This poem is ridiculous
in its intent
It presumes too much
as it dances around the truth
It doesn’t address
the source of it
It sings of its intent
without meaning a word of it
It deals in syllables and meter
without decision as to why
those matter
Shifts them from my hand
to your hands
And again doesn’t matter
in the slightest
Except for the truth
in its very marrow
That you need
to sort through
to get to
the back of the bone
This poem is ridiculous
except for all the others
I have written
that tried to do the same
and failed
like a butcher who failed to cut meat
like a child who forgot how to cry
like a man who looked at his hands
decried them as having failed
in their intent
in what he intended for them
to do
~~~~~~~~~~~~~~~~~~~~
onward,
T
Author Archives: Tony Brown
Ridiculous
What The Cat Must Think
All the radiators are speaking to each other.
They burble, they hiss, they speak in secret tongues.
If there is a language to it (and there is) I do not know it.
I know it has secrets — some obvious to figure out;
some less clear and maybe more destructive;
some so far from my knowledge I cannot begin to know.
Meanwhile the cat fountain in the kitchen keeps it up.
A constant burbling, an argument perhaps, maybe just muttering:
the content unclear, the language soothing; the cat pays no mind.
I know it has secrets, mostly in the guise of unformed chatter —
one of them is a pleading: drink me, drink me, please drink from me!
Something like that. As I said, the cat pays no mind.
If I didn’t know better, I’d say the whole house is speaking its mind.
I do know better, of course. Don’t you? Don’t you know
the voice of an inanimate object doesn’t speak words at all —
not to us at any rate. Not to us, not to the animals we keep,
although the cat seems to ignore it all in favor of punching me
in the headside, through the covers, begging me to get up
and tend to her tender needs, her ferocious longing for food
and water and something else: something like understanding.
I deliver something but it’s not strong enough. It never is.
The cat always expects more, of course. It’s in the shoulders,
her back turned toward me on the floor. Get a load of this,
she sighs to the rest of them. He can’t understand a thing.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T
The Walk
( for Logan)
I’m honored to be
part of your sunset,
touched to be gently
ushered forward to the breach
of this road — not to go alone
but to be assisted as I go;
moved that we are together
on this though I am unsure
as to who ushers who
on this road, pushing quietly
yet inexorably toward a closure
that will send one of us forward
and one alone and back
the way we came. I am touched
and honored by the sunset itself,
finally; that those level warm rays
strike you almost as much
as they do me; you go forward
into them — my memory fails me
and I don’t know who goes forward,
who goes backward, which of us
stays in place, watching the other one go;
I only know darkness
holds off long enough
as I, certain at last, turn back from it
into fading light.
~~~~~~~~~~~~~~~~~~~~~~`
onward,
T
Levon, Dock, And George’s Coney Island Dogs
Levon Helm sings
an old Dock Boggs song
that I don’t know the name of
like I don’t know
the name of the smiley face
that’s painted on everything around here
or the name of the Valentine’s Day card
with its lace and formality of love
cut to fit upon a card
I do know they are in Worcester today
on a Sunday that’s as cold
as Levon’s grave likely feels within
or as colder still is Dock’s grave
Everything seems cold to me
here in Worcester
The local residents seem to mind
and are staying indoors
listening to their own music
I think no one but me
is likely listening to this music
listening to Levon and Dock
here in Worcester
I don’t feel much like belonging here
but I seem to have little choice
I’ll fight a battle between
the ragged blues of Levon Helm
and the cotillion of the Valentine ladies
I will fight a Worcester war
in the cold of a winter day
where my coat’s too short for a formal dance
so I think I’ll go down to George’s later
Have a Coney Island dog and a half-sour
Dream of blues and formal music
and thank God I’m here in Worcester
where the divide between them
isn’t enforced ever or even much at all
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T
Kinda Sorta
You speak to me
and I realize suddenly
I don’t know what that means,
what it might mean
over the course
to the end of this road.
Maybe some day
I’ll be replaced. Maybe
you won’t feel a need to speak.
Maybe I’ll even have no need
to listen to it. We will sit
in comfortable quiet
with nothing to say. Or maybe
there will be another person
sitting here in my place,
seat warm from my ass, wondering
what happened, how he got here?
That’s kinda sorta how I got here.
How I got here…it’s a puzzle.
after all. One minute I was elsewhere,
remember; next minute I was here
and not a clue of how it happened.
