Showing posts with label ancient manuscripts. Show all posts
Showing posts with label ancient manuscripts. Show all posts

Sunday, June 2, 2024

Ancient Manuscripts of Classical Latin

Sir Kenneth Clark, talking about the Italian Renaissance, put the number of surviving ancient manuscripts at no more than 3 or 4, and I naturally jumped right out of my skin, all the more so because Ken generally knew what he was talking about.

No, Texts and Transmission unfortunately does not give a total, although it naturally can be some help here.

If we take AD 500 as the cut-off point, Mynors' edition of Vergil lists 7 or 8 (7 or 8 because one is described as "saec. v/vi"), there are 7 or 8 ancient fragments of Cicero (once again because one is of the 5th or 6th century), the palimpsest of Fronto is of the 5th century, and the palimpsest of Gaius is 5th century, that of Gallus 1st century BC. There's a 4th-century palimpsest of Gellius, a 5th-century palimpsest of Granius, 6 ancient Livian manuscripts, 3 ancient fragments of Lucan, a 5th-century palimpsest of Plautus, 3 ancient fragments of the Elder Pliny and 1 of the Younger Pliny.

We have 7 ancient fragments of Sallust, 1 ancient manuscript of (the Younger) Seneca and 5 of Terence.

That makes a total of 46, or 47 or 48. No doubt I missed some and the actual total is higher.

On the other hand, of course, it is entirely possible that Sir Kenneth knew exactly what he was talking about and I don't -- few things could be less surprising than that. If he was referring to the number of ancient MSS known in the 15th century, the number would be smaller than 46, a number of pailmpsests and papyri having been discovered in the meantime. If he was referring to the number known in Italy in the 15th century, the number would naturally shrink again, and even more if he was referring to the number known to a particular individual 15th-century Italian Classicist.

And of course, it can be that Ken had an earlier cut-off date in mind than AD 500.

And of course, if anyone knows of any MSS that I missed, I'd be delighted to hear about it. 

Buy Civilisation by Kenneth Clark at Amazon: https://amzn.to/3PDhP7j 

Monday, February 19, 2018

Manuscripts

I derive great joy from learning about numbers of extant Classical manuscripts. I don't know why. It doesn't bother me that I don't know why. Perhaps it goes back no further than my figuring out, perhaps as recently as 2010, that certain fundamentalist Christians had made widely-repeated, spectacularly-inaccurate assertions about the numbers of manuscripts of some Classical authors, claiming that there were only 20 manuscripts of Livy, 10 of Caesar and similar nonsense.

A few months ago, I found what I had thought was a mention, somewhere in the Bryn Mawr Classical Review, that the manuscripts of Aristotle are literally myriad. I looked up myriad in the OED and discovered that its literal meaning is 10,000.

My memory is not perfect, and for that and other reasons, I should write these sorts of things down more often when I come across them. I realized that what I had seen might not have been what I remembered it to have been. Finally, yesterday, I found it again: the assertion that the manuscripts of Augustine are literally myriad. Augustine. Not Aristotle. Score one for the Christians.

In the process of looking for the reference to Aristotle which was actually a reference to Augustine, I learned a lot of interesting things about Aristotelian manuscripts. Such as that there are very large numbers of manuscripts of Latin translations of his works.

Whether the number of manuscripts of translations of an author's works are conventionally counted in the number of manuscripts of that author -- that I don't know. If it turns out that, between Latin and Arabic and other languages, there actually are myriad manuscripts of translations of Aristotle, would one conventionally say that there are myriad manuscripts of Aristotle? Or would one count only the Greek manuscripts?

Also several months ago, I sent a email to a distinguished scholar, asking him whether he could round out some areas of my knowledge of the Oxyrhynchus papyri project: Are any of the papyri still in the boxes Grenfell and Hunt put them into between 1897 and 1904? Are we approaching the state of things where all that is left are tiny little pieces of papyrus? Questions like that.

