Shakespeare’s intellectual action is wholly unlike that of Ben Jonson or Beaumont or Fletcher. The latter see the totality of a sentence or a passage, and then project it entire. Shakespeare goes on creating, and evolving B out of A, and C out of B, and so on, just as a serpent moves, which makes a fulcrum of its own body, and seems for ever twisting and untwisting its own strength.
—S. T. Coleridge, Table Talk (1834)
Showing posts with label totality. Show all posts
Showing posts with label totality. Show all posts
hidden place
Poetry’s freedom resembles, thus, as Plato pointed out, the freedom of a child, and the freedom of play, and the freedom of dreams. It is none of these. It is the freedom of the creative spirit.
And because poetry is born in this root life where the powers of the soul are active in common, poetry implies an essential requirement of totality or integrity. Poetry is the fruit neither of the intellect alone, nor of the imagination alone. Nay more, it proceeds from the totality of man, sense, imagination, intellect, love, desire, instinct, blood and spirit together. And the first obligation imposed on the poet is to consent to be brought back to the hidden place, near the center of the soul, where the totality exists in the state of a creative source.
—Jacques Maritain, Creative Intuition In Art & Poetry (Pantheon Books, 1953)
And because poetry is born in this root life where the powers of the soul are active in common, poetry implies an essential requirement of totality or integrity. Poetry is the fruit neither of the intellect alone, nor of the imagination alone. Nay more, it proceeds from the totality of man, sense, imagination, intellect, love, desire, instinct, blood and spirit together. And the first obligation imposed on the poet is to consent to be brought back to the hidden place, near the center of the soul, where the totality exists in the state of a creative source.
—Jacques Maritain, Creative Intuition In Art & Poetry (Pantheon Books, 1953)
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