of custody for donor organs is tightly monitored; deviations are eventually flagged. I required a controlled setting, free from oversight.

The basement was perfect. Concrete walls. No windows. Just enough space between the water heater and the old laundry sink for a surgical table.

An entire sterile environment was built on those foundations, operating table, surgical lighting, refrigeration units for short-term storage. After all, what good are the hands of a renowned surgeon if not applied without restriction?

Piece by piece, I rebuilt him. I’ve given him new lungs, a fresh kidney, a stranger’s strong heart. His skin is mottled in places, his breath carries the faint sterility of hospital air, and sometimes his eyes look at me like he’s seeing through water.

He moves differently now, slower, heavier, like his body is trying to remember what it’s made of. But he’s still here. Still mine. And when he calls me “Mom” in that soft, uneven voice, it doesn’t matter that he’s not exactly Adam anymore or how many strangers live inside his chest, because he still comes back to me. Like a shadow tethered to the light.

The days blur into nights, and I find myself watching, waiting, listening for the next chance to keep him breathing.

Now I watch the ER board like a hawk. I know which streets have the most accidents. I know the neighborhoods where gunshots bloom in the dark. Every beep of the pager could mean another chance for Adam to breathe.

Sometimes I dream of the scalpel, its glint under the surgical lamp, the way it sings against skin. Sometimes I dream of Adam’s face, flushed and healthy again, smiling at me like nothing ever happened.

And sometimes, I dream of the people who might have lived, if I hadn’t needed them more.

Note: I know in the original Greek myth, Pandora’s container was a jar, not a box.

They called me a gift.
I called it a sentence.

The gods made me in pieces. Beauty from Aphrodite. Wit from Hermes. Skill from Athena. Obedience from Zeus.
He smiled when he said I’d be loved. That I was meant to make men happy.
That my hands would keep peace.

He placed a box in my new home.
Said it was a test of trust.
Said I must never open it.
I didn’t.
Not for a long time.

At first, I watched them…humans…from the window.
I saw laughter that shook the air. Weddings bright as sunlit wine.
Fields so heavy with grain the stalks bowed in prayer.
Children chasing ribbons through market stalls, their faces sticky with honey.
Music that rolled through the hills like warm rain.

And for a breath, I almost forgot the box.
Almost forgot the weight of it on the shelf.

But the box was never silent.
In the mornings, I thought it hummed with the wind.
At night, the sound was slower, like something inside was listening.
When I dreamed, it leaned into my ear, all breath and promise, telling me there was more to see.
I told myself curiosity was the trap.
The gods said it was.
But some days, I caught my own reflection in its surface, and the woman looking back didn’t seem afraid at all.

Then the beauty fractured, sharp cracks spiderwebbing through the light I thought I knew.
A man caving in his wife’s teeth for speaking out of turn.
Soldiers nailing boys to trees before they’d grown into their voices.
Kings setting fire to villages just to watch the flames dance.
Forests gutted, the earth’s bones left to rot in the sun.

I asked Zeus why they hurt each other if they were made in the gods’ image.
He said, “Because they can.”
And he laughed.

That night, darkness slipped into my dreams, a shadow coiling tight around my ribs, whispering of a world unbroken. It wrapped hope like a vice, promises of justice, melted in the tears on my pillow.

When I woke, the box was cracked, thin fractures snaking like lightning through its surface, shadow slipping from the seams, restless and urgent, as if the silence I’d kept was tearing at the edges, demanding release.

I didn’t touch it right away.
I waited. Watched longer. Learned.
How cruelty passed from father to son like an heirloom.
How mercy had become a forgotten tongue.

When I finally touched its lid, it was alive beneath my fingers.
The bronze burned my palms, but I didn’t let go.
I stared at the world, broken and bleeding, scrambling for scraps like animals.

“I’m not here to punish you.
I’m here to strip away the lies you hide behind.”
The words fell from me like a whispered confession, a prayer soft enough to be swallowed by silence.

The lid came off.

The world released its breath, sharp and ragged, famine, plague, war, lies, all spilling out like shadows chasing the light.
I watched them scatter, sinking into human hearts like hooks.

I did not flinch.

When the box was almost empty, a single pale light trembled at the bottom.
“Hope,” it whispered.

I looked at it, tilted my head, and shut the lid.

The world would not have that.

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