He hasn't gotten back to me. That hurts my feelings, but it's entirely his prerogative, of course. Finally today I sent an email to the general guestions-and-suggestions-etc address of the Oxyrhynchus project, which is perhaps where I should've inquired to begin with.

Also a few months ago, I found a reference to a list of manuscripts of Livy compiled by Virginia Brown. I have since learned that Ms Brown compiled all sorts of information about manuscripts which I would find quite interesting. Just today I noticed a remark by Prof Winterbottom in Texts and Transmission, ed LD Reynolds, pp 35-36: "Virgina Brown has listed seventy-five manuscripts [of Caesar --SB] later than the ninth century, and suggested tentative groupings." In the case of the Livy manuscripts, someone in the FB group Classics International kindly gave me a link to the Pontifical publication containing Ms Brown's list -- but, as has so often happened to me, once I've found the website of some sort of Classical catalog or database or publication, I had no idea how to navigate it.

It seems to me that all of these difficulties and many more which I've had are the sort which could be easily handled if I were a Classics student, rubbing elbows with other Classics students and with Classics professors: Say, do you know how to navigate this website? The answer could be: Yes, you just do this and that; or: No, but there's a hard copy of the volume on the shelf right behind you.

I don't think I'll be re-entering grad school. (I'm 56 years old and just as autistic as I ever was. [That's an autism joke, because an autistic person is born autistic and remains so his or her entire life.]) But today I feel slightly more inclined to do so than I have for a while.

Just in case anyone is politely suppressing the urge to ask whether I've ever actually examined any Classical manuscripts -- yes I have, both via photocopies and actually up close in person. But I've spent much more time studying numbers of manuscripts.

[PS, 21 Feb 2018: Speaking of numbers of manuscripts: today I received an inter-library loan copy of M L West's Studies in the Text and Transmission of the Iliad. Some of you may already be familiar with the following figures. They came as quite a surprise to me. On p 86, West says that around the turn of the 20th century, Ludwich cited 33 papyri of the Iliad, that Munro and Allen listed 103 in 1920, Allen raised that number to 122 in 1931, Collart listed 372 in 1948, Pack listed 464 in 1965, in 1990 Sutton said that there were 703, and West says that in his edition of 1998-2000, he made use of 1543, 850 of which were then-unpublished Oxyrhynchus papyri in Oxford's Ashmolean Museum. West writes of Homeric papyri: "They will continue to accumulate. There is no end to them." On pp 88-129, West catalogues 1569 papyri. By the term "papryi," West refers to all ancient manuscripts, whether written on papyrus or some other material. On p 139, West doubts that a thorough catalog of the Medieval manuscripts of the Iliad will ever be written. (Because there are simply too many items to be considered? I don't know. West doesn't elaborate.)

West passed away in 2015, his edition of the Odyssey was published in 2017, and De Gruyter's website says that it consults 500 papyri, 250 of them unpublished.]


Monday, April 27, 2015

Catalogs of Latin Manuscripts

It can be a bit frustrating, looking for manuscripts. In this instance I'm not talking about undiscovered manuscripts, but manuscripts in libraries which are considered to belong to the public, which are available for examination by scholars, which increasingly are digitalized, with high-resolution photographs of them freely available on the Internet.

But how do you find them? Ugh. There surely must be better ways than what I've been going through. I started off today looking for some list of all known manuscripts of Livy. Professor Michael Reeve very helpfully counted up 154 manuscripts of the Third Decade. Then there's that manuscript of books 41-45, that palimpsest of a passage from book 91, and that scrap of papyrus found with several dozen words from book 11. Great. Now, besides those 157 MSS, where's a list of the MSS of the First Decade and the Fourth Decade? I don't know. Maybe there's some really simple way to find such a list, but I don't know that simple way either. If it exists. Editions of Livy list all of the manuscripts used by the editors, but that's only a few dozen MSS all together, and presumably there are hundreds more MSS of which I am unaware. Presumably. I'm presuming. Because I don't know.

