WEEK 22 IN 2024

2024, Photography, Project, weekly project

I will come back to it at a later date, but the current weeks are pretty tough as it is. I deal with a neck hernia, so shouldering a camera is quite painful. Phoebe, my camera that usually hangs around my neck, takes a break. Thankfully though I have smaller cameras to continue my project, like a Ricoh GR Digital III. My wife’s health proves there’s such a thing as Murphy’s Law, thankfully in a mild woman. But still…

The repetitions in life are beautiful too. Maybe they’re not quite so exciting, but the repetition most of the time gets you past the same places. So you see them with a slightly different eye each time. Until it gets dull. Then I always break the pattern a little and repeat the whole cycle. Week by week, day by day.

May 27, 2024
May 28, 2024
May 29, 2024
May 30, 2024
May 31, 2024
June 1, 2024
June 2, 2024

WEEK 21 IN 2024

2024, Photography, Project, weekly project

Last year’s week 21 was a week on the move. Driving my commute to work and a King Gizzard & the Lizard Wizard concert with my son in Amsterdam. These young Aussie lads brought a cluster f&%k of music, and it was a precious moment to see my son enjoying his favorite band.

May 20, 2024
May 21, 2024
May 22, 2024
May 23, 2024
May 24, 2024
May 25, 2024
May 26, 2024

WEEK 18 TO 20 IN 2024

2024, Photography, Project, weekly project

While posting three weeks following weeks in one post I stopped posting my photo a day project on Instagram. Instagram was okay when it was still about the once you followed and those who followed you.

We became the product

At some point social media decided it was commercially more interesting to let an algorithm fill your feed. We became the product and the customers were the commercial parties who bought the add spaces. Our habits, attention, and selling data is all that matters.

Maybe it is me being a Gen X person, listening to sad dad songs, but there is something about the old skool internet ways of trying to keep this blog alive.

"The photograph on the dashboard, taken years ago"
R.E.M. - Nightswimming

WEEK 16 AND 17 IN 2024

2024, Photography, Project, weekly project

Berlin is, on the one hand, a city bursting with creativity and freedom—alive with artists, rebels, and dreamers. But beneath that energy, the memory of tyranny, destruction, death, power madness, and division lingers, trapped within just a few square kilometers. Between these extremes live the Berliners: from the West, from the East, migrants from everywhere, each raised within different regimes, religions, and social realities. They make their homes in neighborhoods like Mitte, Charlottenburg, Wedding, Kreuzberg, Prenzlauer Berg, Neukölln, and Friedrichshain—a patchwork of lives shaped by division and change.

My everyday photo project can’t do justice to this city—its layers, its contradictions. Instead of a sweeping series, there’s only one photo for each day. Even so, for me, it meant a return: I first set foot in Berlin in 1990. The Wall had only fallen six months earlier, and the city was just beginning to realize what had happened. The border itself was gone, but the rift between East and West ran deeper than ever—standards of living worlds apart, political views clashing, one side feeling like winners, the other side lost in defeat. Painfully, even twenty-four years later, the distance between us seems just as great.

Still, a week in Berlin was good for us. We stayed in an apartment on the west side of Mitte, near the Brandenburg Gate—no need to rush and check off every highlight, just like on our journey here. On the way, we stopped at Checkpoint Alpha, once the border crossing between the GDR and FRG. In 1990, strict border controls stopped us for over an hour—now, you can just pause for a curry sausage and walk among the remnants of a vanished division. The city draws you in; I know we’ll always come back.

WEEK 14 AND 15 IN 2024

2024, Photography, Project, weekly project

The past few weeks have caught me completely off guard. Work demands escalated, and a slew of unexpected physical setbacks have thrown my routines into chaos. Now, as week 31 of 2025 draws to a close, a sense of urgency hangs over me – I’m far from where I’d hoped to be with my blog. There’s a persistent need to catch up, to push through.

Though I continue posting my photographs on Instagram and playing with the new Foto App (which I’ve used since late beta), I realize now: my blog is my true domain. Here, I have unmatched freedom—to decide not only what I share, but how I share it.

April 2024 arrived with an unexpected force. The month’s first photograph hints at bleakness, and in truth, the weather matched: wet, cold, and relentlessly grey. Spring was nowhere to be seen. People clung to their winter coats as if not wanting to let go of the last season, a long lasting winterish tension in the air. But then – relief. The release of ‘This Could Be Texas’ by English Teacher in the second week of April hit me like a fresh breeze through an open window. My daily anthem, the album was breath that brought vibrancy into the bleakness of the days.

But not all was calm. On April 9, a storm churned in the southeast skies as I drove east along the A12, South Holland slipping by in flashes. The sun caught fleeting highlights on old telephone poles – a scene these days no longer usual, almost an anachronism in this more modernizing, heavily populated Dutch countryside. I tried to take advantage of the moment, hoping the skewed Dutch angle and bursts of light would put the photo as well as my own sense of obsolescence on notice, offering a glimpse of spring’s long-awaited return.

For next post I had a couple of days off, Berlin awaited.