But I carry on the conversation
as if I was here all along…
One minute I’m here
in my place and the next minute
the someone I am not
is not here now and I’m still over there
in whatever place you and I agree to call
that place.
I don’t know where I am.
I nod and smile in the right places.
I touch your arm with my right hand.
I touch my own face with my left hand.
Feeling nothing, I sit back.
I am in my element: comfortable quiet,
or so I’ve been told.
~~~~~~~~~~~~~~~~~~~~~~
onward,
T
The Radio Makes Me Weep
A rippling acoustic guitar,
thick male voice over that
and a bass note underneath it all —
is that really there or is it just
an undertone coming forth
unbidden? Unexpected tone —
you can imagine the sound engineer
hearing it, liking it, nodding
and saying, “Let’s leave it in.”
Of course I know nothing
of these mechanics of engineering
a song; can barely handle a rhythm
anymore, what with the
accursed disturbance
of the muscles
in my fretting hand,
my left hand,
my strong hand;
but I can close my eyes and dream
of the possibilities there,
I can surely dream of them.
My guitar dreams
of them, certainly;
my hands twitch
under their influence;
my still-shut eyes
twitch as if they weren’t
going to weep.
~~~~~~~~~~~~~~~~~~~~
onward,
T
Patreon update
I will be doing another review this weekend. Doubt it will be of one of my poems; thinking of doing an Emily Dickinson piece…namely, “258”.
onward, T
Minneapolis: January 2026
I ask you, beloved:
what will my killer look like?
Will they come
at night or in wide daylight?
Will they be
in finery stitched from silk, from satin,
dressed in Queen Anne’s lace?
Will they wear
simple cloth, broadcloth,
Kevlar, rags from an old body?
Will they curse
me out for being so much
or so little of what they expected?
Will they feel
it — plunge of bullet
into flesh, easy slip of a blade,
choking hold on my neck?
Will they feel
resistance build, conflict,
bite of holy arms I took up
for glory, for defense, simply
for something to do that felt right?
Will I be scared
or unknowing of what will happen,
what could happen?
Will I turn
toward children nearby, near the old,
the new to this country who did not ever
expect this, the longer term residents who
knew this in their bones, knew it was coming,
the old ones who did not expect this ever?
Will I wring
my hands as they do not, sneering
or worse yet turning away with
a notch in the belt, a nick
in the butt of a gun casually
keeping something like a track?
I ask you, beloved:
where did they come from?
You may go home all a-quiver,
praying for an answer,
wondering about them and their
casual loyalty, their boots
caked with asphalt and a friend’s blood;
asking yourselves as well:
where did they come from? Because
it certainly wasn’t here.
It certainly wasn’t here.
~~~~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T
Phoenix Song
I seize you by the neck
politely but firmly and whisper:
I don’t know if I will see you again
and you pshaw me in
a gently disbelieving voice, scoffing
uneasily at the words.
Later that night comes the vision
of a lab assistant, mine though I am
without a lab; on fire, vividly
on fire; his name is Michael,
but he seems all right, says:
what of it? We will see each other again.
Later yet again I see upon midnight waking
a manticore screaming, a gryphon howling,
a phoenix squabbling then singing
in a stunning voice that melts
the very rocks upon which we are cast.
Later still I pull thin covers over my head
and am enveloped in a form of quiet
broken only by a random pop from
a kitchen radiator. The cat
licks me
fully awake…
what of it?
I will see this again.
I don’t see how
I will see it, but I shall —
I shall hear the song of the phoenix,
improbably sweet; you shall hear me backing
into a distance both next to you and distant;
I will hover like dew above long grass
before dawn; you shall hear me speaking as if
I could forget. I will see every thing again.
~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T
Seeking five people
to offer a topic upon which I will write a poem to bring the total poems on the website to 8600.
Make it funny; make it lugubrious. Just make it hard, complex, etc.
Yes, I am planning on quitting after writing them. I probably won’t but I am going to slow down dramatically. The bulk of my work will be done then. I can close out easily, die satisfied, etc, etc.
So… come on and shut me up.
~~~~~~~~~~~~~~~~~~~~~~
onward,
T
Modern Times
In one second
all your effort will pay off
and there will be a great flood
and commiseration among the peoples
as they realize they were incorrect
and you, not the exalted ones
they were given to believe,
were correct.
In the split moment before that happens
you will rub your hands together
as if they were twigs, as if they were tinder,
as if they could fall into flame and be consumed.