Seems to me that a list of all known manuscripts of Livy would be a very handy thing, which a lot of Classical scholars would like to have on hand. And maybe a lot of them do. I need to ask some of them about such things.

I know that some MSS of Vergil and Terrence and Plautus are in the Vatican Palatine collection. I know this because editors of those authors listed those MSS. "Vaticanus Palatinus latine," or "Vat. Pal. lat.," lets me know that those manuscripts are in that particular collection.

How did those editors know? I don't know how they knew.

Here's volume 1 of a catalog of the Palatine collection, listing MSS 1 through 921. The entire Latin section of the Palatine collection goes into the thousands. How many thousands? Search me. MSS 872 through 880 in this volume are MSS of Livy. You know how I know that? Because just now, paging through the online Google book I've linked for you there, I just plain stumbled upon MSS 872 through 880. Does the Palatine collection contain more MSS of Livy besides just those 9? I sure wish I knew. Do the other manuscript collections in the Vatican Library contain more MSS of Livy? I'm almost completely certain they do. How many more? I don't have any faint idea. I don't even know how many more collections of Latin manuscripts there are in the Vatican Library besides the Palatine collection.

All I know is that this is no damn way to run a railroad! You call this a martini?! Get off my lawn! You're darn tootin I'm climbing the walls over this! BARKBARKBARKBARKBARK!!! (That was the sound of me going stark barking mad.)

Sunday, April 19, 2015

Numbers Of Copies Of Books

It feels like I've always been interested in numbers of books: how many copies there are of a certain title, how many books exist in this language or that, how many copies of a book there used to be which are now missing or have been destroyed.

I can't remember not being interested in such things, but the interest had to begin some time. Perhaps it was in junior high, when I got a Dell paperback copy of Catch-22 with "OVER 8 MILLION COPIES IN PRINT!" on the front or back cover. Not long after that I saw a copy of Catch-22 from a later printing. The cover design was mostly similar, but it was red where the cover of the earlier book had been blue; and along with a few other minor changes it now said "OVER 8 MILLION COPIES SOLD!" I took this to mean that when the earlier copy was printed, 1973 perhaps? that printing took the total to over 8 million, and that a year or two later enough of the earlier printing had been sold to honestly say "SOLD!" on the cover instead of "IN PRINT!" Did the cover designers at Dell really keep track that closely of the numbers of copies in print and sold? Am I giving Dell way too much credit for making sure the covers were accurate? I have no idea. For a while I definitely tried to keep track of Catch-22's sales, and I seem to remember seeing conflicting numbers from various sources, but in retrospect, that's explained at least as easily by journalistic sloppiness as by inaccuracy of reporting of sales figures by Dell.



I began to notice that publishers made great fanfare about sales figures, or the number of copies in a first printing, in some cases, and that in other cases they kept the information confidential.

This confidentiality was very frustrating to me -- don't ask for a rational reason why I needed to be informed about the sales figures for Gore Vidal' or Saul Bellow's books. This post doesn't necessarily have a lot to do with rationality -- so imagine how I felt when I became an undergraduate German major in the late 1980's, and discovered that many German publishers provided precise information about the numbers of copies of any particular edition, in the most convenient place imaginable -- right on the copyright page! What a country!

I'll give you 2 examples: On the copyright page of the 1979 Fischer Taschenbuch Verlag edition of Franz Kafka's Prozeß (The Trial), right above where it sez that this is an unabridged edition, stands: "1032. -- 1051. Tausend: Dezember 1989." This means: before this printing, in December 1989, there were 1,031,000 copies of this edition in print, and now there are 1,051,000. The December, 1989 printing was a run of 20,000 copies. Keep in mind, these are the figures for this 1979 paperback edition only. Who knows how many more paperback and hardcover copies of the Prozeß there are, before you even get to huge commercial considerations such as translations into other languages. If Franz Kafka had still been alive in December 1989, it would've been pretty sweet to be Franz Kafka, even if he was 106 years old.

