[Great humour] is no longer dependent upon the mere trick and quibble of words, or the odd and meaningless incongruities in things that strike us as “funny”. Its basis lies in the deeper contrasts offered by life itself: the strange incongruity between our aspiration and our achievement, the eager and fretful anxieties of to-day that fade into nothingness to-morrow, the burning pain and the sharp sorrow that are softened in the gentle retrospect of time, till as we look back upon the course that has been traversed we pass in view the panorama of our lives, as people in old age may recall, with mingled tears and smiles, the angry quarrels of their childhood. And here, in its larger aspect, humour is blended with pathos till the two are one, and represent, as they have in every age, the mingled heritage of tears and laughter that is our lot on earth.
—Stephen Leacock, Humour as I See It (Eris pamphlet, no date; first published in 1916 in Maclean’s)
Showing posts with label tears. Show all posts
Showing posts with label tears. Show all posts
tears and laughter
Labels:
achievement,
aspiration,
contrasts,
humor,
incongruity,
laughter,
panorama,
pathos,
Stephen Leacock,
tears
tears on the pages
Around 1000 A.D., when the Magyars were being converted over to
Christianity, Magyar children were forced to attend school for the first
time in their cultural history: "therefore the Magyar word konyv means
tears as well as book."
—Albert Goldbarth, from “Library,” Saving Lives (Ohio State U. Press, 2001)
Christianity, Magyar children were forced to attend school for the first
time in their cultural history: "therefore the Magyar word konyv means
tears as well as book."
—Albert Goldbarth, from “Library,” Saving Lives (Ohio State U. Press, 2001)
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