The working of last week’s beaded herringbone stitch is on Pintangle. I am still on the catching up mode. This piece is moving faster than the previous week’s stitch.
Back stitch borders are worked between beaded herringbone stitches. The dark pink beads look like red in the picture.

31.125.beadhbonest-1

31.125.beadhbonest-1

After working the beaded herringbone stitches vertically, the beads are added [in progress] in the space made with closed herringbone stitch.

31.125.beadhbonest-2

31.125.beadhbonest-2

This tunic is made of two fabrics, pink /yellow striped fabric for the tunic front and back

pink yellow kutchwork printed sleeves-tunic fabric

pink yellow kutchwork printed sleeves-tunic fabric

And block printed and pin tuck fabric for the sleeves.

pink yellow kutchwork printed sleeves-sleeves fabric

pink yellow kutchwork printed sleeves-sleeves fabric

I have seen sewn tunics made of two or more fabrics, embellished with printed or embroidered borders. A kutch pattern made of small and broad borders was drawn on graph paper for this tunic.

pink yellow kutchwork printed  sleeves-pattern

pink yellow kutchwork printed sleeves-pattern

The embroidery was worked with the colours of the block printed fabric. to enhance the yellow, colour gold beads were also worked into this design. The yoke-

pink yellow kutchwork printed sleeves-yoke detail

pink yellow kutchwork printed sleeves-yoke detail

With the body of the tunic in pink and yellow, I felt it is better to use green as the prominent colour. The pink/yellow fabric was mangalagiri cotton which had a zari border. The borders were also sewn to this tunic. The yoke and sleeve detail-

pink yellow kutchwork printed sleeves-yoke sleeves detail

pink yellow kutchwork printed sleeves-yoke sleeves detail

The tunic-

pink yellow kutchwork printed sleeves-tunic

pink yellow kutchwork printed sleeves-tunic

Salwar in the same yellow shade is worn with this tunic.

The colour of the silk tunic is a mixture of blue and green. This combination is a favourite of people fond of kanjeevaram silk. I had a silk saree in this combination with maroon/pink border. The tunic-

peacock blue silk-tunic

peacock blue silk-tunic

The pattern was drawn with the idea of incorporating sequins and beads on it. The pattern for yoke-

peacock blue silk-yoke pattern

peacock blue silk-yoke pattern

Silk threads in dark pink and medium blue, gold metallic threads were used for the embroidery. The embroidered yoke-

peacock blue silk-yoke

peacock blue silk-yoke

The pattern for the sleeves-

peacock blue silk-sleeves pattern

peacock blue silk-sleeves pattern

Sequins and gold beads were added to the embroidery. The sleeves

peacock blue silk-sleeves

peacock blue silk-sleeves

The tailor had cut and given me the central panel and sleeves to work the embroidery. After I finished the pattern, the tailor made it into a tunic. Actually I bought this colour for a stole, but the tunic does not match with the stole now. I had worn this tunic with leggings, but I want to wear a pink patiala salwar for this.
Since the embroidery was done with silk threads, it resembles the aari work done on blouses. The aari work on blouses are more intricate and more number of beads are also worked on the projects. It is fashionable to wear these blouses.

The tunic fabric is kalamkari block printed handloom cotton.

black kalamkari with mirrors-fabric

black kalamkari with mirrors-fabric

I loved the colour and print of the fabric so much that, I was not planning to do any embellishment on it. When an idea for a broad neck came into mind, I drew a pattern with two borders and one with mirrors. The embroidery was done on black cloth, with the round mirrors worked in black. Red colour was also brought into this work, along with medium blue and cream. The tunic-

black kalamkari with mirrors tunic

black kalamkari with mirrors tunic

Border for sleeves and centre was taken from another tunic fabric. The detail picture-

black kalamkari with mirrors-detail

black kalamkari with mirrors-detail

The fillings were worked with herringbone stitches, outlines were worked with back and chain stitches. I used three strands of cotton skeins. And the spaces between the mirrors were worked in fly stitches.
The tunic fabric is light weight cotton, feels so cool in summer. After giving it to the tailor, I was concerned that the weight of the mirrors might sag the neck in the front. Thank God, It doesn’t. Surprisingly a salwar of the same blue on the tunic was also available to be worn with this top.