2nd example: volume 3 of the Deutscher Taschenbuch Verlag (commonly referred to as DTV) edition of Heinrich von Kleist's complete works, Dramen, Dritter Teil (Plays, Part Three. The first two lines on the copyright page are "1. Auflage März 1964" and "2. Auflage Februar 1969: 21. bis 30. Tausend." In other words, "1st printing March 1964" and "2nd printing February 1969: 20,001 to 30,000 copies."

Not every single German publisher did this, but it seemed like most of them. I was a kid in a candy store. That's right, I said "did" and "was." Fischer Taschenbuch Verlag and DTV and almost all German publishers stopped putting such information within easy public reach, within a half-dozen years of my discovering those once-wonderful German copyright pages. Now they resemble American copyright pages: sometimes they give the date of the first printing and the most recent printing of that edition, sometimes just the date of the first printing. Apparently American publishers circulated a memo to German publishers: "URGENT! Your practice of giving detailed information about the size of printings has been giving joy to an American citizen, Steven Bollinger. PLEASE CEASE AND DESIST AT ONCE." Or, in the ultra-paranoid version, "[...]giving joy to an autistic American citizen, Steven Bollinger[...]" because American publishers knew I was autistic 15 to 20 years before I found out.

In the rational and non-paranoid version, this had nothing to do with me, and I still don't know why German publishers used to put that info on the copyright pages, and why they stopped. All I know is that if someone writes a book giving an overview of the numbers of books made all over the world, from ancient times to the present -- and that someone might have to be me. I'm not sure that anyone else particularly cares -- the chapter on Germany between 1920 and 1990 will be much, much easier to write than some other chapters.

There may once have been someone with similar interests: Theodor Birt, born 1852 in Hamburg, died 1933 in Marburg, author of Das Antike Buchwesen in Seinem Verhältniss Zur Litteratur,



an investigation of how ancient Greek and Latin books were made and sold.

The numbers of manuscripts of ancient Greek and Latin texts which we have today is a different thing than the numbers of copies of those texts which were in circulation when they were new. Most of the manuscripts we have now were made in the Middle Ages and the Renaissance. And their numbers don't even give us complete and precise information about the relative popularity of ancient authors in the Middle Ages and Renaissance, because chance plays a big role in those manuscripts having survived. Nevertheless, if we have hundreds of manuscripts of a particular ancient text, it's not too much of a stretch to think that that text was popular in the Middle Ages.

The thing is, as far as I can tell, the exact numbers of all such manuscripts are not neatly organized and gathered together in any one place of which I know, as you would expect them to be if a lot of Classical scholars were autistic. There is a catalog (with photos) of all known Latin literary manuscripts from before AD 800, the Codices Latini Antiquiores, 14 volumes plus an index, with 18,884 manuscripts of more than 2000 works, according to Wikipedia. [PS, 27 Mar 2018: Don't ever, ever listen to Wikipedia. And when it comes to Classical Studies, listen much, much less than you generally would. There are not 18,884 manuscripts in the Codices Latini Antiquiores, but 1884. Which means they certainly don't cover 2000 works. 200 maybe? I'm just guessing.] The thing is, there are many more manuscripts surviving today which were made after 800, than before. Many times more, I would think. How many times? I couldn't guess. And I can't find any catalog for manuscripts from all eras which is comparable to the Codices Latini Antiquiores. (Also known as the CLA.)



There are thousands of Biblical manuscripts. I wouldn't be surprised if the number of manuscripts of Vergil ran into 4 figures. I am quite surprised at how difficult it has been for me to find so much as an educated guess about how many manuscripts of Vergil there are. Here and there I run across a figure: There are over 650 manuscripts of Terence. More than 400 of Ovid's Metamorphoses. In 1989, Reeve said that Mommsen, Luchs and Dorey had listed 117 manuscripts of the third decade (that is, books 21-30) of Livy. Reeve doesn't say when they made that list, but in 1987 he added 33 more, and then 4 more in 1989, for a total of 154.