In the two or three seconds after,
you will get up and find yourself
in the clutter of a refrigerator shelf,
between the mayonnaise and the milk,
and rummage through the rest
for a few seconds more
and become annoyed that there is
so little to eat that’s any good in there.
And then, wonder of wonders upon
stars and invoking of gods beyond
the one you know, you will turn
and shed a minor, sour face
upon the kitchen, the rug,
the old wooden floor, and
swear you will change it all
for a sorcerer’s dry cave
next time, next time
the rent is due.
~~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T
Future Is As Future Does
( for Deb B)
First thing I do every morning
is cover my head in the bed
so Miesha doesn’t come up
and lick my hair,
bathe me awake.
Next things: I piss, wash,
weigh my body, go back to my room
and measure my blood against norms
while Miesha screams bloody murder
for her treats.
After that cat is fed I go, pick up
this computer — and of course, I write.
Sometimes it’s good,
sometimes it’s shit, but either way
it gets done.
Then I sit still for a long,
long time. This is the way
my day begins: every day
the same with the exception
of the marvelous I try to create
on screen, on a paper, in the head
of a reader; in his chest, her chest,
anywhere between the shoulders
and the mountains or the sea
or the moons I can’t see but can feel.
Future is as future does —
can’t you see me now, unshaven, dressed
in ratty pants and rigor, sweating
the details on a mess of words? I’ll
be at this tomorrow unless I die
before then. A woman I know
will puzzle over some of them
before she goes to work the next day.
She will find them suddenly in their intended
ports, right between the chakras.
Future is as future does and that’s all
I can ask of it — that in the future
this poem, like a dart, will meet its mark.
I’ll likely be gone by then, somewhere
down a well-lit road. She will remain
with this ember, this needy glowing spark
of me and my escape from a cage
which she will likely think of now and then
in a different way entirely. Maybe with a cat
in her lap; purring and yawning, bored and content.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T
So
How about you folks ask for some poems? I am tired of thinking of topics. First 7 I like get written with credit given. Make em hard. Make me work.
onward, T
Kojak
When there it is, your guitar
siting next to you on a stand —
a guitar called Kojak (because
it’s a Telly, get it?) in the vernacular
but whose formal name is Telecaster —
which has two waiting single coil pickups
and simple as hell controls, is black and white
and sits there all of thirtysome odd years old —
when the guitar sits next to you asking
to be played, even in some simple way
with simple chords;
when the guitar
doesn’t understand how badly your hands
have decayed; every strum hurts at first
until you figure out some key reasons
to keep at it, to keep strumming
or fingerpicking;
to recall one or two old songs
from your deepest past yet you
don’t really know them well anymore,
they are rising and falling in the mist
you call your mind these days,
you have to struggle to recall them, to sweep them
forward to your hands, to shift Kojak
on your lap to get any purchase upon them;
when this happens, do you give up the struggle
for the songs, do you put the guitar back on its stand
and whisper, “another day, Kojak, another day,”
or do you stretch your hand back
to its deformed players’ shape
and go back to it, the song coming out
wrong again and again but still, you and Kojak
keep at it until your hand cramps, your brain
closes your eyes, and you sit there for a long time
after, asking the guitar: “who loves you, baby?”
~~~~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T
The Type Of Thing
It is the type of thing
where there is fire in treetops
nests are burning
child birds are burnt as old ideas
shades come back as ashes only
eggs pop as
old fireworks in question as to whether
they will sizzle and pop or
thud softly as rain on dirt
It is the type of thing
where your mind slips softly off of mine
and I stand alone without it
where you are my mistake unforgiven
you cease existing
as soon as I speak
dissolving in a rain like the last one on dirt
but this time it is raw and undaunted
and burns through like magma
and now I don’t know if it is real or
what it means if anything
It is the type of thing
where I wish we’d gotten to Mars
or Venus or anywhere not here
where we would have set at once into
making beautiful industrial land
into some Himalayan factory
smoothing impossible mountains
into a roadside sign for what is made
by turning rock fire and liquid smoke into a plan
for future rotten games
It is the type of thing
where I will look into someone’s eyes
and ask all these questions
where I will look into your eyes
for some certainty as to a windfall
from this swarm of binding blinding insects
where I will look past your face into
an incipient world on a verge of coming forth
hoping for this against all hope
the type of thing
that does not come to us often
or ever at all in fact
but we may still hope
God knows
we will still hope
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T