The fabric of this tunic is handloom mangalagiri cotton. I think it is a black fabric with beige stripes, because black is prominent. There was another fabric with block printed borders. That fabric had black prints on beige with an orange in between. With idea of using this border fabric for sleeves, back neck, a small mirror work pattern was chosen for the front.
The pattern-

black beige orange mirror-pat

black beige orange mirror-pat

The embroidery was mainly worked with shades of orange with beige outlines. Two or three strands of cotton skeins were used . The embroidery stitches were- shisha stitch, herringbone stitch for filling the triangles, buttonhole and chain stitches for outlining.

black beige orange mirror=yoke

black beige orange mirror=yoke

The back neck with printed border.

black  beige orange mirror bneck

black beige orange mirror bneck

The tunic with borders and embroidery

black beige orane mirror tunic2

black beige orane mirror tunic2

It is easy to work with big round mirrors. Even simple designs can be brightened with these mirrors.

I have a fondness for  ethnic woven scarfs and dupattas which are available in some shops in Chennai, India. The range of these type of accessories is endless. Once in a while, overcome by temptation, I pick up a few pieces. This is one such  tussar silk dupatta.

pink-whcr-dupatta

pink-whcr-dupatta

I bought a white silk crepe fabric with satin flowers as tunic fabric to be matched with this dupatta.

pink-whcr-fabric

pink-whcr-fabric

A simple pattern inspired by the design on the dupatta was drawn for neck and sleeves. The embroidery was done a white cotton fabric.

pink-whcr-neck pattern

pink-whcr-neck pattern

The pattern for sleeves-

pink-whcr-sleeve pattern

pink-whcr-sleeve pattern

Pink shaded silk threads and pink stones were used for the embroidery.

pink whcr-wip1

pink whcr-wip1

The neck and sleeves

pink-whcr-wip2

pink-whcr-wip2

The tunic with the details of the neck and sleeves. Light gold zari thread and pink stones were also used for this work.

pink-whcr-tunic detail

pink-whcr-tunic detail

The tunic-

pink stone emb on white crepe tunic

pink stone emb on white crepe tunic

The tailor had given me the centre piece of the tunic fabric to work the yoke. I was eager to start the embroidery, but forgot to take picture after each thread. The threads used were cotton skeins and metallic threads in green and copper and gold. The yoke-

gregold-y1

gregold-y1

The yoke after completion with beads and sequins.

gregold-y2

gregold-y2

The pattern for the yoke-

gregold-ypattern

gregold-ypattern

The tunic-

gregold-t1

gregold-t1

Sleeves-

gregold-t2

gregold-t2

Yoke-

gregold-t3

gregold-t3

I wear this tunic with same yellow fabric of the borders. This kind of colour combination is typical of south Indian silk sarees. I love this tunic and enjoyed working on this.

Sequins and beads were added to the outer borders worked in chain stitches.

gregold-s7

gregold-s7

The borders are completed and were placed on the tunic .

gregold-sleeves

gregold-sleeves

The border pattern

gregold-spattern

gregold-spattern

Shades of green were worked with cotton skein and metallic thread. And now chain stitches were worked in light green thread on the florals on the pattern.

gregold-s5a

gregold-s5a

Completed with light green thread.

gregold-s5b

gregold-s5b

Small antique gold beads were added on the beads and florals.

gregold-s6

gregold-s6

After working the straight stitches and chain stitch lines with brown thread , the green on the tunic  fabric was the next thread. Chain stitches were worked with this thread.

gregold-s2

gregold-s2

The thread next in line was dark green thread

gregold-s3

gregold-s3

Leaves with metallic thread.

gregold-s4

gregold-s4

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