Reeve doesn't say how many manuscripts of the other books of Livy there are.

113 known manuscripts of the third decade -- sometime. Probably some time in the 19th century. Then in the late 20th century that number suddenly grew by over 30%.

I wonder whether anyone has even any rough idea of the ratio of the number of manuscripts of the Latin Classics which we have today, to the total number which were ever made. But before I even start to wonder about that, I have to wonder whether anyone even has a rough idea of the total number of manuscripts of the Latin Classics which we have.

I wonder whether I have a better idea of that number than anyone else, simply because none of the much-better-educated people even cares.

No, surely some of them care at least a little bit.

I need to make up an orderly list of such questions and start going around to Classical scholars and asking them. Who knows, the combination of my obsessions and neurological atypicality may actually yield something of interest or even of practical use to someone someday.

And wouldn't that blow everybody's minds.

Thursday, January 22, 2015

The Oldest Surviving Manuscripts Of Certain Classical Latin Authors

The other day I was chatting with a learned chap, but not a Classicist, who repeated several times, obviously rather astounded by the fact, that the earliest known manuscript of Tacitus is from the 9th century. I was somewhat surprised that he was surprised, but, I repeat, he's not a Classicist. And so I thought that a blog post about the oldest known manuscripts of some Classical Latin authors might interest some laypeople. (A manuscript is something written in ink or pencil on parchment, papyrus or paper. The very oldest copies of Latin which we have are inscriptions, carved in stone as early as 700 BC.)



Most of the ancient Latin poets, novelists, historians, letter-writers and others who wrote before Christianity took over, whom we call the Classical Latin authors, are known to us from manuscripts copied out in the 9th century or later. There are some exceptions.

[PS, 20. June 2016: LD Reynolds, Texts and Transmission, ed Reynolds, Oxford, 1983, says that the two oldest-known manuscripts of Latin poetry are a fragment of papyrus containing 9 lines by Gallus copied between 50 and 20 BC, quite possibly during Gallus' own lifetime (c. 70-–26 BC) and excavated at Qasr Ibrim in 1978, the only currently-known manuscript of Gallus, who until then had been known to the modern world only by the high praise of Ovid and other ancient poets; and the anonymous Carmen de bello Actiaco in a papyrus roll discovered at Herculaneum and unrolled in 1805. This manuscript was made sometime between the Battle of Actium in 31 BC and the eruption of Vesuvius AD 79, which buried Herculaneum in ash.]

Vergil, the papyrus fragment CLA VI.833. In the mid-20th century Lowe dated it to the 4th century, but more recently Seider has revised that to an estimate of the 1st or 2nd century.

There are 4th-century manuscripts of Livy (a papyrus), Gellius and Sallust (a papyrus).

The oldest manuscript of Lucan dates from the 4th or 5th century, as does the oldest of Terence.

The oldest manuscripts of Plautus and of the Elder and the Younger Pliny all date from the 5th century.

Authors whose oldest known manuscripts were copied in the 9th century include Valerius Flaccus, Julius Casar, Quintilian, Tacitus, Macrobius, Ovid, Ausonius, Petronius, Horace, Suetonius, Lucretius, Frontinus, Martial and Juvenal. Don't thank me -- thank Charlemagne. He turned this whole bus around.

The oldest known manuscript of Ammianus was made in the 9th or 10th century. The oldest of Tibullus was made in the 10th century, of Propertius, in the 12th or 13th century, and of Catullus, in the 14th century.

In the case of every single one of those authors, more recent manuscripts play a very important role in establishing the text (that is -- in aiding scholars to make their best attempt to guess what the original author actually wrote). [PS: Except in the case of Gallus, of course, because there ARE no known more recent manuscripts.]

All of the ancient papyri mentioned here have been discovered since the late 19th century. That 1st-or-2nd-century papyrus of Vergil is certainly sensational, but because it's a manuscript of Vergil, it's made less of a sensation among classical scholars than a manuscript of comparable age of, say, Catullus would. It's a little scrap of papyrus, and 7 manuscripts copied out before 500 contain most or all of Vergil's work, as does 1 more made before 600 and another made before 800. Likewise, there is quite a lot of the writing of Livy preserved on 5th century manuscripts, so the 4th century papyrus mentioned above, although quite a nice find, has not been earth-shattering to those studying Livy. On the other hand, 4 little scraps of papyrus containing writing by Sallust, copied before 500, have been found. AD 500, not such a dramatically early date for Vergil manuscripts, or even for Livy, a leading runner-up in the Abundance of Ancient Latin Manuscripts Sweepstakes, but all of the manuscripts of Sallust besides those 4 little papyri date from the 9th century and later, so those 4 little scraps of papyri are -- yeah, somewhat earth-shaking, if you're really into Sallust. (And you should be, he writes rings around everybody else I've mentioned except for Horace and Ovid.)

The fans of ancient Greek are having almost all of the fun with the papyri: millions, literally millions of ancient documents on papyrus have been unearthed since the late 19th century, and most of them are in Greek. I'm not sure whether the number of Latin and/or partly-Latin documents found among those millions has yet gone from the hundreds to the thousands. [PS, 18. November 2016: Timothy Renner, in his piece "Papyrology and Ancient Literature," in The Oxford Handbook of Papyrology, 2009, p 289, describing the corpus of Latin papyri found in Egypt (which is where the great majority of papyri have been found), states that there are "about two hundred known items at present."] So, good for the students of Greek, and as for us fans of Latin: papyri continue to be found.

Wednesday, October 2, 2013

Oldest-Known (To Me) Examples Of This and That Sort Of Writing

A story about the oldest-known, recently-discovered Jewish prayer book (9th century) got me thinking about the oldest manuscripts and inscriptions of various types. Manuscripts, writing made with a pen or similar instrument on something like papyrus or parchment or paper, interest me much more than inscriptions, except that inscriptions are much more durable, and provide us with our oldest evidence of writing. The oldest known complete scrolls of the Torah are several centuries newer than this prayer book. It used to be customary to bury such scrolls when they became worn. Very few have survived from before the 15th century.

As far as any Hebrew writing is concerned, the oldest-known example -- please keep in mind that "oldest known" always means "oldest known to me." I'm not being particularly modest here, just particularly careful to be clear and accurate. Keep in mind when anyone talks about the oldest-known this or that that it always means "oldest known to them." Also keep in mind that all of us are estimating about these dates and that bias sometimes is involved in dating. More about that below -- is the Tel Zayit abecedary, a rock upon which the Hebrew alphabet was scratched in the 10th century BC. Tel Zayit, the rock's location, was over 30 miles away from Jerusalem in the 10th century BC, way out in the sticks in those days. This suggests that literacy in Hebrew may have been rather widespread by the 10th century BC.

The oldest hard copy of whole Hebrew words was found on a tiny silver scroll dating from the 7th century BC, upon which was inscribed the Priestly Benediction: "May the LORD bless you and keep you[...]" etc. Then there are the oldest of the Dead Sea Scrolls, which are as old as the 2nd century BC, and some of them alleged by some to be much older, but I suspect unscientific bias in those earlier datings, but I don't really know.

Examples of Greek from the 8th century BC and of Latin from the 7th century have been found. The earliest Greek texts which are still widely read today are those of Hesiod and Homer. Hesiod was writing around 700 BC -- well, it's not certain that he actually wrote. Many of the earliest renowned ancient Greek authors are known to us not by anything they wrote, but by things which others wrote about what they said. Hesiod may well have personally written down much of the writing associated with him. (On the other hand, some of the writing associated with him was clearly added to the corpus of his works centuries after he lived.)

Of course, in the case of Homer, on the other hand, the question of whether or not he actually even existed is quite controversial. Hesiod helps us out here by inserting many references to his life and his surroundings into his writings. Homer doesn't say anything about himself. Whether Homer existed, or whether the songs of the Iliad and the Odyssey were attributed to a blind singer who never was, is extremely controversial. It's generally agreed that if Homer did exist and did come up with those famous tales, he sand them rather than wrote them. When they were first written down is extremely controversial. Probably in the 6th century BC or earlier. There are many linguistic characteristics in the Iliad and the Odyssey which come from long before the 6th century, but the preservation of these archaic details can be explained by singers carefully copying earlier singers as well as by the poems having been written down before the 6th century.

The earliest hard copies we have of any texts by Homer date to the 3rd century BC, and the earliest copies of Hesiod from the 1st century BC, and there are quite a few copies of both authors from those times up until the 6th century AD, but these are fragments, mostly rather tiny fragments of a few words each, found by archaeologists in the Middle East since the 19th century. One welcome exception to the generally fragmentary nature of these old manuscripts is the Bankes Papyrus, made in the 2nd century AD and containing most of the 24th and final book of the Iliad (18 pages in Richmond Lattimore's translation).

Although the oldest traces of any writing in Latin are almost as old as those in Greek, it's later before we encounter any Latin literature which is actually interesting for its own sake as literature, as opposed to very sketchy specimens interesting only to historians and paeleographers. There's a collection of laws from the 5th century, the Twelce Tables, meh. Yes, extremely interesting for the sake of the history of early Rome, and extremely revered by ancient Romans, but as actual reading material, meh. A Roman literature worthy of the name doesn't get underway until the 3rd century BC with Livius Andronicus, who, like the other two great early Roman writers, Plautus and Terence, was actually a Greek writing in his adopted 2nd language of Latin.

Less interesting to me personally than Graeco-Roman literature and much more interesting to the public at large are the questions of when the earliest parts of the New Testament were written, and how old the oldest copies we have are. As with Homer and Hesiod, so with the Bible (and with a lot of other ancient literature) : our oldest copies are recently-discovered papyrus scraps. Experts seem to agree that the scrap known as p52, containing a part of the Gospel of John, dates from the 2nd century AD and is the oldest New Testament papyrus whose date is well-established.

However, is there a 1st-century fragment of Luke set to knock p52 off its position as king of the hill age-wise? Daniel Wallace, who found it, thinks so. Mark Roberts, who wrote this article about it, thinks that Wallace is correct with this 1st-century date. But here we come to considerations of bias: Roberts, whose article mentions a recent debate between Wallace and Bart Ehrman, refers to Ehrman as an "extreme skeptic." That already makes me somewhat skeptical about Roberts' objectivity. As regular readers of this blog know, I've had my disagreements with Ehrman, but I would never call him an extremist. Wallace, whom Roberts praises and refers to as an eminently reliable scholar, has written books with titles like Who’s Afraid of the Holy Spirit? An Investigation into the Ministry of the Spirit of God Today and Dethroning Jesus: Exposing Popular Culture's Quest to Unseat the Biblical Christ. Before I've cracked either one of those books, their titles have already made me suspicious of Wallace's judgment and his agenda. And Roberts has authored tomes with titles like Jesus Revealed: Know Him Better to Love Him Better and No Holds Barred: Wrestling with God in Prayer, which brings us up to about 6 or 7 strikes against this claim of a 1st-century manuscript of Luke. But I have to keep an open mind here. Just because Wallace and Roberts are clearly crazy in some areas, and more than just a little eager to establish a paper trail right back to Jeebus Hisself, doesn't necessarily mean that they don't know squat about ancient manuscripts.

But still.